CVSO launching Katalog with its first release Garden Scene.

Track list:
A1 Dying Tree (Vocals: Kris Wellings) 05:21
A2 Arpanet 04:25
A3 Personal Jumping 06:09
B1 E64 05:03
B2 ROSA 04:46
B3 Infiltration (Vocals: Kris Wellings) 04:51
Runtime: 30:41

Info:

Expressed by synthetic voices, they present a futuristic take on modern electronic music.
Lush sounds of classic analog synths, modular drum machines, and digital sources merge
into unheard soundscapes within their voltage driven root system. Six tracks combining
various paths of the electronic landform into a musical journey framed by Kris Wellings’
uncanny chants. Garden Scene is a trip from the aesthetics of Detroit electro to complexity
of IDM to harmonic outbursts from the abyss of contemporary pop culture.



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Gatefold, red 180gr Vinyl

Genre: Independent Deutsch
File under: Electro, Post Punk, Experimental

Tracklist:

01. Motorboy
02. Sandsturm
03. Stiefel Im Wind
04. Delinquent
05. Fukushima
06. Vielen Dank, Herr Kapitaen
07. Radikal
08. Schmerz
09. Sex To Go
10. Als Ich Aufwachte
11. Baeng Baeng
12. Sinnlos High


MONA MUR Soloalbum "Delinquent" auf Cheezy Crust Records! Vinyl-Erstveröffentlichung des 2019er Albums - auf 300 Stück limitierte, farbige Vinyl-Edition

Mona Mur - ein Name, der für eine rauchig-coole Stimme, manisch-intensive Auftritte und eine illustre Liste von wechselnden Mitmusikern steht. Sie ist nicht nur Sängerin, sondern auch Songschreiberin und Produzentin. Als "80s survivor" hat sie sich in den letzten drei Jahrzehnten kontinuierlich in der Musikszene behauptet, auf Tour oder in ihrem eigenen Berliner Studio KATANA. Jetzt können Musikliebhaber ihr 2019er Album "Delinquent" als limitierte Vinyl-Edition auf dem Hamburger Label Cheezy Crust Records erleben. "Delinquent" ist eine Sammlung von 12 Songs auf Deutsch in hartem Schwarz-Weiß, - kurze Geschichten im Urban Desperado Style - körperlich schmerzhaft, schön und brutal wie die gegenwärtige Realität. Trotz ihrer Intensität sind sie tanzbar und verströmen eine unerwartete Leichtigkeit, sogar Humor. An der Seite von Mona Mur: Ralf Goldkind (bekannt durch Lucilectric und Die Fantastischen 4), Co-Produzent und Co-Autor von "Delinquent". Goldkinds hypnotische Twang-Gitarren und Minimal-Elektronik-Loops fungieren als kraftvolle Auslöser für den Elektro-Rock'n'Roll, der auf diesem Album zu hören ist. Die Zusammenarbeit zwischen Mona Mur und Ralf Goldkind hat einen knalligen und eingängigen Sound hervorgebracht. Goldkind, Hitproduzent und Punk der ersten Stunde, zeigte sich begeistert, endlich das Mona Mur-Album zu realisieren, von dem er schon immer geträumt hatte. Die Musik von Mona Mur ist eine einzigartige Mischung aus düsteren und intensiven Emotionen, die in einem elektrisierenden Soundgewand verpackt sind. Mit "Delinquent" setzt sie ein eindrucksvolles Zeichen in der Welt der alternativen Musik. "Delinquent" wird die Fans begeistern und neue Hörer in ihren Bann ziehen. Als Gastvokalistinnen sind Anja Huwe (X Mal Deutschland), Bettina Köster (Malaria) und Annika Line Trost (Cobra Killer) zu hören.



MONA MUR solo album "Delinquent" on Cheezy Crust Records! First vinyl release of the 2019 album - colored vinyl edition limited to 300 copies

Mona Mur - a name that stands for a smoky-cool voice, manic-intense performances and an illustrious list of changing musicians. She is not only a singer but also a songwriter and producer. As an "80s survivor", she has continuously asserted herself in the music scene over the last three decades, on tour or in her own Berlin studio KATANA. Now music lovers can experience their 2019 album “Delinquent” as a limited vinyl edition on the Hamburg label Cheezy Crust Records. "Delinquent" is a collection of 12 songs in German in harsh black and white, - short stories in urban desperado style - physically painful, beautiful and brutal like the current reality. Despite their intensity, they are danceable and exude an unexpected lightness, even humor. At Mona Mur's side: Ralf Goldkind (known for Lucilectric and Die Fantastischen 4), co-producer and co-author of "Delinquent". Goldkind's hypnotic twang guitars and minimal electronic loops act as powerful triggers for the electro rock 'n' roll heard on this album. The collaboration between Mona Mur and Ralf Goldkind has produced a bright and catchy sound. Goldkind, hit producer and punk from the very beginning, was thrilled to finally realize the Mona Mur album he had always dreamed of. Mona Mur's music is a unique mix of dark and intense emotions wrapped in an electrifying sound. With "Delinquent" she makes an impressive statement in the world of alternative music. “Delinquent” will delight fans and captivate new listeners. Anja Huwe (X Mal Deutschland), Bettina Köster (Malaria) and Annika Line Trost (Cobra Killer) can be heard as guest vocalists.


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Genre: Electro

A1 Dnarks
A2 Snadre
B1 Szun
B2 Rradix


And here we go again. After making his self-titled label debut in 2019 followed up by the super limited cassette tape "Sport EP" in 2020 Mint Huus is finally back on Cheezy Crust Records - and he's back on vinyl!

Exploring "Odd Radio Circles" we see Mint Huus catering an array of four cuts, once again covering and exploring a spectrum of superbly driving, high quality electronic club music of a timeless quality which is nothing short of a truly epic manifestation of the German artists production standard and value which is up to par with the genres greats.

Sparse, yet melodic, bouncing, yet dreamy from the very start the Mainz / Germany-based producer effortly amalgamates a highly functional Electro foundation, beautifully arranged vintage retro synth layers and ever bubbling Acid modulations to further carve out and create a distinct sonic realm and niche which, due it's innate drive and well comforting depth, is set to excel way beyond the confined boundaries of the Electro genre and gain praise and recognition on many dancefloors all around the globe.




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Format Notes: 2025 repress, 2024 first-time 12" single release of previously white label only tracks, 140g vinyl, mastered by Simon Francis


Track List:

A1 IN THE LIGHT OF THE MIRACLE (13:26 min)
B1 IN THE LIGHT OF THE MIRACLE - PONYTAIL CLUB MIX (PARTS 1 & 2) (14:10 min)

Release Notes:

FINALLY! The very first commercial release of two legendary remixes of Arthur Russell's "In The Light Of The Miracle". Both are widely regarded as transcendent masterpieces and very much befitting of the title “holy grails”.

These long-beloved mixes are the types you'd wish would last for eternity. With almost 30 minutes of music here, we very nearly get our desires granted. At last, these jaw-dropping mixes are widely available to every Arthur fan in the world. This is musical perfection.

The deep Loft classic "In The Light Of The Miracle" remained unreleased during Arthur's lifetime, finally discovered when Phillip Glass included the original version on Another Thought on Point Music in 1993. As Steve Knutson told us, when Another Thought was being put together, the plan was to release a companion album of remixes that was overseen by Steve D'Aquisto but the project only got as far as these two remixes of "In The Light Of The Miracle".

Some dodgy scans of some centre label designs suggest that Point Music might’ve been planning to release these on a 12" but it didn’t happen. The story goes that Gilles Peterson heard the remixes on a visit to the Point Music offices and wanted to release them on Talkin’ Loud. We’re not sure how many white label copies made it out into the wild, but again, these remixes didn’t make it to a proper release.

These remixes both extend and undeniably enhance the original, elevating it to new heights. The 13 minute remix on the A-side is by Danny Krivit & Tony Smith with editing duties performed by Tony Morgan. As ever with Arthur, the music is almost impossible to describe: is it Disco? Garage House? Avant Garde? None of these tags do full justice to its sheer majesty. You best just listen. Stretching out the original with some unbelievably great percussive elements, until we're in a deeply spiritual, otherworldly realm, it's just too beautiful for words. As many have claimed, it's the prototype for EVERYTHING.

The "Ponytail Club Mix (Part 1 & 2)", produced by Tony Morgan in the mid-90s, is in a more up-tempo style, with vocals higher in the mix, the BPM upped to 120 and the addition of a housey 4/4 kick drum. A 14 minute epic, you could say this is a more straight ahead "club-friendly" mix (but can things ever be that straightforward with Arthur?!) It also has some really interesting vocal parts not used in the other versions, including some vocals from guest poet Allen Ginsberg.

These remixes are part of the same original project that also produced the Another Thought album so it seems only right that they have a sleeve that matches. Thanks again to Janette Beckman for letting us use another of her photos of Arthur and the rest of the design follows what Margery Greenspan, Tina Lauffer and Michael Klotz did for Another Thought back in 1994.

Simon Francis remastered the original audio for both tracks and Cicely Balston's precise cut for Alchemy at AIR Studios ensures this 12" well and truly slaps. The immaculate Record Industry pressing will ensure this incredibly sought-after treasure finds a home in many more collections, this and every year.


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LP+ Insert

Hello, we´re proud to present a 2024 Repress Edition of the Original V/A - Future/ Primitive Aotearoa 89-91 "Kiwi Animals" ! Same Artwork, Design, Content and Pricing.

Special remarks:

Follow up to the labels previous release - Frank Harris & Maria Marquez 'Echoes' First local NZ dig for Strangelove. For fans of Flying Nun more quirky/ electronic output., contains songs reissued on vinyl for the first time from cult Kiwi bands Blam Blam Blam, Headless Chickens and Chris 'Roger' Knox.

Track list:

A1- Kim Blackburn- Lizards in Love

A2- The Kiwi Animal- Woman & Man Have Balance

A3- Rupert- Soul Brothers

A4- Stiff Herbert- I Could Hit the Ceiling

A5- Drone- Nothing Dominant

A6- Norma O’Malley- Some Tame Gazelle

B1- The Headless Chickens- Throwback

B2- Blam Blam Blam- Respect

B3- Roger Knox- Whole Weird World

B4- Tom Ludvigson & Graeme Gash- Ulläng Jnr

B5- Ballare- Dancing




Short info:

Strangelove's personal Inventory of NZ 1980's odd pop; 'Kiwi Animals' recasts the local charts in a parallel universe of misfit melodics, gonzo-tronics & strange waves. Channelling South Pacific voodoo and edge of world melancholia, the album highlights electronic tangents from iconic NZ groups Blam Blam Blam & Headless Chickens. It dredges the cassette revelations of art avante-gardists' Drone & Kim Blackburn, alongside bittersweet moments from Rupert & Norma O'Malley. There's the infectious minimal wave of Ballare and a reprised electro-boogie dance suite (?!) from Tom Ludvigson & Graeme Gash. The furthest depths of Flying Nun's catalog are also plundered- a brilliant earworm from Stiff Herbert and a mysterious "Roger" Knox birthday promo. Mining disparate seams of a local indie label awakening, the various tangents of 'Kiwi Animals' congeal with a future/primitive sensibility and an underlying Antipodean mischievousness…


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Tracklist

A1. Casita Más Alta
B1. Cala Vedella
B2. Las Cicadas
B3. Niu Blau

Ruffy's back with a new four track EP Casita Más Alta and it's a love letter to Ibiza -
as he takes us on an alternative tour of his favourite parts of the pine-covered
island.

The title track opens slowly, spaced out with motifs and pads washing in like an
incoming tide, before charging headlong to the beach with a thumping kick and
distorted keyboard solo. In contrast, we get a more sundown feel with Cala Vedella,
soaking up the forest breeze and sounding like The Art of Noise but fed through a
modulator and left to float in the iciest pitcher of 7Up.

Meanwhile, the rolling congas and percussive synths of Las Cicadas take us deep
into tribal territory, Lost Woods style. The EP closes out with Niu Blau, built on
beautifully optimistic choir pads and steel pan sounds, and the evening could just
go on forever, especially if you've taken any of those power ups. It might be an
homage to Ibiza and the Balearics, but seen through the Ruf Dug prism, there's
always something new to discover.







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Territories: WORLD EXCLUDING UK

TRACKLIST
1. / A1 ClickClickClick 05:34
2. / A2 Gearbox 05:45
3. / B1 Destination 909 05:59
4. / B2 Reach Out 06:03

Tresor resident DJs LNS and DJ Sotofett have for some years been developing a style at the club‘s Globus floor, and their new EP is a die cut of exactly the classic techno, electro, and house music they play.
Here are no productions drenched in reverb, no hi-fi obsessions or generic algorithmic patterns – this is Globus Trax, the duo's third release on Tresor Records, four tracks consisting of real TR-909 workouts, rude and driving basslines, live runs through the mixing desk, and a Blake Baxter cover version with LNS on vocals.
LNS & DJ Sotofett programmed an EP to perfectly fit their warehouse style of DJing, bringing out colour and variation in a spectrum more similar to a club compilation than a dogmatically reduced concept. With a single repeated vocal sample, Globus Trax opens bombastically with ClickClickClick, a dub -infused UK garage house track anyone in the world can easily describe in the course of a second.
Following this comes Gearbox which is a hefty slab of big room electro featuring a centerpiece arpeggio and the warmest harmonic pads on the EP's four tracks, which not-so-subtly makes reference to the pioneering band that shares a name with Globus and Tresor's home, the Kraftwerk.
The house vibe returns on Destination 909, which is nothing but a manifesto for the TR-909, where the beloved drum machine's jacking beats meet galactic strings and synthetic bass, only to be ripped apart in a slamming break that sees the machine take centre stage as it cuts in-and-out of the mix, again a clear nod to the duo’s sets in the club.
LNS steps up on vocal duties and DJ Sotofett keeps the 909 running for their final cut, taking a deeper dive into the realms of classic techno and paying tribute to “The Prince of Techno” Blake Baxter by covering his Reach Out originally released on Tresor Records in 1995.
The 12” was cut by DJ Sotofett himself at Manmade Mastering, where he resurrects the lost art of late-90s loud cuts with sonic presence and punch, optimal for the club-focused 12” format, and is the first to come in the new Tresor Sleeve, boasting an embossed logo on either side.




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Territories: World excl. UK + North America

FORMAT 12" 180g vinyl, generic sleeve, dl card

TRACKLIST
A1 Reform 04:18
A2 Plexistorm 04:29
A3 355 Loop A (vinyl only)
B1 Electric Terraforming 05:16
B2 909 The Controller 04:13
B3 355 Loop B (vinyl only)

RELEASE INFO:
LNS and DJ Sotofett return to Tresor Records with The Reformer EP. This new record moves forward with a crystal clear,
direct and controlled output, leaving their debut album "Sputters" as an end-mark of a sonic era. Here they evolve into a
topography full of contrasts, where harsh digital artefacts, scanner sounds, and vocoder voices cast melodic colors across
cold landscapes of club-ready electro.
"Reform" plunges deep into an electro sound splintered by binary bits and submerged pads that beckon a serene melody,
which echoes and loops to entangle with mutant voices, noises and buzzes. "Plexistorm" leads with synthesized strings and
arpeggiated acidic bleeps until a thick bass emerges, sounding almost like a long-lost Analord record. Heavily shapeshifting
with eects processing, it proves primitive movements in dubbing are the perfect counterpart to this precise electro sound.
With "Electric Terraforming", the duo uncover charged energy sources required for life on another planet, as broad synth pads
and memorable vocoder harmonies draw this earworm to a close. Mighty washes of dub rule on "909 The Controller" as a
skipping beat invites a slow, rippling melody and percolating reverberated synths.
The vinyl record has significantly dierent sonics to the digital release, and, exclusively, each side ends in a locked groove
produced by DJ Sotofett.

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Backstock - shipping from Feb 9

Tracklisting:
A1 Introlude
A2 Babel
A3 What We Need To Say
B1 Sick Of This World (Main mix)
B2 Sick Of This World (Gilb R Dub version)
B3 Outrolude


After it became known that the Red Light Complex in Amsterdam had to close Gilb'R invited his friends Satoshi Yamamura and Abel Nagengast down for a session up in the '… studio'.

The trio dived in head first and with eyes closed. The night was buzzing with impromptu music, singing and poetry and one evening lead to another. The gathered results are a raw homage to it's illustrious surroundings and can be listened to on an inspired 6 track 12". The Babel EP is out on Versatile Records.





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NON EXCL-LP+INSERT+SINGLE
LIMITED TO 500COPIES

Nirvana's third LP is a masterpiece of late UK sixties popsike turning into symphonic pop, but not having received proper promotion despite being equally good as, if not better than their previous releases, it also marked the end of the collaborations between Patrick Campbel-Lyons and Alex Spyropoulos back in 1969.



Nirvana presented it to Island boss Chris Blackwell under the title of Black Flower. Blackwell, however, decided to turn it down for release, but gave the masters to Campbell-Lyons and Spyropoulos so they could find a new label to release the album. That was to happen in the USA through Metromedia Records in 1969. At that time, the label's owner went through a scandal due to the payola days, which left Nirvana's third offering without any promotion - as a result of that, very few copies were pressed. There was also a UK release on PYE and it was even released by Metromedia in Japan. However, for years it remained as "the lost" Nirvana release, with the added fact that none of the released editions launched the album under its original title of Black Flower but under the rather cryptic Dedicated To Markos II (read why in the liner notes!).



Musically, this is Nirvana at their best. The tune that should have been the title track, Black Flower, is an incredible piece of symphonic psychedelia and probably the best produced Nirvana track ever. Campbell-Lyons and Spyropoulos were backed for the occasion by Spooky Tooth, who played on many tracks of the album, and big orchestral arrangements mesmerize the listener in one of the duo's darkest offerings. This song aside, the rest of the album was deemed as sounding too much like a French soundtrack by Island, which may do at some points –without that being a bad thing,– but there is a lot more to it, since Nirvana have not lost that popsike edge that characterised their sound in their two previous outings.



This is also a record that was widely acclaimed in the hip hop scene. And samplers of it have been used by several artists, most notably DJ Shadow used Love Suite in his 1996 debut album Endtroducing.



The Wah Wah edition has been remastered from the original tapes by Roger Prades @ Prades Mastering and comes with a bonus 7" EP and a four page colour insert with liner notes by Malcom Dome, plus a sheet with the lyrics of the songs. First ever official vinyl reissue since 1970 in a limited edition of 500 copies only!

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