Aroop Roy’s star is deservedly in the ascendancy! As one of London’s most exciting selectors, he’s managed to position himself in the sweet spot of being the DJ’s DJ and causing wild scenes wherever he plays, with headline grabbing sets at Defected Croatia, We Out Here, Gilles Peterson’s Worldwide and many more. As a producer, musician and label owner, he continues to excel, armed with a vast knowledge of outernational sounds, from rare African disco, jazz, funk, to house, UKG and seemingly everything in-between. His open-minded approach has led to brilliant releases and remixes for labels as diverse as Soundway, Heavenly Sweetness, Permanent Vacation, Club Bad, Delusions of Grandeur, Atjazz Recordings and his own Vive La Musique imprint. Having played a few gigs together, it was only a matter of time before Jimpster convinced Aroop to get an EP together for Freerange and the resulting Re Bulele EP couldn’t be any more satisfying! Leading the charge, 'Mama Mwana' captivates with entrancing thumb piano loops and a traditional African vocal all propped up by a subtle yet chunky house beat to lock the dancers in. 'Re Bulele' features the hypnotic vocals of Botswana native Fox Meropa. Aroop masterfully combines a deep, techy Afro House groove with glassy synth pads to form a stripped back instrumental with the vocals front and centre. Seemingly disparate elements shine on this wonderful alternative to the deluge of maximal Afro House tracks being released these days. Moroccan producer FNX Omar delivers the goods with a sublime remix of Re Bulele. Creating tension with layers of looping vocals along with a rolling, percussive groove. Like the original, this remix transcends genres and will create special moments on the dancefloor, whether it be in a dark, sweaty basement or daytime festival in the sunshine. More

Boogie Café continue their incredible form by offering up three tracks of deep house goodness from Aroop Roy. The A side ‘Good Times’ sweeps in with a bumping house cut, laced with feverish vocal cutups whilst the B side hits first with a hazy, deep synth stab groover, and finishes on a blistering, afro-tinged slice of funk fuel More

Stamp welcomes edit maestro Aroop Roy to the fold for its 10th label release! The A-side extends and tweaks a legendary flautist's catchiest hit while the flip tips one of America's most prolific musician's late 70's hits on its head. Long requested, now finally on wax!
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Aroop Roy has been making waves with his unique sounds for the past few years, with a wealth of successful releases and a busy gig schedule at the helm of some of the best clubs around the world. By fusing elements of Jazz, Afro, Latin, Funk and Soul with the deeper end of House and Disco, Aroop has forged his own style with EPs on revered labels including G.A.M.M, Basic Fingers, Freestyle and Lazy Days. For his Delusions Of Grandeur debut he pulled out all the stops, delivering three original tracks which further show his diversity as an artist and ability to produce left of centre, quality underground music without losing sight of the dancefloor. Things kick off with Save Our Love, a track that’s absolutely brimming with energy thanks to punchy Wurlitzer chops, tension-building Philly strings, and a rock-solid disco groove. Next up we have What I love which sees Aroop take an altogether more freaky approach flipping an uptempo rolling break, distorted synth line, cross-rhythm stabs and rasping vocal cuts into an edgy dance floor workout. Closing this brilliant EP is the low-slung bump of Walk That Walk featuring original vocals from Oakland, CA based Blacktroniks who delivers his flow on top of a bass-heavy slice of deep electro boogie. More

Kampana's debut release was a global hit across the house, disco and tropical scene, with support from heavyweights such as Francois K, Soul Clap and Gilles Peterson. The label is back just in time for summer with three more doses of peak time fire from Aroop Roy, who has gained a fine reputation for the quality and widespread appeal of his releases. ‘You Say' is a funk-fuelled number with gritty retro vocals and guitar, driven by a warm disco groove and 80s arp-synth. The feel-good vibes gradually build into an anthemic floor-filling climax. ‘Taj Mahal' reworks a Brazilian classic into a full on house workout, reminiscent of Roy's popular series on Gamm. ‘Mapora' is an original number that will blend well into both deep house and afro-centric sets. The track builds nicely with filtered samples and syncopated vocals, coming in with an infectious highlife guitar line and late night synth stabs, to get mind and body moving.

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The prolific Lay-Far has had a string of stunning 12's over the past few years and nothing seems to be stopping him either. Aroop Roy's eclectic work as a producer has been supported worldwide by numerous tastemakers including Gilles Peterson, Kyoto Jazz Massive, Patrick Forge and Laurent Garnier. We got in touch with Aroop after hearing his brilliant contributions on G.A.M.M. (Brazil Breakdown part 1 & 2) and on his Basic Fingers debut he continues his trait of delivering top quality reworks. Three versatile tracks that pack a mean punch. Rare groove, steel band disco and a slice of funk - it's all in here. Come get it while it's hot! More

Paris based DJ and producer Reverend P have been on the GAMM radar for quite some time. But its not until now that we managed to get his wonderful edits released through GAMM. Spread out over two EPs Reverend P delivers soul, funk and boogie reworks that sets himself up there with all the big players on the edit scene. On part 2 you'll find two killer edits of Diana Ross and Merry Clayton that together will please all the soul and boogie fans. More