20/20 Vision marks its 30th anniversary with another great release here in the form of some remixes of Crazy P's iconic single 'Stop Space Return'. The late Danielle Moore's unmistakable vocals shine across two stellar reworks from Colleen 'Cosmo' Murphy who infuses her cosmic, acid-laced disco energy into the track. Her Cosmodelica Remix and Dub version blend trippy 303s, cowbells and deep grooves into something suitably fresh. Also included are two classic Unabombers mixes from 2009, and they offer raw house heat and dubbed-out psychedelia that serves as a fine floor-focused reinterpretation of a beloved anthem.

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10-Year Anniversary Repress of Crazy P’s Seventh Studio Album Walk Dance Talk Sing, featuring Like A Fool and Cruel Mistress.

Tracklist
1.1Like A Fool
1.2The Come On
1.3Hear My Song
1.4Echo
2.1Scrap The Book
2.2Witch Doctor
2.3Something More
2.4The Come On
2.5WDTS


Listen: https://soundcloud.com/crazyp/sets/walk-dance-talk-sing-1

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Tracklist:
1. SOS (DJ Nature Remix)
2. Night Rain (Ilija Rudman's Higher Ground Mix)
3. We Will F**k You Up (Gerd Janson's Vocoder Remix)
4. Is This All It Seems? (Ron Basejam Instrumental Mix)

Crazy P - Age Of The Ego (Remixes) will be released over the course of 3 limited individual 12" singles followed by a full 3LP collection

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Tracklist:

1. We Will F**K You Up (Gerd Janson Remix)
2. The Witness (Medlar Remix Feat. Dele Sosimi)
3. This Fire (James Welsh Remix)
4. This Fire (See Thru Hands Remix)

1.Love Is With You (Hot Toddy Remix)
2. Barefooted (Soulphiction's Roller Skating Mix)
3. Is This All It Seems? (Ron Basejam Remix)
4. SOS (Somethin' Sanctified Remix)

1. SOS (Dj Nature Remix)
2. Night Rain (Ilija Rudman's Higher Ground Mix)
3. We Will F**K You Up (Gerd Janson's Vocoder Remix)
4. Is This All It Seems? (Ron Basejam Instrumental Mix)

Affirming their status as dedicated tastemakers, Crazy P call on some of their favourite producers, and deliver 12 immaculate remixes of their beloved 2019 album, 'Age Of The Ego' A cosmic, vibe heavy, and eclectic journey through low-slung, groovy balearic, big room disco, deep house, lo-fi, and beyond with artists Crazy P have admired, and friends encountered along the way.

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Tracklist:
1. Love Is With You (Hot Toddy Remix)
2. Barefooted (Soulphiction's Roller Skating Mix)
3. Is This All It Seems? (Ron Basejam Remix)
4. SOS (Somethin' Sanctified Remix)

Crazy P - Age Of The Ego (Remixes) will be released over the course of 3 limited individual 12" singles followed by a full 3LP collection.


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Tracklist:
1. We Will F**k You Up (Gerd Janson Remix)
2. The Witness (Medlar Remix feat. Dele Sosimi)
3. This Fire (James Welsh Remix)
4. This Fire (See Thru Hands Remix)

Crazy P - Age Of The Ego (Remixes) will be released over the course of 3 limited individual 12" singles followed by a full 3LP

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"During lockdown we delved deep into the Crazy P vaults to see what might be lurking in there. Plenty of buried treasure to be found, but these 2 little beauties grabbed our attention and seemed to fit well together. The lead track, If Life Could Be This Way, was a jam we had between the 3 of us, the vocal's a bit of a one take wonder from Dani, and we didn't touch it! It featured in our set and was the title of our last tour Nov 2021".

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Following 30 million steams for their previous album, sold-out headline gigs in Manchester and Percolate in London, supporting Chic and Chaka Khan, plus shows for Bluedot, Festival No 6, Love International and Boiler Room in Bali, the Nottingham/Manchester band are more in demand than ever. Fans of Fleetwood Mac, Peter Gabriel, Grace Jones, Arthur Russell, Jam Hammer, Prince and Bobby O will find much to like, but this is clearly modern music, where heavy clubs beats are layered-up with perfectly-placed arrangement, ace playing and stratospheric soundscapes. Musically, Crazy P's breadth of studio and writing experience shines brighter than ever, and 'Age Of The Ego' has their unmistakeable stamp of quality, but is now augmented with a broader palate, and - like many - a feeling of upset with the state of the world.

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Re-issue of the much sought after Hotbath edit series from Crazy P. Hot Bath is back with more hot and steamy gems... Four edits that take you on a musical journey from funk/foul/disco to even a little touch of pop! This is going to make it to many various DJ's boxes and dance floors!


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Crazy P return with the final remixes from the When We On album. These three remixes were the exclusive new mixes on the recent digital only remix album, but it’s only fair that remixes of this quality come out on wax. Burnski personally requested the parts to Beatbox to make a mix for his own sets, but once we heard it we knew it had to find a wider audience. Burnski really knows his way around real musical parts, and has kept the vibe of the original intact but has made it his own in his superb deep house style. Bonar Bradberry is one half of PBR Streetgang and good mates with Crazy P, his mix was a staple in Ibiza last season at the PBR residency at Space, and from a few other lucky DJ’s. Finally Wolf & Lamb have always been supporters of Crazy P and repay the favour of remix with a beautiful chilled version of Wecanonlybewhoweare that features some slinky guitar licks from Slow hands.


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Crazy P meet Appleblim for some Bristol 2 step soul and deep dark dub. Already a self confessed fan of the track (he included it on a dj mix for Fact) he was the perfect choice when it came to remixes. On this release we see two distinct sides to his personality, the 'Bristol Soul' mix channels the spirit of classic Soul II Soul and early Massive Attack but places it within the current crop of Bristol house mutations that follows on from his awesome 'Moonlight' track. The 'Deep Under dub' is one for dark, dub club manoeuvres that seems custom built for fabric or 9am at the Panorama Bar, I can't wait to hear this one on a proper system.


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Crazy P return to 2020Vision with their first new material since the ‘Stop Space Return’ album. The MTS series is a chance for Jim & Chris to get back to basics and produce some club tracks for their in demand dj sets, before they reconvene with the rest of the band for their next album. Already making waves with both of their soloexcursions (Ron Basejam and Hot Toddy), they team up here for two perfect examples of their trademark disco and house vibes. Crazy P are quite rightly held in great esteem from some of the hippest names around, Wolf & Lamb, Jamie Jones and Tensnake to name three. They have been ploughing their own deep disco furrow for many years waiting for fashion to catch them up, and now can take the plaudits for being figureheads of this UK scene. ‘My Love’ is a superb raw house cut, that’s custom built for sweaty basement sessions, influenced by classic US house. ‘Make Me Wanna’ takes a moreunk riffs and diva vocals. Both of superb examples of the amazing Crazy P sound and have had unanimous glowing feedback from the few people lucky enough to have heard them so far.



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10-Year Anniversary Repress of Crazy P’s Seventh Studio Album Walk Dance Talk Sing, featuring Like A Fool and Cruel Mistress.

Tracklist
1.1Like A Fool
1.2The Come On
1.3Hear My Song
1.4Echo
2.1Scrap The Book
2.2Witch Doctor
2.3Something More
2.4The Come On
2.5WDTS


Listen: https://soundcloud.com/crazyp/sets/walk-dance-talk-sing-1

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Repress!

Over a decade has passed since this was released, and it has truly aged like fine wine. This release features 2 timeless cuts from the mind and soul of intrusion, mixed and recorded near the heart of Detroit. This was beautifully remastered by dub innovator and pioneer, Stefan Betke [POLE] @ scape mastering in Berlin, DE. The recordings were pulled from the session masters conducted by Bazza @ Alchemy Mastering in London to ensure a perfectly balanced mix and preserving the soul and spirit of the original tape master. The first incarnation of "A Gentle Embrace" came in the form of three extended reshapes from cv313 & variant and now we're proud to offer the original work on beautiful crystal/silver mixed clear 150 gram wax! :)

On side A the most pristine of dub techno is on offer here, this is Detroit techno stripped down to its most minimal core. A gorgeous subtle ambient soundscape exploring the deepest end of dub and house with gentle surges of organic elements, field recordings and modular movements simply out of this world. The "Reduction" mix on side B captures those chilling glacial soundscapes, trademark basslines and mesmerizing gaseous atmospheres subtly layer into the mix. Otherworldly to say the very least, this is music to swim in, breathe in and to pray to - for the spirit and the soul. Essential!

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As trans-Atlantic alchemists pulling from a shared dialectic that somehow encompassed both postmodern deconstructionist tendencies and a delightfully subversive sense of poptimism, it’s easy to see how David Cunningham and Peter Gordon immediately hit it off upon initially meeting each other back in the late-1970s at the height of their youthful transgressions. Having initially worked together on the second Flying Lizards’ LP fourth wall, with its ingenious fusion of dismantled rhythms and rearranged melodies juxtaposed against the slyly sultry singing of Snatch’s Patti Palladin— with Gordon adding a few sprinkles of mischievous sax in the mix— it’s no wonder the collaboration would lead to further musical adventures.

Which leads us directly to the genesis of The Yellow Box. Embarking on a collaborative exercise in the structural repurposing of music as untethered puzzle pieces in need of rearrangement with no predetermined outcomes, the duo gave birth to a project that would see them move through both time and recording studios across Europe, taking nearly two years from 1981-1983 to complete. Enlisting the great Anton Fier on drums from The Feelies/Lounge Lizards nexus and John Greaves on bass from Henry Cow/Soft Heap lore to round out their dueling creative counterparts, the album would be something of a lost treasure until its eventual release on Cunningham’s Piano imprint in 1996.

Cinematic in scope, and filled with drifting drones, beautiful counter-melodies, eery minimalism, Kraftwerkian synthesizers, looped voices, skronky interludes, and other shifting undercurrents of sound, it was an album that utilized both a diverse array of expressive languages, as well as early sampling techniques and prepared instruments, well before most people were thinking in such expansive, integrated terms at the dawn of the 80’s. But such is life at the vanguard of new music. And one of the reasons that it likely sat on the shelf for so long before finally being released well over a decade later. Like a sparser, less groove-oriented version of My Life in the Bush of Ghosts, or a more radical take on the experimental work of Can’s Holger Czukay, The Yellow Box stands at the crossroads of time and technology, fusing multiple strands of musical thought and compositional techniques into a disjointed whole that somehow still comes off as a conceptually complete record.

Now, here it is again, over 40 years later, with perhaps even more historical resonance than it had before, remade and remodeled just waiting to be rediscovered again.

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First press sold out on presale - repress is coming soon!

Shinichi Koboyashi’s music as Bot1500 has such a beautiful signature to it. Using the layers and language of ambient IDM, artfully arranged pads & chords and crisp vectored breaks, he’s been creating a beautiful and highly individual sound.

The Black Sea, His first album since 2022’s Surreal on AD93’s sister label Lith Dolina, spaces things out more and focuses inward with a palette of minimalism and increased emotional resonance. It’s been a focus for Shinichi across his self-published studio work in the last few years.

The album’s tracks feel increasingly rooted in the principles and logic of dub. Utilising more space, more silence, and more focus on the simplicity and elegance of the composition folded into radiant arrangements of melody, snare, shade and echo.

The sea is both an inner landscape and a geographic image that hangs over the record’s mood. A dark humid summer night, like that on Japanese coasts. A small boat sails aimlessly. An eerie tone, but with a glimpse of beauty. The water is melancholic, enveloping, and endless.

Each track is written at 140bpm save for last track “White Flocks” at 120, for the image of heading south to close out.

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In 1975, Joyce Moreno, who had just wrapped up a tour with legendary Brazilian composer Vinicius de Moraes, found herself in a studio with producer Sergio Bardotti in Rome, Italy. She had been taking a break from writing and she decided to pick up a selection of her favorite compositions from contemporary Brazilian writers who‘s songs were beacons of hope in times of an ongoing intense Military leadership in her home country. Unlike their previous albums, these recordings live from their reductiveness and intimacy. For a long time, Passarinho Urbano was considered a secret masterpiece and was highly sought after by record collectors, now Week–End Records is glad to be making it available internationally on vinyl for the first time ever.

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10-Year Anniversary Repress of Crazy P’s Seventh Studio Album Walk Dance Talk Sing, featuring Like A Fool and Cruel Mistress.

Tracklist
1.1Like A Fool
1.2The Come On
1.3Hear My Song
1.4Echo
2.1Scrap The Book
2.2Witch Doctor
2.3Something More
2.4The Come On
2.5WDTS


Listen: https://soundcloud.com/crazyp/sets/walk-dance-talk-sing-1

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Two days after his 100th birthday, Marshall Allen started recording New Dawn, his debut solo album. A member of Sun Ra’s Arkestra since 1958, Allen assumed leadership of the band in 1995. Throughout his nearly seventy-year career, Allen has never released a solo album under his own name, and yet, instead of capping such a legendary output, New Dawn seems to herald a new beginning. A love letter to spacetime, it channels a century of musical intelligence into seven tracks, showing Allen at his most protean—freely moving from relaxed, transdimensional palettes to bluesy big band and beyond.

One of music’s vanguard avant-saxophonists, Allen continues to deliver durational feats during the Arkestra’s gigs. Still, the compositional energy contained on New Dawn is striking. Allen was approached with the idea of a solo record by Week-End Records’ Jan Lankisch. The Arkestra’s Knoel Scott — who has lived with Allen at the Arkestral Institute of Sun Ra since the 1980s — worked with Allen to pore over the archive of unrecorded material and develop this debut. Scott assembled some of Philadelphia’s brightest jazz stars as well as some Arkestra veterans for the sessions. New Dawn was then recorded over a couple of days in Philadelphia, with additional recordings to be added in the coming weeks and months. The legendary Neneh Cherry will lend her unmistakable voice to the title track “New Dawn”.

Though greatly informed by the philosophy of Sun Ra and his Saturnian teachings—traverse jazz’s traditions, dig deep into spiritual geographies — New Dawn signals Allen as his own singular voice, one that’s swinging and bopping and reflecting into the future, with no sign of stopping. Week-End Records is proud to release this debut solo album by Marshall Allen.

“New Dawn is clearly an extension of Ra’s legacy and sound, but it’s also a masterful endeavour filtered through Allen’s tastes and approach”. – John Morrison, The Wire, November 2024 (cover story)

Musicians: Marshall Allen – Kora, EWI, Alto Sax Knoel Scott – Baritone Sax, Congas, Drums Cecil Brooks – Trumpet Bruce Edwards – Guitar Jamaaladeen Tacuma – Bass Richard Hill – Bass Timothy Ragsdale – Bass Owen Brown Jr – 1st Violin Akiko Arendt – 1st Violin Cristina Ardelean Montelongo – 1st Violin Derek Washington – 2nd Violin Elias Feldmann – 2nd Violin Dimitra Karageorgopoulou – 2nd Violin Michael Ireland – Viola Vasileios Vasileiadis – Viola Joseph Richard Carvell – Bass Ilektra-Despoina Stevi – Cello Jorik Bergman – Flute George Gray – Drums Jan Lankisch – Percussion

Special Guest: Neneh Cherry - Voice

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REPRESS!

Masters at Work member Kenny “Dope” Gonzalez is the genius behind The Bucketheads – The Bomb! (These Sounds Fall Into My Mind). An established History of House hall of famer’, The Bomb’ is a 90’s house, party soundtrack essential that mixies electro, hip-hop and 4/4 house it features samples from Chicago’s ‘Street Player’ & Green Velvet’s ‘The Preacher Man’ fused into a disco-funk and house groove with edgy, funky, rough and ready beats and subtle latino flavour. It easy to see why its ranked in the 100 Greatest Dance Singles of All Time! Portuguese house producer Massivedrum is on remix duties. He has remixed dance royalty from Bob Sinclar, Axwell, Mory Kantè, Alexandra Stan, DJ Chus, Kentphonik, Yolanda B Cool among many others. He lends his house sensibilities and ear for the floor to enhance ‘The Bomb’ to new levels for an unforgettable experience. Besides the Massivedrum remix and it’s dub, also the full 14’51” minutes original version is available on this double A sided release! The Massivedrum remix is taken from the album “High Fashion Dance Music 5 – Mixed by Ben Liebrand”, which is available on LP/CD/MC and DCC.

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