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A new hub solely for the Icelandic talent’s unreleased material, BJARKI will also serve as a platform to launch a wealth of forthcoming audiovisual projects in the coming months, with the label logo designed by Paul Nicholson, NUMBER 3, and all artwork designed by Thomas Harrington Rawle - the creative behind the Care More project. Operating and creating its own storyline with every release, intertwining projects between Harrington Rawle and Bjarki across various mediums, the imprint will also drop a series of offshoot white label releases while being reactive and unveiling random drops across its upcoming schedule. Delivering his first solo release since ‘Oli Gumm’ on ???? in 2018, late-February marks the first release on the new label as he unveils his four-track ‘I Wanna Go Home’ EP. “I want to share more of my unreleased works, especially the tracks that I have created specifically for parties in each city I play. People impact my work a lot, and I would like to share this music directly before or after the show. I don’t see any other way than to set up my own channel or label where I can share all these ideas. Next year will be a lot about sharing stuff and being in direct contact with the audience.” - Bjarki
Opening the label with authority, ‘I Wanna Go Home’ welcomes a quartet of cuts showcasing the genre-spanning polymath at his best, delivering a medley of serious yet playful productions which arc back to previous material while also looking ahead to the future. A creative force with an unrelenting swathe of experimental ideas, influences and directions, this new eponymous imprint looks set to home some of Bjarki’s finest and most unpredictable material to date.

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Repress!
Bjarki leads a pack of international artists who in the past few years have taken a hauntological approach to re-moulding the scents of breakbeat, rave, jungle, trance and IDM into sounds that are entirely their own. Already this year he began his own label bbbbbb with artistic sparring partner Johnny Chrome Silver, released under new alias Cucumb45, performed his new live show at clubs and festivals from Mutek ES and Peacock to Printworks, and recently announced a US tour for July. TRP015 finds Bjarki in typical, monstrous, floor slaying form with four trance leaning tracks that have proved an inspiration for Nina Kraviz’s DJ sets over the past year. Bjarki takes key aspects of trance and takes it for a headspin into the unknown - mangled percussion, disorienting voices, unravelling textural layers, sub aquatic bass frequencies and intense melodies. All make for a uniquely irreverent take on a much maligned genre that most of us secretly adore..

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Repress!
Big main room techno banger by Bjarki with catchy Dj Deeon sample. Flip side is a dreamy track.

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The latest release from Bjarki Runar’s bbbbbb label sees Bjarki delving back into his vast archives and shines a light on a bizarre detour during the early days of the label that involved a peculiar commission from the Icelandic state.

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Bjarki closes an epic year of releases on ???? with a genre defying 12” harking back to the misty days of rave and acid house. The frenetic ‘Fresh Jive’ features Bjarki’s trademark ethereal pads, metallic percussion and a resonant bass melody to create the perfect dancefloor ear-worm. ‘Genat 8’ broods as it builds with vocal snips and jittery percussion, heavy bass and moody soundscapes. It’s an essential vinyl cut that will further define the Icelandic artists unique reworking of classic dancefloor elements into his own signature sound

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Æ is the third part of Bjarki triptych of LPs to be released this year. Æ is a particularly Icelandic form, pronounced “I” in English; Bjarki thinks it just looks good. Here it is a selection of music that is at its core quite simple, with restrained instrumentation, made on hardware and features a selection of older works and the most recent produced just weeks ago. Bjarki is from Iceland. Born and raised. Despite the fact that Bjarki is known for making extremely powerful dance floor tracks he doesn’t seem to belong to any particular genre. Something this triptych of LPs demonstrates very well. His music is at times cinematic and there’s a story behind each track. Bjarki’s music always has something to do with him personally, but he’d rather the listener lose themselves in the music than pay much attention to the man behind them. Either on a record or to one of his ever evolving live sets.

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Lefhanded Fuqs is the second of Bjarki triptych of LP’s to be released this year. Follow the stunning ‘?’ released in June this year, Lefhanded Fuqs and Æ are being released over the coming months and represent a snapshot of his archive, selected by Nina Kraviz for Trip. The tracks were produced months ago, years ago, or in the case of the last track just a couple of weeks ago. What began with 30 tracks are now 41. The three LPs aren’t albums in the traditional sense - the concept being to release the contents of his burgeoning hard drives. The music might fit together like an album, but Bjarki doesn’t see it that way. It’s essentially an archive that sounds like an album but none of the music was made with this in mind. Lefhanded Fugs is released this September to feverish anticipation. Whilst naming one of the tracks that he made with a left hand for the LP, Bjarki was so left-handed that he completely misspelled it. But in honour of all the left-handed people making mistakes because of tools made only for right-handed people, he decided to keep it. The LP contains the more experimental material from the archive, including one the first film scores he produced several years ago for a story he wrote himself. Bjarki is from Iceland. Born and raised. Despite the fact that Bjarki is known for making extremely powerful dance floor tracks he doesn’t seem to belong to any particular genre. Something this triptych of LPs demonstrates very well. His music is at times cinematic and there’s a story behind each track. Bjarki’s music always has something to do with him personally, but he’d rather the listener lose themselves in the music than pay much attention to the man behind them. Either on a record or to one of his ever evolving live sets


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London-based DJ and producer Steven Julien’s career has always been about contrasts. Across a decade of releases on labels including Eglo and his own Apron Records, as well as club sets around the world, he’s consistently mixed light and dark, soft and heavy, yin and yang. From rough-edged house and techno to laid-back soul and boogie, or meditations on his familial and musical heritage with 2018’s Bloodline LP Julien’s music has always moved between moods, styles and emotions.
That eclecticism also defines Julien’s upcoming instalment in !K7’s iconic DJ-Kicks mix series. Featuring a broad spectrum of artists including Ryuichi Sakamoto, DaM-FunK and Todd Edwards, alongside a selection of his own exclusive productions, Julien takes us on an imagined journey from day to night: from a bucolic afternoon in nature to heady domestic vibes before a big night out, and finally the euphoric embrace of the dancefloor itself.
Julien describes his creative approach to DJing in general, and this mix in particular, as letting his energy and intuition guide him - it’s only on listening back to the finished session that he realised how often he mixes tracks in key, creating smooth transitions from one moment to the next.
That instinctive approach, where seamless mixing becomes second nature, speaks to Julien’s decade of appearances in DJ booths around the world: he cites sets at Ormside Projects in London, Doka and De School in Amsterdam, or Mitsuki in Tokyo as specific inspirations for this mix.
Julien describes the feeling he’s tried to capture on tape as an out-of-body energy: just letting loose, and being yourself. “When you get in that position of doing what’s true to you, playing what’s true to you” he says, “people just resonate with that.”

KEY SELLING POINTS

3 new exclusive tracks by Steven Julien
Exclusives by Kyle Hall, DaM-FunK & more
Featuring two tracks by Ryuichi Sakamoto that were never available on vinyl before
includes limited DJ-Kicks playing card
100% GVR vinyl made from bioplastics derived from renewable resources

LP TRACKLIST
A1 Steven Julien - PAYN ME MIND ft. Kristian Hamilton
A2 d’Eon - Transparency
A3 Ryuichi Sakamoto - A Day in the Park
B1 Steven Julien - Retriate ft. Dreamcastmoe
B2 Elli - Just For Me & You
B3 Steven Julien - Number

C1 Brothermartino - KAH
C2 DaM-FunK - Morphing
C3 My Girlfriend - UBER HYPE
D1 Mr Flash - Disco Dynamite
D2 Devin Morrison - Shesbi
D3 Ryuichi Sakamoto - Rio

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London-based DJ and producer Steven Julien’s career has always been about contrasts. Across a decade of releases on labels including Eglo and his own Apron Records, as well as club sets around the world, he’s consistently mixed light and dark, soft and heavy, yin and yang. From rough-edged house and techno to laid-back soul and boogie, or meditations on his familial and musical heritage with 2018’s Bloodline LP Julien’s music has always moved between moods, styles and emotions.
That eclecticism also defines Julien’s upcoming instalment in !K7’s iconic DJ-Kicks mix series. Featuring a broad spectrum of artists including Ryuichi Sakamoto, DaM-FunK and Todd Edwards, alongside a selection of his own exclusive productions, Julien takes us on an imagined journey from day to night: from a bucolic afternoon in nature to heady domestic vibes before a big night out, and finally the euphoric embrace of the dancefloor itself.
Julien describes his creative approach to DJing in general, and this mix in particular, as letting his energy and intuition guide him - it’s only on listening back to the finished session that he realised how often he mixes tracks in key, creating smooth transitions from one moment to the next.
That instinctive approach, where seamless mixing becomes second nature, speaks to Julien’s decade of appearances in DJ booths around the world: he cites sets at Ormside Projects in London, Doka and De School in Amsterdam, or Mitsuki in Tokyo as specific inspirations for this mix.
Julien describes the feeling he’s tried to capture on tape as an out-of-body energy: just letting loose, and being yourself. “When you get in that position of doing what’s true to you, playing what’s true to you” he says, “people just resonate with that.”

KEY SELLING POINTS

3 new exclusive tracks by Steven Julien
Exclusives by Kyle Hall, DaM-FunK & more
Featuring two tracks by Ryuichi Sakamoto that were never available on vinyl before
includes limited DJ-Kicks playing card
100% GVR vinyl made from bioplastics derived from renewable resources

CD TRACKLIST
01 Steven Julien - PAYN ME MIND ft. Kristian Hamilton
02 ?Hudson Mohawke - Expo
03 d’Eon - Transparency
04 Ryuichi Sakamoto - A Day in the Park
05 The RAH Band - Out On The Edge
06 ?Steven Julien - Retriate ft. Dreamcastmoe
07 Elli - Just For Me & You
08 ?Suze ijó - Call Me
09 Chaos In The CBD ft. Nathan Haines & Dave Koor - Emotional Intelligence
10 Brothermartino - KAH
11 ?brandUn DeShay - Rukunetsu
12 ?Steven Julien - Number (DJ-Kicks)
13 Todd Edwards - Dancing For Heaven
14 DaM-FunK - Morphing
15 Kokoroko - Dide O (Ash Lauryn & Stefan Ringer Remix)
16 Kyle Hall - Sarabi
17 Josh Caffe - Justify My Sex ft. Al White
18 My Girlfriend - UBER HYPE
19 ?Cheek - Venus Sunshine People (DJ Gregory Remix)
20 Mr Flash - Disco Dynamite
21 Devin Morrison - Shesbi
22 Ryuichi Sakamoto - Rio

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- 6x 12" LPs, 2 Piece Hard Shell, ribbon pull tab Box Set with 40pp Perfect Bound Book, Gold PMS and Spot UV, A2 Poster. (not returnable)

To celebrate this monumental milestone, we’ve created a limited boxset in 6LP and 3CD of ‘The K&D Sessions’, mastered and cut by LA luminary Bernie Grundman for a luxurious listening experience, with newly designed inner sleeves using unseen photos from the original photo shoot. Inserted in the box is a forty-page booklet containing multitudes more never before seen photos from the same shoot and notes. Included on the 6th LP is their legendary 11 minute shimmering remix of Madonna’s “Nothing Really Matters”.

6LP Tracklist:
A1 Roni Size, Reprazent - Heroes (Kruder's Long Loose Bossa)
A2 Alex Reece - Jazzmaster (K&D Session TM)
B1 Bomb The Bass - Bug Powder Dust (K&D Session TM)
B2 Lamb - Trans Fatty Acid (K&D Session TM)

C1 Count Basic - Speechless (Drum 'n' Bass)
C2 Rockers Hi-Fi - Going Under (K&D Session TM)
D1 Depeche Mode - Useless (K&D Session TM)
D2 Count Basic - Gotta Jazz (Richard Dorfmeister Remix)

E1 Aphrodelics - Rollin' On Chrome (Wild Motherfucker Dub)
E2 Knowtoryus – The Revenge Of The Bomberclad Joint (K&D Session)
F Truby Trio - Donaueschingen (Peter Kruder's Donaudampfschifffahrtsgesellschaftskapitänskajütenremix)

G1 David Holmes - Gone ft. Sarah Cracknell (K&D Session TM)
G2 Sofa Surfers - Sofa Rockers (Richard Dorfmeister Remix)
H1 Mama Oliver - Eastwest (Stoned Together)
H2 Bomb The Bass - Bug Powder Dust (Dub)
H3 Kruder & Dorfmeister - Boogie Woogie

I1 Sin - Where Shall I Turn (K&D Session TM)
I2 Bone Thugs-n-Harmony - 1st of Tha Month (K&D Session TM)
I3 Kruder & Dorfmeister - Lexicon
J1 Knowtoryus - Bomberclad Joint (K&D Session TM)
J2 Rockers Hi-Fi - Going Under (Evil Love & Insanity Dub)
J3 Strange Cargo - Million Town (K&D Session TM)

K1 Count Basic - Speechless (Peter Kruder Vocal Mix)
K2 Lewis Taylor - Lucky (Kruder & Dorfmeister Suicide Mix)
K3 Roni Size - Heroes (Peter Kruder Powercut Mix)
L1 Madonna - Nothing Really Matters (Kruder & Dorfmeister Remix)
L2 UFO - L.O.V.E. (K&D Session TM)
L3 Lewis Taylor - Lucky (Kruder & Dorfmeister Reprise Mix)

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- 3xCD, with 40pp Perfect Bound Book, housed in a 12" Flapped 350gsm Slipcase, with Spot UV, A2 Poster. (not returnable)

To celebrate this monumental milestone, we’ve created a limited boxset in 6LP and 3CD of ‘The K&D Sessions’, mastered and cut by LA luminary Bernie Grundman for a luxurious listening experience, with newly designed inner sleeves using unseen photos from the original photo shoot. Inserted in the box is a forty-page booklet containing multitudes more never before seen photos from the same shoot and notes. Included on the 6th LP is their legendary 11 minute shimmering remix of Madonna’s “Nothing Really Matters”.

3CD Tracklist:
DISC 1 (mixed)
01 Roni Size, Reprazent - Heroes (Kruder's Long Loose Bossa)
02 Alex Reece - Jazz Master (K&D Session TM)
03 Count Basic - Speechless (Drum 'n' Bass)
04 Rockers Hi-Fi - Going Under (K&D Session TM)
05 Bomb The Bass - Bug Powder Dust (K&D Session TM)
06 Aphrodelics - Rollin' On Chrome (Wild Motherfucker Dub)
07 Depeche Mode - Useless (K&D Session TM)
08 Count Basic - Gotta Jazz (Richard Dorfmeister Remix)
09 Rainer Trüby Trio - Donaueschingen (Peter Kruder's Donaudampfschifffahrtsgesellschaftskapi-tänskajütenremix)
10 Lamb - Trans Fatty Acid (K&D Session TM)

DISC 2 (mixed)
11 David Holmes - Gone ft. Sarah Cracknell (K&D Session TM)
12 Sofa Surfers - Sofa Rockers (Richard Dorfmeister Remix)
13 Mama Oliver - Eastwest (Stoned Together)
14 Bomb The Bass - Bug Powder Dust (Dub)
15 Kruder & Dorfmeister - Boogie Woogie
16 Sin - Where Shall I Turn (K&D Session TM Vol. 2)
17 Bone Thugs-N-Harmony - 1st of Tha Month (K&D Session TM)
18 Kruder & Dorfmeister - Lexicon
19 Knowtoryus - Bomberclad Joint (K&D Session TM)
20 Rockers Hi-Fi - Going Under (Evil Love & Insanity Dub)
21 Strange Cargo - Million Town (K&D Session TM)

DISC 3 (unmixed)
22 Count Basic - Speechless (Peter Kruder Vocal Mix)
23 Lewis Taylor - Lucky (Kruder & Dorfmeister Suicide Mix)
24 Knowtoryus - The Revenge Of The Bomberclad Joint (K&D Session TM)
25 Roni Size - Heroes (Peter Kruder Powercut Mix)
26 Madonna - Nothing Really Matters (Kruder & Dorfmeister Remix)
27 UFO - L.O.V.E. (K&D Session TM)
28 Lewis Taylor - Lucky (Kruder & Dorfmeister Reprise Mix)

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incl. DJ-Kicks playing card
Fashion icon, catwalker, curator, historian, commentator, activist, Grammy winner and – damn right – DJ, there ain’t much these days that Ms. Honey Dijon doesn’t do with aplomb. Most of her achievements thus far came via her passion for clubbing and the art of DJing, from those early Chicago parties to her role as a de facto ambassador for world dancefloors.

Tracklist
A1 Honey Dijon - Finding My Way (DJ-Kicks) ft. Ben
Westbeech
A2 Buika x Kiko Navarro - Mama Calling (Tedd Patterson
Remix)
A3 Shaboom - Bessie
B1 D:Ream - U R The Best Thing (Def Club Mix)
B2 Stereo MC’s - Good Feeling (Mr G’s Turn On Dub)
B3 Black Joy - Untitled (Solid Groove Remix)
C1 Scott Richmond & John Selway present Psychedelic
Research Lab - Keep On Climbin’ (Mix 2)
C2 Charly Brown - Freaked Out
D1 Maydie Myles - Keep On Luvin’ (West Tribe Beats)
D2 Johnny Dangerous - Dear Father In Heaven (Mr.
Marvin’s House of Dreams Mix)

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Fashion icon, catwalker, curator, historian, commentator, activist, Grammy winner and – damn right – DJ, there ain’t much these days that Ms. Honey Dijon doesn’t do with aplomb. Most of her achievements thus far came via her passion for clubbing and the art of DJing, from those early Chicago parties to her role as a de facto ambassador for world dancefloors.

Tracklist
01 Honey Dijon - Intro
02 Chestnut - Pot Of Gold
03 Charly Brown - Freaked Out
04 Stereo MC's - Good Feeling (Mr G’s Turn On Dub)
05 Johnny Dangerous - Dear Father In Heaven (Mr.
Marvin House Of Dreams Mix)
06 Psychedelic Research Lab - Keep On Climbin’ (Mix 2)
07 Blow Out Express - You’re Mine (Sound Factory Bar
Mix)
08 The Dance Kings - Climb The Walls
09 Buika x Kiko Navarro - Mama Calling (Tedd Patterson
Remix)
10 Cassio The Cassmaster - Getting Hot (Broad Market
Street Mix)
11 Maydie Myles - Keep On Luvin (West Tribe Beats)
12 Michi Lange - Brothers And Sisters (Radio Mix)
13 Shaboom - Bessie
14 D:Ream - U R The Best Thing (Def Club Mix)
15 Sir Lord Comixx - Soul House
16 Honey Dijon - Finding My Way (DJ-Kicks) ft. Ben
Westbeech
17 Art Of Tones - Praise
18 Waajeed - Right Now
19 Black Joy - Untitled (Solid Groove Remix)

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“Universal.” That is the word that Tristan Hallis proudly states when describing his inaugural entry into DJ-Kicks’ storied lineage. As DJ BORING, the Australian DJ and producer has forged a vibrant and illustrious career that has taken him to all corners of the globe.

LP TRACKLIST
A1 DJ BORING - You Luv Me
A2 Patrick Holland - Fried
A3 Sally C - All Love
B1 Cameo Blush - Art Of Worry
B2 DJ BORING - N15
B3 Sfire - Sfire6
C1 Burnski - Pacific
C2 Leo Pol - I’d Rather Be Getget
D1 Bambounou - Expensive Discogs
House
D2 Matisa - Balet

Listen LP: https://on.soundcloud.com/XJYBH3Cibx4w2piN6

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“Universal.” That is the word that Tristan Hallis proudly states when describing his inaugural entry into DJ-Kicks’ storied lineage. As DJ BORING, the Australian DJ and producer has forged a vibrant and illustrious career that has taken him to all corners of the globe.

CD TRACKLIST
01 Anthony Napels - Orb Two
02 Patrick Holland - Fried
03 Surgeons Girl - Sympathetic Cycle
04 Thomas Fehlmann -Schizophrenia
05 Oscar Jerome - Berlin 1
06 Rampa - 79249 Intro
07 Matisa - Balet
08 Sally C - All Love
09 Teqmun - Nettle Dweller (Pariah
Remix)
10 Beste Hira - Pembe Bulutlar
11 Burnski - Pacific
12 Cameo Blush - Art Of Worry
13 DJ BORING - You Luv Me
14 Shanti Celeste - Cutie
15 Hertz - More Funk
16 Bambounou - Expensive Discogs
House
17 Jennifer Loveless - Back 2 Front
(She Just Keeps Going)
18 Regal86- Fuel (Deep Dish Mix)
19 Tim Taylor Vs. Thor 54 - Over The
Hill (Mr G's Hi Nrg Dub)
20 DJ BORING - N15
21 Odymel - Even Sven
22 Leo Pol - I'd Rather Be Getget
23 Ede & Deckert feat. Sargland -
Immer (Narciss 'Venice' Remix)
24 moktar & Saad El Soghayar -
???? H

https://on.soundcloud.com/1eSYshcRcVYcU6Kx9

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London outfit Kassian continue their broadly- evolving yet highly detailed journey through and beyond sound towards something ever more expansive. Their second release for !K7 Records comes in the wake of creating a dedicated hardware-forward studio in a Northeast London container complex, where they have the freedom to interlink their machines. This renewed focus brought them to Supercontinent EP, named for the ancient geological era when Africa and South America were joined as Pangea.

A reformulation of rhythmic ideas inspired by South= African Amapiano and South American Baile Funk governs the two hemispheres of the record. The pair examine and deconstruct dancefloor material, eschewing 4/4 for interlocking shaker patterns, searing acid lines, cracking breakbeats, and vocal samples in Zulu and Brazil Portuguese.

The immediacy of the restless rhythm and bass-led funk of “Yena” (the word Yena translates to ‘he/him /man’)forms a sweet spot where double-time and half-time can coexist. “Yami” (‘mine’ in Zulu) is a slinkier proposition which sheds prominent percussion in favour of a weighty, fluid, acid-informed bassline undulating from below.

An ascending percussive riff marks the arrival of “Pulgueiro”, followed closely by break beats and the nostalgia of distinctly British acid electro; it is an intentionally future-forward retelling of a vintage sound, replete with a mind-melt breakdown of rave pads.

A dubbed-out groove dominates the bottom-heavy “Sistema” – a groovy, steady roller that chugs and propels and chugs with head-nod hypnotism through an intricately minimalistic approach.

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Suchi’s bouncy, airy productions are so organically deft that they almost belie the complexity that exists within. Prior to her !K7 debut the Oslo-born, London-bred, Delhiinfluenced DJ and producer found herself in a period of creative stagnation, while attempting to rediscover her own voice through production. After going back to the drawing board again and again she resolved to let go of overthinking, eschew the process, and let experimentation lead the way, revisiting some simmering sketches and work in new ways.

Ghungroo EP is the result of this reset, and rediscovers Suchi’s sense of playfulness through different production styles. It’s pressed on eco-friendly vinyl, PVR free and 100% recycled. “Ghungroo” is a homage to Suchi’s early years, and named for the small metallic bells strung around the ankles of classical Indian dancers. The track is equal parts cosmic, bassy and wavy, with a downwards bassline that plumbs the depths of low frequencies. The memory of early music passions emerges as the same melodic loop undresses and redresses in different guises - between breezy pads, glowing chimes and euphoric bells.

“Bla°merke” means bruise in Suchi’s native Norweigan tongue, and it leads heavily with double-time polyrhythmic drums, ravey rhythms and percussive bubbles popping. Triplets of synth stabs are artfully deployed with reverb and warped, stretched pads, bringing a whimsical twist to a track that is otherwise a tough-edged stomper. “Bottlepop” loosens up the tempo for a funky house framework, foregrounded by a big melodic synth riff. The track’s hookiness is enhanced by its old-school school feel, with distorted whistles and evocative pads. “Bla°merke” is then given a rework by Sam Goku who was chosen for his euphoric, dusty-sounding club tracks that hit hard; in his care the remix provides exactly that, via throbbing, shimmering, deep trippiness

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Finally back on vinyl again! A double LP that doesn't need an introduction!


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For the 15th anniversary of this timeless classic, !K7 Records are re-issuing Tosca’s seminal album ‘No Hassle’ in an audiophile 3LP format.

Tracklist:
1.1My First
1.2Elitsa
1.3Springer
1.4Birthday
2.1Oysters In May
2.2Joe Si Ha
2.3Elektra Bregenz
2.4Fondue
3.1Rosa
3.2Raymondo
3.3Mrs. Bongo
3.4No Hassle

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2LP TRACKLIST
A1 HAAi x Jon Hopkins x KAM-BU - Always Ascending
A2 HAAi - ZiGGY
B1 I. JORDAN - Life on the Wing
B2 Joshua James - We Go Again
B3 DJ PGZ - Quality High
C1 Koreless - Seven (Drumhell)
C2 Cocktail Party Effect - Make It Undone
C3 The Blessed Madonna - Strength
D1 Manni Dee, River Moon - Hot
D2 HAAi - SHiNE


London-based, Australian-born Teneil Throssell, aka HAAi, is known for a strain of sonic psychedelia that metabolises precise sound design, melodic techno, electronic pop and thundering beats. Following the release of her acclaimed 2022 album, Baby, We’re Ascending, HAAi has reached what she calls “another career milestone” - an invitation to steer the next edition of !K7 Records’ acclaimed DJ-Kicks series.
HAAi approached this mix with two concurrent goals: to continue to iterate on her artistic theme - which she named ‘always ascending’ - and to highlight her flair for hyperkinesis and drama behind the decks, which she achieves with BPM left-turns, endless upwards tilts and sharp accelerations, liminal transitions and moments of pure euphoria. Within the sweeping journey she

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

CD TRACKLIST
01 HAAi - Intro
02 Lähetys/Transmission - Pan Sonic
03 HAAi - Ziggy
04 The Blessed Madonna - Strength
05 Jaco - Show Some Love (Rhythm Invention Remix)
06 Agoria - Boomerang
07 HAAi - SHiNE
08 Manni Dee, River Moon - Hot
09 I. JORDAN - Life on the Wing
10 Perc & Fractal - Up (Perc Remix)
11 Radiotrance - Plasma
12 Tunnidge - Geddeon
13 Surusinghe - Bet
14 Cocktail Party Effect - Make It Undone
15 Koreless - Seven (Drumhell)
16 Christian Smith, John Selway -Total Departure
17 HAAi x Jon Hopkins x KAM-BU - Always Ascending


London-based, Australian-born Teneil Throssell, aka HAAi, is known for a strain of sonic psychedelia that metabolises precise sound design, melodic techno, electronic pop and thundering beats. Following the release of her acclaimed 2022 album, Baby, We’re Ascending, HAAi has reached what she calls “another career milestone” - an invitation to steer the next edition of !K7 Records’ acclaimed DJ-Kicks series.
HAAi approached this mix with two concurrent goals: to continue to iterate on her artistic theme - which she named ‘always ascending’ - and to highlight her flair for hyperkinesis and drama behind the decks, which she achieves with BPM left-turns, endless upwards tilts and sharp accelerations, liminal transitions and moments of pure euphoria. Within the sweeping journey she

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

For Richard Dorfmeister and Rupert Huber, the idea of rebirth is a creative driving force – an artistic device which not only informs their work, but anchors it.
As the avant-garde electronic group Tosca, the two artists have lived many musical lives, from their early electronic experiments with tape decks to the blissed-out dub compositions with which they have made their name.

Their most recent album, OSAM, takes this idea of renewal even further. Now they have reworked the source material from their ninth record and selected some of their friends to help make MIRAGE: The OSAM Remixes.

TRACKLISTING 2LP / CD
A1/01 Dementamente (Brendon Moeller Reshape)
A2/02 Clean Up (Balint Dobozi Remix)
A3/03 Clean Up (D'AL SENIO Remix)
B1/04 Shout Sister (Tosca Mirage Ambient Version)
B2/05 Dementamente (Brendon Moeller House Dub)
B3/06 Nobody Cares (Sam Irl Dub)

C1/07 Entrecote (Domenico Ferrari Remix)
C2/08 Osam (Oberst & Buchner Remix)
C3/09 Osam (Tosca Mirage Remix)
D110 Dementamente (Brendon Moeller Campfire Dubu)
D2/11 Make Up (Cay Taylan's Ambient Diary Mix)

Listen: https://listen.k7.com/47723ad2-ab12-458d-84bc-f7a783e6b10b

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

For Richard Dorfmeister and Rupert Huber, the idea of rebirth is a creative driving force – an artistic device which not only informs their work, but anchors it.
As the avant-garde electronic group Tosca, the two artists have lived many musical lives, from their early electronic experiments with tape decks to the blissed-out dub compositions with which they have made their name.

Their most recent album, OSAM, takes this idea of renewal even further. Now they have reworked the source material from their ninth record and selected some of their friends to help make MIRAGE: The OSAM Remixes.

TRACKLISTING 2LP / CD
A1/01 Dementamente (Brendon Moeller Reshape)
A2/02 Clean Up (Balint Dobozi Remix)
A3/03 Clean Up (D'AL SENIO Remix)
B1/04 Shout Sister (Tosca Mirage Ambient Version)
B2/05 Dementamente (Brendon Moeller House Dub)
B3/06 Nobody Cares (Sam Irl Dub)

C1/07 Entrecote (Domenico Ferrari Remix)
C2/08 Osam (Oberst & Buchner Remix)
C3/09 Osam (Tosca Mirage Remix)
D110 Dementamente (Brendon Moeller Campfire Dubu)
D2/11 Make Up (Cay Taylan's Ambient Diary Mix)

Listen: https://listen.k7.com/47723ad2-ab12-458d-84bc-f7a783e6b10b

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Toronto-based producer and DJ Ciel is renowned for a style of dancefloor material that’s as heady as it is visceral. The Xi’an-born artist’s ascendant profile has seen her cutting- edge and club-ready EPs released on UK labels Peach Discs and Coastal Haze, as well as Stateside imprints Spectral Sound and Mister Saturday Night.

As a member of the renowned collective Discwoman and the creator of femme-forward party Work in Progress Ciel’s thoughtful narratives are clear, running in parallel to the perception-altering sounds that are consistently woven deeply into her wide-ranging sets, beloved mixes and inventive collaborations. Now the Parallel Minds label co- founder is crystallising her imaginative and omnivorous sound with her !K7 Records debut, ORLANDO.

Written during her emergence from an uncharacteristic bout of writers’ block, the three original tracks of Orlando chart a return to the musical self, spurred along by a cinephile’s embrace of film, a love of classic literature, and a curiosity for the oddest corners of popular culture. “SCENES FROM A MARRIAGE” might share a name with the episodic series, but is rather a nuanced critique of the modern rite of union, moving through structured chapters, and mirroring the un-static nature of longtime love.Inspired by Virginia Woolf’s radical novel, and its superphysical protagonist, “ORLANDO” considers the cult literary figure who lived from the renaissance to the modern age, and embodies both sides of the sex binary. The thrown sounds and aural illusions of “EL CALIFA” create the effect of a beckoning, beguiling psychedelic experience. To complete the EP, Ali Berger, Ciel’s recent collaborator on the Jacktone Records’ release Damn Skippy! repurposes the mind-bending flourishes of “El Califa” into a noodly and spacious deep house production, replete with pillowy, gauzy pads.

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Within the transformations of their meticulous processes, London duo Kassian become a vessel for alchemy: filtering and distilling scores of stems, samples and layers until something richer and more complex than the sum of its parts emerges. Uncomfortable in any solitary genre, and at the midpoint of somewhere unexpected and uncharted, the pair describe their sound as “almost techno.”

Since their debut release in 2018, Kassian have drifted leftwards into heavier, more abstract territory, harnessing their individual skills for working in the small pockets and painting the whole cloth of the canvas. In their first outing for !K7, Phase Two EP, the Roland System 1 synth is the throughline as they painstakingly piece together sketches, turning high hats into kick drums, capturing the resonance of percussion and drift further into each other’s heavy-hitting sonic realms.

“X-303” recontextualises the sci-fi inspiration of its name, forging a new style of interstellar acid. A driving kick drum holds steady through a track which oscillates between contrasts: from eerie, suspenseful pads and distorted string sounds, to a minimalistic groove accented with double-time drums and mechanistic pulses. “Tabla” reduces a distinct latin rhythm down to its essence, and is propelled by a thick and distended bass loop. Its hypnotic groove combines the human and the virtual with a glitching vocal sample and the juddering of strummed guitar strings, highlighted by the percussive hits of its namesake instrument.

The pair characterise “Prelude” as “a Frankenstein kind of monster.” Constructed around a radio sample of a legend of the scene, it is a sleek and incremental gradation of shades, with micro layers from their palette of sounds rising and falling, blending and twisting with no obvious lead or bass. Repurposing the same drums as “X-303”, the EP’s final track “Patterns” was inspired by Kassian’s earliest incarnations of live performances, and it unashamedly captures the peaks of communal moments, rounding out the EP with an epic take on deep and techy house.

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More