Format Vinyl 12 inch

Release Info:
Mikio Kaminakamura presents five fresh tracks on Sundance.
His past release is Oneself than Skill EP (SND 10 / 2018) from Sundance.

Tracklist:
A1.Hage Messy
A2.Monk 6 Das
B1.Hap Come Come
B2.Snot Dive
B3.Soul Def


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Format Vinyl 2×12 Album

Tracklist:
A.One More Thing
B.Paris Butterfly
C1.Berlin Queen
C2.Cosmic Tension
D1.Human Music
D2.Jaman’s Tweets


Release Info:
Tool tracks as new album following Tanaka's previous 'Right Moment' (2019 released on Parlon).
The first part of 'One More Thing' also released on Jan 2022 as12”double-pack (SND 15).


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Format Vinyl 12 inch

Release Info:
Mikio Kaminakamura presents five fresh tracks on Sundance.
His past release is Oneself than Skill EP (SND 10 / 2018) from Sundance.

Tracklist:
A1.Hage Messy
A2.Monk 6 Das
B1.Hap Come Come
B2.Snot Dive
B3.Soul Def


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Format Vinyl 2×12 Album

Tracklist:
A1.LAST GROOVES
A2.HAHAHA VOICES
B.TROOP CAFE
C.SINGERS
D1.22TH
D2.KY

Release Info:
Tool tracks as new album following Tanaka's previous 'Right Moment' (2019 released
on Parlon). All tracks used the sampling(s) of his sound or motif key(s) in his DAT
tapes from the 90's. It is the reconstruction of the sound left behind in that time.Also it
is part of video project as well.
This album release is the first part of 'One More Thing' and the later part is to be
released in 2022 as12"double-pack again.


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A reissue of a project LAST FRONT debut work on Torema Records which was sold
only in Japan in 1993, Now remastered for 2021 release.

Tracklist:
A.Green Tower (Original Paradise Mix)
B.Dream Punk

Info:
The member of LAST FRONT was Fumiya Tanaka,Tamotu Ide,Takehito Miyagi.
It's hard to imagine now, but back in 1993, Japan was the only country where the first
independent techno label could distribute vinyl and manufactured.
We're excited to be able to listen it together now after past years.

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Tracklist:

A1 Dance Tonight (Dub)
A2 Dance Tonight
AA1 If So Remember
AA2 If So Remember (Dub)

Release Info:
Sundance presents four tracks from Fumiya Tanaka.
These tracks are fresh after his 5th Album “Right Moment” release.
Enjoy super lights!

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Tracklist

A We would like to do song for the step
B1 In A Memorable 2018
B2 Don’t Stuporous

Release Info:
Sundance presents three tracks from Fumiya Tanaka.

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Tracklist

A1 Stinking Way
A2 Eastern Hero
B1 Muramasa

Release Info:
Sundance presents three tracks from Fumiya Tanaka.

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Tracklist:
A: A Round About Route
B1: Long Journey Away
B2: Shaker

Info: Sundance presents three tracks from Fumiya Tanaka and Kuniyuki.


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WORLD EXCL JP

Tracklist:
1. Everybody Doesn't Know Me
2. At the Time,Suddenly
3. Iikanji
4. Respect the Man
5. Kids Edit
6. Uneasy Days
7. Hang on a second
8. Hot in January


Release Info:
All tracks are from Tanaka's archive (2010-2015), which were produced since he had moved his base in Berlin. The idea of the dj mixing with only his own tracks has been gestating for sometime and with his trials during his dj dates in Europe, South America and Japan the selection of the tracks and combination has been made. The thought process of mixing his own materials could be similar to preparing for his own live set. This recording was done at this home in Berlin. All tracks has been released on 12inch vinyl (SND 06,07,08 on 2017) except track 6.


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Tracklist:
A1.Everybody Don't Know Me
A2.Hot In January
B.Iikanji

Info: Sundance presents two extended track.This is one part of the project "Beautiful Days"


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Tracklist:
A. Kids Edit
B. Hang on a second

Info:
Sundance presents two extended tracks.This is the second part of the project "Beautiful Days"


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Tracklist:
A. At the Time,Suddenly
B. Respect the Guy

Info: Sundance presents two extended track.This is one part of the project "Beautiful Days"


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Tracklist:
A. Flying One Hand (Dub)
B1. My Dear
B2. Exchange
Info:
The third ep of the trilogy works following the releases 'd6&d7' from Sundance in 2012 and 'Flying One Hand' from op.disc in 2015 comes this one.
A) side is the unreleased Dub version of the previously released same titled track. B) side is the fine interweave of radiq's percussion + fumiya's base/beat groove with soul vocals. The sound is different from the style of Dirtriix works and the each has its distinctive own groove.

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Release : 29.10.2012 UPC: 827170473461
Tracklist : A1. D6 B1. D7 B2. loc
We have new release of project as Dartriix (fumiya tanaka and yoshihiro hanno).


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Sundance is back with the new release. We had our first release in 2009 by Fumiyandric (SND001) and the second release in 2010 by Fumiya Tanaka (SND002). In 2011, here we bring the new release by a new project called "tofu productions". This project is operated by Thomas Melchior and Fumiya Tanaka
A1 "trabalhador" is a loopy drum percussive track with voice samples combined with a fat bass to establish a strong atmosphere. And the sub bass is working as a trippy acid sound which can be heard in the middle part of the track… Freak out!
A2 "e quake" has got a sweet melodic guitar sound with a drunken voice. And with its deep bass, this track forms an acoustic folk music. The harmony of the sound has got a touch of sweet melancholy feeling, but makes you feel positive after all.
B1 "amega furu" is a strict rhythm and bass track with the voice in Japanese. The track's tight groove gives you a tense atmosphere. The crispy snare grabs you to the world of minimal. The title means "It becomes a thunderstorm".
B2 "the scream" has got a horror atmosphere. The simple combination of sounds is getting darker and deeper towards the end. This track is showing the dark side of tofu productions as well as "amega furu".


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A1 Fur Elodie is a cheapy guitar tune combined with the piano to form acoustic sound. Other elements are also quite cheapy but sounds very good altogether as a confortable track. A very atmospheric tune to hypnotize people into Fumiya’s deeper side. The original version is on his album “Unknown 3” released in 2008. B1 ring bell is a track combined an acoustic loopy drum with a modular bass sound to form a kind of rare groove. A kind of chant starts coming in out at certain points to take you somewhere you have never been before. B2 dealer trick (short version) has got a kind of old school flavour and sounds quite like 90’s house with Fumiya’s dirty, cheeky, and loopy groove. A trick for Jack in the box!

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Please welcome the very first release from "Sundance", which is Fumiya Tanaka's third and newest label following "TOREMA RECORDS" and "op.disc". This EP contains two tracks by Fumiya and Ricardo Villalobos.





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Genre: House


Tracklist 12":

A1 mountain023.1
A2 mountain023.2
B1 mountain023.3


Short Info:


Clubby micro grooves featuring deep basslines and trademark rhythm programming, mastered and cut to perfection by Schnittstelle.




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Rights : World excluding Fr

Packaging: 1 x 10’’ Black vinyl, printed sleeve, includes a poster 10’’

PRODUCT INFORMATION/ SHORT BIOG
“Daaaaaali”, the new movie of Quentin Dupieux (aka Mr Oizo) .
Original music / OST by Thomas Bangalter .
2 track Black 10’’ EP , includes a poster. Limited edition.


TRACKLISTING

A SIDE:
Daaaaaali
B SIDE :
Âge Réel





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GENRE/S:
Electronica, Ambient, Deep House, Lo-Fi House

TRACKLISTS:
A1. Snow Storm
A2. Cargo
B1. Pilot (feat. Joseph Batrouney)
B2. Storage Room (feat. Leo Yucht)
B3. Helipad

SHORT INFO:
Sean La’Brooy is an Australian producer and composer currently based in New York, who’s work traverses ambient, jazz and house music. He is the co-founder of Australian ambient label Analogue Attic Recordings. With this release, La’Brooy has hooked up with the Scissor and Thread label to put out Merchant - five dreamy and versatile tracks featuring his distinct style of harmonically complex pads mixed with jazz-influenced instrumental melodies and solos. Snow Storm starts the journey, coupling field recordings with snippets of gentle jazz lines and wandering percussion. Cargo is the most dancefloor-oriented of the release, and locks into a driving groove early on, featuring various synth and piano fragments to add and flow through the track. Pilot is a track that also finds an off-kilter groove, embellished with dubbed-out percussion by fellow Australian Joseph Batrouney and samples. Storage too features a guest—New York based drummer Leo Yucht—who delivers a rolling breakbeat which is intertwined with live percussion, airy pads and snippets of piano to build a rich atmosphere. The closing piece is Helipad, a dubby bassline providing the anchor for an intricate rhythm of bongos and synth to support a light-as-a-feather melody.











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Territories: World excl. UK + North America

FORMAT 2x12" 180g vinyl, full printed sleeve, artwork by Cyprien Gaillard

TRACKLIST
1 / A1. Silencio 12:34
2 / A2. Luminoso 08:53
3 / B1. Librarsi 03:04
4 / B2. Infinito 06:17
5 / B3. Colpo 05:05
6 / C1. Volta (Version) 04:02
7 / C2. Infinito (Version) 06:25
8 / C3. Luminoso (Version) 04:49
9 / D1. Volta 05:47
10 / D2. Opaco 08:57
11 / D3. Opaco (Version) 01:54

What are the differences and similarities between human and artificial sound, between oscillations generated by vocal cords and synthesizer voices, voltage amplified by speakers? On Silencio, his latest album for Tresor Records, Moritz von Oswald works with a
16-voice choir to explore this concept.
Drawing from the ensemble works of long-standing inspirations Edgard Varèse, György Ligeti and Iannis Xenakis, von Oswald and Vocalconsort Berlin delve into the space between sounds, creating a deeply textured collection that shifts between light & ethereal and
dark & dissonant.
As masterfully demonstrated in the early work of von Oswald and Mark Ernestus’ influential Basic Channel project, repetition and reduction are key elements here, much in the tradition of techno and minimalism. The vast dynamism of the human voice adds to the
profound weight of electronics while offering up a rhythmic source and sonic noise palette unexplored in von Oswald’s repertoire. In Silencio, von Oswald dredges a dank murk, pulling clouds over a distant pulse. It hangs, ready to take on new forms.
The compositions were written in von Oswald’s Berlin studio on classic synthesizers, such as the EMS VCS3 & AKS, Prophet V, Oberheim 4-Voice and the Moog Model 15. These abstract recordings were transcribed to sheet music for choir by Berlin-based Finnish composer and pianist, Jarkko Riihimäki and performed by Vocalconsort Berlin in Ölberg church in the city’s Kreuzberg district, only few metres down the road from where Dubplates & Mastering and Hard Wax opened their doors for music enthusiasts for many years so long. The recordings of the choral versions were then incorporated into the synthesized parts of the album and brought into anew electronic context; in Silencio, the focus is not on using one means to imitate the other, but to sonically discuss the tensions and harmonies between the two worlds and create a dialogue between them.
The relationship between von Oswald and Tresor Records goes back thirty years, all the way to Blake Baxter’s Dream Sequence in 1991 - which von Oswald engineered alongside Thomas Fehlmann. The collaboration with Fehlmann lived on, seeing the duo team up as 3MB with Eddie Fowlkes or Juan Atkins. More recently, the Detroit-Berlin connection continued as Juan Atkins & Moritz von Oswald present Borderland.
For von Oswald, Tresor Records and also the participating guest musicians of the choir, this release brings together audiences from other musical areas, cross-pollinating; Silencio is an album that stands for itself beyond the musical genre boundaries.

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A reissue of a project LAST FRONT debut work on Torema Records which was sold
only in Japan in 1993, Now remastered for 2021 release.

Tracklist:
A.Green Tower (Original Paradise Mix)
B.Dream Punk

Info:
The member of LAST FRONT was Fumiya Tanaka,Tamotu Ide,Takehito Miyagi.
It's hard to imagine now, but back in 1993, Japan was the only country where the first
independent techno label could distribute vinyl and manufactured.
We're excited to be able to listen it together now after past years.

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DE - 22113 Hamburg
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Contact: [email protected]More

The Standard Edition - Territory - NO Sales to Japan
Ryo Fukui's 1976 highly sought-after jazz masterpiece SCENERY-
LP Edition: Mastered at half speed, 140g vinyl, Sticker

We Release Jazz (WRWTFWW Records' new sister-label) is proud to present its first release, the official reissue of Ryo Fukui's highly sought-after masterpiece Scenery (1976), sourced from the original masters and available on limited edition 180g vinyl mastered at half speed for audiophile sound and on digipack CD.

Unquestionably one of the most important Japanese jazz albums ever recorded, Scenery reveals Ryo Fukui as a miraculously brilliant self-taught pianist fusing modal, bop, and cool jazz influences for a very personal, dexterous and game-changing take on classic standards made famous by Bing Crosby and John Coltrane among others. From "It Could Happen To You" and its serene and calm intro which magically flows into a jubilant and upbeat piece, to the out-of-this-world piano solo of "Early Summer", or the incredible teamwork of "Autumn Leaves" where Fukui leads Satoshi Denpo (bass) and Yoshinori Fukui (drums) into groove heaven, every single note on the album oozes precision, confidence and flair and every single section slides seamlessly into one another, creating a supreme and elegant blend of jazz. Often compared to McCoy Tyner or Bill Evans, Ryo Fukui was a genius in his own right, a true master of his craft whose perfectionism gave birth to some of the greatest music ever recorded. Scenery is his magnum opus and an absolute must-have.

The Hokkaido wizard-pianist followed Scenery with the soulful gem Mellow Dream (also available on We Release Jazz) in 1977. He then focused on improving his live skills, often performing at Sapporo's Slowboat Jazz Club (which he co-founded with his wife Yasuko Fukui) and releasing 2 live albums. Ryo Fukui sadly passed away in March 2016, leaving behind a legacy of works that is sure to captivate jazz lovers for generations to come.


Tracklisting Vinyl LP
A1 It Could Happen To You
A2 I Want To Talk About You
A3 Early Summer
B1 Willow Weep For Me
B2 Autumn Leaves
B3 Scenery


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Format Vinyl 12 inch

Release Info:
Mikio Kaminakamura presents five fresh tracks on Sundance.
His past release is Oneself than Skill EP (SND 10 / 2018) from Sundance.

Tracklist:
A1.Hage Messy
A2.Monk 6 Das
B1.Hap Come Come
B2.Snot Dive
B3.Soul Def


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Tracklist

A We would like to do song for the step
B1 In A Memorable 2018
B2 Don’t Stuporous

Release Info:
Sundance presents three tracks from Fumiya Tanaka.

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The Standard Edition - Territory - NO Sales to Japan
Ryo Fukui's 1976 highly sought-after follow up to SCENERY!
LP Edition: Mastered at half speed, 140g vinyl, Sticker

We Release Jazz (WRWTFWW Records' new sister-label) is thrilled to present the official reissue of criminally overlooked Japanese jazz gem Mellow Dream (1977) by Hokkaido pianist wunderkind Ryo Fukui, released in conjunction with the its legendary predecessor Scenery, sourced from the original masters and mastered at half speed.

Firmly standing on the foundation he laid down with Scenery, Ryo Fukui continues his exploration of modal, bop and cool jazz sounds with meticulous grace and absolute mastery. As its title suggests, Mellow Dream ventures into slightly mellower, more soulful, and sometimes more contemplative territories (the Bill Evans-reminiscent "Mellow Dream" and "My Foolish Heart") while still packing the commanding punch Fukui's work is loved for, as heard on the amazingly bombastic "Baron Potato Blues" or the gigantic McCoy Tyner/John Coltrane-influenced "Horizon" which sees each member of the trio (Satoshi Denpo is on bass and Yoshinori Fukui is on drums) demonstrating their virtuosity for 9 exhilarating minutes. With his sophomore album, Ryo Fukui swings from melancholy to vibrant joy with ease, reminding us that jazz is best served with a pinch of blues, and displays an immensely rare combination of pure talent, unique personal approach and focused discipline. The man undeniably deserves a spot in the pantheon of all-time great jazz pianists.

After releasing the outstanding Scenery and Mellow Dream back to back, Ryo Fukui worked on developing his live skills, often performing at Sapporo's Slowboat Jazz Club (which he co-founded with his wife Yasuko Fukui), and even releasing 2 live albums. He sadly passed away in March 2016, leaving behind a legacy of works that all jazz lovers should explore.


Tracklisting Vinyl LP
A1 Mellow Dream
A2 My Foolish Heart
A3 Baron Potato Blues
B1 What's New
B2 Horizon
B3 My Funny Valentine



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GENRE/S: House, Deep House, Lo-Fi House

[12” vinyl]
A1 Ewok
A2 Sunday
B1 Polestar 2
B2 Milpool (Ode to Karl)

Reykjavík-born, Vienna-based Moff & Tarkin, prolific producer of highly inventive house music, debuts on Studio
Barnhus with the Stockholm label's first release of 2024. Undeniable grooves, dynamic arrangements and some
very resourceful sample flips indeed can be found aplenty across the four tracks on Mango Boy.

Artwork by Stefan Fält


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Tracklist:

A1 Dance Tonight (Dub)
A2 Dance Tonight
AA1 If So Remember
AA2 If So Remember (Dub)

Release Info:
Sundance presents four tracks from Fumiya Tanaka.
These tracks are fresh after his 5th Album “Right Moment” release.
Enjoy super lights!

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Territories: World excl. UK + North America

FORMAT: 12" 180g vinyl, generic sleeve, dl card

TRACKLIST
1. / A1 M-87 04:02
2. / A2 M-90 04:32
3. / B1 M-99 06:08
4. / B2 M-00 04:45


Juan Mendez aka Silent Servant is a figure in techno history that needs little introduction. As a member of the Sandwell District collective and the label’s art director he collaborated on works that were responsible for a global focal shift in the genre as their label adapted and challenged the paradigm of minimal techno, taking influence from other sources such as dub, post-punk, and even classical minimalism.

But Mendez’s relationship with music goes back much further than these seminal releases. With In Memoriam, Silent Servant’s latest release on Tresor Records, Mendez writes a deeply personal memoir of a 30-plus year career spent exploring and absorbing the shadowy side of music; a carefully crafted elegy to people, places, and times past and the lasting effect they have on the present.

Across the four tracks, Mendez pays tribute to the earliest Detroit techno and electro, the Belgian EBM movement and the wave music that followed, the monumental dub techno sound from Berlin, and the harder, abrasive sound of the UK at the turn of the last millennium; exploring and referencing the genres that informed his later work. Each track name gives a hint to the timeframe he is revisiting and re-contextualising as the E.P. repurposes the styles that exerted an influence on him.

This E.P. represents a pure distillation of Mendez’s memories whilst also cementing his place in the current and future sound of 21st century techno; aware of where we came from but focused on where we are heading.

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