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Repress!
Flying Lotus puts out this 3disc set - showcasing the music from Los Angeles jazz giant, composer, and bandleader Kamasi Washington ! Check a vid of a live improv jam with Miles Mosley below!The Epic is a 172-minute, three-volume set that includes a 32-piece orchestra, a 20-person choir, and 17 songs overlaid with a compositional score written by Washington. Pulsing underneath is an otherworldly ten-piece band. The band includes some of the most highly regarded young musicians on the planet, including bassist Thundercat and his brother, drummer Ronald Bruner Jr., as well as bassist Miles Mosley, drummer Tony Austin, keyboard player Brandon Coleman, pianist Cameron Graves and trombonist Ryan Porter. They make their living playing as sidemen for pop, jazz and hip-hop acts ranging from Rihanna to Stanley Clarke to Snoop Dogg.

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With Coexist, The xx defied any perceived "difficult second album" pressures to create a record that cemented their status as a truly global breakout act. On the follow up to their acclaimed, era-defining debut, the London based trio of Romy Madly Croft, Oliver Sim and Jamie Smith (aka Jamie xx) continued to deal in compelling, sparse atmospherics but expanded their musical world, especially through producer Jamie"s growing electronic sound palette. Coexist surpassed expectations to become the best-selling vinyl record of 2012. Meanwhile, the band progressed from playing intimate venues to becoming an international must-see live act, curating their own festivals and collaborating with symphony orchestras. A final ambitious run of 25 shows at New York"s legendary Armory venue rounded off the album campaign, witnessed by fellow artists (such as Beyonce, Jay-Z and Madonna) and fans alike. To celebrate 10 years of Coexist, The xx will release a limited edition, crystal clear vinyl pressing of the record.

Tracklist:

1. Angels
2. Chained
3. Fiction
4. Try
5. Reunion
6. Sunset
7. Missing
8. Tides
9. Unfold
10. Swept Away
11. Our Song

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"I See You", das dritte Album von The xx, wurde im Zeitraum von März 2014 bis August 2016 aufgenommen. Alle Songs des Albums wurden geschrieben von Jamie Smith, Oliver Sim und Romy Madley Croft. Alle Lyrics des Albums wurden von Oliver Sim und Romy Madley Croft geschrieben. Das Album wurde von Jamie Smith und Rodaidh MacDonald (der auch am Debütalbum von The xx mitgearbeitet hat) produziert. Das Album entstand dabei in einer Zeit, in der sich The xx sowohl als Band, als auch als Individuen außerhalb ihrer Wohlfühlzone bewegten. Während der letzten Jahre war Romy zeitweise nach Los Angeles gezogen, um vor Ort mit einigen der weltbesten Songwritern zu arbeiten. Oliver war Gesicht einer globalen Kampagne von Dior. Jamie wiederum veröffentlichte sein Debüt-Solo-Album, das Grammy-nominierte "In Colour". Und nebenbei arbeitete Jamie noch als Produzent mit Künstlern wie Frank Ocean, Alicia Keys und Drake zusammen. Doch The xx sind unbestreitbar am stärksten, wenn die drei zusammenkommen ... Belegt durch die harten Fakten: 2,7 Millionen weltweit verkaufte Alben ihrer beiden Alben bisher, Mercury Price Sieg für ihr Debütalbum "xx" und The xx ist eine der drei britischen Bands, die es schafften, Gold-Status in den USA in der letzten Dekade zu erlangen (die anderen beiden sind übrigens Mumford & Sons und One Direction). Dazu kommen übrigens noch an die 400.000 Ticket-Verkäufe für die Coexist-Tour und zweimal Gold für die beiden Alben in Deutschland!

Tracklist:

1.1Dangerous
1.2Say Something Loving
1.3Lips
1.4A Violent Noise
1.5Performance
1.6Replica
1.7Brave For You
1.8On Hold
1.9I Dare You
1.10Test Me
2.1Dangerous
2.2Say Something Loving
2.3Lips
2.4A Violent Noise
2.5Performance
2.6Replica
2.7Brave For You
2.8On Hold
2.9I Dare You
2.10Test Me

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A Reflection Of Discomfort. Uncertain. Unyielding. Objectively Gritty. A Snapshot Of Two Years Alone In An Unfamiliar City. Electric Chaos Assembled By An Uninspired “youth” Originally from Albany, New York and having since moved to NYC, NOLIFE is the latest signing to the Young Turks label. Incorporating influences from noise, hardcore, hip-hop, and electronic. NOLIFE has created an assaulting take on contemporary experimental electronic music. With his sole physical release being an extremely limited self-released cassette earlier this year, the forthcoming YOU WON’T SURVIVE THE STATE OF NEW YORK EP is the most fully realized NOLIFE project to date. Created in a state of isolation and poor health the five seamless tracks of heavy beats laced with dissonant noise samples create a dark picture of the NOLIFE existence.
RIYL - Arca, Amnesia Scanner, Oneohtrix Point Never, Death Grips

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AS is a group of Xperienz Designers based in Berlin. TIPPED

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New single following the critically acclaimed ‘Yugen’ EP and sees something of a shift away from that releases stark and cinematic sound, with more of a club focus this time.. 3D business for soundsystems. huge

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Jamie xx Debut Album: Jamie xx returns to London-based imprint Young Turks for his debut solo album, featuring 'Girl', 'Sleep Sound', 'Loud Places' (with fellow xx member Romy) and 'Gosh'. The full-length also features Four Tet, Young Thug, Popcaan and the xx's Oliver Sim.

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Inspired by the rhythmic, clattering sounds of the industrial machines that soundtrack his day, Quirke produces a unique blend of acoustic and electronic music. From the frenetic, driving rhythm of 'Break a Mirrored Leg' to the modern classical piano on 'Acid Beth' Josh's sonic world is distinct and immersive; his bold sound felt best represented by one word, his surname: Quirke.

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To showcase the exciting releases Young Turks have had throughout 2013, the label are set to release a series of uniquely artworked limited edition 12"s. Each vinyl will feature 2 tracks by artists affiliated with the label in 2013. The third of these will be the release of a track by Short Stories split with a track from Pional's 'Invisible/Amenaza' EP. Young Turks was established in London in 2007 and has released records by SBTRKT, Chairlift, Holy Fuck, Sampha, The xx and many more.

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Young Turks announce limited edition 12" series entitled '2013'. To showcase the exciting release schedule Young Turks have throughout 2013, the label are set to release a series of uniquely artworked limited edition 12"s. Each vinyl will feature 2 exclusive new tracks by artists affiliated with the label in 2013. At the end of the year fans will be able to purchase a box set designed to house all of the 2013 series releases. The first of these will be the debut release from Lost Scripts (John Talabot & Pional) split with a brand new track from Koreless who will be releasing his debut EP for Young Turks in the spring. Young Turks was established in London in 2007 and has released records by SBTRKT, Chairlift, Holy Fuck, The xx and many more

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Following the low-key online only release of Sundanza in 2010 plus his noted collaborative work with Jessie Ware, Lil Silva, SBTRKT and Koreless, this will be Sampha's first full solo outing. 

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Remixes by Martyn, Photek, John Talabot + Pional, The Field & Dan Carey.

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Young Turks are excited to announce their latest single 'Birthday / h808er by Illum Sphere' The single will be released digitally and as a limited 12". . Restless as a DJ and adventurous in his productions, Illum Sphere (real name Ryan Hunn) is both a key player in the Manchester scene and a unique presence on the global stage. Deliberately oblique in his approach, he has still had a vital impact on electronic music. This latest release sees Illum Sphere stepping out with a new 4/4 fearlessness. His DJ style fuses the explorative and the unexpected, so do his productions, and with the talent to match his idiosyncratic style, he is now achieving a newfound confidence and artistic distinction.

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On this white label, we bring together two of the best producers in the UK to give there perspective of the work of SBTRKT. The ratio of quality to quantity in the Braiden repertoire is disproportionately weighted in favour of quality. His debut release "The Alps", on Joy Orbison's label Doldrums, certified him as a meticulous detailed producer. If you've heard is Rinse FM show, you'll have enjoyed the intensity and breadth of his perspective. This musicological take on SBTRKT's "Pharaohs" recontextualises Roses Gabor afro-futuristic vocals line in a more genuinely space-age industrial club sphere. The darker edge to Lil'Silva is just the baddest of all UK house producers. His UK funky background has sheltered him from the hype lauded upon the flavour of the month post-dubstep producers of his generation. As a result, he's continued to garner respect from all sides, from the garage scene to the tech house scene

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THESHINING are Morgan Zarate and Acyde, a production/DJ duo who decided to put the sum of their musicianship and influences together. The result is hip-hop influenced beats, with sound-system inspired vocals, the sound of after hours, dark clubs and the morning after. 'HEYYOU' is their first single, a glorious flash of psyche style keys and hard hip-hop drums,Êwith the unforgettable chorus 'Hey You…Know You Think You're A Star', a much needed call to arms to stop posing and hit the dance-floor. TELL ME (I'M WRONG) continues where 'HEYYOU' leaves off, a glimpse into their dark side, with a stomping rhythm backed by a triumphant horn section: like a conversation between Rick Rubin & Fela Kuti.

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2026 repress, incl. full-tone printed outer & inner sleeve, incl. download

Deaf Center member Otto A Totland’s 2014 debut LP, an intricate work for solo piano.

Otto A Totland's modern compositional elements are most widely recognized as half of the Norwegian duo Deaf Center, where his melancholic, intricate piano work provides haunting relief to the beds of noise and deep strings from Erik K Skodvin. Pinô is the first full-length release by Totland, though his solo work has been released once, as the 5-minute A-side of Sonic Pieces 7inch Harmony From the Past. Otto's previously brief vignettes are now expanded into a fully personal realization of his own style.

Initial track Open fills itself with heavy, knowing pauses that quickly become overwhelmed with the desire to understand what's to come. Each silence leads into quick flutters of keys, preparing the listener for a vast terrain of giddy beauty, bleak depths, and true contentedness. Pinô quickly recalls deep winter; in front of a fireplace for days on end, you lose how far along you've ventured into the 18 tracks without any idea how far is left to go. The experience feels inevitable, with no other option but to curl up somewhere cozy and appreciate the sense of timelessness that Totland has created. His album is a haunting modern compositional treasure, expressed through instrumentals completely unique to Totland and captured masterfully by Nils Frahm at Durton Studios.

With Pinô, Otto A Totland appears out of the Norwegian landscape, sharing an achievement that will provide a relief during the brooding winter darkness. Though a highly personal endeavor, the recognizable continuation of Totland’s compositions will attract fans of Deaf Center, and the cinematic and classical components of his solo work will hold sway for those familiar with Harold Budd or Dustin O’Halloran.

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A delirious cult concept album disguised as pop, first released in 1971, where psychedelic grooves, funk and global rhythms meet phonetic pseudo-Japanese chants, judo-master ritual cries and a children's choir. Sampled by Erykah Badu, Madlib and DopeLemon, and the unlikely spark behind Bananarama's debut. This can only be the fabulous world of Yamasuki.
In the spring of 1971, somewhere between Brussels, Paris and a collective pop fever dream, Le Monde Fabuleux Des Yamasuki landed on vinyl. It sounded like nothing else then and it still does not today. More than half a century later, Sdban Records proudly presents a reissue of this singular cult album, available from April 3, 2026 on vinyl.
The album was produced by Jean Kluger and written both by Jean and Daniel Vangarde (aka Bangalter, later the father of Thomas Bangalter of Daft Punk), who were already well ahead of their time, long before electronic music rewrote the rules of pop culture.
This new reissue of Le Monde Fabuleux Des Yamasuki proves the renewed interest and respect for this cult album, faithful to the original spirit while finally giving it back the physical presence it deserves. In an era obsessed with genres and algorithmic neatness, Yamasuki still laughs, dances and karate-kicks its way past definitions. It reminds us that pop music can be playful without being disposable, strange without being cynical and joyful without explanation. The world of Yamasuki was always fabulous, we are just lucky it found its way back to us!

Tracklist

A1. Yamasuki - Yamasuki
A2. Yamasuki - Aisere I Love You
A3. Yamasuki - Kono Samourai
A4. Yamasuki - Yamamoto Kakapote
A5. Yamasuki - Okawa
A6. Yamasuki - Aieaoa
B1. Yamasuki - Abana Bakana
B2. Yamasuki - Seyu Sayonara
B3. Yamasuki - Yama Yama
B4. Yamasuki - Fudji Yama
B5. Yamasuki - Yokomo
B6. Yamasuki - Kashi Kofima



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Mildlife's 2018 critically renowened album 'Phase' back in supply. Nominated for best album at Worldwide FM Awards Dj from DJ Harvey, Artwork, Gilles Peterson, Bradley Zero & many more. Only limited copies avail.

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Cool – calm – collected: chapter 15 of this superlative series, compiled by Compost’s head honcho Michael Reinboth. 21 tracks, 8 exclusive, previously unreleased tracks. The exciting package comes as 2-CD / 4-LP vinyl. Enjoy!

The exclusives by Area (guess you all know his brilliant Innervisions release), Arnau Obiols & KAYYAK (recently featured by Gilles Peterson in his “watch out for 2021” top five list), Ron Deacon (officially belongs to the Workshop-Crew together with other artists like Move D, Even Tuell and Kassem Mosse), Class Compliance (which are Manuel Tur with his Clavis partner Adrian Hoffmann, also known as Paskal & Urban Absolutes or Amberoom), Mille & Hirsch (operators of the fine Polish Records), All Is Well (Fred Everything), Ben Sturm (watch out talent of Leipzig’s viral underground scene) and Oliver Kieser (best known as Kieser & Velten with their releases on G-Stone). This wonderful Esa Williams remix of Bantu Clan Vs Sarabi is also previously unreleased.

Several magazines voted the Future Sounds Of Jazz as one of the best compilation series of all time. With this series, starting in 1995, the term Future Jazz became a genre landmark.

Tracklisting | 4-LP

Side A
A1. Class Compliance – Cuadro (06:31) *previously unreleased
A2. Cotonete – Super Vilain Wants Love (Dj Deep & Romain Poncet Remix) (06:01)
A3. James Holden & The Animal Spirits – The Neverending (04:29)

Side B
B1. Bantu Clan Vs. Sarabi – Africa Ni Leo (Esa & Nonku Phiri Kaap Mix) (05:46)
B2. Shina Williams & His African Percussionists – Agboju Logun (11:42)

Side C
C1. Lucas Croon – Türkischer Tee (07:31)
C2. Mille & Hirsch – Pentagon Flow (09:32) *previously unreleased

Side D
D1. Typesun – Last Home (Dj Nature Remix) (08:20)
D2. Brandi Ifgray – Bones (Maurice Fulton Vibe Mix) (07:19)
D3. Ben Sturm – Francebeat (04:33) *previously unreleased

Side E
E1. Toshio Matsuura Group – At Les (07:13)
E2. Marni – Floor Of Soul (04:57)
E3. Oliver Kieser – Oscura Serenata (04:44) *previously unreleased

Side F
F1. Aera – Line Of Conception (05:34) *previously unreleased
F2. Martin Buttrich – Meeting Dave Dish (06:54)
F3. All Is Well – Day Two (06:31) *previously unreleased

Side G
G1. Arnau Obiols & KAYYAK – Tunacheza (05:25) *previously unreleased
G2. Kevin Yost – Another World (Original Mix) (07:59)
G3. Ron Deacon Feat. Johanna Jaeremo – Untitled B2
Brando Jazz (06:24) *previously unreleased

Side H
H1. Don Carlos – Mediterraneo (05:26)
H2. Rudoulpho – Sunday Afternoon (10:23)

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Recorded at the Philharmonie de Paris and one and a half years after releasing his magnum opus "Music For Animals"—described by PopMatters as “a musical waterfall of monumental proportions”—Nils Frahm shares a new live album, due for release by his LEITER label on December 6. In what’s becoming a tradition, it follows 2013’s "Spaces", a Pitchfork Album of the Year taped at shows over the preceding 18 months, and 2020’s "Tripping With Nils Frahm", also released as a film. "Paris", nonetheless, is Frahm’s first live album from a single night, March 21, 2024, and contains ten tracks over a running time of 84 minutes.

Frahm’s performances have always been known for expanding upon his studio recordings, and "Paris" is no exception. Drawing on his substantial catalogue, the German composer and producer reworks tracks from various albums, and also adds the brand new, luxurious and strangely gripping ‘Opera’ to the track list.

If he leaves the stage to the same uproarious jubilation with which he was initially greeted, "Paris" makes it clear why he’s been so in demand. He’s been booked, frequently for multiple nights, at halls around the world, including Sydney’s Opera House, London’s Barbican and LA’s Orpheum Theatre. Indeed, the LA Times wrote, “Watching him at work, and hearing the audience react, is a little like watching an athlete at the top of his game.” Expect nothing less from Nils Frahm on "Paris", a vital document of this ingenious, gifted musician’s endless pursuit of fresh perspectives.

All tracks written, produced and mixed by Nils Frahm.
Mastered by Zino Mikorey, recorded by Terence Goodchild.
Vinyl cut by Andreas Kauffelt at Schnittstelle.

All tracks published by Manners McDade Music Publishing Ltd.
Cover artwork and design by Studio Torsten Posselt.

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Tracklist:
1.1ZERO
1.2NOTHING TO LOSE
1.3CHASING LIGHT
1.4INER CIRCLES
1.5KRAUT
1.6HONEST

Mit Chasing Light legt das Moses Yoofee Trio nach ihrem international gefeierten und für den Deutschen Jazzpreis nominierten Debüt MYT (2025) eine neue, energiegeladene EP vor. Entstanden in ihrem Neuköllner Proberaum, destillieren die sechs Tracks die unmittelbare Live-Dynamik des Trios - roh, spielerisch und voller kreativer Risikobereitschaft. Pianist Moses Yoofee, Bassist Roman Klobe und Drummer Noah Fürbringer spielten eine Woche lang fast ununterbrochen, jammten Ideen, experimentierten mit Sounds und nahmen ein völlig organisches, DIY-geprägtes Werk auf, das ihre musikalische Weiterentwicklung eindrucksvoll dokumentiert. Nach einer intensiven Welttour durch Asien, die USA und Europa 2025 bündelt Chasing Light die gesammelte Energie der Band in einem Sound, der Jazz- und Hip-Hop-Improvisation mit Afrobeat-Grooves, komplexen Breakbeats und atmosphärischen Synth-Schichten verbindet. Ob das packende "Nothing to Lose", das rhythmisch dichte "Inner Circles" oder die satte, streicherreiche Harmonik des Titeltracks - die EP zeigt ein Trio, das mutiger, offener und experimentierfreudiger denn je klingt.

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Throughout human history, we have depicted the world we live in through art. By reworking what we see in the world, the
simplest things have helped us understand the beauty of nature and to evaluate the material world that we have created
around us, as a window to a constantly changing reality, through our own perception. It is that absolute reality that appears
in the seam of human and nature and that can be revealed through art.
Still life painting, also referred to as natura morta (”dead nature”) in Italian, stretches back to ancient times. Some of the
earliest works, found in Pompeii, depict commonplace objects such as fresh autumn fruits alongside man-made objects
such as a small amphora and a small terracotta heap with dried fruits. These two thousand year old paintings give a
snapshot of Roman life, and also creates a link to time and space. A slice of life has been created by binding the earth’s
pigments with extracts of oil, made from nuts and seeds, painted with brushes, made from a variety of fibers, such as trees
and hair from animals. While life wanes with each brush stroke, by shifting reality into past, art exists to make us come alive,
being a living image of a dead thing, a surface and a symbol with symbolic powers of its own. Still life works celebrate
material and ephemeral pleasures by returning to nature as the ultimate source for our standards in art as well as in life
itself.
Natura Morta collects pieces from a continuous variety of melodies — supported by a decisive rhythm section — creating
a musical kaleidoscope of ever-changing colors. Sven Wunder brings life into this rich assortment of musical implications
by fusing and combining melodic instruments with each other in a setting that spans from a classical to a modern idiom.
The author evokes this panoramic portrait by articulating an instrumental dialog between a chamber orchestra and a jazz
ensemble. The result is a musical celebration of material pleasures that also serves as a reminder of the brevity of human
life.

A1. En Plein Air
A2. Impasto
A3. Prussian Blue
A4. Natura Morta
A5. Panorama
B1. Alla Prima
B2. Umber
B3. Barocco, Ma Non Troppo
B4. Memento Mori
B5. Pentimento
B6. Natura Morta (reprise)

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Found Songs gehört zu den ungewöhnlichsten und zugleich berührendsten Projekten in Olafur Arnalds" Werk. Innerhalb einer einzigen Woche komponierte, nahm und veröffentlichte der isländische Komponist jeden Tag einen neuen Song - unmittelbar und ohne Umwege. Das Ergebnis ist ein faszinierendes musikalisches Tagebuch: fragile Piano-Motive, zarte Streicher und dezente elektronische Texturen verbinden sich zu einer intimen Klangwelt zwischen Neoklassik und moderner Pop-Ästhetik. Die Einbindung der Fans - die das Artwork gestalteten - macht dieses Projekt zudem zu einem frühen Beispiel digitaler Kollaboration. Found Songs zeigt Arnalds auf dem Weg zu seiner unverwechselbaren Handschrift: reduziert, emotional und von stiller Intensität.

Tracklist:
1.1Erla's Waltz
1.2Raein
1.3Romance
1.4Allt vard hljott
1.5Lost Song
1.6Faun
1.7Ljosid

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On their debut LP “Pome”, Liai has given us a stunning work of expertly crafted rhythmic ambience, inspired by the intimacy and solitude of the midwestern countryside. Having grown up in rural Missouri, Liai channels the mixed feelings that can accompany solo contemplation in nature - expansiveness, sentimentality, vulnerability and eeriness. This deeply personal set of tracks took 3 years to make, revealed in the precision of sound design and use of space. The work feels at once familiar and organic, yet technical and futuristic, almost alien - a product of digital melodies, granular processing and frequent sampling of their own previous works.

Bio:
By way of rural Missouri to Chicago to New York, Liai melds sonic elements of each city from pastoral, expansive drones to Chicago experimentalism and the rhythmic ambient that’s arriving on both coasts of the US. With two albums forthcoming, their work marks the meeting point of experimental sound design with emotional pop-like melodies.

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Four years after Nuova Napoli, Nu Genea are back with Bar Mediterraneo, a new album and journey, which projects the
sounds of the Neapolitan duo formed by Massimo Di Lena and Lucio Aquilina even further.
Nu Genea's Bar Mediterraneo is an idea of a shared place where people meet and fuse together; a space that leaves its
doors open to travellers and their lives, always exposed to the whims of fate. Some of this can be experienced through the
multitude of sounds that come together in the tracks, layers of different acoustic instruments, voices and synthesizers
merging in a unique musical blend.
Opening up to the voices of many different people, separated by languages but united by the sea and the music, Nu
Genea's hometown, Napoli, becomes a true place of encounter.
You can hear this all along. In "Gelbi", a gorgeously deep and propulsive Ney flute plunges into murky waters of the
melancholic Tunisian dialect sung by Marzouk Mejri. In "Marechia'", unbridled happiness and sun ooze from the delicate
vocals of Célia Kameni and create an acrobatic bridge between French and Neapolitan language. In "Straniero", your
soul is arrested from the moment the slow spell-binding mandolin ignites the hypnotic patterns recorded by the legendary
Afrobeat drummer Tony Allen. In "Bar Mediterraneo", the title track, bittersweet guitar’s riffs, analog waves and choirs are
overwhelming the song giving you what you would like to hear on a boat trip along the Amalfi Coast.
Nu Genea couldn't afford to overlook their firmly anchored roots into the Neapolitan culture and its dialect with "Tienaté",
where the power of neapolitan language (interpreted by Fabiana Martone) supports those quarter-tone strings and the
uncessant folk-disco groove that spreads to the entire song. In "Praja Magia", repetitive mandolin riffs lead the song,
giving space to a choral yet tight vocal line that speaks of Varcaturo, a village close to Napoli. In "Rire", a volley of poetic,
deceptively laidback, lyrical fury interpreted by Sicilian Marco Castello intimately combines with a highly musical, multitextured
instrumental backbone and the swoon of a chanson in its heart. In "La Crisi'', the lyrics of a Raffaele Viviani’s
poem from 1930 have been adapted to a laidback jazz-funk groove in full NG style. In "Vesuvio", revaluing the evocative
verses and powerful mantra of Vesuvio, Nu Genea re-adapted to the dancefloor a folk song by the working-class band E’
Zezi from Pomigliano D'Arco, combining the voices of a school choir with Jupiter-6 arpeggios and bold percussions.
Bar Mediterraneo is the place where people constantly return to transform curiosity into participation, tradition into
sharing, unfamiliar into familiar. When travellers come through its “doors”, carrying their treasures of words and emotions,
they aren’t strangers any more. They take part in a shared experience, enriching themselves and others by leading to
unexpected musical journeys.

TRACKLIST:

A1. Bar Mediterraneo
A2. Tienaté
A3. Gelbi (with Marzouk Mejri)
A4. Marechià (with Célia Kameni)
A5. Straniero
B1. Praja Magia
B2. Vesuvio
B3. Rire
B4. La Crisi

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Germany
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