Kalita are proud to present the first ever reissue of Papa Yankson’s highly sought-after 1989 disco-infused highlife masterpiece 'Party Time'! Showcasing the late Ghanaian superstar at his very best, ‘Party Time’ encapsulates the blending of deep, rhythmic West African highlife with synthesizers and electronic styles that had exploded during the decade.

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2 LP gatefold + 12-Page Booklet
Kalita are proud to unveil the second volume in their ‘Borga Revolution!’ compilation series, focussing on the phenomenon of ‘Burger Highlife’, a crossover of West African melodies with synthesizers, disco and boogie that took over Ghanaian airwaves during the 1980’s and beyond.
Tracklist
A1. Atta Frimpong - Bepo So Dua
A2. Alan Cosmos And His Bam-Baara
Soundz - Soca For Your Pleasure
A3. A.B. Crentsil - Mama Dwen Meho
B1. D.J. Lawyer Okyere - Ohia Kan
Nye Ya (Medley)
B2. Alan Cosmos And His Bam-Baara
Soundz - Onua Gyae
B3. Pope Flyne Ackah - I Think You Are
Right (Jepense Que Tu A Raison)
C1. Atta Frimpong - Yaako
C2. Pat Thomas - Obae
C3. Mawuli Decker - Mawu Nafako Nam
D1. Nana Aboagye Da-Costa - Sikyi (Medley)
D2 Alan Cosmos And His Bam-Baara
Soundz - Yebi/Fontonfrom


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2 LP gatefold + 16-Page Booklet
Kalita are proud to unveil "Borga Revolution! Ghanaian Music In The Digital Age, 1983 - 1992 (Volume 1)", the first ever compilation focusing on the phenomenon of ‘Burger Highlife’ which is a crossover of West African melodies with synthesizers, disco and boogie that took over Ghanaian airwaves during the 1980’s and beyond.

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Kalita are excited to announce the first ever reissue of student medical group the IgG Band’s highly sought-after 1980 soul, funk and disco grail ‘Ultra/Sound’.


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Kalita are excited to unveil the first ever album reissue of one of - if not the - strongest South African kwaito/bubblegum albums in existence, Jivaro's 1989 masterpiece 'Saturday Fever'.

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Kalita are excited to announce the first ever retrospective on Jamaican-born artist Desmond Chambers.


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Kalita continue their annual tradition of unearthing holy grail records for Record Store Day with their offering this year of the Al-Dos Band’s unreleased gospel soul/disco album ‘Doing Our Thing With Pride’.

Featuring one of the most beautiful, sought-after and expensive gospel soul singles in existence (from which the album title takes its name), as well as seven unreleased gospel soul, funk and disco gems such as ‘Confusion’, ‘Look To The Sky’ and ‘Love Jones Coming Down’, Kalita deliver the goods once again.

Taken from the original analogue master tapes and released in partnership with band founders Mary and William Robinson. Accompanied by never-before-seen archival photos and extensive interview-based liner notes, this truly is a no-brainer.

A1. Look To The Sky
A2. Don’t Come Smiling Back
A3. Doing Our Thing With Pride
A4. Your Prescence
A5. Dream Song
B1. Love Jones Coming Down
B2. Confusion
B3. Some Things Don’t Mean A Thing
B4. I Remember When

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Kalita are proud to announce the first ever official re-release of Mpharanyana & The Peddler’s 1979 South African disco and funk recordings ‘Disco’ and ‘Freak Out With Botsotso’, backed by a devastating extended edit of ‘Disco’ courtesy of Amsterdam-based DJ and producer Jamie 3:26.

Tracklisting
A1. Disco
A2. Freak Out With Botsotso
B. Disco (Jamie 3:26 Extended Edit)

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Kalita are excited to announce the first ever official re-release of Michael Paul’s 1984 reggae boogie single ‘Reggae Music’!
Originally appearing on New York-based Revolver Records, run by famed jazz bassist Bob Cranshaw, ‘Reggae Music’ was seemingly the ‘hit-that-never-was’ upon its initial release.
However, since then a combination of both scarcity and quality has transformed the single into one of the most sought-after records in the genre.
Accompanied by a phenomenal dub version, this record easily deserves its space on record shelves across the world.
With prices becoming ever exceedingly eye-watering and copies ever harder to find, Kalita come to the rescue, offering a loud and remastered 12” single for all.

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Kalita are excited to announce the first ever official reissue of Muchos Plus's highly sought-after 1979 12” reggae disco masterpiece 'Nassau’s Discos'! Over forty years after initial release, and long the envy of collectors, DJs and dance music connoisseurs, the time is now right to share the music and the group’s story once more.

A. Nassau’s Discos (Long Version)
B1. Nassau’s Discos (Short Version)
B2. Love Misunderstood

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It’s grail time. Kalita are honoured to officially release for the first time since 1983 Marcy Luarks & Classic Touch's mythical American-Nigerian Afro
boogie masterpiece 'Electric Murder', accompanied by extensive liner notes based on interviews with Marcy's family and producer Daniel Irabor.



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Kalita are excited to announce as their second release of 2020, the first ever official re-release of Cameroonian singer Jeannette N'Diaye's 1981 disco masterpiece 'Makom Ma Bobe', backed by an extended edit courtesy of Mendel!


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For their first release of 2020, Kalita unearth New York-based band Cross Island's highly sought-after 1978 disco single 'East of the Apple'.


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Kalita are happy to announce the first ever 12” reissue of Henry Turner Jr.'s hugely sought-after 1980 disco single, "Music", backed by the first ever re-release of his 1984 boogie single "Forever Us".


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Kalita are proud to announce the first ever official reissue of the holy grail of disco 12” singles, Vance and Suzzanne’s ‘I Can’t Get Along Without You’

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Kalita are happy to announce the first ever re-release of Stirling March's 1985 Bahamian boogie grail 'Under Cover Lover'. With original copies painfully hard to find and commanding eye-wateringly high prices, we believe the time is ripe to share this masterpiece with the world once more, accompanied by never-before-seen photos and interview-based liner notes.

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Kalita are honoured to release for the first time Emerson's mythical 1988 unreleased boogie masterpiece 'If You Need Me, Call Me', accompanied by extensive interview-based liner notes and never-before-seen photos

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Kalita are delighted to announce their next release, Steel City Connection's 1978 single 'Steel City Disco', accompanied by extensive interview-based liner notes and never-before-seen photos. Originally privately released on Pittsburgh's Jeree Records, 'Steel City Disco' is one of the most sought-after disco records in existence, searched for by most yet the treasured possession of but only a few fortunate DJs and collectors. A grail in the truest sense of the word, this is a masterpiece in disco form, guaranteed to set any modern discerning dance floor alight. Featuring an evolving line-up of various Pittsburgh-based students from the band's inception in 1975, Steel City Connection featured a multi-race make-up of musicians, led by bassist Keith Stewart. They rehearsed religiously in their parents' basements, and quickly developed into a well-trained group, performing at top venues across the city such as The Crazy Quilt and Pinball Wizard, accompanied by their manager and even their own roadies. In 1978, with their hard-earned money secured from previous gigs, they paid to record and manufacture the single at Pittsburgh's most popular studio, Jeree, who then released it on their own label. However, upon its release the record sadly failed to make the headway that it deserved, mostly due to their manager's failing ill health and the band's inexperience in promoting music in the record industry. Although it received airtime on a few Pittburgh-based radio stations, it was soon lost into distant memory. 'Steel City Disco' has since become highly sought-after as arguably one of the best privately pressed disco releases ever put to wax, lifting its status from a mere 'rarity' to a true grail for many collectors and DJs. It is our honour to officially offer it here for the first time once more, backed with an unreleased extended version of 'Dansation', sourced from the original master tapes.

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MOMO. releases his 7th album Gira, on Batov Records bringing together some very special musicians and guests from London’s bustling and hustling jazz community, with fellow Brazilian artists, recorded and cut to tape at East London’s Total Refreshment Center.

Tracklist
1.1Para
1.2Rio
1.3Passo de Avarandar
1.4Oqueeei
1.5Jao
1.6My Mind
1.7Beija Flor
1.8Summer Interlude
1.9A Walk In The Park
1.10Gira

Listen: https://listen.k7.com/1e1f40dd-ccd8-4a47-924d-d79a91da4830

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Khruangbin did not know if they were actually making an album. All they knew in the first frigid days of 2025, as they shivered in the Central Texas barn where they’ve recorded almost all of their music, was that the 10th anniversary of their debut, The Universe Smiles Upon You, was steadily approaching. Months earlier, they’d bandied about ways to mark the occasion, debating orchestral arrangements or compendiums of bonus materials and alternate takes. Thing was, back before Khruangbin helped establish a new modern idiom of semi-instrumental and gently psychedelic American music, there had been no bonus material, no unused songs. And how interesting would alternate takes or symphonic extravagance really be for a band whose aesthetic—essential vibes, infinite grooves, riffs that rippled across the horizon—seemed so direct and pure, anyway? What if, they had instead wondered, they went back to the barn where it all began and recut the record that had started it all, on the actual 10th anniversary of those sessions? They decided, at least, to try.

It did not take long for Laura Lee, Mark Speer, and DJ Johnson to know that the idea was indeed a good one, that in holding up a mirror shaped by the past 10 years to their formative set of songs they could feel and hear how they had changed as people and players. The result is The Universe Smiles Upon You ii, 10 entirely new renditions of the songs from Khruangbin’s oldest album, played and sequenced in a way that works for them now without being strictly allegiant to who they were then. Watchful eyes, for instance, will notice that “Bin Bin ii”, a bonus track back in 2015, has moved toward this album’s center. More importantly, attentive ears will hear how liberated Khruangbin sound from any expectations rendered by their own success, how this is once again the sound of three longtime friends deciding how this material might move in real time.

The barn is an essential piece of Khruangbin lore. In 2009, many years before Khruangbin’s early singles started to shape their course or even before they were really a band, they began to head to the barn, bought by Speer’s parents in the ’80s on a modest cattle farm midway between Houston and Austin. They’d been looking for a place to rehearse in Houston when Speer’s parents volunteered the spot and the small house next door—three bedrooms downstairs, dorm-style bunks above, a century-old stove in a small kitchen. The process was so consummately D.I.Y. that, when they convened there in January 2015 to make what would become The Universe Smiles Upon You, Speer and Lee rushed to remove a nest of bees by playing bass and smashing cymbals loudly before Johnson (famously not into bees, mind you) arrived. They made the record for $1,500.

This time around, Khruangbin decided to try a few functional updates. They finally ripped out the plywood dancefloor that had been installed for a wedding nearly two decades earlier but had since become something of a sanctuary for critters that would inevitably destroy any gear left behind. They rented a new floor, then bought silent new space heaters and boxes of hand warmers that they’d stuff into gloves during sessions. The first day was Central Texas paradise—T-shirts in January, the sun shining as they set up their instruments, ran cables, and even recorded the seven-minute version of “Two Fish and an Elephant” that appears here, the rhythm that Lee and Johnson built offering a welcoming group hug for Speer’s flickering lead. But then the cold set in, a cold so gripping that they stuffed bits of construction flotsam into every crack and crevice they could find inside the barn. They moved closer and closer as the four days progressed, as if trying to absorb one another’s radiant heat.

Perhaps, then, that’s why The Universe Smiles Upon You ii feels so warm, as if they were tending a fire simply by playing together. Early into “August Twelve ii,” Johnson watched an eastern meadowlark sing just outside the barn, its song picked up by the microphones. It wasn’t their favorite performance, but they knew it captured the magic of the time and place, the yellow beauty’s melody calling these six gorgeous minutes to order. They are likewise jubilant during this very extended take on “People Everywhere (Still Alive),” applying the lessons about pace, momentum, and dynamics they’ve learned during a decade on the road to start and sustain this dance party. It is an immaculate map of the moment.

Funnily enough, while on tour with this electric trio during the last several years, Speer became fascinated with early European instruments that could sound full without being loud—the viol de gamba, for instance, or the clavichord. He imported that enthusiasm into these sessions, not only often playing acoustic guitar alongside Lee’s hollow-body Höfner bass and Johnson’s brushed drums but also covering instruments in contact mics, so that they sounded close and real. You can hear that pursuit clearly on “White Gloves ii,” a song that has become such a Khruangbin staple they initially struggled with how to remake it here. When Johnson suggested it become “country disco,” though, the track suddenly unlocked. A rural-funk canter buttresses the bittersweet vocals and twilit guitars; the recording makes it feel as if you’re sitting in the center of the barn, head pressed between the bass amp and bass drum as Khruangbin drift away.

In many ways, The Universe Smiles Upon You ii represents the close of Khruangbin’s first chapter, the complete culmination of the music they made when they arrived at the barn in January 2015. During the last decade, they have reached an apotheosis of sorts, their love of Thai pop and heavy dub and American soul and Ethiopian haze perfectly crystallized in a string of splendid records and live shows that have hypnotized massive theaters and festival crowds alike. They’ve repeatedly sold out the United States’ most famous venues, from Red Rocks and Forest Hills to the Hollywood Bowl and Radio City, and they’ve crowned festivals from Glastonbury to Bonnaroo. Paul McCartney plucked them to reimagine one of his songs, while they’ve collaborated with Mali legend and band inspiration Vieux Farka Touré to honor his late father on 2022’s Ali. After more than a decade of relentless touring and recording, their expertly polyglot 2024 album, A LA SALA, helped earn a Grammy nomination for Best New Artist. Not bad for a band that recorded its debut in a barn of bees and mice for a grand or so.

So, then, what is next? The Universe Smiles Upon You ii provides a point of pause for Khruangbin, a chance to step back from a sound they now know so well and figure out where it may go from here. They talk about woodshedding, about spending a few hours every day with their instruments to see what new shapes they can make. Khruangbin’s splendid next run, then, begins where the first one did, too—in the barn, finding their way into the world through the songs of The Universe Smiles Upon You, second time even more absorbing than the first.

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Tracklist
DISC 1
SIDE A
1. Rude Movements (Moodyman Remix Extended Version)
2. Rude Movements (Frankie Feliciano Remix)
SIDE B
1. Rude Movements (Kenny Dope Dancefloor Powder Remix)

DISC 2
SIDE C
1. Rude Movements (OPOLOPO Remix Extended Version)
2. Rude Movements (Kenny Dope O'Gutta Remix Extended Version)
SIDE D
1. Rude Movements (François K SATS Dub)

Following a limited 7” vinyl release of SunPalace edits in 2020, BBE Music finally delivers the
full-length versions of Moodymann and Kenny Dope’s ‘Rude Movements’ remixes, alongside
brand new interpretations by François K, Frankie Feliciano and OPOLOPO, plus a special edit
by Phil Asher.
François Kevorkian needs no introduction to fans of House and electronic music. Featuring
keys by Eric Kupper, his ‘SATS Dub’ and ‘TradMix’ versions of ‘Rude Movements’ are simply
classic works, summoning House music’s golden era forward in time, to the here and now.
Bonus spaced-out ‘Flerken Space Bubbles’ and beat-less ‘Atmosphere’ revisions are also
included in the digital version: both invaluable tools for DJs. Ricanstruction label founder and
long-time champion of the good groove, Frankie Feliciano delivers a slick and faithful update
of ‘Rude Movements’, with a slight Latin soul twist. Swedish mix-king OPOLOPO turns in a
typically live-sounding, funky and dancefloor-ready jam (ready whenever the dancefloor is,
anyway) The full, extended version of Moodymann’s remix retains the original ‘jammed’ feel
of Rude Movements, adding stellar flute, sax and piano solos to that hypnotic vibe. Kenny
Dope’s Afro-Latin inspired ‘Dancefloor Powder’ version is joined this time by a rough’n’ready,
street tough ‘O'Gutta’ mix; calling all b-boys and b-girls! For the expanded digital package,
we are also including a special edit by our sorely missed brother Phil Asher, created for his
own DJ sets and now available to all.
Made famous by David Mancuso at his New York Loft Parties, ‘Rude Movements’ was an
obscure Brit-funk b-side recorded in the home studio of Mike Collins. The track’s unique
sound, coupled with pristine sonics and production values caught the audiophile ears of
Mancuso, and the rest is history. Soon the track found its way into the hands of Loft Party
denizens Larry Levan, Nicky Siano, Frankie Knuckles and Danny Krivit and continues to
influence House and electronic producers through to this day.

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A stunning reissue of Delano Smith's album on Sushitech, originally released in 2017. This collection of previously hidden tracks from the master's archive was brought together into a beautiful album that has become highly sought after over the years, largely due to its exclusive vinyl only tracks.

This limited edition repress comes on special silver vinyl, released to celebrate the label's 20th anniversary.

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