2 LP gatefold + 12-Page Booklet
Kalita are proud to unveil the second volume in their ‘Borga Revolution!’ compilation series, focussing on the phenomenon of ‘Burger Highlife’, a crossover of West African melodies with synthesizers, disco and boogie that took over Ghanaian airwaves during the 1980’s and beyond.
Tracklist
A1. Atta Frimpong - Bepo So Dua
A2. Alan Cosmos And His Bam-Baara
Soundz - Soca For Your Pleasure
A3. A.B. Crentsil - Mama Dwen Meho
B1. D.J. Lawyer Okyere - Ohia Kan
Nye Ya (Medley)
B2. Alan Cosmos And His Bam-Baara
Soundz - Onua Gyae
B3. Pope Flyne Ackah - I Think You Are
Right (Jepense Que Tu A Raison)
C1. Atta Frimpong - Yaako
C2. Pat Thomas - Obae
C3. Mawuli Decker - Mawu Nafako Nam
D1. Nana Aboagye Da-Costa - Sikyi (Medley)
D2 Alan Cosmos And His Bam-Baara
Soundz - Yebi/Fontonfrom


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2 LP gatefold + 16-Page Booklet
Kalita are proud to unveil "Borga Revolution! Ghanaian Music In The Digital Age, 1983 - 1992 (Volume 1)", the first ever compilation focusing on the phenomenon of ‘Burger Highlife’ which is a crossover of West African melodies with synthesizers, disco and boogie that took over Ghanaian airwaves during the 1980’s and beyond.

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Kalita are excited to announce the first ever reissue of student medical group the IgG Band’s highly sought-after 1980 soul, funk and disco grail ‘Ultra/Sound’.


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Kalita are excited to unveil the first ever album reissue of one of - if not the - strongest South African kwaito/bubblegum albums in existence, Jivaro's 1989 masterpiece 'Saturday Fever'.

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Kalita are excited to announce the first ever retrospective on Jamaican-born artist Desmond Chambers.


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Kalita continue their annual tradition of unearthing holy grail records for Record Store Day with their offering this year of the Al-Dos Band’s unreleased gospel soul/disco album ‘Doing Our Thing With Pride’.

Featuring one of the most beautiful, sought-after and expensive gospel soul singles in existence (from which the album title takes its name), as well as seven unreleased gospel soul, funk and disco gems such as ‘Confusion’, ‘Look To The Sky’ and ‘Love Jones Coming Down’, Kalita deliver the goods once again.

Taken from the original analogue master tapes and released in partnership with band founders Mary and William Robinson. Accompanied by never-before-seen archival photos and extensive interview-based liner notes, this truly is a no-brainer.

A1. Look To The Sky
A2. Don’t Come Smiling Back
A3. Doing Our Thing With Pride
A4. Your Prescence
A5. Dream Song
B1. Love Jones Coming Down
B2. Confusion
B3. Some Things Don’t Mean A Thing
B4. I Remember When

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Kalita are proud to announce the first ever official re-release of Mpharanyana & The Peddler’s 1979 South African disco and funk recordings ‘Disco’ and ‘Freak Out With Botsotso’, backed by a devastating extended edit of ‘Disco’ courtesy of Amsterdam-based DJ and producer Jamie 3:26.

Tracklisting
A1. Disco
A2. Freak Out With Botsotso
B. Disco (Jamie 3:26 Extended Edit)

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Kalita are excited to announce the first ever official re-release of Michael Paul’s 1984 reggae boogie single ‘Reggae Music’!
Originally appearing on New York-based Revolver Records, run by famed jazz bassist Bob Cranshaw, ‘Reggae Music’ was seemingly the ‘hit-that-never-was’ upon its initial release.
However, since then a combination of both scarcity and quality has transformed the single into one of the most sought-after records in the genre.
Accompanied by a phenomenal dub version, this record easily deserves its space on record shelves across the world.
With prices becoming ever exceedingly eye-watering and copies ever harder to find, Kalita come to the rescue, offering a loud and remastered 12” single for all.

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Kalita are excited to announce the first ever official reissue of Muchos Plus's highly sought-after 1979 12” reggae disco masterpiece 'Nassau’s Discos'! Over forty years after initial release, and long the envy of collectors, DJs and dance music connoisseurs, the time is now right to share the music and the group’s story once more.

A. Nassau’s Discos (Long Version)
B1. Nassau’s Discos (Short Version)
B2. Love Misunderstood

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It’s grail time. Kalita are honoured to officially release for the first time since 1983 Marcy Luarks & Classic Touch's mythical American-Nigerian Afro
boogie masterpiece 'Electric Murder', accompanied by extensive liner notes based on interviews with Marcy's family and producer Daniel Irabor.



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Kalita are excited to announce as their second release of 2020, the first ever official re-release of Cameroonian singer Jeannette N'Diaye's 1981 disco masterpiece 'Makom Ma Bobe', backed by an extended edit courtesy of Mendel!


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For their first release of 2020, Kalita unearth New York-based band Cross Island's highly sought-after 1978 disco single 'East of the Apple'.


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Kalita are happy to announce the first ever 12” reissue of Henry Turner Jr.'s hugely sought-after 1980 disco single, "Music", backed by the first ever re-release of his 1984 boogie single "Forever Us".


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Kalita are proud to announce the first ever official reissue of the holy grail of disco 12” singles, Vance and Suzzanne’s ‘I Can’t Get Along Without You’

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Kalita are happy to announce the first ever re-release of Stirling March's 1985 Bahamian boogie grail 'Under Cover Lover'. With original copies painfully hard to find and commanding eye-wateringly high prices, we believe the time is ripe to share this masterpiece with the world once more, accompanied by never-before-seen photos and interview-based liner notes.

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Kalita are honoured to release for the first time Emerson's mythical 1988 unreleased boogie masterpiece 'If You Need Me, Call Me', accompanied by extensive interview-based liner notes and never-before-seen photos

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Kalita are delighted to announce their next release, Steel City Connection's 1978 single 'Steel City Disco', accompanied by extensive interview-based liner notes and never-before-seen photos. Originally privately released on Pittsburgh's Jeree Records, 'Steel City Disco' is one of the most sought-after disco records in existence, searched for by most yet the treasured possession of but only a few fortunate DJs and collectors. A grail in the truest sense of the word, this is a masterpiece in disco form, guaranteed to set any modern discerning dance floor alight. Featuring an evolving line-up of various Pittsburgh-based students from the band's inception in 1975, Steel City Connection featured a multi-race make-up of musicians, led by bassist Keith Stewart. They rehearsed religiously in their parents' basements, and quickly developed into a well-trained group, performing at top venues across the city such as The Crazy Quilt and Pinball Wizard, accompanied by their manager and even their own roadies. In 1978, with their hard-earned money secured from previous gigs, they paid to record and manufacture the single at Pittsburgh's most popular studio, Jeree, who then released it on their own label. However, upon its release the record sadly failed to make the headway that it deserved, mostly due to their manager's failing ill health and the band's inexperience in promoting music in the record industry. Although it received airtime on a few Pittburgh-based radio stations, it was soon lost into distant memory. 'Steel City Disco' has since become highly sought-after as arguably one of the best privately pressed disco releases ever put to wax, lifting its status from a mere 'rarity' to a true grail for many collectors and DJs. It is our honour to officially offer it here for the first time once more, backed with an unreleased extended version of 'Dansation', sourced from the original master tapes.

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Repress shipping on 17th of october!

“In stark contrast to the stress-makingly staccato assault of your average 'ardcore rave, Telepathic Fish was a wombeldelic sound-and-light bath"

Simon Reynolds (Energy Flash: A Journey Through Rave Music And Dance Culture)

The first-ever illustrated compendium recounting the seminal underground South London ambient party that surfaced at the axis through which the likes of Ninja Tune, Warp and Rising High flowed. Telepathic Fish shared fertile waters with Megatripolis and The Big Chill, moving the early 90s London back room chill-out space into the kaleidoscopic spotlight.

Documenting the sights and sounds of South London’s seminal Telepathic Fish ambient parties. Hosted by Chantal Passamonte (aka Mira Calix - RIP), David Vallade, Mario Aguera and Kevin Foakes (aka DJ Food) - collectively named Openmind. With the help of Mixmaster Morris (The Irresistible Force) and Matt Black (Coldcut), they put on some of the earliest chill out events in London.

Rooted deep in the heart of the electronic underground they started DJing and decorating house parties or squats with mind-blowing installations and wholly idiosyncratic design, hosting the likes of Aphex Twin, Andrea Parker and Tony Morley (The Leaf Label). Within a year they were playing VIP after shows for the likes of Orbital and illegal New Year’s gatherings at the disused Roundhouse whilst guesting on Coldcut’s Solid Steel radio show on London’s KISS FM.

Whilst collaborations with legendary club nights such as Megatripolis saw them share bills with Autechre, Higher Intelligence Agency, Scanner and Global Communication, they also created their own ambient fanzine - Mindfood – to document the scene evolving around them. A 20-page history of their parties is included in the release, richly illustrated with personal photos, artwork and memorabilia from their adventures between 1992-95. The gatefold sleeve also features their Telepathic Fish logo, mirroring an original T-shirt design they sold in Ambient Soho, a record shop three of the four worked in at different times.

The selections featured here are all personal favourites that were played at the Telepathic Fish parties during the 90s. Picked and arranged by Mario, David and Kevin who combed their collections for key pieces they associate with the time and Chantal’s music tastes. Over a hundred tracks were selected, totalling nearly 11 hours of playing time, before being whittled down to the essentials by the trio, forming a snapshot of their world back in the day.

KEY POINTS:

* Features long deleted and hard to find tracks by Caustic Window (Richard D. James aka Aphex Twin), Tranquility Bass, Spacetime Continuum and Global Communication (Mark Pritchard and Tom Middleton).

• Pressed on DJ friendly double black vinyl

• Includes A 20-page history of their parties is included in the release, richly illustrated with unseen personal photos, artwork and memorabilia from the Telepathic Fish crew’s adventures between 1992-95, as well as detailed liner notes courtesy of founding members Mario Ageura and Kevin Foakes.

• Cover includes horizontal obi sticker with quote from Simon Reynolds' book Energy Flash: A Journey Through Rave Music And Dance Culture, describing the Telepathic Fish parties' place in the dance music landscape.

• Lacquer cut by Beau Thomas at Ten Eight Seven Mastering

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“Krok” means “step” in Belarusian - and for Alex Chumak and his band this word comes with a lot of meaning. It’s the title and theme that run throughout SOYUZ's fourth album, reflecting the journeys the band has navigated in recent years, having moved to Warsaw due to political unrest in their homeland of Belarus and the outbreak of war in Ukraine. Embracing the uncertainty became both the inspiration and main lyrical theme for Alex Chumak, SOYUZ’ composer and arranger, who also decided to go a step further and change the language in which he writes songs from Russian, which is used as lingua franca in many post-Soviet countries, to his native Belarusian. The result is nine songs about dreams and outer space, ordinary miracles, things very close and very distant at the same time.

In early 2022, Chumak and original members, Mikita Arlou and Anton Nemahai, joined tens of thousands of Belarusians seeking safety abroad. Resettling in Warsaw, the band released Force of the Wind in October 2022, garnering widespread acclaim, a string of major European gigs, and led to Polish musicians Albert Karch and Igor Wisniewski joining the band.

Deeper and more melancholic than previous works, KROK is quintessentially SOYUZ, laced with hope, dreams and a celebration of life. Given the difficulties with finding rehearsal and recording spaces in Warsaw and the departure of the drummer Anton Nemahai from the band, Chumak explored alternative options. He reached out to friend and fellow musical collaborator, Sessa, about the possibility of recording the new album in his recently finished studio in São Paulo, with Sessa and Biel Basile coming onboard as recording engineers.

At the tail end of 2024, Chumak and SOYUZ’ new drummer, Albert Karch, made the trip to São Paulo to record the first sessions for KROK. Sadly, they travelled without Mikita Arlou, SOYUZ’ co-founder and Chumak’s longtime creative partner, due to the financial impossibility of bringing him too. Laid down directly to tape, these sessions featured prominent Brazilian musicians Sessa, Biel Basile, and Marcelo Cabral, with a guest vocal feature by Tim Bernardes recorded at a later date. The final touches were then added back in Europe. Lush string and woodwind arrangements written by Chumak and Karch were recorded at the Polish Radio studio in Warsaw, and Rhodes parts were added by Chumak at Sven Wunder’s studio in Stockholm.

Though primarily recorded in Brazil, KROK is not a Brazilian or MPB album. It blends the bands' Eastern European roots with jazz, folk and global influences. The genre of the music is hardly identifiable: there are folk ballads and jazz-driven pop compositions covered in lush and often dissonant string and woodwind arrangements where each note is placed with care and meaning behind it.

Broad in its palette, KROK is full of highlights. The title track was the first song Chumak wrote in Belarusian as an adult, making for a fitting opener and one of the band’s finest tracks. Darker than most of SOYUZ’ songs, the tensions lift and lighten as the track progresses. The cinematic library jazz of 'Voo Livre', with ghostly vocals sung by Ciça Góes and Ina, feels like a modern twist on the Italian library composer Alessandro Alessandroni through its sublime choir and woodwind orchestration. Elsewhere, the heartfelt 'Lingua Do Mundo', composed, written, and sung by Chumak and the incredible Tim Bernardes, features one of the standout string arrangements from Chumak and Karch. 'Cichi Karahod' is an instant SOYUZ classic, almost Pat Metheny-esque as it opens, with the acoustic guitar and bass riff transitioning into jazzy AOR / pop-folk territory. The record closes with 'Smak žyccia', a gentle, dreamy spoken-word poetry piece in Japanese by singer-songwriter Manami Kakudo.

Despite immense challenges, SOYUZ have delivered a career-defining album in KROK. Heartfelt and beautiful, it is not an imitation of the past, but rather a truly original, contemporary expression all of its own.

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STAR CREATURE's GLOBAL CARESS series drops it's 4th release with a 6 track 12" EP from BYRON. The 7" teaser released this year around Detroit's Movement Festival sold out fast and is now out of print. This 12" expands on that with more unique melodies and hypnotic rhythms.

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Wah Wah 45s present two very special cover versions from our beloved Afro-electronic duo, Raz & Afla, available on 12" vinyl for the very first time! Having recently released their sophomore LP, Echoes Of Resistance, to great acclaim and support ranging from Nick Grimshaw on BBC 6 Music to Tash LC on BBC Radio 1, and the follow up remix project Remixes Of Resistance, featuring reworks from Jamz Supernova, DMX Krew and JKriv, the pair offer up their unique takes on two very different slices of club culture on twelve inches of wax. First up, the pair tackle Aphex Twin's sleazy and sinister turn-of-the-century dance floor bomb Windowlicker and take it somewhere completely unexpected, as Raz explains: "We wanted to go to a different place from our influences for this one. When we told people we will cover this tune everyone said 'but how?!' In Raz & Afla style. We had an idea of what elements to recreate from the original and how we can reference it within our spectrum of sounds. It was so much fun to do and really kicks off at our live shows." It's a heavily percussive reinterpretation, replete with spooky wordless vocals, funky guitars and spine tingling synths that builds into something of a future Afro-house anthem, whilst respecting the genius of the original recording. On the flip, Going Back To My Roots has become a mainstay in Raz & Afla's live sets, and means a lot to them personally, as Raz once again explains: "We love this song. The lyrics resonate with us, talking about the meaning of connection to a land and its people. The history of this song is also fascinating, from Hugh Masekela and Orlando Julius through Odyssey and Richie Havens. We wanted to give it our own flavour. You can't choose your heritage and where you are born. It is always a part of you and we like to celebrate that." Written and first recorded by Lamont Dozier in 1977, Going Back To My Roots was famously covered by Richie Havens in 1980 before becoming a huge crossover hit when interpreted by disco outfit Odyssey in 1981. Raz & Afla very much give their version their own unique dance floor feeling. It's one which has received much support on BBC 6 Music.

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Soundway Records delivers an exciting new compilation, diving ever deeper into South-East Asia. Ayo Ke Disco celebrates the musical identities emerging during the 1970s and 80s from the newly independent countries nestled around the South China Sea.

This time, Soundway’s long-time general manager Alice Whittington (aka DJ Norsicaa) steps into the limelight, embracing her Malaysian heritage and selecting music from her heavy collection of Asian records. Aside from steering the label, she is often found on international stages and radio stations playing an eclectic array of music.

For Ayo Ke Disco (meaning ‘Let’s go to the disco’ in Indonesian), 10 rare tracks of disco-funk, psychedelic funk, synth, city pop, and Hindustani-Arabic rhythms were painstakingly licensed from local labels – forming a snapshot of the vibrant discotheques and live scenes across Indonesia, Singapore, Thailand, Malaysia, Hong Kong and the Philippines.

The vinyl release is also accompanied by the Ayo Ke Disco zine from Norsicaa, with extensive research on the history of music in South-East Asia, archival photos and exclusive interviews with some of the region’s most respected collectors.

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USA pressing, limited copies.

Space Ghost is excited to announce the release of Dream Tool, a four track 12” EP produced by Space Ghost himself. Dream Tool offers up four spacious house tunes exploring Space Ghost’s signature style of dance music. Each track is equipped with groovin’ drums, atmospheric pads, catchy piano melodies, and bouncy basslines. Dream Tool is the debut release of Space Ghost’s new label, Peace World Records.

With the launch of Peace World Records, Space Ghost aims to harness his passion for music to create a unique platform for like-minded artists in the Bay Area and beyond. Since moving to Oakland in 2009, Space Ghost has been a consistent fixture in the Bay Area music scene, DJing regularly and refining his production skills. For Space Ghost, honing his craft and creating enduring, high-quality art is essential, making the establishment of his new label a natural progression in his artistic journey.

Space Ghost has garnered an international following over the years by steadily dropping a diverse array of LPs and EPs. He has collaborated with Danish label Tartelet Records for multiple projects and has also put out music with acclaimed labels such as Apron Records, Pacific Rhythm, and PPU. Across his releases, Space Ghost’s production style weaves between ambient and dance music, drawing inspiration from the underground scenes of the '80s and '90s while adding a contemporary touch.

The launch of Peace World Records and its debut release, Dream Tool, marks Space Ghost’s inaugural step towards his goal at a full-time music career. Embodying his journey, this debut release truly is his Dream Tool.

Dream Tool will be available September 20th, 2024.

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King Street Sounds is on a mission to reintroduce timeless house classics to the dancefloor with another iconic release. Their aim, to educate a new generation about the sounds of the old school while also offering fresh remixes for everyone to enjoy.

Kerri Chandler's 'Bar A Thym' is back on 12-inch vinyl, featuring the full original 7:24 mix. This track builds, keeping listeners at the brink of euphoria and inviting them to dance. It’s THE perfect groove.

The original track is accompanied by a new version via South African producer Themba who adds his signature afro sound to the mix, infusing the song with swing, extra percussion, and heightened anticipation around the various drops.

Then the classic Foremost Poet's version, which was a great alternative to the timeless bomb. If you’re a house head, you need this in your life.

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