The label’s sixth release, Cassy takes a step back and gives this collaborative duo yet another outlet to showcase their dancefloor fodder, which follows releases on Kaluki Music, Mr. Nice Guy, Reptile Dysfunction, Ovum Recordings and, of course, I’m A House Gangster. Extraterrestrial Intelligence reminds fans of not just their deftness in producing tough house cuts, but also their prowess at manipulating the Roland TB-303 to deal a solid smacking of acid. ‘UFO’ reaches out to roughen up the humanoids of this planet with the 303’s distinctive squelch and those clattering drum machine rhythms – a track that’s guaranteed to get you twisted. Gruff vocals on ‘Click Thang’ break through as a tough bassline ensures your participation on the floor, and ‘Last Daze of Dizko’ maintains momentum with a thumping bassline that any peak-time burner should possess.

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After sharing his flair for producing polished house grooves on Kwench Records’ last EP, Philly veteran Pete Moss returns to collaborate with Cassy on the fifth release. This instalment gives two original tracks, and introduces AUS Music steamroller Marquis Hawkes into the fold as remixer. Keeping to mind that Cassy’s motive was to produce with esteemed artists that she personally came to admire, to be enlisted on two EPs is a testament to Moss’s finesse. For Marquis Hawkes, Cassy’s admiration runs deep into his ability to expertly produce quality house music on many levels. Last year he had three critically exclaimed releases on Aus Music, with ‘The Basement Is Burning’ EP securing its place as a summer smash. Hawkes blazes into ‘I Want You’ wielding sharp kicks and soaring pads, creating a mesmerising track that’s sure to elevate clubbers. On the B-side, Cassy and Moss’ ‘You Said’ breaks the silence and grabs us with the kind of spacey, distorted vocals that are sure to hypnotise listeners. Hawkes then leaves his mark by offering a euphoric slab of dance floor fodder that’s driven by a robust bassline for those peak time moments.

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Collaborating with producers Cassy holds in high regard is the modus operandi of her newly launched label, Kwench Records. Powered by the finesse of US veteran Pete Moss, the fourth EP dips the imprint into a slicker, more sensual side to house music. And adding fire to the flame is the legendary Ron Trent, who completes the release with a scorching ten-minute remix. Cassy launched Kwench Records with a burning appetite to create house music with esteemed producers whose careers could be defined by their eagerness to experiment. With her championing Moss’s and Trent’s productions for years, she approached the fourth release confident that their collaborative material would be dynamite. Cassy, among hundreds of her peers in the dance music sphere, has been an ardent admirer of Chicago house hero Ron Trent for years. With a huge back catalogue dating back to 1990 it’s safe to say he holds a special place within dance music.

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The second release from Cassy's new collaborative label 'Kwench Records' sees New York native Fred P turn in three stellar remixes of Cassy & Demuir's 'Please Me' from the labels inaugural release from November. The remit for each release on the label is for two (or more) collaborating artists to produce original material, whilst a different artist will deliver one remix. However, after hearing three fantastic interpretations from Fred P, Cassy was adamant that the tracks were so special, they had to have their own release. "His remixes exceeded expectations, and it's incredible how direct and beautiful they all are." - Cassy Cassy has been an admirer of Fred P's work for many years. She loves the way his music is expressed and its immediate nature. 2017 has been a vintage year for Fred P, with his 'Instinctive Rhythms' EP and FP-Oner album '7', garnering critical acclaim from across the board. The 'Please Me Reshape Project' continues the New Yorker's fine vein of form across three mesmerising tracks. Kwench Records is a project centred around Cassy's belief that dance music should be natural and a pure expression, a view shared by the artists she invites on board. Both Cassy and Fred P are practitioners of the label's ethos, looking to create songs that resonate with the listener, as well as themselves. "It's not about hit records, it's about making music for real, and with the intention of what you can give, rather than what you can get." - Fred P The three remixes share Fred P's inimitable sound, with the 10 minutes of his 'Journey Mix' slowly embracing and developing into a cosmic voyage. The 'Fixation Mix' is an up-tempo cut, with ambient synth keys perched over brooding bass notes. The final track from the EP, 'Broken Vibes Mix', features Cassy's distinct vocals over carefully muffled claps and broken beat.

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Following a string of remixes throughout 2016, and one of her busiest summers on the road, Cassy is rounding off the year on a high. Enter ‘Kwench Records’, a collaborative imprint she has created to represent honest and upfront House Music. The remit is simple, on each release two or more artists will collaborate on EP original material, with a different artist joining the package on remix duty. They must not be afraid to experiment, nor do what comes naturally to them. And above all, trust in themselves and their instincts. This is something Cassy has proudly learned to master over her DJ career, and she now wishes to put out records in a creative space that encourages this approach. For the first release, Cassy has called in one of her favourite House Music producers, Canada based Demuir, to collaborate with her. Demuir’s ‘Derrick Does Disco’ EP which came out on Great Lakes Audio in 2016 was a favorite in Cassy’s sets throughout that year, even making it onto her Mixmag presents CD ‘Let’s Talk About Donna’, which accompanied her cover in June. There are three original cuts on the package, and as a special treat for the first release, Cassy is holding back the incredible remix package until later this year.

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