A one-off 12” from New York’s early 80s boogie underground, Hustlin’ Time was the only single released under the name American Steel. Originally pressed in 1983 on the small but cult Silver Screen Records label, it’s become a rare find for collectors and a secret weapon for DJs in the know. Built around a strutting bassline, tight drums, and soulful vocals, Hustlin’ Time captures the essence of the boogie sound at its peak, equal parts funk, disco and electro. The 12" delivers four distinct takes: the full vocal, a shorter edit, a stripped-back instrumental, and a Dub mix courtesy of Aldo Marin under his S.U.R.E. Shot alias. Marin would go on to become a fixture in NYC remix culture, and his early touch here brings a raw dancefloor edge.


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180 gram pressing.

Producer, DJ, multi-instrumentalist and live performer Alek Lee returns with his second LP, an immersive instrumental journey shaped by his raw, smoky, guerrilla-style production. Cold Feet invites you deep into the Alek Lee universe, rich with swirling synths, layered percussion, Balearic guitar lines and dub-infused horns.

From the psychedelic, Sade like grooves of the title track and “Too Soon,” both steeped in cinematic mystique, to the sun drenched energy of “Pino Pino” and “The Right Thing,” which shimmer with Balearic disco flair, the album glides effortlessly across moods and tempos. A highlight arrives with the summer dub anthem “Was Was Was,” featuring long time collaborator and former Shame On Us bandmate Yovav Arzi on electric guitar.

The journey winds down with “Illusions,” a sultry, downtempo banger laced with an oriental twist, before dissolving into the final track “Cold Feet Desert”, a return to stillness, barefoot on white desert sand beneath a star strewn sky.

With a career spanning over two decades, Alek Lee has carved out a unique space in the global music scene. Known for his long, genre defying DJ sets and dynamic live performances, he moves fluidly between dub, house, and his own idiosyncratic productions. As a solo artist and through projects like Shame On Us and Project Runaway, Alek has played some of Europe’s most respected venues and festivals, including Sisyphos, Kater Blau, Glastonbury, Garbicz and Fusion. His releases have earned radio play from BBC6’s Iggy Pop and NTS’s David Holmes and featured on Peggy Gou’s Boiler Room and France’s legendary Radio Nova.

Now based in Athens, Alek continues to evolve his distinctive sound with Cold Feet, his most expansive statement yet.

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Daniel Monaco Band is an international group led by Italian bassist Daniele Labbate. Blending jazz, funk, house and disco with live energy, their debut EP ‘Get Naked and Fly’ captures years of collaboration and experimentation. The result is a warm, analog-driven sound crafted by seasoned session musicians who’ve toured the world and are now channeling their creativity into original music as a group.

Lead track ‘Love Ago’ delivers modern disco with the authenticity of the golden era, ‘Mimouna’ has a psychedelic edge, with the WHODAMMANY remix taking the original into a more electronic direction. ‘The Devil Left Dancing’ takes a subtly off centre path, nodding to Brazilian influences, while the title track ‘Get Naked and Fly’ is raw and instinctive blending live instrumentation with electronic sensibilities.

The project is a testament to what happens when musicians trust each other enough to explore freely without chasing perfection. A live band speaking house, funk and jazz with one voice — analogue, soulful, and free.

Personnel : Percussion by Yannick Van Ter Beek, Drums by Robin van Rijn, Sax by Alessandro Russo, Guitar by Simone Cesarini and Bass by Daniele Labbate.

Designed by Bradley Pinkerton.

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Following on from the 2023 reissue of Shiva featuring Leon Ware and Jo Ann Harris, Isle of Jura revisits 1983’s 20 Minute Workout LP once more with the Aerobic EP. This time, four more tracks are unearthed from the original album sessions, all produced by Andy Muson, a seasoned session bassist whose credits include work with Yoko Ono, James Taylor, and Ringo Starr. Originally brought in to play bass, Muson stepped into the producer role at the suggestion of composer Ira Newborn (best known for scoring Ferris Bueller’s Day Off and The Blues Brothers), who helmed the rest of the Shiva recordings.

IOJ label boss Jura Soundsystem is back on the controls, having previously reworked Never Gonna Give You Up into a limited one-sided 'Special Version' as part of the original reissue campaign. This new 12” sees him return to the Shiva project once more, delivering four extended versions that tease out the key elements and pull back on the occasional over the top disco indulgence from the originals. The result is an EP of refined early 80s Disco that acts as a fitting addendum to the original 12”s.

artwork designed by Bradley Pinkerton.

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** 180g pressing

Isle of Jura teams up with French digger Switch Groove on the next compilation titled ‘Archipelago – Cosmic Fusion Gems from France (1978-1988)’.

Switch Groove explains the concept “When I seriously began to search for and collect records, I was mostly interested in sounds from african-american, afro-latin and UK contemporary scenes. Sounds from distant territories, faraway from my native Massif Central, a highland region in the middle of France. The grass is always greener, I guess however, as I was digging in fleamarkets in the early sunday morning light, as well as spending regular sessions in second hands record shops, I began to discover hidden treasures, underground gems and side-projects of an unknown French musical repertoire.

French music is often reduced to its most famous musical forms, characters and signatures : French songwriting and voices, 60s yéyé, prog rock concept albums and soundtrack explorations, 80’s indie rock scene or more recently electronic French touch. All these sounds have a common feature : a geographical link, forged on mainland French territory, following the contour of the so-called Hexagone, the border that shapes the grounds for an homogeneous cultural expression. But beyond this showcase lie more complex, hybrid and global French productions. From French Caribbean Antilles to Parisian suburbs - especially during the ‘Sono Mondiale’ era -, in French areas outside urban cultural centers, musicians have created fusion and cosmic musical expressions. As the mid-seventies meant a greater freedom to make and record music, a wider use of electronic instruments like synthesizers and drum machines helped to deliver some magical projects you could only find lost in the middle of cheap records during a sunny record digging session. I selected these tracks, in an attempt to shape an ARCHIPELAGO that highlights significative contributions of African diasporas and ultramarine territories into French musical borders. It is the map of a land I have gradually drawn, thanks to deep listening of amazing cosmic and fusion tunes. I hope you enjoy the journey.”

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180G vinyl pressing

After releasing their well-received 7” and 12” singles ‘Night Time’ and ‘Feel It / So Hot’, Isle of Jura is pleased to present Exotic Illusions, the debut album from D.D. Mirage, the Sydney-based duo of Josh Dives and Disky Dee.

Having first played music together during the mid-2010s in the indie-psyche and punky-shoegaze bands King Colour and SCK CHX, the two Australian musicians/DJs came up in the warehouse party scene that fermented in the wake of the Sydney lockout laws. While organising mixed media events under the Yeah Nah Yeah brand, they discovered the joys of disco, dance-punk and the Balearic beat through Pender St Steppers’ DJ mixes and reissue releases and found themselves changing direction in response.

Written and recorded with a range of vintage keyboards and preamps, instruments and digital studio software, Exotic Illusions is a cosmopolitan love letter to the immaculate blend of Italo disco, Neopolitan funk, Nigerian boogie, cosmic house, synth-pop, UK street soul and lovers rock sounds that have inspired D.D. Mirage since they began this iteration of their ever-evolving musical relationship.

“The name Exotic Illusions refers to our fascination with all of this music made in other parts of the world,” they explain. “During lockdown and thereafter, we indulged in these exotic sounds as an antidote to our lack of travel. This fascination continued as the world opened up again, and we started working on tunes together. It’s also a way of acknowledging that we feel like tourists partaking in these styles and established sounds. They aren’t ours and weren’t born out of the place we’re from, but we hope we’ve been able to add something unique to them.”

In recognition of this, rather than just reinterpreting genre motifs through an antipodean lens, D.D. Mirage opened up lines of communication with some of their favourite musicians from the Neapolitan scene, bassist Daniel Monaco (Rush Hour, Periodica Records) and drummer Andrea De Fazio (Parbleu/ Nu Genea), who recorded the rhythm section for ‘So Hot’. They also wrote to the Manchester-based singer/producer Private Joy, who graced ‘Night Time’ with a smoother-than-silk street soul vocal that helped the single secure crucial plays on NTS and BBC Radio 6.

Opening with the tropical melodies, post-disco machine beats and jilted art-punk singalong chants of the title track, Exotic Illusions unfolds as a series of sturdy, internationally-minded dancefloor excursions. ‘Piranesi’ is boogie with a South American shuffle. ‘So Hot’ is Neapolitan funk with a Leichhardt strut, and ‘Antenna’ (featuring Jofi) is D.D. Mirage’s love letter to ‘80s drum machine bossa nova from Brussels.

On ‘Feel It’, the duo hit a sparking groove that reaches into an eternal sunset of the mind before throwing out a bubbly disco-not disco spoken word bounce on ‘Cat’s Cradle’, featuring psychedelic-pop singer Jermango Dreaming. From there, D.D. Mirage bring it home with a cheeky Aussie drawl on ‘Living Upside Down’ and the nocturnal excellence of ‘Night Time’, making a case for themselves as a significant new force from Australian music to the world.
full sleeve artwork from Bradley Pinkerton.

A1. Exotic Illusions (Feat Hotel)
A2. Piranesi
A3. So Hot
A4. Antenna (Feat Jofi)

B1. Feel It
B2. Cat's Cradle (Feat Jermango Dreaming)
B3. Livin' Upside Down
B4. Night Time (Feat Private Joy)

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Welcome to 'Instrumental Dubs #3', the ongoing series that delves into the world of the Dub Version and beyond. Side one explores the axis of UK Street Soul and Reggae with the opening two tracks produced by Howard Hill and originally released on his Passion Enterprises label in the late eighties. Both 'Versions' have a machine lead rhythm section paired with a reggae skank and snippets of soulful vox. The Proto House of Protek's 'I Love to Dance With You' featured on a Jura Soundsystem DJ Mix for Planet Trip, a one off single from the now sadly deceased Errol Parkes that's been re-edited with love by The Nightlark from Edinburgh.

The B side features The Cool Notes 'Natural Energy', which isn't strictly speaking a Dub Version, but it has that vibe with a primarily instrumental backing track featuring sparse vocals and spacey FX. The album closes with a secret weapon of Ilija Rudman 'Dub 4 Love' that pays homage to a famous track from Acid House's heyday.

Pressed on 180g Heavyweight Vinyl with full sleeve jacket design by Bradley Pinkerton.

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Presenting the second single from D.D. Mirage, a double header aimed squarely at the dancefloor featuring guest musicians Daniel Monaco and Nu Genea's Andrea De Fazio. A side 'Feel it' is a glittering cosmic disco jam with a hint of hedonism and an air of psychedelia. Capturing the euphoric exuberance of the dance floor, it draws influence from boogie legends such as 400 Blows, Patrick Cooley, Quando Quango and the Idjut Boys. The 12" Instrumental Mix takes inspiration from the Paradise Garage and Larry Levan, stripping back the musical elements to their core resulting in a Dubby and powerful DJ orientated mix.

B side 'So Hot' is a wonky mid-tempo heater, fusing trippy, sun-stroke delieria with infectious disco grooves. D.D. Mirage collaborated with some of Italy's finest groove merchants on this track, with Daniel Monaco (Rush Hour/Periodica Records) featuring on bass and Andrea De Fazio (Nu Genea/Parbleu) on drums. The track was influenced heavily by 80s Italo and Nigerian Disco. Label head Jura Soundsystem provides a Dubby extended take on the B2.

Instruments: JX-3P, Farfisa, Roland D-50, Jupiter, JV-1080, Korg Poly61, Juno-60, Guitar, Bass, Drums and various percussion.

A 140 gram pressing in 3mm spine kraftboard sleeve with labels and sticker designed by Bradley Pinkerton.

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A smooth Reggae version of the Randy Newman classic, most famously covered by Nina Simone, that was originally released in 1985. Licensed from producer and bona fide reggae legend Errol Dunkley, this version features killer horns and soulful vocals from Judy & Lynda. Backed with 'Heavenly Day'.

A 140 gram pressing in 3mm spine black disco sleeve with sticker and labels designed by Bradley Pinkerton.

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This rare Brit Funk 12” was originally released in 1984 and is now officially reissued for the first time. Licensed from producer Lindel Lewis, the 12” was heavily influenced by US Boogie and Disco and there’s a Dub influence at play as Lindel was also producing a lot of reggae around this time, most famously ‘Night Over Egypt’ by Mystic Harmony.

The 12” includes a previously unreleased Dub Version of ‘I Need You’ and was produced on two Analogue classics, Lindel says “I used a Linn Drum for the drums and played all synth parts using a Roland 106. I’m a classically trained musician and also a sound engineer, I worked at Mark Angelo Recording Studios for 18 years and have produced a great many artists. Steve Jones real name is Steve Myers, but I didn’t like the surname so changed it to Jones which felt more soulful. The name The Fat Boys came about because of the big bellies of myself the flute player Mike Appoh, my trainee engineer at the time. Ray Carlass played the sax solo, they have both now sadly passed”.

This long overdue reissue revives a standout moment in Brit Funk history, making it an essential addition for fans of classic Boogie and Disco. A 140 gram pressing in 3mm spine disco sleeve with labels and sticker designed by Bradley Pinkerton.

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2x 12" 140g pressing of this big tune from Cameroonian outfit, ESA, originally released on an LP in 1986. Pressed in full 45RPM glory with extra versions from the original tapes. TIP!

For the first time ‘A Muto’ by Esa is given an official reissue. Not only does this mark a first as a stand along single, but the reissue contains previously unheard Instrumental, Dub and Keys Versions alongside an Acapella. Licensed from writer and producer Martin Socko Moukoko, for 40 years Martin kept the original 2” master tape in mint condition so for the reissue the tape was baked and stems transferred by Archive Audio in Paris and the tracks given new mixdowns by Martin himself alongside Jerome Caron. The resulting mixes stay true the original whilst making the most of today’s digital studio technology, cut at 45rpm and truly representing the gold standard of quality when it comes to a reissue.

‘A Muto’ was originally released in 1986 on the ‘Atesa’ album and became an instant hit in Cameroon and Africa. The lyrics tell the story of a woman who abandons her husband, complaining of being alone as the keeper of the house. ‘A Muto’ is a blend of Makossa, a style originating in the French Cameroons characterised by prominent brass arrangements, and Ambasse Bey, traditional fast paced dance music from Cameroon. Martin assembled a team of session musicians in Paris in 1985 and programmed the drums and synths himself on the Linn Drum and Yamaha DX 7.

The Esa project ground to a halt in 1989 following a legal dispute which saw Martin win a court case in France regaining the rights to his music. In the intervening years Martin has continued to work in music studying jazz for 4 years at the American school of modern music in Paris and providing background music for the corporate world.

Artwork by Bradley Pinkerton.

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(2024 repress) Isle Of Jura go back to 1976 to resurrect ‘Anambra’, the jewel in the crown of Dub, Soul & Funk outfit Ozo. ‘Anambra’ is something of a classic, a unique song that’s slow, ritualistic and spiritual, mixing African & Nyabinghi drumming with a Buddhist Sanskrit mantra ‘Om Mani Padme Hum’. An alternate version ‘Anambra River’ appears for the first time on the same 12”.

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A 140 gram pressing in 3mm spine red disco sleeve with sticker.

Vermelho Wonder is a Brazilian duo formed by music producer and DJ Márcio Vermelho and performer/singer Ivana Wonder. Since their formation in 2016, they have been acclaimed for their avant-garde and experimental style. ‘Se Você’ is an electronic torch song that was originally released digitally in 2021 by Gop Tun (also one of Brazil’s main festivals for Electronic music). For the first time the single is brought to Vinyl alongside a new Jura Soundsystem interpretation. Bonus track ‘Catman’ (Dub) rounds off the 12” with a touch of underground house.

Vermelho Wonder is a unique phenomenon, creating a one-of-a-kind atmosphere with their mix of performance, vocals, and DJ sets. Ivana's mysterious and captivating presence, combined with Vermelho's elegant production, has seen their live show delivering captivating performances at iconic venues such as SESC, CCSP, Oca do Ibirapuera, Teatro Oficina, and Hélio Oiticica's installation in Brasília.

Design by Bradley Pinkerton.

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Repress!
Isle Of Jura's first LP reissue, the highly sought after 'Voyage'. A Journey Into Discoid Funk by Brian Bennett originally released in 1978. A cosmic disco classic completely re-mastered from the original master tapes by Matt Colton. 180g vinyl. Bootlegged badly in the past, re-issued with love now, the sound quality s top notch! TIP.

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**2024 Repress on 140g Vinyl with updated Sleeve**

The first in a series of mini compilations exploring instrumental Dub versions of sought after and long out of print titles from the world of Reggae, Disco, Boogie and House. Many of these versions still contain vocals, snippets here and there drenched in delay or reverb, a style you’ll recognise from many of the Jura Soundsystem edits on the label. The late Glen Adams & Finesse open proceedings with their Island Disco cover of Marvin Gaye’s classic, followed on the A2 by a super rare UK Boogie/Brit Funk mix of Tippa Irie’s ‘Panic Panic’ (shouts to Tippa for personally helping to push through the license) and the A side closes with the 80’s leaning ‘Yes I Do’ from Belgium’s Special Occasion. The first half of the B side comes from Carol Williams with the Special Club Dub mix of ‘Can’t Get Away’, originally a one sided promo only 10” from 1983 complete with spoken word intro from Carol thanking New York’s Metro DJs for their support of the song. The LP closes with a Jura Soundsystem Dubby Edit of La Palace De Beaute’s ‘Sin’ pulling back on the vocal and going heavy on the delay.

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Originally released in 1986 ‘Power’ was the work of Philly producer Derrick Graves and vocalist Terrance T. The machine lead production on ‘Power’ was part of an emerging wave of post disco producers embracing a dub aesthetic that proved to be the precursor to the emergence of house music. The vocal harmonies from Terrance were influenced by Cameo and Prince and combined with the powerful production results in a dancefloor bomb in the Larry Levan style, stripped back and dubby with a strong song at its core. This level of musicality and production was no fluke, Derrick was a seasoned session musician who worked extensively with the likes of Sister Sledge, Dexter Wansel & Donny Hathaway. Derrick had a clear understanding of emerging studio trends “Music production was evolving into a new phase where home studios were developing and it was becoming more possible for real recordings to be made! From there, I eventually enhanced my production skills by learning how to compose using sequencers, computer software (DAWs), and midi instrument implementation in the 80's and 90's. I went from a 4-track to eventually a 24-Track 2" tape machine setup!”.

The fully remastered 12” includes the essential Instrumental mix.

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Pulsar-driven groovetronics, folky modalisms in waltz time; dreamvitations to the cine-lounge. Rhythm-n'-mood experimenters Les Hommes return with a plasma-rippling suite of jazzified cuts. The new album – Sì, così – takes us into their usual unusual orbits; with re-explored mid-century Lowrey organ, mellifluous bass clarinet, Arcadian flutes, groovified piano electrique and oscillators scorched on re-entry, it's out there.

With compositions aired on BBC 6 Music, Radio 3, Radio 4 and stations around the world, plus sold-out live shows, global cult combo Les Hommes combine mid-century-cool organ group tropes and heavy percussion with contemporary arrangements and sound-sources. Their new 2024 release, Sì, così, takes the line-up further out again to explore spacier themes, esoteric modes and filmic stratospheres, as well as continuing expeditions into 'live' small-group recordings.



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Simon hafner AKA Sun People is an adventurous maverick in quick rhythms. His productions are well known for being fascinatingly hybridised. Footwork meets jungle meets techno meets electro meets dub! After his smashing debut LP on dBridge's Exit Records he is releasing his new EP on Candy Mountain. 'Emotional Distortions' is a unique EP centered around his deft beat programming and takes us on a contemporary dance floor journey of uncompromised fearless groove. This is next level production! Not to be missed for the serious d&b, dubstep, broken beat and electro freaks out there!!!

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Repress.

Neroli reaches release number 50 during its 20th anniversary and celebrates with a special project, an album of songs by some of the label artists and friends. The title reference goes back to 20 years ago when label’s honcho Volcov decided to give the label the name of Brian Eno’s Neroli album, an hour long ambient opus inspired by the oil derived by the flowers of the Seville orange. So after 20 years and 50 releases the label goes full circle and offers an album of delicate and heartwarming melodies and atmospheric songs. The talent of original UK dons Kirk Degiorgio, Dego and Ian o’Brien is enrolled once again to guarantee sophistication and depth. Patrice Scott and Fred P, who had recently released eps on Neroli, are joined here by fellow spacecadet Aybee…all delivering warm futuristic pieces! K15 and Linkwood debut on the label, opening and closing the album with class. And there is even a lost composition by Volcov himself with Detroit’s Gerald Mitchell and Pirahnahead as part of some 2010 sessions that might resurface soon…THE FIRST CIRCLE is complete!

Design by Al White.

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Four cuts of unapologetic, immediate Jungle that capture Tim Reaper’s frantic energy and Fracture’s deadly sonics — a perfect balance of aggression and detail. No holds barred, examined with a fine-tooth comb. Precision Pandemonium. Alongside the music, the collaboration extends to artwork, with each label’s iconic logo reimagined in the other’s style. This visual partnership spans the 12” label and sleeve design, as well as an extensive range of streetwear merch.

Fracture says:

I’ve known Ed for over 15 years, going back to the forum days of Subvert Central and Dogs On Acid. Even then, his approach to Jungle was authentic and compulsive. He’s stayed on that path with unwavering focus, never chasing trends—just pure, raw Jungle. What he’s built with Future Retro London is so desperately needed in this day and age: a space where music and community come first, shining a light on artists and DJs often overlooked by mainstream channels that favour gimmicks. His passion for Jungle is infectious, and I’ve always wanted to work with him so doing a full label collaboration feels completely right. Working with Ed is a real eye opener - he’s so full of ideas and the speed at which he can generate patterns is scary. Watching him fly around his laptop, chopping breaks and writing basslines is like watching a Grandmaster play speed chess—always on, never off. Shout out Tim Reaper each and every. An incredible DJ as well.

Tim Reaper says:

I think this is probably the longest ever I've spent on any release for Future Retro London, clocking in at just over 3 years of back & forth between me & Fracture in the making of this. There's a lot of backstory behind this project, so excuse my ramblings below.

The story starts with me hearing Sully playing a tune by Fracture called "Booyaka Style" which I really liked and thought would be great to release. I reached out to Fracture about it and found out later that he already made plans to include it on an album project (0860) that he was working on at the time which later came out on his label Astrophonica. He asked if I would be up for sending him any tunes to be considered for release on Astrophonica, but in response to this, I suggested a joint label project that both of us would have tunes on & he seemed keen to do it.
Few months later, I got back in touch to ask if he had done any tracks for this release but he was still busy with other things and instead sent me a track he had been working on, with the suggestion of us collaborating on it. We finished a track together that we both liked & felt as if it was a good starting point for the release. We then got a few more collabs done with a fair bit of back & forth, but upon reflection, he felt as if they could be a lot better than what they currently were and so, the release started to change in format a bit. Fracture suggested that we should meet up in his studio and work on some tunes together in person, with the aim of getting a few bits done over a bunch of sessions and getting it all sorted out in a much quicker timeline. Thankfully, this actually worked, we managed to get some collabs done that both of us are very happy with (even managing to sample a recording of Blackeye from a set from a Future Retro London event!)

Thanks to Fracture for his co-operation & perseverance with this release, helping to see it through to the end & not allowing it to be anything less than the best possible version of itself, thanks to Mark at Sequence for his role in helping with the logistics/manufacture of this release, thanks to Utile for assisting on the design on this release and most importantly, a very special thanks to all the obstacles along the way that I faced in the making of this release, which helped me appreciate getting to this point so much more than I ever could have!

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Created as the centre piece for Luxembourg's contribution to the 2025 Architecture Biennial, Ludwig Berger's field recording composition 'Ecotonalities: No Other Home Than the In-Between' weaves together recordings from distinctive locations across the territory. The piece critically examines the dynamics of the territory and investigates how ongoing developments are shaping the country's landscape. The concept of Ecotone — a transitional space between two ecosystems — guides the process, attuning listeners closely to frictions and co-existences within the environment.


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Reissue of the 1983's classic Messages From The Stars by British Electronic Funk outfit, The Rah Band.

Released in 1983, "Messages From The Stars" by The RAH Band—AKA multi-instrumentalist and producer Richard Anthony Hewson—emerged as a modest club hit, peaking at number 42 on the UK charts. Four decades later, the song has been rediscovered and revered as a cult classic, transcending time and generations. This reissue celebrates The RAH Band’s pioneering sound and the track’s unexpected rise from obscurity to international acclaim, largely thanks to devoted selectors and fans who never let it fade away.

Created on a Roland SH5 synthesizer in Hewson’s home studio, the track’s iconic vocals, spontaneously delivered with playful innocence by Hewson’s then-wife Liz, proved to be a masterstroke, with her warm, conversational tone giving the track an authentic charm. The interstellar lyrics, cosmic synth-line and funky bassline combined are addictively catchy, undoubtedly contributing to the track's success as a crossover boogie-funk classic.

The RAH Band’s resurgence owes much to DJs like DaM-FunK and Martin Iveson (Atjazz), who introduced "Messages" to new audiences in the ‘90s and ‘00s. DaM-FunK recalls discovering the track in the late '90s and making it the centrepiece of his sets, with crowds demanding repeat plays during his iconic Funkmosphere nights in Los Angeles. Fast-forward to 2019, “Messages” was selected as the opening track on pop superstar Frank Ocean’s ‘Blonded’ radio show and playlist, fuelling the track's viral explosion on TikTok in 2020 and sparking a relentless, enduring internet popularity that continues to this day.

Hewson, now in his eighties and residing quietly near the Sussex coast, continues to create music every day in his garage-turned-studio, using the original vintage gear that once brought "Messages From The Stars" to life. Enjoy this slice of space-disco history, where messages from the past have made their way to the present.

Hello, Do you read me?
I have a message
A message from the stars

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Tracklisting
A1 MJK - MJ'S GROOVE
A2 MJK - FIESTA 132
B1 MJK - CLOSE ENCOUNTER
B2 MJK & BLUETOOF - INDIGO
B3 MJK & BLUETOOF - SWEETER THAN

Sales Note
Neighbourhood is proud to release MJK's debut EP "Close Encounter".

The whole release visually represents a field of beautiful flowers with a dark swampy twist at the end! Picture that sonically and this is what you get with MJK's majestic "close encounter"!

The sound palette is similar across the EP, deep, lush pads, rhythmic, percussive beats, swirling you into a heady haze - MJ's Groove, Fiesta 132, Close Encounter... Featuring two collaborations with the brilliant Bluetoof on the B side, Indigo, again in line with a similar sound palette. Yet the last track "sweeter than" ironically takes you by a dark surprise!

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Originally released on Nice & Ripe in 1994 produced by Grant Nelson, Si Firmin & David Thackeray. Re issued & Remastered for the first time on DTR. This is an essential piece of UK Garage & Classic House in the same style as their 24hr Experience / GOD releases. Limited Pressing so act fast!

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Repress!


Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More