Repress!
New label by Innershades, presenting banging house tracks with a raw edge!

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WAS - Word and Sound Medien GmbH
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"bio coming soon"

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Over the last years a rehabilitation of the New Beat genre has taken place. Short-lived it succumbed under its own immense popularity at the beginning of the nineties, watered down once producers with an eye for commercial success - and not quality control - joined in on its seemingly easy recipe. Below the surface a lot of highly original tracks remain to be enjoyed however: the sound, with its unique mix of amongst others Chicago acid house and Belgian EBM, reveals itself to be an essential node in electronic music's Trans-Atlantic trajectory. Innershades has been a longtime enthusiast of the genre and made it a focal point of attention on "Heritage Vol. 1", the first part of a series that celebrates his inspirations and influences. Rather than making a selection of style exercises, he opts to subtly inject his tech and progressive productions with some of its tropes. It is a blend that comes naturally as menacing melodies and throbbing pulses are vital to his sound. Monolithic drum sequences, consisting of propulsive four to the flour kick drums and gated snares, run throughout the EP. On "This Is Belgium" this clear-cut rhythm structure leaves ample space for the bassline to glide and glint against the frantic SH-101 leads, while a deadpan vocal points out the release's theme. In a similar way a 303 runs havoc on "Eternal Voices". Hazy pads and understated dashes of melody furtherly infuse the track with a sense of emotive call and response. Just like most of its source material, it aims for high NRG via a low BPM. "The After Hours Club" lets a gnarled square bass line and a resonance intensive lead interplay until they get interrupted by a possibly familiar sounding news bulletin sample. "Rave Signal" finally combines an ever-modulating, hypnoid lead, silky string layers and a slab of trusty solid bass. The energetic track epitomizes Innershades's contemporary palette - it is a fitting conclusion to a record that renders regard for its precursors into current day dancefloor fervor.

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Belgian Thomas Blanckaert aka Innershades debuts in Cartulis with what could be his strongest work to date. 5 tracks representing his best shades of Techno/Electro.

On the A side you will find Deviation. A instant classic with special participation from Mutado Pintado on the vocals. Electro Emotions keeps the rawness of classic electro while injecting groove to the dancefloor with a touch of nostalgia.

Flip the record and you will find Heaven on Earth. Rolling techno with class synths. B2 The Acid Never Dies comes in original Innershades formula. Powerful kicks with uplifting chords and pads while the acid stimulates the brain. The Last Day closes the EP with literally a "closing" feeling.

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Innershades presents a heavy and vibrant trip through electro, techno and acid on Ocular Unity, the 12th release on Berlin's Mechatronica.
Following up on his "Aalst To Charlois" rave weapon released on the label last year, the Belgian producer continues to push his signature sound in new directions, maintaining harmony and once again underlining his undeniable strength in producing hypnotizing electronic music for the floor.
From the A-side's fast paced force in "Ocular Design" and "Cycle of Life", to the introspective journey "Zuiderpark" and all-powerful slow drive of "End Life", Innershades comes full circle on Ocular Unity and adds another stellar record to his already impressive discography.

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Innershades - previously seen on Crème Organization, Stay Undergroung It Pays.. – now on french imprint Nocta Numerica! Must have !

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After inaugurating the label with a first EP in december of 2014, Innershades returns home to deliver what will be the 6th release on 9300 Records. Kerrebroek Memories is the self made soundtrack of his childhood memories in the shared hometown of Aalst (Belgium). Expect to hear a homage to early Dutch electro with a modern twist and Innershades well known trademark for dancefloor injected house tracks. Rising Dutch star and new BFF of the Belgian 9300 family 'Betonkust' polished the A1-listed 'Darkness Fades' track into a melodious electro classic.

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The last few years have seen Belgian artist Innershades turn out plenty of rugged house on labels like Creme Organization and Pinkman, and now returns to the former with a four track EP on Dutch label Creme. The prolific producer shows he still has plenty of tricks up his sleeve across all four cuts and stitches in acid, jack and Chicago styles with his own sense of charm. The Kings comes hard and fast out of the blocks with big hits, wild synths and raved-up vibes that will have you punching the air. Knowledge is another banger with powerful kicks and globular bassline run through with more ravey sirens, but this time is a little more haunted. Crossing Paths is all about a simple but effective bassline that bounces along and takes you with it in ways similar to an Omar S joint, then Wait is the most stripped back and mysterious of the lot with cosmic melodies panning about in a spacious and airy deep house groove. Utterly timeless from start to finish, this is another massively effective offering from Innershades.

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Innershades gets out of Nina's panties and discovers a cold cold world outside.



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Following on from the release of Innershades' No Stopping EP on Creme Organization last summer, the Dutch label revisits the a-side cut 'Nina' with two remixers in tow. Those remixers are Bristol's bass pioneer Kowton and the inimitable production duo of Tuff City Kids. Unterton and Delsin duo Gerd Janson & Phillip Lauer aka Tuff City Kids turn in a bulky, piano laced and acid riddled remix of 'Nina' that is a pure party starter. Idle Hands and Hessle Audio man Kowton reworks 'Nina' into something run through with plenty of sirens, raw, crunchy drum loops and rolling percussive lines. It's stormy and tumultuous and is full of frosty textures. These are two abrasive tracks designed for maximum impact on the dancefloor.





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Been a long time coming for some of these tracks. We've had many requests for each one and hyped to share them on vinyl for the first time! You might also recognise from mixes including last years HOR appearance. Skippy, trippy, breaky, housey belters from all corners of the world - Buenos Aires to Paris, Sydney to Forres, London to Oslo (via Delhi)

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Hot Jams Straight out the 330XX !! In collaboration with his Ritmo Astral label, Belters is pleased to introduce Orion Agassi from the Asturias region of Spain! Remastered for vinyl, this one has been a while in the making and seems to be reaching the right ears so far. It's very exciting to now share with yours too. Who knew that classic house and boogie had been missing some reggaeton vocals?? Each track has been very effective on dancefloors around the world and counts support from people you've heard of. 'Dos Blokes' even got a notable mention in the New Yorker. “a fluorescent EP that fuses reggaeton house and electro into unexpected but undeniably effective club tracks” - Resident Advisor

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Teaming up with Muting The Noise, Belters is very pleased to present Dominik's finest record to date. Four solid pieces of music for future dancefloor moments. Early DJ support from Dixon, Ame, Gerd Janson & Mano le Tough.

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We met Moonilena in Stockholm a few years ago. Pedrodollar told us that she plays weird music and we'd get along - he was completely correct. The subsequent mixtape she put together for the Rinse FM show became a total obsession and it wasn't until months later that we found out some of our favourite tracks included were unreleased, so here we are a year or so later and we hope it soothes and uplifts you in equal measure.

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Our first Belters record of the year is our third outing by our man from Ausburg, Dominik Marz, and this could well be his best yet - with 4 rock solid big room hitters. These have been doing the damage with Dixon, Ame and Solomun for the past few months and recently been given some airtime by the bold Pete Tong.

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At long last we're delighted to release some nuggets we've been sitting on by our Lithuanian friend for some time now. 'Kalista' first appeared on our Dekmantel podcast and has been prompting enquiries about it ever since. The others were pretty much good to go, but something felt missing.. One day we received 'My Personal' out of the blue and now we're off to the races! Very happy to share these with the wider world.

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Not be confused by the impeccable website or recent festival. T E S T P R E S S are a couple of Aberdonian upstarts, responsible for some fun edits and we're happy to get in on the action. More swagger on them than those Northern seagulls!

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Strap yourselves in troops! This next one by our Bavarian brothers has proven to be a bit of a HIT round these parts over the past year..
Recently they’ve been prompting many ID requests with the support of Dixon, Ame, Peggy Gou, Roman Flugel & Kornel Kovacs and now the secret is out!

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After releasing Wraetlic's seminal 'Ad Absurdum' earlier in the year on Huntleys + Palmers, we're very pleased to have arranged for the entire album to be remixed by friends, associates and artists we've long time admired. These will drop over the remainder of the year on Belters and we're very excited to hear and share all these new interpretations. The first one is easily the heaviest record on Belters to date. Headed up by Hodge, who can do no wrong to our ears and as expected, he's turned in a stomper. This is well matched with the thundering effort by Toronto-via-Cairo's DINA. On the other side, Deena Abdelwahed does the damage with a wonky number, alongside Glasgow's boy wonder, Pseudopolis who drops the pace but keeps the heat.

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We're very happy to announce that DrumTalk is back! He never fully went away, but we're excited to share the results as he ambles into different directions with slower tempos on one side, and faster on the other - while still sounding as vibrant as ever..

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2019 is shaping up to be a great year yet with more of the same focus on championing new and emerging artists; alongside the more established. But before all that.. Belfast is the first port of call as DJ and producer Jordan delivers a variety of party thumpers. With thanks to AVA festival and the invincible Bicep going from strength to strength; the Belfast scene is enjoying a moment with the likes of Bobby Analog, Cromby and Hammer all breaking through to greater recognition. Jordan has equally been keeping busy between releases on Abandon Silence and launching his own edits label through Lobster Theremin.. So the stars are aligning for this release, which typifies what the label is about. Each track could easily be the ‘A1’ and it’s already been doing the damage with the likes of Tim Sweeney, Erol Alkan and a select few, until now.. Expect to hear much more from each over the year ahead.

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These Lush Liverpudlian Belters have be supported by Gerd Jason, Michael Mayer and the Innervisions lot - with good reason.

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New Belters straight out of Barvaria! In a nice bit of serendipity, our old pal Bostro Pesopeo (BLTRS010) introduced us to his Barvarian buddies, Dominik Marz & David Kochs. Who subsequently sent us some outstanding new music that we signed on the spot and for the first outing, we're very happy to complete the circle with a remix by Bostro himself. With early support from the likes of Ame - who has seemingly been playing the whole release - you're sure to be hearing a lot more of these youngsters in the coming years.

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Like all great music, it's difficult to pinpoint what this sounds like exactly - but Toronto's Block Univers have cited their influences to include "boogie, house music, cold wave synths, gospel vocals, 808s and moog basslines" - so that would go some way to explaining the magic here. We tried to jam in as many of our favourites on this release as possible. More BANG for your buck!

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On our tenth Belters outing, we're borrowing the mighty fine Bostro Pesopeo from Permanent Vacation.. we've been big admirers of his music for many years now and he contributed to our mix series back in the day. These particular tracks were actually ones he gave away on Soundcloud and we immediately messaged him saying we'd release them. Took a while, but here there are. DJ support from Barnt, Midland, Erol Alkan, etc.

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After kicking off the year with releases by Wheelman and General Ludd, we’re very pleased to announce that Naum Gabo completes our recent trilogy of releases from Glasgow based artists. Alongside Ivan Smagghe, it’s no secret that Optimo have been a huge influence around these parts and having released Ivan’s Smagghe & Cross project on Belters last year, it’s a huge honour to work with Naum Gabo - the production partnership of Jonnie Wilkes (JG Wikes of Optimo) and James Savage (Mastering Engineer for Optimo Music). Fittingly enough, Naum Gabo played live at the first ever Optimo related parties we attended at the Sub Club back in 2005 and Jonnie’s influential and supportive presence has been felt over the years as we started to become more involved in the Glasgow scene and as the label developed. So it didn’t require much thought to do this release before we had even heard these new Naum Gabo tracks…they are absolute slammers of the highest order! Really big release, bringing to our minds the likes of Errorsmith. Belters is a new club-focussed label brought to you by Huntleys + Palmers.

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We've been big fans of General Ludd from the start and are delighted to finally release something from them. These three tracks were made specifically to be played live during their Panorama Bar debut and it's pretty easy to imagine them rocking the joint! Superb dark and trippy groovers destined to go straight in the bag of Craig Richards and Ricardo.

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As Huntleys + Palmers events has drawn to a close, 2018 will see a big focus in releasing some brilliant new music and introducing some amazing new artists. First up is Wheelman - straight out of Glasgow and fresh off the back of his debut for our Studio Barnhus buddies. To our shame, it took a Kornel Kovacs trip to Rubadub to bring to our attention a real talent who was under our now the whole time! He'd even been to a bunch of our parties and we'd never made the connection.. Righting this wrong, we promptly hit him up for music to include on a 'Clyde Built' compilation and they were so good, we designated the bulk of these tracks to this release - 5 absolute BELTERS!

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