Repress!
New label by Innershades, presenting banging house tracks with a raw edge!

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"bio coming soon"

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Over the last years a rehabilitation of the New Beat genre has taken place. Short-lived it succumbed under its own immense popularity at the beginning of the nineties, watered down once producers with an eye for commercial success - and not quality control - joined in on its seemingly easy recipe. Below the surface a lot of highly original tracks remain to be enjoyed however: the sound, with its unique mix of amongst others Chicago acid house and Belgian EBM, reveals itself to be an essential node in electronic music's Trans-Atlantic trajectory. Innershades has been a longtime enthusiast of the genre and made it a focal point of attention on "Heritage Vol. 1", the first part of a series that celebrates his inspirations and influences. Rather than making a selection of style exercises, he opts to subtly inject his tech and progressive productions with some of its tropes. It is a blend that comes naturally as menacing melodies and throbbing pulses are vital to his sound. Monolithic drum sequences, consisting of propulsive four to the flour kick drums and gated snares, run throughout the EP. On "This Is Belgium" this clear-cut rhythm structure leaves ample space for the bassline to glide and glint against the frantic SH-101 leads, while a deadpan vocal points out the release's theme. In a similar way a 303 runs havoc on "Eternal Voices". Hazy pads and understated dashes of melody furtherly infuse the track with a sense of emotive call and response. Just like most of its source material, it aims for high NRG via a low BPM. "The After Hours Club" lets a gnarled square bass line and a resonance intensive lead interplay until they get interrupted by a possibly familiar sounding news bulletin sample. "Rave Signal" finally combines an ever-modulating, hypnoid lead, silky string layers and a slab of trusty solid bass. The energetic track epitomizes Innershades's contemporary palette - it is a fitting conclusion to a record that renders regard for its precursors into current day dancefloor fervor.

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Belgian Thomas Blanckaert aka Innershades debuts in Cartulis with what could be his strongest work to date. 5 tracks representing his best shades of Techno/Electro.

On the A side you will find Deviation. A instant classic with special participation from Mutado Pintado on the vocals. Electro Emotions keeps the rawness of classic electro while injecting groove to the dancefloor with a touch of nostalgia.

Flip the record and you will find Heaven on Earth. Rolling techno with class synths. B2 The Acid Never Dies comes in original Innershades formula. Powerful kicks with uplifting chords and pads while the acid stimulates the brain. The Last Day closes the EP with literally a "closing" feeling.

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Innershades presents a heavy and vibrant trip through electro, techno and acid on Ocular Unity, the 12th release on Berlin's Mechatronica.
Following up on his "Aalst To Charlois" rave weapon released on the label last year, the Belgian producer continues to push his signature sound in new directions, maintaining harmony and once again underlining his undeniable strength in producing hypnotizing electronic music for the floor.
From the A-side's fast paced force in "Ocular Design" and "Cycle of Life", to the introspective journey "Zuiderpark" and all-powerful slow drive of "End Life", Innershades comes full circle on Ocular Unity and adds another stellar record to his already impressive discography.

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Innershades - previously seen on Crème Organization, Stay Undergroung It Pays.. – now on french imprint Nocta Numerica! Must have !

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After inaugurating the label with a first EP in december of 2014, Innershades returns home to deliver what will be the 6th release on 9300 Records. Kerrebroek Memories is the self made soundtrack of his childhood memories in the shared hometown of Aalst (Belgium). Expect to hear a homage to early Dutch electro with a modern twist and Innershades well known trademark for dancefloor injected house tracks. Rising Dutch star and new BFF of the Belgian 9300 family 'Betonkust' polished the A1-listed 'Darkness Fades' track into a melodious electro classic.

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If there was any mild concern about maintaining our namesake, this next release should put them to bed. Having been a big fan of Innershades productions since hammering 'That Girl' and 'Inside Your Mind' to death, it's pleasing to have found each other. Resulting in SIX absolute bangers from Belgium - from the trance chugger for that Weatherall warm up, to the acid thumper for your b2b with Hauff - we've got you covered. Not only Belters by name..

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The last few years have seen Belgian artist Innershades turn out plenty of rugged house on labels like Creme Organization and Pinkman, and now returns to the former with a four track EP on Dutch label Creme. The prolific producer shows he still has plenty of tricks up his sleeve across all four cuts and stitches in acid, jack and Chicago styles with his own sense of charm. The Kings comes hard and fast out of the blocks with big hits, wild synths and raved-up vibes that will have you punching the air. Knowledge is another banger with powerful kicks and globular bassline run through with more ravey sirens, but this time is a little more haunted. Crossing Paths is all about a simple but effective bassline that bounces along and takes you with it in ways similar to an Omar S joint, then Wait is the most stripped back and mysterious of the lot with cosmic melodies panning about in a spacious and airy deep house groove. Utterly timeless from start to finish, this is another massively effective offering from Innershades.

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Innershades gets out of Nina's panties and discovers a cold cold world outside.



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Following on from the release of Innershades' No Stopping EP on Creme Organization last summer, the Dutch label revisits the a-side cut 'Nina' with two remixers in tow. Those remixers are Bristol's bass pioneer Kowton and the inimitable production duo of Tuff City Kids. Unterton and Delsin duo Gerd Janson & Phillip Lauer aka Tuff City Kids turn in a bulky, piano laced and acid riddled remix of 'Nina' that is a pure party starter. Idle Hands and Hessle Audio man Kowton reworks 'Nina' into something run through with plenty of sirens, raw, crunchy drum loops and rolling percussive lines. It's stormy and tumultuous and is full of frosty textures. These are two abrasive tracks designed for maximum impact on the dancefloor.





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Clone Jack For Daze on a roll with Tom Carruthers up next. Tom's delivering trax that will make you jack all night long! The 4 track EP reflects a keen ear for detail and a deep appreciation for retro-futuristic influences that made the genre. No nonsense classic bleepy techno with lush strings and contrasting metalic basslines fierce enough to keep the energy flowing till sunrise.

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Legowelt returns to Clone Records with yet another sonic journey that defies conventional electronic music boundaries, offering an album that is as eclectic as it is immersive. Blending different styles and textures seamlessly and proving that electronic music can still be creative and that function doesn't always prevail style. He delivers a collection that transports listeners through a kaleidoscope of retro-futuristic sounds, deep grooves, and cosmic melodies. Despite being in the music game for more than 25 years the music from Danny Wolfers remains playful and refreshing. Stylistically taking elements from his whole musical career and not commiting to the latest trend or any genre specifically, and low-key taking the piss with everyone who takes themself to seriously. While many electronic music artists are stuck in their own void, busy pleasing the big room, Legowelt meticulously crafts rich textured soundscapes, balancing between cosmic exploration and the dancefoor, that evoke both nostalgia and futuristic visions. His ability to fuse elements of house, techno, disco and electro with cinematic influences results in an album that is not only ready for club use but also gratifying at home. Each track offers something unique--whether it's the hypnotic rhythms, the lush synth lines, or the subtle, eerie undertones that creep in unexpectedly. Legowelt's attention to detail and passion for his craft shine through, making this album a worthy follow up to his last album on the Clone Jack For Daze series.

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Mini-LP!

Part 3 in Legowelt's latest project "Hermit in a Rave Cave". Even lower slung house tracks with a twist from the unpredictable and unparalleled brain that roams the dunes of the Hague. Also responsible for Salamandos, Squadra Blanco, Polarius and a swath of other mysterious aliases.

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Classic jacking tracks by Byron the Aquarius on Clone Jack for Daze. A 6 track ep that will make you dance till your numb. A big booming sound system in a dark room filled with big artifical clouds from the smoke machine, rattling drum machine with pulsating basslines, the hypnotizing lights from the strobe and you've entered the Land Of Confusion! Thats all we need to have a good time. Byron hits exactly that sweet spot with his take on the classic stripped down jack tracks.

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More low slung house tracks with a twist from the unpredictable and unparalleled brain that roams the dunes of the Hague. Also responsible for Salamandos, Squadra Blanco, Polarius and a swath of other mysterious aliases. Part 2 in Legowelt's latest project "Hermit in a Rave Cave".

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6 Fresh new Jacking trax by Hermit in a Rave Cave. Sounds familiar? Yes... it's Danny Wolfers aka Legowelt aka Smackos aka Gladio aka Polarius. we could go on for a while... Part 1 in a small series of releases from Danny's personal Rave Cave in the dunes of the Hague.

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Repress landing at the end of this year!

Murphy Jax and Mike Dunn with some classic Chicago tracks as if Dj International is still in its Hey Days! Murphy Jax sharp production catches the 25 year old Chicago House vibes and delivers a more then excellent tribute with one of the greatest voices in house. And a great debut too! On remix duty its Legowelt and Alden Tyrell doing what they do best... tearing up the dancefloor with devastating remixes. Legowelt in a psychedelic way and Tyrell throws in some 303. Difficult to pick a favorite with these three versions!

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Takuya Matsumoto's tribute to the heydaze with four beautifully crafted tracks. Touching all the bases of influence from the early years of House Music. This EP takes us all the way back...

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A true lowlands collaboration on the Clone jack For Daze Series. Betonkust and Innershades team up for the Benelux Connection EP. Harking back to the days of when New Beat and early Chicago House ruled the Dutch and Belgian dance floors and ravers cruised the Benelux in search of that perfect beat.

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More Madnezz from the Jack For Daze camp. Straight jackers from Marcos Cabral, Oli Furness and deep bizz from Sean Dixon.

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Proto version acid tracks by the legendary Mike Dunn. 4 raw jacking acid and drumtracks from a true master!



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"Raw machine shit for moving feet..." to quote Arttu himself. Don't think we could've said it any better. Four stomping ravers from the Finnish spacefunkateer



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Vin Sol, our San Fran drummachine fiend, makes his second appearance on Jack For Daze. Four of his "brutalist" style Chicago tinged house tracks tailored for sweaty, dark, raw concrete basements.



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Gerry Read with a complete leftfield take on house music. Mental jacktrax!



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DJ Haus goes a little freaky on the Helta Skelta EP. This 4 track ep show his strangely funky side with some odd and jerky rhythms and melodies. It takes it ques from the windy city but doesnt hide DJ Haus's roots in the UK with a bleepy techno twist and pirate radio energy.



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After the critically acclaimed Serge & Tyrell release a little while ago Alden Tyrell is back solo with a new Clone Jack For Daze. A double A-side release with modern jack tracks that nod to Chicago's tradition of making effective and fun tracks for the floor. These two tracks with a little jack nostalgia that will do the job! Mr Tyrell delivering in top form.

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2 fierce tracks that are straight up O.G. jacking house in Roman Flugel's unique way. Timeless tracks that maybe even in some way go back to his early Acid Jesus days and connect that with what he's doing today.

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Ltd remix 12'' with Serge & Tyrell remixes for Roman Flugel's debut on Clone records. All focus to the massive flanger remix on the a. Flip side gives slightly different mixes and arrangements from Roman's original version.

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The newest single from Whodamanny’s Biloba sublabel of Periodica Records is “Volveràn,” a dark and delirious saxophonic strut given four different variations. In the Club version, gang vocals chant to the sky, pads hover like neon mist, and technoid synths twinkle through moonlit boulevards as basslines clad in black leather stomp over a futuristic disco dance. The Radio mix distills these characteristics into sorcerous display of pop songcraft, whereas the Dub goes elsewhere, omitting the sax completely in favor of delayed drum dynamics, cosmic chords climaxes, sunbaked guitar jangles, and vocals shrouded in a hallucinatory haze. And in a bold display of disco house minimalism, the Sax Only cut strips down to saxophone, bass, and drums, with accents of guitar and synth providing subtle pops of color.

A1 - Volveran (Club Mix)
A2 - Volveran (Sax Only)
B1 - Volveran (Radio Version)
B2 - Volveran (Dub)

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The fourth outing on Spray’s Punctuality imprint comes in the form of the much anticipated Ode to Beachball EP by Eoin DJ. The release is a fully realised vision of moods and grooves inspired by Nalin & Kane’s 1997 chart topper ‘Beachball’.

Sparse, organic percussion, simple basslines and lush atmospherics form the bedrock of the EP, placing it firmly at the intersection of starry-eyed euphoria and heads-down club-stomp, lending the tracks a timeless but contemporary feel.

Those with their ears to the ground will know that the title number has been somewhat of a sleeper hit for the past two summers. Ode to Beachall’s understated stabs, rolling bass and transcendental vocals have soundtracked many sunsets and have bore the brunt of numerous failed shazam attempts via spins in mixes by trendsetting auteurs like Job Jobse, Sally C and label head Spray.

Bliss Inc’s remix turns up the energy dial with a club-focussed remix of Ode To Beachball, adding extra dynamics to the rhythm and low end, propelling the original into a modern hard-house roller complete with big-room breakdowns and euro-centric stabs, firmly aimed at the dancefloor.

On the flip both Infinite Well and On Lilac Skies stick to the beachball brief- swung bongos and congas, undulating low end and mercurial vocal chops add to the balearic beach techno mood of the entire EP. Both tracks are exemplary practices in dancefloor restraint and are sure to be staples in bags and sticks of discerning DJs for many summers ahead. Another stellar release from Irish atlantean Eoin DJ.

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In making his long awaited return to Periodica, Milord steps away from the mysterious electro and new age mysticisms of past releases, and instead delivers the freaked out boogie funk free-for-alls, brain-bending disco dubs, and summertime pop perfections of ‘Party Line’. The club mix is an extended excursion through hypnotizing and ever-evolving club psychedelia, with wild phonecall detritus accenting a riffing and body-rocking banger led by svelte lyricisms, energized chants, and future gazing vocoder treatments. Elsewhere, the dub is a building body bomb of Afro-tribal grooves, techno bass, echoing cascades of drum fx, and pianos soaked in interstellar aether. And for the ultra infectious radio mix, touches of Kraftwerk meet sunshine pop jam band as a molten bubblegum bass guitar bounces on an earworm drum groove, while all around, vocals soar and six-strings jangle through solar-soaked licks.

A1 - Party Club
A2 - Party Line
B1 - Party Dub
B2 - Party Beats

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DJ Support: Dr. Banana, Secretsundaze, Heels & Souls, Velasco

For their third release, Moonworks look to Italy with a reissue of a hyper-rare underground earworm by Urban Heads, originally from 1998.

Urban Heads’ ‘The Wind’ is a lost Italian gem produced by Federico Scavo which has remained a secret weapon in the bag of a select few tastemaker DJs until fairly recently, with original copies practically impossible to come by. Since producing this record, Federico has gone on to become one of Italy’s best known DJ/Producers, with multiple chart-topping hits under his belt gathering millions of plays.

‘The Wind’ offers two floor-filling mixes of quirky, boisterous, distinctly European house music. Whether you’re playing the disco-infused Cosmic Version or the dancefloor weapon that is the Space Mix Version, we have no doubt that this record’s signature vocoder riff and captivating basslines will remain permanently embedded in the mind of everyone in attendance.

Moonworks have once again worked closely with the original artists to restore and remaster these tracks from the original DAT tapes, as well as revamping the original artwork in their own style.

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Tracklisting
A1 Outlander - I Am I Was
A2 Outlander - Where Is The Exit
B1 Outlander - Isolated
B2 Outlander - Tuesday Vibes

Sales Note
One of techno's all-time greats, Outlander, is back after a lengthy hiatus. With over a dozen records released under the prestigious R&S label, he now finds a new home at Sonic Groove Records with 'I Am, I Was'-a timeless four-song EP of thought-provoking modern techno that is sure to resonate with a wide range of music enthusiasts across the various subsects of the techno scene.

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Tracklisting
A1 Rene Wise - Silo Cybin
A2 Rene Wise - Complicated
B1 Rene Wise - Rough Escorts
B2 Rene Wise - Bleep Police

Sales Note
With Moving Pressure 02, Rene Wise allows us to dip into a psychedelic undercurrent, yet maintaining a very grounded mentality. Its an effortlessly rolling type of minimalism, but lets be clear; its a type of minimalistic spirit backed up by a rich, kaleidoscopic sound design. MP02 is an immersive batch of mystical dance floor journeys which, in four steps, navigates the realms of gaseous sound design to more subaquatic dynamics, working with a palette of serpentine rhythms that pull us into his distinctive, subtly hypnotic world.

A1 Silo Cybin opens the release with the artists unmistakable kick drum pattern, the heartbeat of his sound. Theres a trippy, swampy energy here, enhanced by robotic vocals and broken claps that weave polyrhythms into the track. The minimalist core pulses with playful energy, while detailed textural elements softly emerge like a waves bubbling foam. Up next we have Complicated, which offers a more minimalist composition, yet injected with rich rhythmic structures. Small circular modulations swirl in the background, filling the air with a delicate yet persistent energy, while his signature vocal snippets further enhance the groove. On the B side, Rough Escorts taps into a brighter psychedelic dimension, conjuring the ethos and trademark of Moving Pressure as a whole. Listen closely a fine connection to Wises previous work on MP01 shines through, maintaining the sonic coherence of the project while pushing further into a lush space. B2 Bleep Police, dives into dystopian bleep territory. Here, the artist strips techno down to its essence, intertwining bleeps with percussion into a hyper rhythmic whole.

A living organism composed of intricately layered sonic structures. A variegated interplay of texture and rhythm. Multi dimensional sound. Welcome to Moving Pressure 02.

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