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loz goddard - No Title
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loz goddard - No Title
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loz goddard - No Title
The return of master Loz to Outplay! After releasing strong stuff on labels like Razor-n-Tape, Quintessentials and Quartet Series plus some recent remix action on Melbourne's Kyoku, monsieur Goddard has made a new EP for us as a perfect follow up to his 2015 Loose Jams! He presents a wonderful EP of three varied tracks, showcasing his prowess in combining synths and sampled bits. First up is uptempo discofied 'Hazy', which builds well on the sound he's become known for. On the flip there's deep dusty chugger 'Peaches' and the sweet, sweet melodies of synthy groover 'Murmur' to provide a proper close to the EP!
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More records from loz goddard
Label:Dirt Crew Recordings
Cat-No:DIRT150
Release-Date:22.03.2024
Genre:Deephouse
Configuration:12" Excl
Label:Dirt Crew Recordings
Cat-No:DIRT150
Release-Date:22.03.2024
Genre:Deephouse
Configuration:12" Excl
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Loz Goddard - How’s This for a Vague Song Title
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Loz Goddard - Lullaby 2.0
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Loz Goddard - Upside Down Melted Chair
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Loz Goddard - Why Does That Chord Play When I Bounce
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Loz Goddard - Sakura
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Loz Goddard - Your Face Melts
Genre: Deep House / Electronica
Track list:
A1 How’s This for a Vague Song Title
A2 Lullaby 2.0
A3 Upside Down Melted Chair
B1 Why Does That Chord Play When I Bounce
B2 Sakura
B3 Your Face Melts
Release Info:
In our 20th celebration year we welcome back Loz Goddard! It’s been quite a while since we last saw him on our label. With his standout debut collab release with Harry Wolfman in 2016 he has developed a unique mix of electronica, deep soundscapes and lush organic Deep House on labels such as “Oath”, “Razor N Tape”, “Church”, “Outplay” and “Apparel Music”. Now he finally returns with a mini album that features beautiful crafted ambient and electronica cuts paired with three upbeat tracks that will for sure shake the dance floors in and outdoors this summer! Enjoy!
In his own words, here are some insights on the influences and production process of these six pieces:
The release is named after a night in the White Hotel in Salford watching Skee Mask. At the time I had a bunch of unfinished ambient ideas as a result of making “Balloon Tree Road” (out on Oath). There were a lot of ideas I still loved that didn’t get finished for that release, so I set about finishing them late 2022 & early 2023 with the view to releasing an EP or ‘mini album’ that was again angled a bit more towards home-listening.
The more upbeat tracks are newer jams that I created in 2023. I wanted to include a few club-ready tracks on the record as well, so the release appeals to DJ’s as well as home listeners. I approached the production much like my past two records on Oath, with lots of live drum elements, some sampling and a mixing approach which keeps everything sound warm and organic. It’s rough round the edges - as has been the case with my productions of late - and offers a nice contrast to my DJ sets and radio shows at the moment, in which I am playing mostly Deep/Progressive House, Breaks & Techno. There’s some influence on the title track from the Deep & Lo-Fi House sound of artists like Baltra & Mall Grab, and I have taken influence from all the breaks I’ve been playing in DJ sets for ‘How’s This for a Vague Song Title’.
All tracks mastered by Salz Mastering in Cologne. Photography & Art by Break 3000.
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Track list:
A1 How’s This for a Vague Song Title
A2 Lullaby 2.0
A3 Upside Down Melted Chair
B1 Why Does That Chord Play When I Bounce
B2 Sakura
B3 Your Face Melts
Release Info:
In our 20th celebration year we welcome back Loz Goddard! It’s been quite a while since we last saw him on our label. With his standout debut collab release with Harry Wolfman in 2016 he has developed a unique mix of electronica, deep soundscapes and lush organic Deep House on labels such as “Oath”, “Razor N Tape”, “Church”, “Outplay” and “Apparel Music”. Now he finally returns with a mini album that features beautiful crafted ambient and electronica cuts paired with three upbeat tracks that will for sure shake the dance floors in and outdoors this summer! Enjoy!
In his own words, here are some insights on the influences and production process of these six pieces:
The release is named after a night in the White Hotel in Salford watching Skee Mask. At the time I had a bunch of unfinished ambient ideas as a result of making “Balloon Tree Road” (out on Oath). There were a lot of ideas I still loved that didn’t get finished for that release, so I set about finishing them late 2022 & early 2023 with the view to releasing an EP or ‘mini album’ that was again angled a bit more towards home-listening.
The more upbeat tracks are newer jams that I created in 2023. I wanted to include a few club-ready tracks on the record as well, so the release appeals to DJ’s as well as home listeners. I approached the production much like my past two records on Oath, with lots of live drum elements, some sampling and a mixing approach which keeps everything sound warm and organic. It’s rough round the edges - as has been the case with my productions of late - and offers a nice contrast to my DJ sets and radio shows at the moment, in which I am playing mostly Deep/Progressive House, Breaks & Techno. There’s some influence on the title track from the Deep & Lo-Fi House sound of artists like Baltra & Mall Grab, and I have taken influence from all the breaks I’ve been playing in DJ sets for ‘How’s This for a Vague Song Title’.
All tracks mastered by Salz Mastering in Cologne. Photography & Art by Break 3000.
More
1
Loz Goddard - Are We Ever Leaving Here?
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Loz Goddard - Are We Ever Leaving Here? (OCB Remix)
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Loz Goddard - Parallaxing
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Loz Goddard - Space Nugz
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Loz Goddard - Space Nugz (Boulderhead Remix)
On his second excursion for Oath, Manchester-based producer Loz Goddard continues to nurture the clubby side of his sound with a razor-sharp and bombastic EP that contains all you could ever wish for when it comes to breaks, euphoria, and sonic depth….
As a producer, Loz has operated under a number of guises, but one thing has always remained – his elegant and inspired application of melody. His early career was marked by a number of superb releases on labels such as Church, Tusk Wax, Apparel and many more, all of which highlighted a deep affection for groove, tone and atmosphere. The music largely operated within the realms of Deep House – at times spilling over into Nu-Disco – but there was always a little bit of shine on each EP that pointed to other spheres of influence, and it was these references points that made Loz Goddard’s music feel broad, considered and introspective. The music appealed on many levels and provided plenty of worlds and spaces in which listeners could get deeply involved within, and this journey is filled with beautifully polished gems that can be held and admired in your hands time and time again.
A two-year break from releases resulted in the release of ‘Ballon Tree Road’, his debut LP and first release on Oath, and to say the record was a step forward would be an enormous understatement. Here Loz Goddard set down a marker of things to come, as he drew from the melodic outlays that were a cornerstone of his discography to date and permeated these through a spectrum of styles and rhythms that represent everything good about a dance music record. You had the quiet moments, the heart-felt moments, the pure and powerful moments, with Loz exploring everything from Breaks to Ambient, Broken Beat to House, and even some D’n’B thrown in for good measure. This was a marker if there ever was one, and it firmly established Loz’s second era phase, one where his abilities were given space to shine on a much broader scale.
‘Are We Ever Leaving Here?’ builds upon the energies found within his debut LP, providing a bitesize experience that aims itself directly at the dance floor – but listening at home provides a lot of scope for inward escapism. The EP presents three original cuts, of which the title track gets things going – a deep set, resonating chord gets things going, which fans out to include additions to the sequence, and before long the breaks come into play, achieving lift-off and welcoming you firmly into the experience. ‘Parallaxing’ really evokes that firm set 90s Techno sound, with a hard-as-nails rhythm section (with hats aplenty) providing a basis for acid lines, swelling backroom chords and gorgeous interplays between synth lines – the way in which this song peaks is utterly glorious. ‘Space Nugz’ takes things down a notch, but keeps things heavy yet delicate. The beat here is cavernous, diving deep down within the strata along with the bass line that keeps proceedings ticking over. The melodic top layer is spacey, drifting between the ethereal and the real, enticing the listener to leave this plane and pursue a new life in another galaxy.
To round off the experience, there are two remixes from Casa Voyager head OCB, and Bristol-based producer Boulderhead, and they do not disappoint. OCB puts his spin on the title track, and the BPM gets pushed to its max, with the vibe pulled apart and rebuilt as a heads-down, floor-smashing proggy roller. Boulderhead focuses on ‘Space Nugz’, and here the groove is once again flipped on its head, with the remix pushing into the realms of dreamy chuggy techno, with the melodies filling up the spaces so beautifully.
Loz Goddard started something beautiful with his debut LP, and saw his sonics reach new heights and touch new depths. This EP keeps the flames burning bright, with expertly crafted dynamics and his signature melodic abilities on full display, with the two remixes adding much to the experience. As a mini-experience, it’s hard to beat, and it only sets the heart racing for what might come next – for the meanwhile, Oath are incredibly proud to facilitate this beautiful new experience from Loz Goddard, and its one hopefully to be enjoyed at a few spots this summer….. More
As a producer, Loz has operated under a number of guises, but one thing has always remained – his elegant and inspired application of melody. His early career was marked by a number of superb releases on labels such as Church, Tusk Wax, Apparel and many more, all of which highlighted a deep affection for groove, tone and atmosphere. The music largely operated within the realms of Deep House – at times spilling over into Nu-Disco – but there was always a little bit of shine on each EP that pointed to other spheres of influence, and it was these references points that made Loz Goddard’s music feel broad, considered and introspective. The music appealed on many levels and provided plenty of worlds and spaces in which listeners could get deeply involved within, and this journey is filled with beautifully polished gems that can be held and admired in your hands time and time again.
A two-year break from releases resulted in the release of ‘Ballon Tree Road’, his debut LP and first release on Oath, and to say the record was a step forward would be an enormous understatement. Here Loz Goddard set down a marker of things to come, as he drew from the melodic outlays that were a cornerstone of his discography to date and permeated these through a spectrum of styles and rhythms that represent everything good about a dance music record. You had the quiet moments, the heart-felt moments, the pure and powerful moments, with Loz exploring everything from Breaks to Ambient, Broken Beat to House, and even some D’n’B thrown in for good measure. This was a marker if there ever was one, and it firmly established Loz’s second era phase, one where his abilities were given space to shine on a much broader scale.
‘Are We Ever Leaving Here?’ builds upon the energies found within his debut LP, providing a bitesize experience that aims itself directly at the dance floor – but listening at home provides a lot of scope for inward escapism. The EP presents three original cuts, of which the title track gets things going – a deep set, resonating chord gets things going, which fans out to include additions to the sequence, and before long the breaks come into play, achieving lift-off and welcoming you firmly into the experience. ‘Parallaxing’ really evokes that firm set 90s Techno sound, with a hard-as-nails rhythm section (with hats aplenty) providing a basis for acid lines, swelling backroom chords and gorgeous interplays between synth lines – the way in which this song peaks is utterly glorious. ‘Space Nugz’ takes things down a notch, but keeps things heavy yet delicate. The beat here is cavernous, diving deep down within the strata along with the bass line that keeps proceedings ticking over. The melodic top layer is spacey, drifting between the ethereal and the real, enticing the listener to leave this plane and pursue a new life in another galaxy.
To round off the experience, there are two remixes from Casa Voyager head OCB, and Bristol-based producer Boulderhead, and they do not disappoint. OCB puts his spin on the title track, and the BPM gets pushed to its max, with the vibe pulled apart and rebuilt as a heads-down, floor-smashing proggy roller. Boulderhead focuses on ‘Space Nugz’, and here the groove is once again flipped on its head, with the remix pushing into the realms of dreamy chuggy techno, with the melodies filling up the spaces so beautifully.
Loz Goddard started something beautiful with his debut LP, and saw his sonics reach new heights and touch new depths. This EP keeps the flames burning bright, with expertly crafted dynamics and his signature melodic abilities on full display, with the two remixes adding much to the experience. As a mini-experience, it’s hard to beat, and it only sets the heart racing for what might come next – for the meanwhile, Oath are incredibly proud to facilitate this beautiful new experience from Loz Goddard, and its one hopefully to be enjoyed at a few spots this summer….. More
Tracklist 12":
A1: Slap dancer
A2: Duplicity
B1: Flavour
B2: Sunset vista
Short info:
Over half a year has passed since Loz's last outing on Brooklyn's Razor N Tape but he's back on a solo tip with this 4 tracker of slightly deeper and more synth-driven cuts than we've been used to this year from the man. Slap Dancer sets the tone with punchy drum & sample hits, easily the most club oriented of the bunch. Duplicity sees Loz back on that slightly funkier sound we have come to know of recent times, but with a little added dustiness. Flavour adds a little extra sprinkling of dust with it's rolling drums and chords - proper chillin' basement tackle. Be sure to check that B2 cut Sunset Vista for that slow, machine driven & synthed out acid jam as well.
More
A1: Slap dancer
A2: Duplicity
B1: Flavour
B2: Sunset vista
Short info:
Over half a year has passed since Loz's last outing on Brooklyn's Razor N Tape but he's back on a solo tip with this 4 tracker of slightly deeper and more synth-driven cuts than we've been used to this year from the man. Slap Dancer sets the tone with punchy drum & sample hits, easily the most club oriented of the bunch. Duplicity sees Loz back on that slightly funkier sound we have come to know of recent times, but with a little added dustiness. Flavour adds a little extra sprinkling of dust with it's rolling drums and chords - proper chillin' basement tackle. Be sure to check that B2 cut Sunset Vista for that slow, machine driven & synthed out acid jam as well.
More
RNT welcomes Manchester upstart Loz Goddard into the fold with his new outing, 'The Drunken Monk EP' on the Reserve imprint. Hot from recent successes on House of Disco and Dirt Crew, young Loz delivers yet again with a 4 tracker of dusty thumpers and jazzy burners, brewed with love and pressed to vinyl the color of a cool pint of ale!
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More records from Outplay
- Sofatalk has released before on celebrated labels Omena, INI Movement, ANMA.
- Intricate and deep musicianship
GENRE/S:
Deep House / Jazz House / Broken Beat
TRACKLISTS:
A1. Sofatalk & XL Regular - Rumble Strip
A2. Sofatalk & XL Regular - Afro Quarters
B1. Sofatalk & XL Regular - Easy
B2 Sofatalk - On The Run feat. XL Regular
SHORT INFO:
Sofatalk & XL Regular have come up with a wonderful jazzy EP for Outplay. Filled with warm chords and broken
house beats.
Italy’s Piero Paolinelli and Alessandro Giacchi are the newest addition to our Outplay family. They have released
music previously on Omena, ANMA, Cognitiva Records (Sofatalk’s own label), INI Movement, Nómada and
Monologues. Their EP for Outplay is called Afro Quarters EP and contains 4 electronic jazzfunk infused house
tracks and make for a perfect testimony of their musicianship.
Rumble Strip kicks off with broken beats turning into a 4x4 house beat filled with percussion, dreamy keyboard
licks and sultry vocals to underline the floaty vibe.
The title track, Afro Quarters, is up next pushing us further into their signature jazz infused broken beat house
style. With the funky bassline and the stabby keys it’s hard not to move. Throw in tastefully done flute and
Rhodes solos for the mature sound they’re known for.
The third piece is called Easy and contrary to its name it’s not as chilled out as you’d think. It’s incredibly groovy,
with heavy staccato bass and keys, while keeping the dreamed out jazzy chords to balance it out. It makes us
think of the masterful work of Kaidi Tatham.
“On The Run” concludes the EP and continues the vibe displayed throughout the release filled with arpeggiated
and stabby keys and vocal bits.
It’s our absolute pleasure to be able release this and we are excited to share it with you! More
- Intricate and deep musicianship
GENRE/S:
Deep House / Jazz House / Broken Beat
TRACKLISTS:
A1. Sofatalk & XL Regular - Rumble Strip
A2. Sofatalk & XL Regular - Afro Quarters
B1. Sofatalk & XL Regular - Easy
B2 Sofatalk - On The Run feat. XL Regular
SHORT INFO:
Sofatalk & XL Regular have come up with a wonderful jazzy EP for Outplay. Filled with warm chords and broken
house beats.
Italy’s Piero Paolinelli and Alessandro Giacchi are the newest addition to our Outplay family. They have released
music previously on Omena, ANMA, Cognitiva Records (Sofatalk’s own label), INI Movement, Nómada and
Monologues. Their EP for Outplay is called Afro Quarters EP and contains 4 electronic jazzfunk infused house
tracks and make for a perfect testimony of their musicianship.
Rumble Strip kicks off with broken beats turning into a 4x4 house beat filled with percussion, dreamy keyboard
licks and sultry vocals to underline the floaty vibe.
The title track, Afro Quarters, is up next pushing us further into their signature jazz infused broken beat house
style. With the funky bassline and the stabby keys it’s hard not to move. Throw in tastefully done flute and
Rhodes solos for the mature sound they’re known for.
The third piece is called Easy and contrary to its name it’s not as chilled out as you’d think. It’s incredibly groovy,
with heavy staccato bass and keys, while keeping the dreamed out jazzy chords to balance it out. It makes us
think of the masterful work of Kaidi Tatham.
“On The Run” concludes the EP and continues the vibe displayed throughout the release filled with arpeggiated
and stabby keys and vocal bits.
It’s our absolute pleasure to be able release this and we are excited to share it with you! More
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Junktion - A1. Junktion - Just A Disco Thing
2
Junktion - A2. Junktion - Real To Me
3
Junktion - B1. Junktion - I Got Somebody (Yeah Man)
4
Junktion - B2. Junktion - Tribute
Junktion is one half of celebrated duo Fouk
Long awaited full Junktion EP on Outplay after the very successful "Wide Awake EP" in 2016
GENRE/S:
Deep House / Disco House
TRACKLISTS:
A1. Junktion - Just A Disco Thing
A2. Junktion - Real To Me
B1. Junktion - I Got Somebody (Yeah Man)
B2 Junktion - Tribute
After a long hiatus there finally is a new Junktion EP release on Outplay. As "Wide Awake EP" was released way back 2016 it was a long time coming!
The A-side consists of two amped up disco house treatments with "Just A Disco Thing" and "Real To Me": stomping kicks and heavy basses together with disco goodness. While on the other side a more introspective aspect of Junktion comes to light in the form of the understated funkiness of "I Got Somebody" and dreamy melodies in "Tribute".
As Junktion himself says: "We've been playing most of these tracks while touring as Fouk to great effect and it feels so good to get these out there on this release! They're a tribute to the scene and everybody who has supported my music."
Enjoy!
More
Long awaited full Junktion EP on Outplay after the very successful "Wide Awake EP" in 2016
GENRE/S:
Deep House / Disco House
TRACKLISTS:
A1. Junktion - Just A Disco Thing
A2. Junktion - Real To Me
B1. Junktion - I Got Somebody (Yeah Man)
B2 Junktion - Tribute
After a long hiatus there finally is a new Junktion EP release on Outplay. As "Wide Awake EP" was released way back 2016 it was a long time coming!
The A-side consists of two amped up disco house treatments with "Just A Disco Thing" and "Real To Me": stomping kicks and heavy basses together with disco goodness. While on the other side a more introspective aspect of Junktion comes to light in the form of the understated funkiness of "I Got Somebody" and dreamy melodies in "Tribute".
As Junktion himself says: "We've been playing most of these tracks while touring as Fouk to great effect and it feels so good to get these out there on this release! They're a tribute to the scene and everybody who has supported my music."
Enjoy!
More
1
Scruscru Meets Meowsn - No Title
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Scruscru Meets Meowsn - No Title
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Scruscru Meets Meowsn - No Title
4
Scruscru Meets Meowsn - No Title
Our lucky 13th release is here!
We have a powerful serving by Russian team Scruscru meets Meowsn.
Both have really cool releases under their belt on Sloth Boogie, NOmada, Nurvous & Star Creature Universal Vibrations.
So, here at Outplay we're very excited to bring you 'Surr Rendez-Vous EP'
A patchwork of creative sampling, wonky jazz chords and powerful synth melodies with a small sprinkling of tongue-in-cheek makes for a super cool four tracker.
The story of the tracks made us reminisce of the rise of the loose beat, broken house of a few years back, while this one still feels very contemporary.
Being a firm believer of letting the music speak for itself: enjoy! More
We have a powerful serving by Russian team Scruscru meets Meowsn.
Both have really cool releases under their belt on Sloth Boogie, NOmada, Nurvous & Star Creature Universal Vibrations.
So, here at Outplay we're very excited to bring you 'Surr Rendez-Vous EP'
A patchwork of creative sampling, wonky jazz chords and powerful synth melodies with a small sprinkling of tongue-in-cheek makes for a super cool four tracker.
The story of the tracks made us reminisce of the rise of the loose beat, broken house of a few years back, while this one still feels very contemporary.
Being a firm believer of letting the music speak for itself: enjoy! More
1
Clive From Accounts - No Title
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Clive From Accounts - No Title
3
Clive From Accounts - No Title
Did you get the memo?
Still waters run deep.
We're pleased to introduce you to mysterious Clive From Accounts; number cruncher extraordinaire by day, totally f'ing awesome music producer by night.
No seriously, we're amped that we are able to release this EP by the self proclaimed "regional tiddlywinks champion" and "all-round beige sky thinker" Clive.
Who says office workers are drones? Loitering around the coffee machine surely has had no bad effect on his creative juices!
When we got an email from Clive with a demo called 'Bisou' we were blown away. Production quality was top notch and it really stood out from what came in our inbox.
So over the course of a year we asked him to fill out an EP next to his busy work schedule. The end result is a record with three very strong tracks, each with its own character.
'Keep Movin' is perfect for big dance floors and filthy sweaty clubs and 'The Trouble With Clive' has that beefy garage thing going on.
With a name like 'Bisou' you'd expect something kissy kissy, but it's a floaty warm, stabby breaks affair with nods to the classic deep sound.
Ahhh, we need you to go ahead and buy this stunner on limited edition wax. So um, yeah if you could do that, that'd be great. Oh, and next Friday is Hawaiian shirt day. More
Still waters run deep.
We're pleased to introduce you to mysterious Clive From Accounts; number cruncher extraordinaire by day, totally f'ing awesome music producer by night.
No seriously, we're amped that we are able to release this EP by the self proclaimed "regional tiddlywinks champion" and "all-round beige sky thinker" Clive.
Who says office workers are drones? Loitering around the coffee machine surely has had no bad effect on his creative juices!
When we got an email from Clive with a demo called 'Bisou' we were blown away. Production quality was top notch and it really stood out from what came in our inbox.
So over the course of a year we asked him to fill out an EP next to his busy work schedule. The end result is a record with three very strong tracks, each with its own character.
'Keep Movin' is perfect for big dance floors and filthy sweaty clubs and 'The Trouble With Clive' has that beefy garage thing going on.
With a name like 'Bisou' you'd expect something kissy kissy, but it's a floaty warm, stabby breaks affair with nods to the classic deep sound.
Ahhh, we need you to go ahead and buy this stunner on limited edition wax. So um, yeah if you could do that, that'd be great. Oh, and next Friday is Hawaiian shirt day. More
1
Cleanfield - No Title
2
Cleanfield - No Title
3
Cleanfield - No Title
The new Outplay release is by young and upcoming dj/producer Cleanfield, or 'Jelle' as his mom calls him.
Hailing from Arnhem, the Netherlands, it's always great to see another talent pop up in the Dutch scene!
He has made three super catchy tracks for us, perfect for the summer season!
First up is the title track 'Haute Cuisine', warm bouncy bass topped with a super infectious lead melody and percussion. If there is a track more suited for the festival season it's this one for sure!
'Hot Wheels' races on with a deep rolling groove, fuelled by wah wah rhythm guitars, warm synth chords and arpeggios.
'Conflict With Clayton' brings another solid groove to the table with scattered vocal samples and multiple synth layers. Scorcher!
So imagine dancing your ass off to this EP in the sun and feeling fantastic, we sure are! More
Hailing from Arnhem, the Netherlands, it's always great to see another talent pop up in the Dutch scene!
He has made three super catchy tracks for us, perfect for the summer season!
First up is the title track 'Haute Cuisine', warm bouncy bass topped with a super infectious lead melody and percussion. If there is a track more suited for the festival season it's this one for sure!
'Hot Wheels' races on with a deep rolling groove, fuelled by wah wah rhythm guitars, warm synth chords and arpeggios.
'Conflict With Clayton' brings another solid groove to the table with scattered vocal samples and multiple synth layers. Scorcher!
So imagine dancing your ass off to this EP in the sun and feeling fantastic, we sure are! More
1
junktion pres. new franklin theory - No Title
2
junktion pres. new franklin theory - No Title
3
junktion pres. new franklin theory - No Title
4
junktion pres. new franklin theory - No Title
5
junktion pres. new franklin theory - No Title
As Hans Peeman's side project next to his Junktion moniker, New Franklin Theory returns to Outplay with a very personal project. Five carefully produced songs in the form of a mini-album of sorts, which showcases his journey into more melodic synth heavy work. Starting off, 'Andromeda Beach' eases you into the spacey atmosphere of the record with dreamy rhodes supported by his distinctive percussion and bass work.
Following, 'Homeward' introduces melancholic synth lines grounded by an infectious bass line for a Balearic inspired feel. 'Afterburner' ups the tempo with warm arpeggiated Juno sounds and saxy disco samples, which will remind you of his previous work.
Space-funk-synth-boogie, that's what comes to mind when listening to 'In Orbit'. Instant groove with a solid beat interspersed with brief vocal samples and dreamy rhodes chords. As the closer, 'The Holtzman Effect' (award for 2018's most nerdy song title, look it up) sets you off floating away on warm chords and bass together with characteristic space bleeps. More
Following, 'Homeward' introduces melancholic synth lines grounded by an infectious bass line for a Balearic inspired feel. 'Afterburner' ups the tempo with warm arpeggiated Juno sounds and saxy disco samples, which will remind you of his previous work.
Space-funk-synth-boogie, that's what comes to mind when listening to 'In Orbit'. Instant groove with a solid beat interspersed with brief vocal samples and dreamy rhodes chords. As the closer, 'The Holtzman Effect' (award for 2018's most nerdy song title, look it up) sets you off floating away on warm chords and bass together with characteristic space bleeps. More
1
fouk - Mating Call
2
fouk - Just Feel Good
3
fouk - Down Below
After their Butterfunk EP from last year, Fouk are back again with their new offering 'Mating Call EP'.
As the name suggests, this three track EP is made for the hot & heavy moments while dancing away, during those infinite summer days.
The title track 'Mating Call' is a funky beast, driven by a very infectious bassline and live instrumentation, edging the line between disco and house, as has we have come to expect from the duo.
The next track on the flip furthers the fact that this release is all about the groove. Housey vibes with a classic hint, Rhodes floating on a solid rolling funk bass. 'Just Feel Good'? Yup!
Finally we come to 'Down Below'.
You might wonder "what's down below?". Well, there you can find a dreamy thumper, driven by the compact kick, repeating drone and deep bassline, while the synth pads in the middle tie it all together. More
As the name suggests, this three track EP is made for the hot & heavy moments while dancing away, during those infinite summer days.
The title track 'Mating Call' is a funky beast, driven by a very infectious bassline and live instrumentation, edging the line between disco and house, as has we have come to expect from the duo.
The next track on the flip furthers the fact that this release is all about the groove. Housey vibes with a classic hint, Rhodes floating on a solid rolling funk bass. 'Just Feel Good'? Yup!
Finally we come to 'Down Below'.
You might wonder "what's down below?". Well, there you can find a dreamy thumper, driven by the compact kick, repeating drone and deep bassline, while the synth pads in the middle tie it all together. More
For the first release of 2018 we welcome Harry Wolfman to the Outplay family! Having followed his work for the last couple of years we're very happy to have him deliver this varied 4-tracker, which very well might be some of his best work to date. The A side starts off with 'Hitch'. A warm and dusty groover driven by rhodes, a rubbery bassline and a thudding kick. A lovely string piece in the middle of the track slowly builds up to the break for it to return to the head nodding groove soon after. The added percussion gives it a nice lively feel as well. 'Pigs in Blankets' sets the pace a little slower, but the funk goes on. The track incorporates 80's style samples with some excellent synth and chord work. Perfect for a warm up session. Starting on the B side Harry takes it up a notch with 'Nemoto', which will be a definite stomper for the dance floor. It takes you on a 9 minute journey of rolling bumpy basslines, screaming distortion leads and hypnotising synth work.
Finally, to ease things off, STS-136 (Final Call) comes in at a slow 88 bpm pace as a perfect closure to the EP. Dreamy pads, piano licks and a calming marimba melody combined with a beat which feels like a warm blanket will make you wander off for a moment... More
Finally, to ease things off, STS-136 (Final Call) comes in at a slow 88 bpm pace as a perfect closure to the EP. Dreamy pads, piano licks and a calming marimba melody combined with a beat which feels like a warm blanket will make you wander off for a moment... More
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fouk - No Title
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fouk - No Title
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fouk - No Title
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fouk - No Title
Fouk might have been curating Outplay since 2013, but their 'Butterfunk EP' is in fact the duo's first proper EP on their own imprint. It's not that they've been resting on their laurels: they've drip-fed a handful of EPs on the likes of Heist and House of Disco over the past few years, and released solo efforts on Kolour Ltd and Razor 'n Tape that stormed the charts. It's been fascinating to see the Dutch pair slowly break the mould, moving from heavy sampling in favour to an emphasis on original instrumentation and production. The Butterfunk EP is fine showcase of their prowess in the studio, loaded to the hilt with contemporary dancefloor funk. Things kick off with the rolling drums, off-beat percussion and seriously infectious Hammond lines of Organ Freeman. Title track Butterfunk is aimed squarely at the hips with its smooth keys and perfectly placed vocal, while some acid lines give the track a little edge. Flip over for the bumping 'Wong Way', a chunky workout with a rubber bassline. The finale of the EP is 'Winter', a fantastic slice of 80's inspired downtempo mushroom jazz.
More
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new franklin theory - Overhill Road Variation #1
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new franklin theory - Overhill Road Variation #2
Outplay's newest project is a special 10" vinyl release with 2 tracks by artist New Franklin Theory. The name was inspired by a past in Midwestern USA. As to who is behind the project, some ears might pick up the resemblance to another artist you all know well. Digging into his past is the main inspiration behind New Franklin Theory's two-tracker. Expect two uptempo percussion filled melodic tracks with a slight afro-inspired tropical vibe.
Comes with a full colour sleeve design by joosprintsandpatterns.nl! More
Comes with a full colour sleeve design by joosprintsandpatterns.nl! More
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Kolter - DX7 Together
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Kolter feat. Leo Pol - Please Come To My Show
3
Kolter - Up in the Sky
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Kolter - Up in the Sky (Cinthie remix)
Tracklisting
A1 Kolter - DX7 Together
A2 Kolter feat. Leo Pol - Please Come To My Show
B1 Kolter - Up in the Sky
B2 Kolter - Up in the Sky (Cinthie remix)
Sales Note
Shall Not Fade regular Kolter returns to the label for his fourth EP, continuing with the luscious warm sounds that house fans from all around the world have become accustomed to. This time Kolter welcomes the incredibely talented Leo Pol on track 'Please Come To My Show' where Leo co-produces and also sings on. The B-SIDE also features a deadly remix from the amazing Cinthie!
Please Come To My Show EP drops November 24th via Shall Not Fade. More
A1 Kolter - DX7 Together
A2 Kolter feat. Leo Pol - Please Come To My Show
B1 Kolter - Up in the Sky
B2 Kolter - Up in the Sky (Cinthie remix)
Sales Note
Shall Not Fade regular Kolter returns to the label for his fourth EP, continuing with the luscious warm sounds that house fans from all around the world have become accustomed to. This time Kolter welcomes the incredibely talented Leo Pol on track 'Please Come To My Show' where Leo co-produces and also sings on. The B-SIDE also features a deadly remix from the amazing Cinthie!
Please Come To My Show EP drops November 24th via Shall Not Fade. More
1
LoveHrtz - Waiting For Your Love
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LoveHrtz - Waiting For Your Love ( Dub )
After a hiatus of nearly two years, LoveHrtz return with another prime-time slice of disco drenched house grooves on their vinyl only label. ‘Waiting For Your Love’ comes laced with a soulful vocal, deep organ work and pacey garage drums, with an alternate Dub Mix to be found on the flip. LoveHrtz Vol. 4 offers up another indispensable party starter that demands quick attention, with previous LoveHrtz vinyl runs selling out in days and racking up silly Discogs prices, so as the saying goes, “you snooze, you lose”!
More
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Session Victim - Motivation (With Ras Stimulant)
2
Session Victim - Dromedary Twist
3
Session Victim - Green Run
Time to welcome Session Victim back to Delusions Of Grandeur following some heavyweight releases on Toytonics and Rhythm Section International. The German duo show absolutely no signs of slowing down continuing to impress with their unique sound which combines organic live elements, fat, floor-filling beats and a deep, musical approach. Here on The Intangibles EP we’re treated to three original tracks spanning high energy jazz disco meets techno, soulful uplifting house and downtempo blunted beats. Opener Motivation features spoken word from Ras Stimulant backed by urgent looping Rhodes stabs and an uptempo disco groove. An instant Session Victim dance-floor shaker if ever there was one, the energy cranked up to the maximum without losing sight of that all important groove. Next up we have Dromedary Twist which keeps up the pace but goes deeper on the jazzy organ chords and lays down a heavy syncopated bass- line which ensures the funk factor remains present and correct. Rounding out the EP in fine style, Green Run drops the BPM’s as we head into lazy, hazy, blissed-out jazzed-up beats territory. Lush strings and layers of analogue synths come together on this simple yet enchanting little tune which compliments the other tracks perfectly and will appeal to fans of SV’s more home-listening output from their 2020 LP Needledrop.
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Julian Anthony - Full Moon Fever
2
Julian Anthony - Open Minded
3
Julian Anthony - Stormy Tuesday
4
Julian Anthony - Virtual Reality
Repress!
In dialogue with both past and future, Slapfunk protégé Julian Anthony drops his debut solo EP and touches down with a 4-track invocation of classic 90s house templates.
Tripped out sensibility meets sci-fi tendency as ‘Full Moon Fever’ and ‘Open Minded’ deliver full-bodied exercises in total dance floor immersion. Fractal fuel for the vision quest, they’re sophisticated like the finest dream house while channelling the buoyant, jacking heft of timeless Chi-town material.
Wide eyed but tuff, ‘Stormy Tuesday’ rolls in with more of the groove-forward drive that typifies Anthony’s best work. It’s just the kind of immaculate gear we've come to expect from the Dutchman, and evoking golden era Dream 2 Science, ‘Virtual Reality’ ploughs the same furrow of propulsive, ‘90s-indebted house. Deep space projections radiating togetherness and warmth from the start. More
In dialogue with both past and future, Slapfunk protégé Julian Anthony drops his debut solo EP and touches down with a 4-track invocation of classic 90s house templates.
Tripped out sensibility meets sci-fi tendency as ‘Full Moon Fever’ and ‘Open Minded’ deliver full-bodied exercises in total dance floor immersion. Fractal fuel for the vision quest, they’re sophisticated like the finest dream house while channelling the buoyant, jacking heft of timeless Chi-town material.
Wide eyed but tuff, ‘Stormy Tuesday’ rolls in with more of the groove-forward drive that typifies Anthony’s best work. It’s just the kind of immaculate gear we've come to expect from the Dutchman, and evoking golden era Dream 2 Science, ‘Virtual Reality’ ploughs the same furrow of propulsive, ‘90s-indebted house. Deep space projections radiating togetherness and warmth from the start. More
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Eversines - Act
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Eversines - Rocket Science
3
Eversines - M
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Eversines - Jamming Is Life
New Label by Eversines!
"Welcome to Jamming Is Life, a new label embodying the spirit of improvisation, spontaneity, and emotional expression through sound.
For the first release I’ve selected four of my tracks to set the mood for what I have in mind for this imprint:
Chasing the mystery in music, the unexplainable, while keeping it fresh and clubby. I’m not big on promo texts, but truly hope this music will find a way to speak to you.
Limited to 300 vinyl only copies, no repress.
Sincerely,
Eversines" More
"Welcome to Jamming Is Life, a new label embodying the spirit of improvisation, spontaneity, and emotional expression through sound.
For the first release I’ve selected four of my tracks to set the mood for what I have in mind for this imprint:
Chasing the mystery in music, the unexplainable, while keeping it fresh and clubby. I’m not big on promo texts, but truly hope this music will find a way to speak to you.
Limited to 300 vinyl only copies, no repress.
Sincerely,
Eversines" More
1
Wanexa - The Man From Colours
2
Wanexa - The Man From Colours (Instrumental Version)
3
Wanexa - The Man From Colours (Flemming Dalum Remix)
4
Wanexa - The Man From Colours (Flemming Dalum Remix Edit)
Reissue of this italo disco rarity from 1982 with Flemming Dalum remixes!
More
1
Gosub - The Depth Charge
2
Gosub - The Way Home II
3
Gosub - The Ratio (Feat. Preston Fullwood)
4
Gosub - Omni Presence
Repress!
For over 20 years Gosub has brought us his brand of classic electro cuts, so it was really interesting to see his techno mind in action on “Cosmic Cannibals”. Though out this release Gosub drapes soul across the Detroit fueled 808/909 foundation though out this vinyl release.
Starting with “The Depth Charge” a dark dimensional warping bass and a synth that cuts through the darkness sounding like if Charlie Parker designed a synth a definite for repeat. Full 909 in effect on “The Way Home II” with heavy toms an high Ph acid lines provoke the listener to pay further attention to the details in this track.
On the B-Side “The Ratio” which features New York’s Preston Fulwood on vocals and keys brings in the funk infused to Gosub’s more familiar electro beats we find really rewarding. This track is brings the funk and jazz while Preston’s vocals make you want to sing and find your own soul. The ending’s dark vocoder reminds the listener that “This is just your virtual reality”. Preston & Gosub makes you want more of this future sound. Lastly, “Omni Presence” grounds us again with low swung 303 baselines grinding against a straight 4 on the floor beat while supporting synths carry on with their own conversation. Be warned.
We hope you enjoy this analog recording. More
For over 20 years Gosub has brought us his brand of classic electro cuts, so it was really interesting to see his techno mind in action on “Cosmic Cannibals”. Though out this release Gosub drapes soul across the Detroit fueled 808/909 foundation though out this vinyl release.
Starting with “The Depth Charge” a dark dimensional warping bass and a synth that cuts through the darkness sounding like if Charlie Parker designed a synth a definite for repeat. Full 909 in effect on “The Way Home II” with heavy toms an high Ph acid lines provoke the listener to pay further attention to the details in this track.
On the B-Side “The Ratio” which features New York’s Preston Fulwood on vocals and keys brings in the funk infused to Gosub’s more familiar electro beats we find really rewarding. This track is brings the funk and jazz while Preston’s vocals make you want to sing and find your own soul. The ending’s dark vocoder reminds the listener that “This is just your virtual reality”. Preston & Gosub makes you want more of this future sound. Lastly, “Omni Presence” grounds us again with low swung 303 baselines grinding against a straight 4 on the floor beat while supporting synths carry on with their own conversation. Be warned.
We hope you enjoy this analog recording. More
1
Mike Huckaby - The Tresor Track 06:24
2
Mike Huckaby - Basement Trax 05:36
3
Mike Huckaby - The Upstairs Lounge 06:01
Territories: WORLD minus UK and US
2023 Repress
FORMAT 12", dl card
TRACKLIST
A1 The Tresor Track 06:24
B1 Basement Trax 05:36
B2 The Upstairs Lounge 06:01
Release Info:
Following the club and label’s 20th anniversary back in 2011, Tresor memorialised its two decades of existence with an exclusive
mix from one of its esteemed Detroit connections, Mike Huckaby. On that mix, Mike Huckaby included an exclusive production of
his, the first one to be released on Tresor Records.
Today, Tresor is proud to announce the repress of the ‘The Tresor Track’ on wax, making up for a massive A-side cut at 45 RPM.
This title is on its way to stand along with the label’s most important classics, a genuine anthem for the Berlin techno institute.
On the flip, Mike Huckaby goes for a stroll through the Tresor building, heading downstairs, exploring the room’s darker and more
twisted corners with ‘Basement Trax’, going back towards ‘The Upstairs Lounge’ and surprising his audience with some original
rhythmic patterns. The Tresor EP is a statement, a seal manifesting for a fruitful and long-lasting collaboration between Mike
Huckaby and Tresor.
"I try to create a vibe, feeling or idea that could create a vicarious expression. Often, this is derived from many of my personal
clubbing experiences. I have a permanent snapshot in my mind from the vibe I remember at the Music Institute in Detroit, or the
Shelter in NYC. So I vibe o of that quite often. In terms of house, it's usually based around strong chord progressions, and very
colorful and expressive sounds. For techno, it can be a mixture of both, or purely abrasive and dance floor driven.
Music is reciprocal. I have coined or phrased a term called "the reciprocal relationship" in music. The reciprocal relationship in
music demonstrates that tones excite chords, and chords excite tones. Here's an example to further elaborate on that: A chord
can invoke a specific feeling within the listener. But the strength or degree in which a feeling is invoked within the listener has a
lot to do with the notes or chord progression that is played upon a specific tone or patch.” Mike Huckaby, 2010.
In loving memory of one of the greatest. More
2023 Repress
FORMAT 12", dl card
TRACKLIST
A1 The Tresor Track 06:24
B1 Basement Trax 05:36
B2 The Upstairs Lounge 06:01
Release Info:
Following the club and label’s 20th anniversary back in 2011, Tresor memorialised its two decades of existence with an exclusive
mix from one of its esteemed Detroit connections, Mike Huckaby. On that mix, Mike Huckaby included an exclusive production of
his, the first one to be released on Tresor Records.
Today, Tresor is proud to announce the repress of the ‘The Tresor Track’ on wax, making up for a massive A-side cut at 45 RPM.
This title is on its way to stand along with the label’s most important classics, a genuine anthem for the Berlin techno institute.
On the flip, Mike Huckaby goes for a stroll through the Tresor building, heading downstairs, exploring the room’s darker and more
twisted corners with ‘Basement Trax’, going back towards ‘The Upstairs Lounge’ and surprising his audience with some original
rhythmic patterns. The Tresor EP is a statement, a seal manifesting for a fruitful and long-lasting collaboration between Mike
Huckaby and Tresor.
"I try to create a vibe, feeling or idea that could create a vicarious expression. Often, this is derived from many of my personal
clubbing experiences. I have a permanent snapshot in my mind from the vibe I remember at the Music Institute in Detroit, or the
Shelter in NYC. So I vibe o of that quite often. In terms of house, it's usually based around strong chord progressions, and very
colorful and expressive sounds. For techno, it can be a mixture of both, or purely abrasive and dance floor driven.
Music is reciprocal. I have coined or phrased a term called "the reciprocal relationship" in music. The reciprocal relationship in
music demonstrates that tones excite chords, and chords excite tones. Here's an example to further elaborate on that: A chord
can invoke a specific feeling within the listener. But the strength or degree in which a feeling is invoked within the listener has a
lot to do with the notes or chord progression that is played upon a specific tone or patch.” Mike Huckaby, 2010.
In loving memory of one of the greatest. More
1
Liaisons Dangereuses - Mystère Dans Le Brouillard
2
Liaisons Dangereuses - Los Niños Del Parque
3
Liaisons Dangereuses - Etre Assis Ou Danser
4
Liaisons Dangereuses - Aperitif De La Mort
5
Liaisons Dangereuses - Kess Kill Fé Show
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Liaisons Dangereuses - Peut Être ... Pas
7
Liaisons Dangereuses - Avant-Après Mars
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Liaisons Dangereuses - El Macho Y La Nena
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Liaisons Dangereuses - Dupont
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Liaisons Dangereuses - Liaisons Dangereuses
A milestone in electronic music, is finally receiving its well-deserved re-release: Liaisons Dangereuses’ legendary self-titled debut album still fascinates today, through its innovative sound and the mystery encompassing it. Since its release in 1981, it has become a classic in electronic music. The 10 electrifying songs produced by Chrislo Haas (DAF) and Beate Bartel (Mania D. / Matador) – reinforced by Krishna Goineau’s French and Spanish Speech-Attack-Lyrics – created a unique style. The album – anything other than a Berlin or Düsseldorf ‘thing’ – was propelled to an international favourite. Songs such as “Peut Être... Pas” and “Los Niños Del Parque” played a decisive role in the development of Detroit and Chicago’s house sound, as well as various forms of European techno.
More
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DJ Sneak - A1) So Damn Electrik
2
DJ Sneak - A2) Elektrik Deep
3
DJ Sneak - B1) Ass Is Gonna Work
4
DJ Sneak - B2) West Side Radio
Tracklist 12":
A1) So Damn Electrik
A2) Elektrik Deep
B1) Ass Is Gonna Work
B2) West Side Radio
DJ SNEAK on Toy Tonics! Yes. It's happening. Another US legend joins the German house label. After Kai Alcé (EP on Toy Tonics in September 2023) and Joe Claussell who did an amazing remix for the label some time ago, now it's DJ Sneak. It makes sense as Toy Tonics stands for that funky mix of three main inflences: original amercian soul based house music, the italo disco heritage and the more London or Paris 1990ies wildstyle house sound. DJ Sneak reached out to the label last year giving his props and showing love for many of Toy Tonics releases and the guys immediately invited him to join the label with an EP as its also his sound that is getting so popular again with the younger dance generation. So here it is: 6 tracks (4 on the vinyl) that remind the classic, bumpin DJ Sneak sound. Full of energy and emotion. Perfect for the dance floors of today and great to introduce the maestro to the kids who love house now but never heard about the grandmasters.
More
A1) So Damn Electrik
A2) Elektrik Deep
B1) Ass Is Gonna Work
B2) West Side Radio
DJ SNEAK on Toy Tonics! Yes. It's happening. Another US legend joins the German house label. After Kai Alcé (EP on Toy Tonics in September 2023) and Joe Claussell who did an amazing remix for the label some time ago, now it's DJ Sneak. It makes sense as Toy Tonics stands for that funky mix of three main inflences: original amercian soul based house music, the italo disco heritage and the more London or Paris 1990ies wildstyle house sound. DJ Sneak reached out to the label last year giving his props and showing love for many of Toy Tonics releases and the guys immediately invited him to join the label with an EP as its also his sound that is getting so popular again with the younger dance generation. So here it is: 6 tracks (4 on the vinyl) that remind the classic, bumpin DJ Sneak sound. Full of energy and emotion. Perfect for the dance floors of today and great to introduce the maestro to the kids who love house now but never heard about the grandmasters.
More
1
Various Artists - HOLDTight – Be My Love 2 Nite
2
Various Artists - Delfonic – Let’s Go Disco
3
Various Artists - Jack Tennis – Jorge’s Pipa
4
Various Artists - Those Guys From Athens – 4 Your Love
Tracklist:
Side A:
HOLDTight – Be My Love 2 Nite
Delfonic – Let’s Go Disco
Side B:
Jack Tennis – Jorge’s Pipa
Those Guys From Athens – 4 Your Love
4 Track 12 Inch E.P. featuring 4 smooth midtempo dancefloor gliders from our latest digital
release: TSTD YACHT DISCO EDITS 3 a&b compilation
File under: Yacht Disco, NuDisco, Soul, Funk, Brasil More
Side A:
HOLDTight – Be My Love 2 Nite
Delfonic – Let’s Go Disco
Side B:
Jack Tennis – Jorge’s Pipa
Those Guys From Athens – 4 Your Love
4 Track 12 Inch E.P. featuring 4 smooth midtempo dancefloor gliders from our latest digital
release: TSTD YACHT DISCO EDITS 3 a&b compilation
File under: Yacht Disco, NuDisco, Soul, Funk, Brasil More
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Gosub - Force Quit Your Love
2
Gosub - Fuck Satan
3
Gosub - Init Your Mind
4
Gosub - Populated Data Cells
Experience the Revival of a True Electro ClassicWelcome to the dark, immersive world of Gosub's "Night Mal'ach," now reissued and remastered by Isophlux Records. Originally released in 2007 and revered for its limited run of just 500 black labeled copies, this seminal album from the electro maestro Shad T. Scott is back, sounding fresher and more vital than ever.About the Album:"Night Mal'ach" dives deep into the heart of electro, blending shadowy melodies with moody, brooding soundscapes. This reissue breathes new life into Gosub's iconic tracks like "Forcequit Your Love," "Fuck Satan," "Init Your Mind," and "Populated Data Cells," each meticulously remastered to captivate a new generation of listeners while honoring the purists.
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