Om Unit presents Acid Dub Versions III, the third set of remixes of material taken from all three volumes of his legendary Acid Dub Studies album trilogy. Taken together, all three Acid Dub Studies releases and their remix companions have proven a highly influential series, and Om Unit’s best-selling work by far. He’s toured relentlessly throughout the EU and the US throughout 2025 presenting live versions of the material to consistently sold-out crowds and overwhelmingly positive response from both longtime fans and newcomers alike.

The album celebrates the legacy of the acid dub project with a high-caliber set of remixes. These include such prolific luminaries as Daniel Avery, Satoshi Tomiie, Richard Fearless (Death in Vegas), Tadd Mullinix (as Dabrye/Ghostly International) and Tilliander (TM404/Mokira/Kontra-music).

Portland-based dub generals Alter Echo and E3 (of BSI Records and ZamZam Sounds fame) and UK dance pioneer Bok Bok (Night Slugs) join forces with newer faces like Beatrice M (Tectonic/Tempa), Dubrunner (Menace), Azu Tiwaline (Livity Sound), N1_Sound (Spiritual World), Krotone (Of Paradise/Challenger Deep), Piezo (Subaltern/Hundebiss), RS Tangent (Trilogy Tapes) and lowkey noise/techno/ambient polymath Misseterspoon (Avon Terror Corps).

Each artist was given free reign to interpret using material from anything from all three albums. The result is a heady mixture of dubs from many angles, each one multi-faceted and high-quality. The variety of approaches puts Acid Dub Versions III firmly in the realm of legendary modern dub compilations as Macro Dub Infection and Box of Dub.

With the possibility of more acid dub in the works from Om Unit, Acid Dub Versions III stands as a testament to the project's ongoing evolution—bridging scenes, generations, and styles—and reinforces its lasting influence on the trajectory of 21st century electronic music. This is definitely one for the heads.

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Repress!

Jim Coles once again turns the tide towards a new horizon and travels further into the echo chamber. Leading on from the much-lauded ‘Secret Location’ mini-album with Seekersinternational, one-offs such as ‘Open Palms dub’ (Dub Stuy) and other teasings, ‘Acid Dub Studies’ is the fully-fledged result of the merging of the calligraphic expression of the 303 Acid bassline with the stern sway of Dub Reggae and the hazier edges of Dub Techno and Ambient music.

For those who have been paying close attention, this project will come as a welcome return to the vulnerability and playfulness of early Om Unit records such as his sub-radar single from 2010 ‘Lightgrids/Lavender’ (All City Records) or the unearthed chugging ambience of ‘Friend of Day’ (Idle Hands) and indeed in some sense draws from similar wellsprings as moments on 2013’s Bass classic ‘Threads’.

Whilst being perhaps an ‘interim project’ this is still a vital and important expression of exploration and playfulness. A study in the true sense and borne out of a subtle but pervasive frustration with the rigidity found in musical words he has up to now been cohabiting, Acid Dub Studies comes from the pressing need to break with perceived expectation and to explore an honest and natural space away from the genre labels and tags that had been often lazily applied to his sizeable catalogue of music.

With no desire to reinvent the wheel, rather to paint pictures in an honest framework, the LP was crafted using a medley of classic analogue mixing techniques inspired as much by the adventurous dubbing of Adrian Sherwood as by the inward-delving haze of Scott Monteith’s Deadbeat project. Created during a period of lonely introspective walks through his home town of Bristol, the cover art is a photograph of some of the iron kerbstones that are found almost exclusively in the characterful and hardy city which were installed in the late 1800’s to protect pavements from cart wheels. Something about the permanence of those iron slabs and cobblestones inspired a sense of comfort and determination.

Acid Dub Studies is due for release as yet another self-released label-free project leading on from recent EP titles ‘Violet’ and ‘Submerged’ both of which hinted at some of the shapes found in this full length album.

Once again Jim has shown a rare convincing adaptability that few electronic artists can embody. Another step on the journey of personal and creative curiosity that fans are sure to appreciate.

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Repress!

Om Unit surprises us with a second volume of his 'Acid Dub Studies' project, once again fusing his love for the 303 with studio techniques given to us by musical heroes such as King Tubby, Adrian Sherwood, Jammys and Basic Channel

This second volume further solidifies the convincing narrative created by its best-selling predecessor, heading in a more groove-based direction in places whilst being underpinned by the same sonic narrative that has been enjoyed by many music fans from a variety of different spheres for the past 18 months or so

Support so far for the Acid Dub Studies project has come from many corners including some of the most highly respected names in UK Radio such as Don Letts and Steve Barker, Benji B and Tom Ravenscroft as well as a whole host of truly global worldwide underground support both via radio and in the dance

Om Unit says of this record: 'I felt encouraged by the sheer love for the original selection of works to go back in again and continue to experiment with this approach to writing whilst refining some of the process. Being able to combine processes and influence has been the mainstay of my creative life and I hope this next volume of Acid Dub will be enjoyed by everyone who was a fan of the first'

The beloved 303 bassline continues to inspire every new generation and Acid Dub Studies II is another storybook of sound in that vast continuum that shows no sign of slowing down.

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Jim Coles’s fifth instalment of his best-selling ‘Acid Dub Studies’ series arrives in the form of the third set of original works exploring the infectious sound of the 303 bass-line in a dubwise setting. The album takes in traditional dub mixing approaches in a digital and roots/digi-dub style whilst also making space for more electronic and ambient processes to close the project.

‘Acid Dub Studies III’ arrives after 2 years of touring the material in a live setting at festivals and clubs including CTM at Berghain, Les Nuits Sonores, and Andrew Weatherall's Convenanza festival and is the culmination of some 5 years of experimenting with a style that has been met with critical acclaim, reaching far and wide into many a DJ’s box having been noted by some as a truly ground-breaking approach to working with the 303.

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‘Threads’ was my 1st album as Om Unit and this 10-year re-mastered anniversary edition comes around at what feels like a similar time for me of experimentation and finding new ways to connect sounds. Something of a full circle of sorts but then again I am marking time with this re-issue at a time where I can look back and feel very proud of the work still sounding so convincing. Now even better thanks to Subvert Central’s Robert Macchiochi!

Reflecting on the past 10 years since this record came out, I can say it’s been an incredibly fruitful journey, with the most striking element of it all being the opportunity to travel and meet so many people from so many different backgrounds with different world views and stories. I found that ‘Threads’ for many was their first insight into my music, and for some people was something of a milestone in their journey of exploring music itself with tracks like ‘The silence’ and ‘Governor’s Bay’ having been mentioned over the years as amongst favourites alongside some of the work released on Cosmic Bridge and Civil

I want to take a moment to give my Love and gratitude to all the featured vocalists. Thanks to Simon Jinadu for his angelic voice on ‘The Silence’, to Charlie Dark MBE for his reflective words on ‘The Road’ and to Alex ‘Bogues’ Rendall aka MC Jabu (of Jabu) for his intense delivery on ‘Patients’ as well as Jneiro Jarel for his self-reflective narration on “just sayin’” All 4 are still outliers in their own field and upstanding creative forces to boot. I feel blessed to have been able to capture them on this project.

Threads was made in a bedroom of 2a Station Rise in Tulse Hill, a flat I shared with journalist and writer Laurent Fintoni, in a space that had such a great sound to it that I’ll always miss that room. I hope that you feel the warmth that I felt then whilst making it. It’s been an adventure since and whilst I’ve moved on from a lot of the tropes intrinsic to the album, it will always remain a body of work that is dear to my heart.


Enjoy!
<3

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It’s always a joy to release music from friends, and ZamZam 91 is our first collab with a dear one, Jim Coles AKA Om Unit. It’s impossible to frame the breadth and depth of such a storied career in bass music in just a couple lines- so suffice to say that releases over decades on a who’s-who of seminal labels including Exit, Fabric, Planet Mu and of course his own Cosmic Bridge have cemented his rep as an absolute force in production and DJing across any number of genres and sub genres.

Coles’ roots in Bristol and deep love of dub and reggae - made beautifully explicit on his recent Acid Dub Studies LPs - come through strong on both sides. “The Canopy (Armageddon Style)” opens with ravey, arpeggiated synths worthy of Vangelis, punctuated by a brooding piano chord, building steadily into a dark and utterly apocalyptic steppers guaranteed to storm & batter down Babylon walls inside and out.

“Mystic 808” is a deep meditation, a slow stepper that ices down the furious energy of the A side and drops the tempo to suit. Recalling the heady days of original late 90s/early 2000s UK Dub - as well as early dub techno - stabs and melody caress, restrained percussion swims and multiplies in reverb and echo, orbits locked to the gravitational force of the massive and truly timeless bassline. Proper sound system material that will satisfy the heart and soul long after the dance is done.

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Four tracks of forward-thinking club music featuring his signature sound, taking in elements of Acid, Broken Beats, UK Techno and Dubbed out atmospheres. Melodies, hooks and basslines are plentiful on this one and the sights are set firmly on the dancefloor with most tracks landing around the 130-140bpm region.

'Atlantis' is yet another step forward in the evolution of a well-decorated but never stagnant artist who is ever-keen on exploring new possibilities.

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Over the years Jim Coles has turned his hand to a fair few different styles and made them his own. These days, most know his Om Unit alias as a significant force in fresh developments within D&B (recently found larking about with Alix Perez, Binga and more in the Richie Brains project on Exit Records), but it's not always been that way. From initial moves in the dubstep world via Terrorhythm through to shimmering, playful electro-leaning business on Civil Music, he's graced plenty of high profile labels with his many-sided musical dice and come up trumps. A personal favourite moment for us came in the shape of the All City 7" Lavender / Lightgrids in 2010, which matched Jim's knack for rich and detailed production to a slower, more contemplative groove. This new release for Idle Hands comes from that era, a trio of secret weapons sat waiting for the opportune moment to step out into the world. With the warmer months upon us, it feels like the perfect time to let a track like "Friend Of The Day" roll out in a heavy-lidded haze of sun-kissed, ivory-tinkled finery. This being Om Unit, of course there are different shades on offer here as well. "Basement Superman" plumbs aqueous depths with its appropriation of dub techno tropes in a slow-stepping, meditative framework. "What It Is" too revels in introspection, a laconic bassline loping jauntily against the feathery beat in a succinct encapsulation of Bristolian laissez-faire. Jim's current exploits are reaching ever more interesting pastures, and there's an increasing recognition of his past achievements too (check the Kutmah-curated Lost Stories collection of unreleased 2tall bits from his archives), so it's a pleasure to add to the movement and support some truly special gems from a long time friend of the shop.

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The newly remastered Terminator EP by Goldie's Rufige Kru alias is here. Originally released in 1992, Terminator is widely regarded as one of the most influential tracks in jungle and drum and bass history. Sitting at a pivotal moment in the genre's evolution, the EP marked the beginning of a journey for both Goldie and Metalheadz that is still going strong today. Meticulously restored from the original DAT tapes, this remastered edition brings renewed clarity and low-end weight to a seminal release. The EP's groundbreaking experiments in timestretching and cinematic atmospheres remain as impactful as ever, a reminder of why it inspired an entire generation of producers. Releasing on 2x 12" 180g vinyl with a full artwork sleeve on 1st August.

TRACKLIST:
A. "Terminator (2025 Remastered)"
B. "Kemistry (feat. Diane Charlemagne) (2025 Remastered)"
C. "Knowledge (2025 Remastered)"
D. "Sinister (2025 Remastered)"


PRIVATE LISTEN LINK: https://on.soundcloud.com/DZn9Iw6FprrueYGCxj



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FORMAT DETAILS: standard weight, black 12" vinyl.

PRIVATE LISTEN LINK: https://on.soundcloud.com/hiZpxj2XRkytcKmi6

OVERVIEW: The formidable duo of Seba & Paradox return to Metalheadz, more than 5 years after their first collaborative release on the label. Both artists are prolific in their own right, each with their own distinctive signature sound that they have managed to seamlessly combine, resulting in truly first-class drum and bass. This latest offering is no exception as we present both 'Cypher' and 'Orlean' to the world, another masterclass from Seba & Paradox.



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For over a decade, Mako has been a distinctive presence, both as an individual and through his music, a talent we've proudly showcased at Metalheadz.

This September, we are honoured to release his third album on the label, and his second solo endeavour, which serves as a seamless continuation of his earlier work. His 2020 album, 'Oeuvre', represented years of dedication and refined production, solidifying Mako's esteemed place within the Metalheadz family.

Now, four years later, we're thrilled to present 'Oeuvre – Part 2'. This 12-track album is a celebration of Mako's deep passion for music, while also reflecting his sometimes disillusioned views on a modern era that often seems to pass us by. In a world where individuality can struggle to shine amidst an overwhelming flood of content, Mako's superior production stands out as a beacon, demanding not just recognition, but active listening.

Mako's commitment to his musical community is evident throughout the album, with contributions from long-time collaborators Fields, Hydro, Villem, and Mikal, each bringing their unique expertise to the project. The album also features a special collaboration with the late Marcus Intalex, a friendship that blossomed in the years before Marcus' untimely passing and one that continues to bear fruit.

Diving into the heart of the album reveals Mako's charm as a producer: from the captivating vocals in 'Feed You', the sleek homage to techstep in "Suspension', to the pure dancefloor energy of 'Direct Source', a track long favoured by Goldie. As expected, Mako also delivers deeper, more contemplative pieces like the album's opener 'True Expression' and the graceful melodies of 'Overshare'.


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For over a decade, Mako has been a distinctive presence, both as an individual and through his music, a talent we've proudly showcased at Metalheadz.

This September, we are honoured to release his third album on the label, and his second solo endeavour, which serves as a seamless continuation of his earlier work. His 2020 album, 'Oeuvre', represented years of dedication and refined production, solidifying Mako's esteemed place within the Metalheadz family.

Now, four years later, we're thrilled to present 'Oeuvre – Part 2'. This 12-track album is a celebration of Mako's deep passion for music, while also reflecting his sometimes disillusioned views on a modern era that often seems to pass us by. In a world where individuality can struggle to shine amidst an overwhelming flood of content, Mako's superior production stands out as a beacon, demanding not just recognition, but active listening.

Mako's commitment to his musical community is evident throughout the album, with contributions from long-time collaborators Fields, Hydro, Villem, and Mikal, each bringing their unique expertise to the project. The album also features a special collaboration with the late Marcus Intalex, a friendship that blossomed in the years before Marcus' untimely passing and one that continues to bear fruit.

Diving into the heart of the album reveals Mako's charm as a producer: from the captivating vocals in 'Feed You', the sleek homage to techstep in "Suspension', to the pure dancefloor energy of 'Direct Source', a track long favoured by Goldie. As expected, Mako also delivers deeper, more contemplative pieces like the album's opener 'True Expression' and the graceful melodies of 'Overshare'.


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It's a pleasure to welcome the legendary DJ Trace to the label for the first time alongside Metalheadz family HLZ. The 'Raptor EP' comes on a 3 track clear 12" vinyl with a further digital bonus track and artwork from the one and only Jon Black.

The EP comes straight from the peak days of techstep with lengthy, intense build ups leading into fierce beats and moody backdrops, a combination that both DJ Trace and HLZ share a love of.

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TRACKLIST:
1. The Force
2. Layerz
3. Down To The Molecule
4. The Wild West

FORMAT DETAILS: Standard weight red coloured vinyl.

PRIVATE LISTEN LINK: https://tinyurl.com/v9cu2c67

OVERVIEW:
What started as an experiment, born in the stillness of the early months of 2020, Metalheadz and SB81 are proud to present 'B292'.

The largest body of music ever released by Metalheadz, 'B292' is made up of 29 tracks across 2 defined parts with a strong emphasis on old skool influences. It's SB81's experiences as a youth that give him a real understanding of this era, something that cannot be replicated and where authenticity always stands tall.

Beginning as a small batch of tracks it wasn't long before Goldie encouraged SB81 to explore the idea of an album, and via several trips around Low Hill in Wolverhampton (where SB81 lived until the age of 30), it was here where the nostalgia and drive took hold for good.

SB81 calls this project a 'pre-1994 Metalheadz sound', and although no 29-track album deserves such a brief description it does seem so fitting - even more so with a huge amount of respect and admiration for labels such as Reinforced, Production House and Moving Shadow embodied throughout.

Make no mistake, this is in no way purely an album that tries to recreate the old. The music at its core remains as cutting edge as ever with a fresh on the ears feel and a rave-ready approach.

SB81's 'B292' releases in full on 31st May 2024, including a 4x coloured vinyl package, bespoke full colour sleeve designed by the incredibly talent EPOD and a bonus box set available exclusively via the Metalheadz website and Bandcamp.



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Since releasing on Reinforced at the age of 16, Dominic Stanton has always remained one of most influential producers in the west London broken beat scene. Those early adventures via numerous successful aliases laid the foundations for Dom's sound, eventually leading to the launch of 'Sonar's Ghost' in 2013.

Welcoming Sonar's Ghost to Metalheadz is now long overdue, so it's a pleasure to be showcasing 'The Fall and Rise Of...' as part of the Metalheadz Platinum series this July. Consisting of 5 collabs, 4 of them making the vinyl cut, the release draws inspiration from the rich heritage of jungle and breakbeat, effortlessly weaveing together intricate rhythms and immersive textures. Outrage & Scale feature on 2 tracks each, whilst Acid_Lab also gets in on the virtual collaboration bringing together a complimentary selection of styles.


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A trio of drum & bass kings return to the label for a vintage-esque Metalheadz release ushered in by the space-age sounds of 'Irrelevant' by Loxy & Ink.

'Token' takes a darker, more sinister turn as Resound gets in on the act.


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TRACKLISTING:
A. Da Base II Dark [Remastered]
B. Da Base II Dark (Stealth Remix)

The sound of one of the most recognisable Metalheadz anthems makes up the 2nd part of our 25 Years series.
Asylum aka L Double's 'Da Base II Dark' was originally released in 1995 and retains its status as a certified classic, still appearing in sets almost 3 decades later. Remastered for this mammoth project the single is accompanied by a Stealth remix on the B side, a remix that grew into Stealth's own personal homage to the Metalheadz sound. The outcome is a ravenous twist constructed entirely with the late night dancefloor in mind.


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TRACKLISTING:
A1. Amethyst
A2. In A Lifetime
B1. Break The Rules
B2. Polar Dreams
OVERVIEW:
Almost a year on from his debut Metalheadz EP, HLZ presents the 'Amethyst EP' on Metalheadz Platinum due for release on vinyl this September.

The Italian-born, London-based producer encapsulates the modern day Metalheadz sound across 4 sublime solo tracks, from the effortless fluidity of the title track to the raucous vibrations of 'Break The Rules'. There's a familiar tastefulness from start to finish, full of thrills, twists and turns but also very raw in nature, something HLZ continues to execute throughout his impressively growing discography.


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Bristolian Stephen Redmore, known through his drum & bass alias Mako, is finally set to unleash his forthcoming LP on Metalheadz, something which he's been working on behind the scenes for some time. The label head of Utopia is well known for his slick production and penchant for underground anthems, something which has been seen again and again on his own imprint, as well as across a plethora of labels which have acted as pillars for the drum & bass world. Having already made his presence felt before within the catalogue of Metalheadz, as well as Break's Symmetry Recordings, Dispatch, Soul:R and Samurai Music, he's a valuable part of the genre's make up, which is why the announcement of his forthcoming LP ignited widespread anticipation.

Directly translated to 'a body of art', Mako's LP 'Oeuvre' is representative of his life's work in music production. The grinding bassline of 'Life Cycle' alongside the late Andy Skopes, a testament to the legacy he left behind, sets the tone. 'Flip it' has already been doing the club rounds, as the moody Photek atmospherics of 'One Reality' and more affectional twists of 'Holding You' adds to the tracklist's versatility.

'The Scenic Values' underscores Mako's love of Krust and Doc Scott production grooves, whilst the experimental soundscape of 'Hoxton Home' heralds back to old Lemon D. 'Oeuvre' is a walkthrough of Mako's many personalities as a musician and it finds a welcome home within Metalheadz's historic discography.


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TRACKLISTING:
A1. Nymfo - Sting Blade
B1. Nymfo & Marty - What's Happening?
B2. Nymfo - No Choice


OVERVIEW: You'd be forgiven for not realising this is Nymfo's first EP for Metalheadz considering he is one of the Netherlands' finest drum and bass exports boasting releases on some of the genre's most revered labels.

Opening with the title track 'Sting Blade', the EP hits hard in true Nymfo fashion, but as he's shown over the last decade and more he is perfectly capable of executing several styles, something exemplified as you journey deeper into the release. Fellow Dutchman and Berghain staple Martyn also features for a vigorous work out on 'What's Happening".



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TTRACKLISTING:
A. Hexagon
AA. Love or Death

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OVERVIEW: A first release for Seba & Paradox as a duo on Metalheadz is as special as its billing makes out to be.

Although being situated in Sweden and Lithuania may provide many stumbling blocks, not to mention Paradox's insistence on physical 'in personal' studio sessions, the guys still manage to retain a production line amongst the best in underground jungle.

The impeccable brand new Metalheadz single is a brief excursion from their flourishing joint label venture and kicks off which looks set to be our busiest year ever.

OTHER ACTIVITY: https://www.metalheadz.co.uk/home


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TRACKLISTING:
A1. Elevate With Me (ft. KSR)
A2. Lost Meaning
AA1. Hear the Sound
AA2. Leah
Drawing from early Metalheadz influences, sounds and ideas, Black Barrel has crafted his own unique take on it all ranging from the intricate edits and soulful KSR vocals on 'Elevate With Me' to the unparalleled funk and gnarly prominence of 'Hear The Sound'. It's further proof that Black Barrel is more than adept when it comes to producing full spectrum drum and bass.




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We're delighted to welcome Critical Impact back to Metalheadz for a solo single, 8 years after he first appeared on the label as part of the Genesis EP series.
Known for his work with vocalists, Critical Impact's trademark style is rolled out and only complimented by the unique vocal tones of both DRS and Fats across their respective features, making for a release that intertwines soul with gritty, accomplished beats.
TRACKLISTING:
A. Critical Impact & DRS - Crazy
AA. Critical Impact & MC Fats - Far Away



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A long-time friend of Goldie and a staple of the Nordic dance music scene, Agzilla's eclectic debut album is set for release this February.
Blurring the lines between the rough with the smooth and delving into various genres including jungle and drum & bass as well as leftfield techno, house and bass music, 'Cats Can Hear Ultrasound' is a genuine melting pot of contrasting sounds covering a diverse range of BPMs.
The album sampler is headlined by remixes from OneMind and Kid Drama who both deliver their own exquisite take on Agzilla's music.
TRACKLISTING:
A1. Contrafiction (OneMind Rmx)
A2. Contrafiction
AA1. Reneri (Kid Drama Rmx)
AA2. Reneri


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