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Label:civil music
Cat-No:CIV059RP
Release-Date:01.12.2023
Genre:Breaks
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Label:civil music
Cat-No:CIV059RP
Release-Date:01.12.2023
Genre:Breaks
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Om Unit - Folding Shadows
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Om Unit - The SIlence Ft. Jinadu
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Om Unit - Healing Rain
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Om Unit - Jus Sayin' Ft. Gone The Hero
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Om Unit - Drift Interlude
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Om Unit - Reverse Logic
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Om Unit - Corridor 2013
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Om Unit - Nagual
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Om Unit - Patients Ft. MC Jabu
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Om Unit - Deep Sea Pyramid
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Om Unit - Wall Of Light
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Om Unit - Jaguar
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Om Unit - Wicker And Pearl
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Om Unit - Governer's Bay
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Om Unit - The Road Ft. Charlie Dark
‘Threads’ was my 1st album as Om Unit and this 10-year re-mastered anniversary edition comes around at what feels like a similar time for me of experimentation and finding new ways to connect sounds. Something of a full circle of sorts but then again I am marking time with this re-issue at a time where I can look back and feel very proud of the work still sounding so convincing. Now even better thanks to Subvert Central’s Robert Macchiochi!
Reflecting on the past 10 years since this record came out, I can say it’s been an incredibly fruitful journey, with the most striking element of it all being the opportunity to travel and meet so many people from so many different backgrounds with different world views and stories. I found that ‘Threads’ for many was their first insight into my music, and for some people was something of a milestone in their journey of exploring music itself with tracks like ‘The silence’ and ‘Governor’s Bay’ having been mentioned over the years as amongst favourites alongside some of the work released on Cosmic Bridge and Civil
I want to take a moment to give my Love and gratitude to all the featured vocalists. Thanks to Simon Jinadu for his angelic voice on ‘The Silence’, to Charlie Dark MBE for his reflective words on ‘The Road’ and to Alex ‘Bogues’ Rendall aka MC Jabu (of Jabu) for his intense delivery on ‘Patients’ as well as Jneiro Jarel for his self-reflective narration on “just sayin’” All 4 are still outliers in their own field and upstanding creative forces to boot. I feel blessed to have been able to capture them on this project.
Threads was made in a bedroom of 2a Station Rise in Tulse Hill, a flat I shared with journalist and writer Laurent Fintoni, in a space that had such a great sound to it that I’ll always miss that room. I hope that you feel the warmth that I felt then whilst making it. It’s been an adventure since and whilst I’ve moved on from a lot of the tropes intrinsic to the album, it will always remain a body of work that is dear to my heart.
Enjoy!
<3 More
Reflecting on the past 10 years since this record came out, I can say it’s been an incredibly fruitful journey, with the most striking element of it all being the opportunity to travel and meet so many people from so many different backgrounds with different world views and stories. I found that ‘Threads’ for many was their first insight into my music, and for some people was something of a milestone in their journey of exploring music itself with tracks like ‘The silence’ and ‘Governor’s Bay’ having been mentioned over the years as amongst favourites alongside some of the work released on Cosmic Bridge and Civil
I want to take a moment to give my Love and gratitude to all the featured vocalists. Thanks to Simon Jinadu for his angelic voice on ‘The Silence’, to Charlie Dark MBE for his reflective words on ‘The Road’ and to Alex ‘Bogues’ Rendall aka MC Jabu (of Jabu) for his intense delivery on ‘Patients’ as well as Jneiro Jarel for his self-reflective narration on “just sayin’” All 4 are still outliers in their own field and upstanding creative forces to boot. I feel blessed to have been able to capture them on this project.
Threads was made in a bedroom of 2a Station Rise in Tulse Hill, a flat I shared with journalist and writer Laurent Fintoni, in a space that had such a great sound to it that I’ll always miss that room. I hope that you feel the warmth that I felt then whilst making it. It’s been an adventure since and whilst I’ve moved on from a lot of the tropes intrinsic to the album, it will always remain a body of work that is dear to my heart.
Enjoy!
<3 More
More records from Om Unit
Label:ZamZam Sounds
Cat-No:ZAMZAM91
Release-Date:19.05.2023
Genre:Dub/Reggae
Configuration:7"
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Label:ZamZam Sounds
Cat-No:ZAMZAM91
Release-Date:19.05.2023
Genre:Dub/Reggae
Configuration:7"
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Om Unit - The Canopy (Armageddon Style)
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Om Unit - Mystic 808
It’s always a joy to release music from friends, and ZamZam 91 is our first collab with a dear one, Jim Coles AKA Om Unit. It’s impossible to frame the breadth and depth of such a storied career in bass music in just a couple lines- so suffice to say that releases over decades on a who’s-who of seminal labels including Exit, Fabric, Planet Mu and of course his own Cosmic Bridge have cemented his rep as an absolute force in production and DJing across any number of genres and sub genres.
Coles’ roots in Bristol and deep love of dub and reggae - made beautifully explicit on his recent Acid Dub Studies LPs - come through strong on both sides. “The Canopy (Armageddon Style)” opens with ravey, arpeggiated synths worthy of Vangelis, punctuated by a brooding piano chord, building steadily into a dark and utterly apocalyptic steppers guaranteed to storm & batter down Babylon walls inside and out.
“Mystic 808” is a deep meditation, a slow stepper that ices down the furious energy of the A side and drops the tempo to suit. Recalling the heady days of original late 90s/early 2000s UK Dub - as well as early dub techno - stabs and melody caress, restrained percussion swims and multiplies in reverb and echo, orbits locked to the gravitational force of the massive and truly timeless bassline. Proper sound system material that will satisfy the heart and soul long after the dance is done. More
Coles’ roots in Bristol and deep love of dub and reggae - made beautifully explicit on his recent Acid Dub Studies LPs - come through strong on both sides. “The Canopy (Armageddon Style)” opens with ravey, arpeggiated synths worthy of Vangelis, punctuated by a brooding piano chord, building steadily into a dark and utterly apocalyptic steppers guaranteed to storm & batter down Babylon walls inside and out.
“Mystic 808” is a deep meditation, a slow stepper that ices down the furious energy of the A side and drops the tempo to suit. Recalling the heady days of original late 90s/early 2000s UK Dub - as well as early dub techno - stabs and melody caress, restrained percussion swims and multiplies in reverb and echo, orbits locked to the gravitational force of the massive and truly timeless bassline. Proper sound system material that will satisfy the heart and soul long after the dance is done. More
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Last in:12.04.2023
Label:Om Unit
Cat-No:ATLANTIS01
Release-Date:31.03.2023
Genre:Breaks
Configuration:12"
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Om Unit - Prophecy
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Om Unit - Forward
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Om Unit - Deadnettle
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Om Unit - Amber
Four tracks of forward-thinking club music featuring his signature sound, taking in elements of Acid, Broken Beats, UK Techno and Dubbed out atmospheres. Melodies, hooks and basslines are plentiful on this one and the sights are set firmly on the dancefloor with most tracks landing around the 130-140bpm region.
'Atlantis' is yet another step forward in the evolution of a well-decorated but never stagnant artist who is ever-keen on exploring new possibilities. More
'Atlantis' is yet another step forward in the evolution of a well-decorated but never stagnant artist who is ever-keen on exploring new possibilities. More
Label:idle hands
Cat-No:idle036
Release-Date:06.07.2016
Genre:Electro
Configuration:12"
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Last in:20.03.2017
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Label:idle hands
Cat-No:idle036
Release-Date:06.07.2016
Genre:Electro
Configuration:12"
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Over the years Jim Coles has turned his hand to a fair few different styles and made them his own. These days, most know his Om Unit alias as a significant force in fresh developments within D&B (recently found larking about with Alix Perez, Binga and more in the Richie Brains project on Exit Records), but it's not always been that way. From initial moves in the dubstep world via Terrorhythm through to shimmering, playful electro-leaning business on Civil Music, he's graced plenty of high profile labels with his many-sided musical dice and come up trumps. A personal favourite moment for us came in the shape of the All City 7" Lavender / Lightgrids in 2010, which matched Jim's knack for rich and detailed production to a slower, more contemplative groove. This new release for Idle Hands comes from that era, a trio of secret weapons sat waiting for the opportune moment to step out into the world. With the warmer months upon us, it feels like the perfect time to let a track like "Friend Of The Day" roll out in a heavy-lidded haze of sun-kissed, ivory-tinkled finery. This being Om Unit, of course there are different shades on offer here as well. "Basement Superman" plumbs aqueous depths with its appropriation of dub techno tropes in a slow-stepping, meditative framework. "What It Is" too revels in introspection, a laconic bassline loping jauntily against the feathery beat in a succinct encapsulation of Bristolian laissez-faire. Jim's current exploits are reaching ever more interesting pastures, and there's an increasing recognition of his past achievements too (check the Kutmah-curated Lost Stories collection of unreleased 2tall bits from his archives), so it's a pleasure to add to the movement and support some truly special gems from a long time friend of the shop.
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Label:METALHEADZ
Cat-No:METACD005
Release-Date:09.01.2015
Genre:Drum + Bass
Configuration:CD
Barcode:0666017256627
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Label:METALHEADZ
Cat-No:METACD005
Release-Date:09.01.2015
Genre:Drum + Bass
Configuration:CD
Barcode:0666017256627
More records from civil music
Label:Civil Music
Cat-No:CIV065
Release-Date:28.06.2024
Genre:Electro
Configuration:2LP
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Label:Civil Music
Cat-No:CIV065
Release-Date:28.06.2024
Genre:Electro
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Brassica - Hop Kweng
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Brassica - Change Yourself
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Brassica - Music Bay
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Brassica - Elevation
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Brassica - Hold Tight
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Brassica - Traceroute
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Brassica - Turdnadoe
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Brassica - Court Jester
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Brassica - Chopping Block
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Brassica - Pinball Marinara
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Brassica - Changa Hill
limited to 200 copies.
Ten years after his first full-length effort ‘Man Is Deaf’ landed him firmly in the runnings for DJ Mag’s album of the year, prodigal son Michael Anthony Wright AKA Brassica returns to Civil Music with a deeply accomplished, painstakingly whittled LP of hydraulic electro slickness, rich synthscapes, and hooky, peak-time tearjerkers for the most discerning front-left lifers. ‘Tribeless Gathering’ is a barnstorming testament to Brassica’s stylistic and timbral deftness, touching down in the elusive epicentre of the club/home listening venn diagram with ease.
From the elastic, neon acid pointillism of opener ‘Hop Kweng’ to the mardy, miasmic plod of closing chugger ‘Changa Hill’, Brassica seamlessly segues between avenues of influence, his notoriously omnivorous musical knowledge roadmapping each turn. Raised on a diet of everything from early rave standards to metal, and schooled in avant garde sonics as a student of sound design at LCC, Brassica does a peerless job of sublimating his countless influences into a record of refined, heterogeneous, and most crucially, catchy, club moods.
Less spartan than his more recent oeuvre on Feel My Bicep, and less baroque than his technicolour experiments in postmodern synth pop with vocalist Stuart Warwick, Tribeless Gathering represents Brassica’s triumphant return to the main room, replete with rushy hooks primed for the planet’s finest soundsystems, and passages of heads-down tension bound to draw listeners right to the edge of their seats. Overall it is a concise and refined testament to Wright’s command of spectral sonics and effortless ability to pressurise a dancefloor. It is no surprise that he has also worked as a prolific mastering engineer, tuning music from a plethora of dance disciplines for maximum club impact. This work extends to his own projects (including this one), cementing them as rare expressions of complete artistry from studio to turntable.
As we delve deeper into the record, we are ushered through a series of accomplished and varied club moods, each channelling a unique cocktail of influences, but retaining a warm, ebullient analogue sensibility unique to Brassica’s work. This playful scope of influence calls to mind James T Cotton or Machinedrum’s experiments in dance music form, but Wright manages it all under one roof, wrangling everything from sashaying wub-laden two step to snarling Dillinja-esque FM damage into something inherently his.
Choice cut ‘Change Yourself’ layers an almost Cerrone-like piano refrain over radiant surges of saturated bass, dubby, strobing chords and a jagged, driving break, building to a jaw-clenching apex of dancefloor elation, while the rude, playful half-step of ‘Elevation’ breaks down the vintage speed garage formula into linear fragments, utilising a tight palette of resonant bass slugs, infectious synth leads and Papua New Guinea-style vocal strobes. The aptly named ‘Hold Tight’ fuses heart-in-mouth UK ‘ardkore pads with glissando acid disturbance and surgical snare fills in a formula which recalls the ethereal grit of Nubian Mindz’ 00s experiments in big-smoke break science, while the questing melodic arcs and arpeggiated squarewaves of ‘Pinball Marinara’ could easily have soundtracked an 80s sci-fi epic, beset with sparkling, bare-bones drum programming and hazy beds of sub sediment.
With ‘Tribeless Gathering’, Brassica both irreverently fuses and pays homage to the many unique and weird permutations of UK dance music. The short lived gathering of junglists, ravers and house hotsteppas of a similar name may have long since dissipated, along with the tribes themselves, but across these 11 tracks, he lays a blueprint for a new sound of togetherness. More
Ten years after his first full-length effort ‘Man Is Deaf’ landed him firmly in the runnings for DJ Mag’s album of the year, prodigal son Michael Anthony Wright AKA Brassica returns to Civil Music with a deeply accomplished, painstakingly whittled LP of hydraulic electro slickness, rich synthscapes, and hooky, peak-time tearjerkers for the most discerning front-left lifers. ‘Tribeless Gathering’ is a barnstorming testament to Brassica’s stylistic and timbral deftness, touching down in the elusive epicentre of the club/home listening venn diagram with ease.
From the elastic, neon acid pointillism of opener ‘Hop Kweng’ to the mardy, miasmic plod of closing chugger ‘Changa Hill’, Brassica seamlessly segues between avenues of influence, his notoriously omnivorous musical knowledge roadmapping each turn. Raised on a diet of everything from early rave standards to metal, and schooled in avant garde sonics as a student of sound design at LCC, Brassica does a peerless job of sublimating his countless influences into a record of refined, heterogeneous, and most crucially, catchy, club moods.
Less spartan than his more recent oeuvre on Feel My Bicep, and less baroque than his technicolour experiments in postmodern synth pop with vocalist Stuart Warwick, Tribeless Gathering represents Brassica’s triumphant return to the main room, replete with rushy hooks primed for the planet’s finest soundsystems, and passages of heads-down tension bound to draw listeners right to the edge of their seats. Overall it is a concise and refined testament to Wright’s command of spectral sonics and effortless ability to pressurise a dancefloor. It is no surprise that he has also worked as a prolific mastering engineer, tuning music from a plethora of dance disciplines for maximum club impact. This work extends to his own projects (including this one), cementing them as rare expressions of complete artistry from studio to turntable.
As we delve deeper into the record, we are ushered through a series of accomplished and varied club moods, each channelling a unique cocktail of influences, but retaining a warm, ebullient analogue sensibility unique to Brassica’s work. This playful scope of influence calls to mind James T Cotton or Machinedrum’s experiments in dance music form, but Wright manages it all under one roof, wrangling everything from sashaying wub-laden two step to snarling Dillinja-esque FM damage into something inherently his.
Choice cut ‘Change Yourself’ layers an almost Cerrone-like piano refrain over radiant surges of saturated bass, dubby, strobing chords and a jagged, driving break, building to a jaw-clenching apex of dancefloor elation, while the rude, playful half-step of ‘Elevation’ breaks down the vintage speed garage formula into linear fragments, utilising a tight palette of resonant bass slugs, infectious synth leads and Papua New Guinea-style vocal strobes. The aptly named ‘Hold Tight’ fuses heart-in-mouth UK ‘ardkore pads with glissando acid disturbance and surgical snare fills in a formula which recalls the ethereal grit of Nubian Mindz’ 00s experiments in big-smoke break science, while the questing melodic arcs and arpeggiated squarewaves of ‘Pinball Marinara’ could easily have soundtracked an 80s sci-fi epic, beset with sparkling, bare-bones drum programming and hazy beds of sub sediment.
With ‘Tribeless Gathering’, Brassica both irreverently fuses and pays homage to the many unique and weird permutations of UK dance music. The short lived gathering of junglists, ravers and house hotsteppas of a similar name may have long since dissipated, along with the tribes themselves, but across these 11 tracks, he lays a blueprint for a new sound of togetherness. More
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Last in:02.07.2024
Label:WSNWG
Cat-No:WSNWG013
Release-Date:17.11.2023
Genre:Techno
Configuration:12" Excl
Barcode:
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PERYL & Rødhåd - KALLAIT 01 [230509]
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PERYL & Rødhåd - KALLAIT 02 [230831]
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PERYL & Rødhåd - KALLAIT 03 [230211.3]
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PERYL & Rødhåd - KALLAIT 04 [230211.1]
For the next release on Rødhåd’s WSNWG imprint the label head invited Berlin based producer and live performer Peryl to his studio for various sessions between February and August of 2023. The result is 'KALLAIT' - five deep, driving techno cuts.
The vinyl release consists of four tracks with a digital Bonus added on top, all produced with maximum care and attention to detail. More
The vinyl release consists of four tracks with a digital Bonus added on top, all produced with maximum care and attention to detail. More
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The Owl - Shake It
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The Owl - Follow Me
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The Owl - Alaways Be There
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The Owl - The Way
John Devecchis AKA The Owl takes flight once again here on his self titled label's 10th outing. Once again it is a head turning mix of disco and funk that carries on where his superb Concrete Funk album from 20121 left off. These are beefy cuts with authentic grooves, starting with the loose limbed playfulness of 'Shake It'. There is a more heavy, purposeful chug to 'Follow Me' which comes alive with lush strings and perfect soul vocals. 'Always Be There' leans into a house groove with noodling guitar riffs a la Chic and 'The Way' is a nice leggy and elastic pumper with expressive diva wails. Super stuff.
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Label:Biophon Records
Cat-No:BIO39LP
Release-Date:24.11.2023
Configuration:LP
Barcode:7090029003918
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Last in:15.10.2024
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Label:Biophon Records
Cat-No:BIO39LP
Release-Date:24.11.2023
Configuration:LP
Barcode:7090029003918
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Biosphere - Surface Tension
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Biosphere - Delta Function
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Biosphere - Franklin´s Dream
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Biosphere - Wolfgang´s Wave
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Biosphere - Brownian Motion
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Biosphere - Random Walk
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Biosphere - The String Thing
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Biosphere - Florian´s Flute
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Biosphere - Jane´s Lament
Biosphere is the main recording name of Geir Jenssen, a Norwegian musician who has released a notable catalogue of ambient electronic music. He is well known for his works on ambient techno and arctic themed pieces, his use of music loops, and peculiar samples from sci-fi sources. His 1997 album Substrata was voted by the users of the Hyperreal website in 2001 as the best all-time classic ambient album.
Inland Delta contains nine new musical pieces recorded from 2022 to 2023, featuring mainly improvised performances on newly restored vintage keyboards. More
Inland Delta contains nine new musical pieces recorded from 2022 to 2023, featuring mainly improvised performances on newly restored vintage keyboards. More
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Last in:07.10.2024
Label:Warp
Cat-No:WARPLP90R
Release-Date:10.01.2017
Genre:Electro
Configuration:2LP
Barcode:
- Spec: 2 x LP in paper inners, in 5mm outer sleeve with download card insert.
Tucked away in the great depths of the Warp catalogue is this elegant, liquid heartache of a record. An album credited to the late James Stinson, one half of cult-Detroit techno unit (alongside Gerald Donald) Drexciya, Lifestyles... stands as one of the remarkable records of the genre. Stinson died a year after release, lending this already beautiful work endless resonance.
Where the dystopian aqua-tronics of previous Drexciya were often jet-black, cold, brittle and abrasive this is a yearning soul music, played out down rain soaked streets, the buzzing lights of industry flickering in the darkness, the warm blue of a new day ready to break. This is a record where techno reached its raw, most emotive peak... Sustained pads paint minor-key melodies while electroid-vocals are buried deep in the hydrothermal mass of squelching bass-clusters and funky-filtered bleeps. At its skittering percussion core, a stripped back 808 tapestry, sequenced into myriad jazz-inflected shapes, a pulsing kick drum the snapping heartbeat, ticking hi-hats bursting from every angle.
All this tingles with the ghosts of records past, of Kraftwerkian humanoids, of first-wave Detroit, of refracted Hancock and Ayres, but as Stinson intones on the fifth track, ‘let me be what I wanna be’, Lifestyles is a creation all of its own special making, a sound that would inspire the latter day deep-house machinations of Omar S, Jus-Ed, Moodymann and influence –however indirectly- a wealth of current UK/US bass operators including Actress and Kyle Hall. More importantly it remains a beguiling epitaph to Stinson’s sadly distinguished life. More
Tucked away in the great depths of the Warp catalogue is this elegant, liquid heartache of a record. An album credited to the late James Stinson, one half of cult-Detroit techno unit (alongside Gerald Donald) Drexciya, Lifestyles... stands as one of the remarkable records of the genre. Stinson died a year after release, lending this already beautiful work endless resonance.
Where the dystopian aqua-tronics of previous Drexciya were often jet-black, cold, brittle and abrasive this is a yearning soul music, played out down rain soaked streets, the buzzing lights of industry flickering in the darkness, the warm blue of a new day ready to break. This is a record where techno reached its raw, most emotive peak... Sustained pads paint minor-key melodies while electroid-vocals are buried deep in the hydrothermal mass of squelching bass-clusters and funky-filtered bleeps. At its skittering percussion core, a stripped back 808 tapestry, sequenced into myriad jazz-inflected shapes, a pulsing kick drum the snapping heartbeat, ticking hi-hats bursting from every angle.
All this tingles with the ghosts of records past, of Kraftwerkian humanoids, of first-wave Detroit, of refracted Hancock and Ayres, but as Stinson intones on the fifth track, ‘let me be what I wanna be’, Lifestyles is a creation all of its own special making, a sound that would inspire the latter day deep-house machinations of Omar S, Jus-Ed, Moodymann and influence –however indirectly- a wealth of current UK/US bass operators including Actress and Kyle Hall. More importantly it remains a beguiling epitaph to Stinson’s sadly distinguished life. More
Label:!K7 Records
Cat-No:k7073
Release-Date:27.01.2021
Configuration:5LP
Barcode:
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Last in:17.10.2024
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Last in:17.10.2024
Label:!K7 Records
Cat-No:k7073
Release-Date:27.01.2021
Configuration:5LP
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Originally released on Studio !K7 Records in 1998, Peter Kruder and Richard Dorfmeister's groundbreaking release, 'The K&D Sessions' reset the bar for what could be achieved in a compilation. Across an array of original tracks, dubs and infamous K&D Session remixes, the DJ and producer duo took the listener on a smoke-filled blunted journey that flowed flawlessly. Often compared to DJ Shadow's 'Endtroducing' for it's similarly deft craft of rhythm and quoted by Allmusic as "the most blissfully blunted music the world has ever heard", the album has sold over 1,000,000 copies to date and was included in Spin s Top 20 albums of 1999 .
The album has long since been deleted on Vinyl with original 4LP sets changing hands for 300+ on the collectors market and even a bootleg vinyl copy will set a buyer back over 100. Sixteen years later, this legendary album will be available as a long overdue 5LP reissue remastered by Bernie Grundman Mastering in Hollywood. Finally back in print in 180g vinyl. More
The album has long since been deleted on Vinyl with original 4LP sets changing hands for 300+ on the collectors market and even a bootleg vinyl copy will set a buyer back over 100. Sixteen years later, this legendary album will be available as a long overdue 5LP reissue remastered by Bernie Grundman Mastering in Hollywood. Finally back in print in 180g vinyl. More
LP Excl
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Cat-No:LPS249
Release-Date:08.03.2024
Configuration:LP Excl
Barcode:4040824092849
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Cat-No:LPS249
Release-Date:08.03.2024
Configuration:LP Excl
Barcode:4040824092849
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SUSANA BARON SUPERVIELLE - A1.Vida
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SUSANA BARON SUPERVIELLE - A2.Encontro
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SUSANA BARON SUPERVIELLE - A3.Melancolia
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SUSANA BARON SUPERVIELLE - A4.Marabaa
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SUSANA BARON SUPERVIELLE - B1. Acuario
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SUSANA BARON SUPERVIELLE - B2.Alli
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SUSANA BARON SUPERVIELLE - B3.Angustia
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SUSANA BARON SUPERVIELLE - B4.Espiral (2a version)
NON EXCL LP , LP IN FOLD OUT POSTER SLEEVE + INSERT
Susana Baron Supervielle was born in Buenos Aires in 1910, but she lived in Brazil most of her life. Creation with electroacoustic means represented one more step in her search for renewal and a new articulation of her triple cultural horizon articulated between São Paulo, Buenos Aires and Paris. The results open a new dimension in the interstices of the sound montage. Susana had been a follower of Pierre Schaffer and his peers in the Groupe de Recherche de Musique Concrète from Paris since they began in the early 1950s.
Baron Superveille’s catalogue of works, as selected by the artist herself, shows nine compositions for magnetic tape. With one exception (1977’s Continuo variante), the pieces are in the personal archives of the composer filed in the Archivo del Instituto Nacional de Musicología “Carlos Vega”, in Buenos Aires, which depends on the Ministry of Culture of the Republic of Argentina. This edition on Wah Wah Records is a coproduction with the Instituto Nacional de Musicología “Carlos Vega” and recovers all the available electroacoustic works composed between 1974 and 1980. While most of the collected works premiered in both Buenos Aires and São Paulo on dates close to those of their composition, there are not any previous known releases of these recordings, so this LP is not only an exception, but also a novelty.
Tracklist:
SIDE A
Vida
Encontro
Melancolía
Marabá
SIDE 2
Acuario
Allí
Angustia
Espiral
More
Susana Baron Supervielle was born in Buenos Aires in 1910, but she lived in Brazil most of her life. Creation with electroacoustic means represented one more step in her search for renewal and a new articulation of her triple cultural horizon articulated between São Paulo, Buenos Aires and Paris. The results open a new dimension in the interstices of the sound montage. Susana had been a follower of Pierre Schaffer and his peers in the Groupe de Recherche de Musique Concrète from Paris since they began in the early 1950s.
Baron Superveille’s catalogue of works, as selected by the artist herself, shows nine compositions for magnetic tape. With one exception (1977’s Continuo variante), the pieces are in the personal archives of the composer filed in the Archivo del Instituto Nacional de Musicología “Carlos Vega”, in Buenos Aires, which depends on the Ministry of Culture of the Republic of Argentina. This edition on Wah Wah Records is a coproduction with the Instituto Nacional de Musicología “Carlos Vega” and recovers all the available electroacoustic works composed between 1974 and 1980. While most of the collected works premiered in both Buenos Aires and São Paulo on dates close to those of their composition, there are not any previous known releases of these recordings, so this LP is not only an exception, but also a novelty.
Tracklist:
SIDE A
Vida
Encontro
Melancolía
Marabá
SIDE 2
Acuario
Allí
Angustia
Espiral
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Label:Field Records
Cat-No:FIELD35
Release-Date:26.05.2023
Genre:Electronic
Configuration:2LP
Barcode:8720246793086
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Last in:10.10.2024
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Last in:10.10.2024
Label:Field Records
Cat-No:FIELD35
Release-Date:26.05.2023
Genre:Electronic
Configuration:2LP
Barcode:8720246793086
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Monolake - Cyan
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Monolake - Index
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Monolake - Lantau
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Monolake - Macau
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Monolake - Arte
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Monolake - Occam
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Monolake - Mass Transit Railway
Field Records proudly presents the first complete vinyl edition of Monolake’s seminal excursion into experimental dub techno, Hongkong. Originally released on the now-classic Chain Reaction label in 1997, this collection of early singles by Robert Henke and Gerhard Behles has gone on to become a vital listening experience in its own right - a genre classic alongside the other groundbreaking works from the likes of Porter Ricks and Vladislav Delay.
The tracks which make up Hongkong were made while Henke and Behles studied computer science and immersed themselves in Berlin’s techno scene. Their early forays into computer-based music production were enabled by the use of the Max/MSP programming environment, forming a backdrop to the landmark work they would undertake in developing the Ableton Live DAW. Henke and Behles travelled to Hong Kong in 1996 to attend the annual International Computer Music Conference, and while there recorded extensive field recordings. These recordings became the glue that pieced together their collaborative tracks into a fluid listening experience for a CD-compilation at Chain Reaction’s request.
While absolutely rooted in the embryonic sound of European dub techno, Monolake’s early work possesses a back room, headphone-ready demeanour which lends itself to the album listening experience. In the cascade of rhythms created by precision engineered delays and subliminal, expansive spatial world building occurring throughout Hongkong, the stage is set for a full and thorough immersion. Before the Monolake sound progressed into a more pointillist form of computer music as Henke’s solo project, Hongkong presented a gritty, grainy sonic still tied in some way to the traditional methods of techno production, even as the artists’ ideas were sending the sequencing and arranging in exciting new directions.
Remastered and presented for the first time as a complete double 12” package, this is the definitive edition of an essential work in the evolution of experimental techno. As Henke himself explains, “twenty-five years later, this record still holds immense value to me in many ways.” More
The tracks which make up Hongkong were made while Henke and Behles studied computer science and immersed themselves in Berlin’s techno scene. Their early forays into computer-based music production were enabled by the use of the Max/MSP programming environment, forming a backdrop to the landmark work they would undertake in developing the Ableton Live DAW. Henke and Behles travelled to Hong Kong in 1996 to attend the annual International Computer Music Conference, and while there recorded extensive field recordings. These recordings became the glue that pieced together their collaborative tracks into a fluid listening experience for a CD-compilation at Chain Reaction’s request.
While absolutely rooted in the embryonic sound of European dub techno, Monolake’s early work possesses a back room, headphone-ready demeanour which lends itself to the album listening experience. In the cascade of rhythms created by precision engineered delays and subliminal, expansive spatial world building occurring throughout Hongkong, the stage is set for a full and thorough immersion. Before the Monolake sound progressed into a more pointillist form of computer music as Henke’s solo project, Hongkong presented a gritty, grainy sonic still tied in some way to the traditional methods of techno production, even as the artists’ ideas were sending the sequencing and arranging in exciting new directions.
Remastered and presented for the first time as a complete double 12” package, this is the definitive edition of an essential work in the evolution of experimental techno. As Henke himself explains, “twenty-five years later, this record still holds immense value to me in many ways.” More
LP
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Label:International Anthem
Cat-No:IARC0073LP
Release-Date:17.11.2023
Genre:Jazz
Configuration:LP
Barcode:789993993765
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Last in:21.02.2024
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Last in:21.02.2024
Label:International Anthem
Cat-No:IARC0073LP
Release-Date:17.11.2023
Genre:Jazz
Configuration:LP
Barcode:789993993765
South African pianist Thandi Ntuli traveled to Los Angeles in 2019, where she recorded this album of bare, explorative piano and voice pieces at a Venice Beach studio with International Anthem artist Carlos Niño in the producer chair. An absolutely stunning, intimate listen, with Ntuli’s prowess as a pianist and singularity as a vocalist on vivid display as much as her fearlessness, vulnerability and adventurousness during occasional experiments with synthesizers and percussion. Niño colors open minimalist soundscapes with overdubbed percussion, cymbals and plants.
The first pressing includes a Limited Edition *Pot of Gold* color vinyl LP (pressed by Pallas in Germany) inside a heavyweight jacket with OBI strip, insert sheet and IARC dome-patterned innersleeve. Cover Art by Shabaka Hutchings. More
The first pressing includes a Limited Edition *Pot of Gold* color vinyl LP (pressed by Pallas in Germany) inside a heavyweight jacket with OBI strip, insert sheet and IARC dome-patterned innersleeve. Cover Art by Shabaka Hutchings. More
2LP Excl
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Label:Tresor Records
Cat-No:tresor027lp
Release-Date:13.05.2022
Genre:Techno
Configuration:2LP Excl
Barcode:666017330112
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Last in:22.08.2024
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Last in:22.08.2024
Label:Tresor Records
Cat-No:tresor027lp
Release-Date:13.05.2022
Genre:Techno
Configuration:2LP Excl
Barcode:666017330112
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Robert Hood - No Title
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Robert Hood - No Title
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Robert Hood - No Title
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Robert Hood - No Title
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Robert Hood - No Title
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Robert Hood - No Title
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Robert Hood - No Title
2022 Repress
The ongoing importance of this album is indisputable, essential both to techno and to Tresor. It is a history intertwined. This work elevates its maker as master, and remain a cherished moment in the Tresor story, sharing an irrefutable singular magic, sounding as present and indispensable as when first created. To understand this work fully is to stand back and celebrate its impact. Originally released in 1994, 'Internal Empire' marks a point of transition for Robert Hood moving on from his previous collaborations within Underground Resistance. Robert Hood advanced uncovering the power of true minimalism. Deep soul through a simplicity that showed how much could be done with so little. The devastating rhythms of this album forge the unmatched spirit of this sound, influencing generations to come.
Tresor.27 is re-mastered and re-cut, releasing February 1st, 2019, on CD and 180g. 2LP vinyl. More
The ongoing importance of this album is indisputable, essential both to techno and to Tresor. It is a history intertwined. This work elevates its maker as master, and remain a cherished moment in the Tresor story, sharing an irrefutable singular magic, sounding as present and indispensable as when first created. To understand this work fully is to stand back and celebrate its impact. Originally released in 1994, 'Internal Empire' marks a point of transition for Robert Hood moving on from his previous collaborations within Underground Resistance. Robert Hood advanced uncovering the power of true minimalism. Deep soul through a simplicity that showed how much could be done with so little. The devastating rhythms of this album forge the unmatched spirit of this sound, influencing generations to come.
Tresor.27 is re-mastered and re-cut, releasing February 1st, 2019, on CD and 180g. 2LP vinyl. More
Label:Diggers Factory
Cat-No:BLKRTZ055
Release-Date:12.01.2024
Genre:Techno
Configuration:2LP Excl
Barcode:3760370268475
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Last in:18.01.2024
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Last in:18.01.2024
Label:Diggers Factory
Cat-No:BLKRTZ055
Release-Date:12.01.2024
Genre:Techno
Configuration:2LP Excl
Barcode:3760370268475
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Deadbeat - THE DOUBLE BONG CLOUD (DENIAL I)
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Deadbeat - STRAIGHT NO CHASER (DENIAL II)
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Deadbeat - TOUGH LOVE (ANGER I)
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Deadbeat - BRICK STICK BLICK BLADE (ANGER II)
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Deadbeat - HUEY LEWIS VOTERS DUB (NEGOTIATION)
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Deadbeat - THINGS FALL APART (DEPRESSION)
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Deadbeat - WITH GRAND TREPIDITION (ACCEPTANCE I)
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Deadbeat - MOUNTAINS FROM MOLE HILLS (ACCEPTANCE II)
Territory: World except France and Belgium
GENRE/S: Electronic / Techno / Dub
TRACKLISTS: 2 x LP
1
FACE A
1.
THE DOUBLE BONG CLOUD (DENIAL I)
07:29
2.
STRAIGHT NO CHASER (DENIAL II)
07:31
FACE B
1.
TOUGH LOVE (ANGER I)
07:22
2.
BRICK STICK BLICK BLADE (ANGER II)
07:35
2
FACE C
1.
HUEY LEWIS VOTERS DUB (NEGOTIATION)
07:29
2.
THINGS FALL APART (DEPRESSION)
08:00
FACE D
1.
WITH GRAND TREPIDITION (ACCEPTANCE I)
07:24
2.
MOUNTAINS FROM MOLE HILLS (ACCEPTANCE II)
07:30
SHORT INFO:
Over the past 24 years, Scott Monteith's Deadbeat project has spanned a dizzying array of musical references and genres, exploring everything from left-field reggae to downbeat experiments, purifying drone excursions and ambient noise, extranational percussion workouts, and hypnotic techno and house.
VITAL SALES POINTS:
In the last 24 years Scott Monteith's Deadbeat project has covered a dizzying array of musical references and genres, exploring everything from from left field reggae and downbeat experiments, purifying drone and ambient noise excursions, outer-national percussion work outs, and hypnotic techno and house.
On his first solo album in 5 years, Monteith offers up what is perhaps the most powerful, tightly dance floor focused album of his storied carrier, and a soul cleansing, poignant sound track to the fears and hardships of a world gone mad, entitled Kübler-Ross Soliloquies.
The Kübler-Ross model describes the five stages of grief: denial, anger, bargaining, depression and acceptance. A soliloquy is defined as an act of speaking one's thoughts aloud alone by oneself or regardless of any hearers.
Over the album's 8 tracks, Monteith explores each of these stages with a clear eyed focus and confidence that are a testament to his dual role as a kind, smiling musical selector and monkish technological nerd ball of the highest order.
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GENRE/S: Electronic / Techno / Dub
TRACKLISTS: 2 x LP
1
FACE A
1.
THE DOUBLE BONG CLOUD (DENIAL I)
07:29
2.
STRAIGHT NO CHASER (DENIAL II)
07:31
FACE B
1.
TOUGH LOVE (ANGER I)
07:22
2.
BRICK STICK BLICK BLADE (ANGER II)
07:35
2
FACE C
1.
HUEY LEWIS VOTERS DUB (NEGOTIATION)
07:29
2.
THINGS FALL APART (DEPRESSION)
08:00
FACE D
1.
WITH GRAND TREPIDITION (ACCEPTANCE I)
07:24
2.
MOUNTAINS FROM MOLE HILLS (ACCEPTANCE II)
07:30
SHORT INFO:
Over the past 24 years, Scott Monteith's Deadbeat project has spanned a dizzying array of musical references and genres, exploring everything from left-field reggae to downbeat experiments, purifying drone excursions and ambient noise, extranational percussion workouts, and hypnotic techno and house.
VITAL SALES POINTS:
In the last 24 years Scott Monteith's Deadbeat project has covered a dizzying array of musical references and genres, exploring everything from from left field reggae and downbeat experiments, purifying drone and ambient noise excursions, outer-national percussion work outs, and hypnotic techno and house.
On his first solo album in 5 years, Monteith offers up what is perhaps the most powerful, tightly dance floor focused album of his storied carrier, and a soul cleansing, poignant sound track to the fears and hardships of a world gone mad, entitled Kübler-Ross Soliloquies.
The Kübler-Ross model describes the five stages of grief: denial, anger, bargaining, depression and acceptance. A soliloquy is defined as an act of speaking one's thoughts aloud alone by oneself or regardless of any hearers.
Over the album's 8 tracks, Monteith explores each of these stages with a clear eyed focus and confidence that are a testament to his dual role as a kind, smiling musical selector and monkish technological nerd ball of the highest order.
More
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Last in:03.05.2024
Label:Housewax
Cat-No:HOUSEWAX034
Release-Date:05.04.2024
Genre:House
Configuration:12"
Barcode:
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Flabaire - Inwards
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Flabaire - Osez
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Flabaire - Suspended
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Flabaire - Revelation
RAWAX welcomes Flabaire to the artist family! We are very happy to present you his debut on our sublabel HOUSEWAX!
Housemusic at it's best from the DK.O label boss! More
Housemusic at it's best from the DK.O label boss! More
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Last in:18.12.2023
Label:Irenic
Cat-No:IRENICSPC002
Release-Date:17.11.2023
Genre:Techno
Configuration:12"
Barcode:
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Bas Amro - Chained
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Bas Amro - Nearing
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Bas Amro - Chained (Roger Gerressen Remix)
Repress!
IRENICSPC002 brings us two new tracks by Bas Amro, best known for his releases on Freerange Records and Wolfskuil Records. For this EP he takes an unusual straight-forward approach; ‘Chained’ is a driving dub track with beautiful chords, while ‘Nearing’ leans towards the deeper side of the techno spectrum. With both tracks being very suitable for the dancefloor, the b-side finds label boss Roger Gerressen changing pace, delivering a remix for the early hours. More
IRENICSPC002 brings us two new tracks by Bas Amro, best known for his releases on Freerange Records and Wolfskuil Records. For this EP he takes an unusual straight-forward approach; ‘Chained’ is a driving dub track with beautiful chords, while ‘Nearing’ leans towards the deeper side of the techno spectrum. With both tracks being very suitable for the dancefloor, the b-side finds label boss Roger Gerressen changing pace, delivering a remix for the early hours. More