Liberation Technologies continues the legacy of its parent label Mute in working with innovative artists, and encouraging experimental and challenging perspectives. For the label’s 10th release, US born, Berlin based Physical Therapy will see his inaugural release on the label. He takes a different tone to previous releases - with a hard hitting drum kit featuring heavily throughout the 6 tracks, aptly named ’Hit The Breaks’ explores a range of sounds within and beyond the realms of breakbeat.


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T C F is the moniker of Norwegian contemporary artist and experimental computer musician Lars Holdhus. His work explores themes of code, cryptography and privacy through the use of visual, sonic, built and written concepts. Often the titles and descriptions of his work are written in cyphertext, the key to which is hidden within the piece itself. His forthcoming release on Liberation Technologies will further this cryptographic theme, consisting of digital and physical content containing the necessary keys to unlock the full meaning of the work.




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Now a prominent feature of the London scene, Lukid presents a fresh EP on the always innovative Liberation Technologies. An impressive follow up to his 2012 full-length Lonely At The Top, the Crawlers EP serves up lo-fi, danceable electronics that elude genre. Consistent with previous releases on Actress’s Werkdiscs and Lukid's own Glum imprint, Crawlers intelligently breaks ground on undefined dancefloor territory.



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Following a slew of acclaimed releases on Left Blank and Tri Angle, as well an album with the much lauded Young Echo collective, Vessel debuts on the burgeoning Liberation Technologies imprint with three diverse cuts of inimitable off-kilter electronics. ‘Misery Is A Communicable Disease’ serves as a euphoric opener, primed for moments of escapism on or off the dancefloor with resonant hats and an exultant synth line laid bare upon a bed of gauzy pads and valve-warmed kicks. VMI is a different beast altogether, channeling the visceral spirit of minimal wave and punk aesthetic to create a sordid call to arms before the frenzied acid and lingering menace of ‘Not For Design’ closes the record in typically deranged fashion. More