Liberation Technologies continue to work with innovative artists and encourage experimental and challenging perspectives in modern electronic music, welcoming newcomer HEX with their latest release. Hex is comprised of London based artists Charlie Noon & Tom Field. Drawing influence from and exploring the outer realms of techno, experimental, rave and grime they breathe new energy into the dance floor. Their spacious sound design fuses unfamiliar sound elements and building waves of melody with blistering percussion and kinetic soundscape.


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Liberation Technologies continues the legacy of its parent label Mute in working with innovative artists, and encouraging experimental and challenging perspectives. For the label’s 10th release, US born, Berlin based Physical Therapy will see his inaugural release on the label. He takes a different tone to previous releases - with a hard hitting drum kit featuring heavily throughout the 6 tracks, aptly named ’Hit The Breaks’ explores a range of sounds within and beyond the realms of breakbeat.


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T C F is the moniker of Norwegian contemporary artist and experimental computer musician Lars Holdhus. His work explores themes of code, cryptography and privacy through the use of visual, sonic, built and written concepts. Often the titles and descriptions of his work are written in cyphertext, the key to which is hidden within the piece itself. His forthcoming release on Liberation Technologies will further this cryptographic theme, consisting of digital and physical content containing the necessary keys to unlock the full meaning of the work.




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Following a slew of acclaimed releases on Left Blank and Tri Angle, as well an album with the much lauded Young Echo collective, Vessel debuts on the burgeoning Liberation Technologies imprint with three diverse cuts of inimitable off-kilter electronics. ‘Misery Is A Communicable Disease’ serves as a euphoric opener, primed for moments of escapism on or off the dancefloor with resonant hats and an exultant synth line laid bare upon a bed of gauzy pads and valve-warmed kicks. VMI is a different beast altogether, channeling the visceral spirit of minimal wave and punk aesthetic to create a sordid call to arms before the frenzied acid and lingering menace of ‘Not For Design’ closes the record in typically deranged fashion. More