A1 - babeh babeh babeh babeh
A2 - beat u
B1 - vogue u
B2 - i’m in this (until I die)

Following a disco-fuelled release on Patrick Topping’s Trick, Spencer Parker gets back to his own Work Them Records imprint with an EP series entitled ‘New Works’. ‘New Works Volume One & Two’ sees the British born, Berlin-based DJ/producer let loose four tracks of the sort of driving house music he’s perfected over the course of his career.

‘babeh babeh babeh babeh’ opens the release with a huge New Jersey inspired beats/chords combo which steadily builds towards the titular chopped vocal refrain and teasingly used bass hook. Next up, Parker deploys deep, swirling pads atop classic 909 drums for ‘beat u’, creating the sort of stripped house dub that informed much of his early love affair with the genre.

On the flip, 'vogue u' sees chopped vocals at the forefront of the cut, paired with a booming, kick focussed rhythm track and staccato piano stabs that nod to the golden era of house while keeping eyes firmly on the dance floors of the future.

Closing out proceedings ‘im in this (until I die)’ shows Parker in some of his funkiest form to date, employing a huge, walking bass and mangled vocal loops with the sort of precision arrangement that is a trademark for producer.

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Spencer Parker returns to Rekids with looping techno roller ‘You’re Under My Control Now’ featuring remixes from Truncate, P.Leone, Fadi Mohem and label boss Radio Slave. Released on last year’s ‘Dance Music’ album via Parker’s own Work Them Records, ‘You’re Under My Control Now’ is an infectious and mesmerising techno banger that’s garnered support from the likes of Midland, Len Faki, Amelie Lens and Marcel Dettmann. One of the track’s biggest supporters, Radio Slave is now releasing it on Rekids with a medley of top tier remixes. Radio Slave’s reimagining scales back on the original’s high-octane energy, instead taking a more uplifting direction with an arpeggiated bassline, meandering synths and clattering percussion. A regular on Seilscheibenpfeiler (alongside artists like FJAAK, Solid Blake and Kasper Marott), Fadi Mohem is next with a dark and atmospheric rendition complete with driving kicks, subterranean chords and echoing effects before Truncate serves up his cavernous ‘Mind Control’ Remix which combines tantalising melodies with robust drums and murky vocals. E-Missions co-founder P.Leone and Radio Slave, having paired up for a remix of Deep Dimension last year, collaborate again here to provide a robust, compelling piece of house music littered with breathy samples and oscillating atmospheric

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The third of three samplers, comprised of selected tracks taken from Spencer Parker's new album, ‘Dance Music’ out via his own label Work Them Records.
“There was no real concept behind the album, all I knew is that I wanted to do something honest. The tracks I make are the tracks I play in my sets and tracks I want people to dance to - that’s where the title comes from.” - Spencer Parker.
'Cruising Control' hits you hard from the off with a melting pot of industrial kicks, shuffling hats and expansive stabs. Following in a similar vein 'Remember' carries that same aesthetic with the addition of some throwback keys and a hypnotic vocal sample.
On the flip 'Cash Only' keeps on the Berlin techno tip that has been a common theme running through the LP, combining a ruthless, fist pumping beat with wobbly, mesmerising synthwork, sure to get the bodies moving.
To close out the last of the samplers, Parker conjures up those insular moments caught alone in the crowd, with nothing but the music to focus on. And with that provides the perfect tone to end this "Dance Music" sampler on, an LP Parker has created with the intention of making people dance firmly at the forefront of his mind.

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The second of three samplers, comprised of selected tracks taken from Spencer Parker's new album, ‘Dance Music’ out via his own label Work Them Records.
“There was no real concept behind the album, all I knew is that I wanted to do something honest. The tracks I make are the tracks I play in my sets and tracks I want people to dance to - that’s where the title comes from.” – Spencer Parker.
Part Two of the sampler opens with the uncompromising club cut & rave inspired 'The Power. Next up, the stuttering ‘Nights And Weekends’ is a nod to electro that has boundless energy & really shows off the respected DJ and producer's diverse production skills.
Kicking off the B side, ‘Girl...' takes in the old school European techno sound relentless in its arrangement & firmly aimed at big dark spaces.
The melodic ‘Emotional Tendencies’ closes out the second of Parker’s ‘Dance Music’ offering an introspective and deep side to the LP and highlights another facet of Parker's productions.


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The first of three samplers, comprised of selected tracks taken from Spencer Parker's new album, ‘Dance Music’ out via his own label Work Them Records.
“There was no real concept behind the album, all I knew is that I wanted to do something honest. The tracks I make are the tracks I play in my sets and tracks I want people to dance to - that’s where the title comes from.” – Spencer Parker.
Part One of the sampler opens with ‘It Was Just A Dream’, a ghostly cauldron of glitches, bleeps and sound bites that locks you into a dazed state of hypnosis. Next up, ‘The Oh’ hits with a taste of classic house, marrying emotive stabs, a tough kick and fizzing ride cymbals.
On the B side, ‘You’re Under My Control Now’ takes the sound industrial combining a Kraftwerk-esque metronomic breath with rapid fire toms and a dynamic kick. ‘Absolutely Raving’ closes out the first of Parker’s ‘Dance Music’ samplers offering a rave leaning techno weapon that wouldn’t be out of place in the hallowed grounds of Berghain.


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Spencer Parker readies the third and final remix package of 'Different Shapes And Sizes' this April featuring remixes from Radio Slave, Italojohnson and Nic Fanciulli

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Rising Sun, DJ Fett Burger (as Fett Birger) and Tijana T grace the second remix package of Spencer Parker’s ‘Different Shapes and Sizes’ series on Work Them Records this February.


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'Different Shapes & Sizes' is a new, 3 part series of EPs from Berlin resident Spencer Parker forthcoming on his Work Them Records imprint over the next few months. Conceived as a neat way of showcasing Parker's love for different shades of house and techno, 'Different Shapes & Sizes' takes a walk through the Rekids artist's love for the subtle differences in the genres he tends to focus on most in his sets. London-born Parker has been in fine fettle this past few years with his It's Not Over project riding high while Work Them Records has been lauded for tracks and remixes from the likes of Radio Slave, Rodhad, Pittsburgh Track Authority,
Young Male and Dan Beaumont.

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'Different Shapes & Sizes' is a new, 3 part series of EPs from Berlin resident Spencer Parker forthcoming on his Work Them Records imprint over the next few months. Conceived as a neat way of showcasing Parker's love for different shades of house and techno, 'Different Shapes & Sizes' takes a walk through the Rekids artist's love for the subtle differences in the genres he tends to focus on most in his sets. London-born Parker has been in fine fettle this past few years with his It's Not Over project riding high while Work Them Records has been lauded for tracks and remixes from the likes of Radio Slave, Rodhad, Pittsburgh Track Authority,
Young Male and Dan Beaumont.

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'Different Shapes & Sizes' is a new, 3 part series of EPs from Berlin resident Spencer Parker forthcoming on his Work Them Records imprint over the next few months. Conceived as a neat way of showcasing Parker's love for different shades of house and techno, 'Different Shapes & Sizes' takes a walk through the Rekids artist's love for the subtle differences in the genres he tends to focus on most in his sets. London-born Parker has been in fine fettle this past few years with his It's Not Over project riding high while Work Them Records has been lauded for tracks and remixes from the likes of Radio Slave, Rodhad, Pittsburgh Track Authority,
Young Male and Dan Beaumont.

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Spencer Parker & Rekids are back together at last, with the Work Them Records boss returning to the label with his first EP of original material since 2011’s ‘I Think I Love You’. ‘No More Silly Club Songs Vol.1’ finds Parker at his playful best; melding together all the elements that give his DJ sets such boundless energy. All four tracks are made purely for where Spencer Parker does his best work: the dancefloor. “This EP is simply a collection of tracks I made around 18 months ago for my own sets. No concept, no bullshit, just some tracks to WORK the club.” - Spencer Parker

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New mixes of Spencer Parker's latest ep, featuring tough techno from Young Male and Adriana Lopez and straight up madness from the one and only Mr Ties…

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Dino Lenny debuts on Rekids with the ‘Not About The Volume’ single. The bona fide legend arrives backed with a remix from Rekids regular Tiger Stripes. Dino Lenny debuts on Radio Slave’s Rekids with ‘Not About The Volume’ on 5th December 2025 alongside a remix from label regular Tiger Stripes. Active for over three decades, Italian/UK DJ, producer, singer, and Fine Human Records label owner Dino Lenny has released on R&S, Diynamic, Innervisions, and Bedrock, while working with artists such as Underworld, Missy Elliott, Wu-Tang Clan, and Madonna on remixes and collaborations. Since 2021, he’s hosted Tomorrowland’s Core, the festival’s alternative electronic stage's radio show, which has featured Nina Kraviz, Ellen Allien, DJ Tennis, and more. Lenny’s ‘Not About The Volume’ boasts a loopy groove that forms the base for impactful, jazz-infl ected hits, and at the centre, a quirky, party-starting vocal that’s sure to cement itself in the minds of the dancefl oor. Tiger Stripes reworks ‘Not About The Volume’ with a fresh new bassline, quicker drums, and amplifi ed synth elements for a more hypnotic take on yet another Rekids anthem.

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German House artist Oliver Dollar announces his ‘Contemporary’ LP on Rekids, arriving 21st November 2025. Since 2024, he has released four EPs on Radio Slave’s label, featuring collaborations with over a dozen artists and singer-songwriters, supported by the likes of Dam Swindle, Louie Vega, Honey Dijon, Hunee, Kai Alce, and more.Since 2011, Industry Standard label boss Oliver Dollar has become a trusted name in House music, he was one of the leading proponents of its Fidget subgenre in Berlin at the height of its popularity, propelling him towards releases on labels such as Snatch!, Classic Music Company, and Defected, alongside a reputation as a formidable collaborator that’s worked with the likes of Crazy P, Mousse T, and Todd Edwards. For the ‘Contemporary’ LP, he doubles down on this spirit of partnership, bringing together a transatlantic cast of friends and peers, linking Berlin and Detroit through a shared House vision. The album begins with ‘The New Is Here’, where Oliver Dollar teams up with Nils Ohrman for a soulful sermon that sets the tone with warmth and gravity, which was previously reimagined into a club-focused dub for ‘Contemporary Part Four’. From there, the mood shifts into ‘Downtown’ with Phil WZK, a deep, Jazz-in?ected groove underpinned by a spoken monologue that feels both intimate and eternal Vocalists like APROPOS, Boog Brown, and Billy Love then bring soul and gospel ?re, while producers including ADMN, Seven Davis Jr., Harvard Bass, Brillstein, and Austin Ato shape grooves that range from Disco-tinged uplift to deep, dubby hypnotism. Rather than a showcase of features, the album ?ows as one uni?ed statement, a celebration of community, connection, and the timeless energy of House music. Founded in 2006, Radio Slave’s Rekids has since launched the Techno-focused Rekids Special Projects in 2017 and its latest sublabel, REK’D, in 2024. With Matt Edwards as the sole A&R, Rekids has been instrumental in developing emerging artists and remains a trusted home for House and adjacent sounds, recently featuring names such as Hilit Kolet, Tal Fussman, Frankey & Sandrino, Mathias Kaden, Huxley, and many more. Oliver Dollar’s ‘Contemporary’ LP on Rekids is a genuine team e?ort, bringing together some of the brightest voices and producers for a masterpiece that seamlessly blends modern and classic House, Dub, and Disco.



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Berlin’s Tal Fussman returns to Rekids with the ‘Walking on Mars’ EP, releasing 7th November 2025. It follows the Survival Tactics boss’ recent album on Binh’s Time Passages, as well as his ‘De?nition’ (2024) and ‘I Feel’ (2025) EPs on Rekids, with Fussman’s fresh spin on classic House and Techno winning support from the likes of Raresh, Cromby, DVS1, Saoirse, Carista, Honey Dijon, and many more. The ‘Walking on Mars’ EP opens with ‘Crystallized’, a cavernous cut exclusive to 12”, where Tal Fussman pares back his signature percussive style in favour of a rolling groove set against a deep, atmospheric backdrop. ‘Who’s Who?’ follows, its wild sequences and skewed drumlines colliding in restless motion. The title track, ‘Walking on Mars’, drives forward on hard-hitting drums that gradually unfold into a soulful house melody, setting the stage for ‘Knowledge < Machine’, a razor-sharp electro ?nale of snaking synths and an apt robotic vocal. Fussman’s versatility shines throughout, with the EP already winning support from Antal, Rene Wise, Marcel Dettmann, and Fred P. Founded in 2006, Radio Slave’s Rekids has since launched the Techno-focused Rekids Special Projects in 2017 and its latest sublabel, REK’D, in 2024. With Matt Edwards as the sole A&R, Rekids has been instrumental in developing emerging artists and remains a trusted home for House and adjacent sounds, recently featuring names such as Hilit Kolet, Frankey & Sandrino, Mathias Kaden, Huxley, and many more.

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Harry Romero and Samaran remix Radio Slave and Kameelah Waheed’s ‘All Rize’ on Rekids It follows the release of the original single in May 2025, arriving this October. NYC House legend Harry Romero and respected Paris DJ, producer, and sound designer Samaran step up to remix Radio Slave and Kameelah Waheed’s ‘All Rize’, arriving via the label 24th October 2025. Originally released in May ‘25, ‘All Rize’ was dubbed a ‘perfect moment’ tune by Mano Le Tough, with support from the likes of Bradley Zero, Call Super, Sean Johnston, and more. “Glad to be working a lot closer with Radio Slave on his label and projects. It’s just one of those brands that put out quality. So before I even heard what I was asked to remix for Matt, my answer was yes. My idea was to put a completely di?erent twist on the original and make a new version that was peak time. So glad I took a chance!” - Harry Romero. “I wanted to create a darker club vibe for All Rize, adding another bassline, just keeping the vocal elements that have a strong character and some percussion to keep some organic groove to it. The idea was to keepa minimal idea as the original and make it Rize for darker clubs.” – Samaran

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London artist CASSIMM returns to Rekids with ‘I’ll Take You There’, landing 26th September 2025. It follows his recent remixes for label boss Radio Slave and his 2024 ‘House of Moves’ EP on the imprint, which won support from the likes of Paul Woolford, Dam Swindle, Hannah Holland, and Laurent Garnier. CASSIMM’s 'I’ll Take You There' is a chunky House cut with powerful bass and rolling drums, joined by ?lters which build the vibe while a diva vocal rings out with raw emotion. It's a perfect mix of gritty production and infectious rhythm that lights up the ?oor with pure underground credentials, while the club mix of ‘I’ll Take You There’ hypnotises with a loopy feel and toughed-up groove. Over the last decade, CASSIMM has amassed a massive following via a slew of chart-topping releases on labels like Defected, King Street, and Rekids. His best-selling, party-ready, and radio-friendly music earns consistent support across the globe, backed by BBC Radio 1 and artists like Honey Dijon, Nic Fanciulli, and many more.

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Frankey & Sandrino come back to Rekids with the ‘Please’ EP, landing 10th October 2025 alongside a remix from Echonomist. They follow their 2022 ‘Brainscan’ EP on Radio Slave’s label, as well as a remix for Denney in 2023. With an irresistible bassline, smooth melody, and a nostalgia-fuelled vocal, ‘Please’ is the kind of track you hear as you walk into a busy tent at a festival, hands in the air, energy abundant. Frankey & Sandrino are masters at crafting emotional dance?oor bangers, going a little deeper on the progressive ‘Genie’, building up to busy stabs and mind-melting, futuristic sound design. Completing the EP, the pair call in Greek DJ and producer Echonomist to remix ‘Please’. The Innervisions and Exit Strategy artist strips the original back, transforming it into a dark, hypnotic groover built for smoke-lit dance ?oors. Frankey & Sandrino are a German duo that has been shaping dance ?oors since 2009 with their distinct, trend-defying sound. With releases on Kompakt, Diynamic, and their own Sum Over Histories, and regular appearances at clubs like fabric and Stereo, they now return to Rekids with the ‘Please’ EP.Founded in 2006, Radio Slave’s Rekids has since launched the Techno-focused Rekids Special Projects in 2017 and its latest sublabel, REK’D, in 2024. With Matt Edwards as the sole A&R, Rekids has been instrumental in developing emerging artists and remains a trusted home for House and adjacent sounds, recently featuring names such as Harry Romero, Tal Fussman, Tiger Striipes, William Kiss, Oliver Dollar, The Hacker, and more.

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Oliver Dollar presents part four of his Contemporary series on Rekids. The EP precedes his upcoming album on the label, enlisting Seven ‘Sev’ Davis Jr. and Nils Ohrmann, alongside dub reinterpretations by La Boix and Sev. Germany’s Oliver Dollar returns to Radio Slave’s Rekids with Contemporary Part Four, Parts one through three featured collaborations with Austin Ato, Brillstein, Harvard Bass, Hazmat Live, Boogs, and many more, winning support from the likes of Nightmares on Wax, Anja Schneider, Laurent Garnier, Carista, Jennifer Cardini, Dam Swindle, and others. For this next chapter of Oliver Dollar’s ‘Contemporary’, elements of Dub serve as the unifying thread, opening part four with ‘Speakers Bleed’, a jazz-in?ected House cut from Oliver and Classic Music Company and Ninja Tune artist Seven ‘Sev’ Davis Jr. Hypnotic vocals swirl through deep, groove-laden rhythms, setting the tone for the EP’s ?uid, atmospheric feel before Oliver reunites with Golden Gate club resident and long-time collaborator Nils Ohrmann for the Hallelujah Dub of ‘The New Is Here’. The track features the soulful voice of Detroit songwriter and Contemporary series regular APROPOS while gospel-tinged background vocals and rich textures sit over an infectious percussive rhythm. On the ?ip, Oliver Dollar & Brillstein’s ‘Pill Popper’ from Contemporary Part Two is reworked by La Boix, the duo of LA”s Thee Mike B (aka Brillstein) and producer Salva, whose credits include work with RL Grime, Kurupt, E-40, and the Grammy-nominated album of ScHoolboy Q, as well as remixes for Rihanna, Boys Noize and Nelly Furtado. Their version is a late-night, low-slung trip, with echoing keys and vocals drifting through deep basslines. Closing the EP, Seven Davis Jr. returns for a dub of ‘Before You’, Oliver’s collaboration with ADMN from Contemporary Part One. Retaining APROPOS’ heartfelt vocal from the original, Sev layers bright, soul-drenched synths over rolling drums, delivering an irresistible, feel-good ?nale.

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Hilit Kolet and The Illustrious Blacks team up for the ‘Transatlantic Kiki’ EP. Dropping on Rekids late August, the package is remixed by Floorplan. London-based artist Hilit Kolet returns to Rekids, collaborating with New York’s The Illustrous Blacks, the project formed by Manchildblack and Monstah Black, for the ‘Transatlantic Kiki’ EP, landing 29th August 2025 via Radio Slave’s Rekids. Legendary father-daughter duo Floorplan remix the single, with the release following up Kolet’s 2024 ‘Snap Talk’ EP, which won support from artists like Dam Swindle, Chloé Caillet, Bradley Zero, and more. With lyrics that connect London and New York, ‘Transatlantic Kiki’ is a tough, funk-fueled roller true to Hilit Kolet’s signature production style, infused with an unmatchable personality via The Illustrous Blacks’ playful, vogue-like vocals. It’s hypnotic, bold, and irresistible, with the pair supplying a loopy ‘First Class’ mix that introduces vocal elements not featured in the original, amplifying the track’s qualities to hit even harder, and works the dancefloor into a sweat. Robert and Lyric Hood, known together as Floorplan, remix Hilit Kolet & The Illustrous Blacks’ ‘Transatlantic Kiki’. Equally infectious as the original, they transform its rhythm into a drummy late-night cut. Stabs and vocal chops ride the groove, culminating in a proper lose-yourself-in-the-dance House cut that also comes with an instrumental version. London’s Hilit Kolet came up through the former Soho Black Market Records shop, and has since become synonymous with the city’s House scene via releases on Defected, Snatch!, Domino, and Rekids, with a #1 debut on Music Week’s Upfront Club Chart and support from BBC Radio 1, Jamie Jones, HAAi, Skream, and more. NYC duo The Illustrious Blacks, comprising Manchildblack and Monstah Black, blend Afro-Electro, Funk, Disco, and House across releases on Soul Clap, Classic Music Company, and Defected, as well as collaborations with artists such as Osunlade, DJ Minx, Seven Davis Jr., and David Morales.

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Huxley debuts on Rekids with the ‘MIND G%MES’ EP. UK DJ, producer, and Dumb Safari label head Huxley joins Radio Slave’s Rekids for the first time with the ‘MIND G%MES’ EP, dropping 25th July 2025. The first track, ‘M%ND’, kicks off with woozy and alluring pads swirling round a cuddly but kicking Deep House groove. Soulful vocals and delicate, cosmic melodies rise out of the mix to bring it to a close in style. 'CLUB SH%T' ups the ante with zippy synths injecting some texture to slamming drums that straddle the House and Techno divide, while wispy stabs and warm daubs of sound dance around the cowbells to make this an evaluated late-night tool. 'FEAR N%THING' is a new school cut, with fi ltered loops, sugary chords, and pent-up energy all surging through the dance fl oor. Last but not least is 'ANY1', a sleazy House pumper featuring moody spoken word, a big, rubbery bassline, and slinky, Garage-infl uenced percussion. Active in the underground music scene for two decades, former Rinse resident and sometime Aus, Shall Not Fade and Unknown To The Unknown artist has had one hell of a career. From huge breakthrough tracks like ‘Let it Go’ on Hypercolour and ‘Box Clever’ on 20:20 Vision to his 2014 ‘Blurred’ LP on Aus, he’s seen universal critical acclaim as well as massive support from DJs and dancefloors globally. In recent years, his Dumb Safari label, the online community R Trybe (co-founded by Ramin Rezaie/BAKKIS) and collaborations with Steve Bug are just a handful of his projects, while his ‘MIND G%MES’ EP for Rekids is already feeding the fi re with support from Jen Cardini, Cromby, I.Jordan, Jennifer Loveless and big room dons, Michael Bibi and Solomun.

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Nathalie Duchene & Radio Slave team up for summer anthem ‘We Are Youth’. CASSIMM remixes the track. The Belgium-born, Paris-based Nathalie Duchene joins Radio Slave’s Rekids via a collaboration with the label boss himself. ‘We Are Youth’ lands 11th July 2025 and includes a remix from CASSIMM. Embodying the spirit of summer with glistening piano keys, vibrant strings, and a snazzy bassline, Nathalie Duchene & Radio Slave's ‘We Are Youth’ brims with feeling. The vocal, sung by Radio Slave’s daughter, adds a layer of innocent nostalgia that clings to joyful memories. Rekids regular CASSIMM steps in for a remix, upping the tempo and flipping the track into a disco infused House cut. Founded in 2006, Radio Slave’s Rekids has since launched the Techno-focused Rekids Special Projects in 2017 and its latest sublabel, REK’D, in 2024. With Matt Edwards as the sole A&R, Rekids has been instrumental in developing emerging artists and remains a trusted home for House and adjacent sounds, recently featuring names such as Tiger Stripes, Tal Fussman, Oliver Dollar, The Hacker, and more.

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Sweden’s Tiger Stripes returns to Rekids with the ‘Dance For Peace’ EP, following on from February’s ‘All Night Long’ and 2024’s ‘I Heard It Through The Bassline’ EPs. Across four warm and funk-fuelled cuts, he delivers another essential selection of House grooves primed for peak-time moments and deep, late-night sessions alike, already supported by Oliver Dollar, Riva Starr, Anja Schneider, and more. The opening track, ‘Time For Peace,’ is a brilliantly loopy roller, featuring bouncy drums, muted synth motifs, and a vocal swirl of soulful cries that ramp up the energy. It’s a stylish tension-builder, paving the way for ‘Rockin’, a chunky jam with funky melodic riffs buried in the beat and wordless ad libs teasing out the soul. ‘The Street’ keeps the vibe flowing with swinging drums, knotted guitar licks, and subtly filtered vocals worked into a steamy, party-starting groove. Closing things out is ‘A Dance’, a deeper cut drenched in lush chords and hazy vocals—perfect for blissed-out dancefloor moments. Founder of the Strange Idols label, Tiger Stripes has spent over two decades forging his own path with standout releases on Hot Creations, Get Physical, Kwench Records, and Rekids. After stepping back to focus on his indie-rock project Little Lies, he made a full return in 2024 and quickly recaptured the form that’s made him an international favourite.

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Wh0 arrives on Rekids with ‘Girls & Boys’. The Grammy-nominated producer’s next single comes with a remix from Catz ‘n Dogz.Wh0 lands on Radio Slave’s Rekids with new single, 'Girls & Boys', out 13th June 2025. A full-throttle piano jam, the track distils a range of House styles into one expressive, infectious, modern-day classic. Powered by a raw, rolling bassline and loopy chords, it brings unrelenting energy built to raise hands in the air all summer long.Polish duo Catz ‘n Dogz step up on remix duties with a chunky dub mix. Stripping things back, they reimagine the original into a thudding Techno cut, complete with eerie vocal chops and a deliciously deep, driving groove.Formerly a member of legendary House duo The Rhythm Masters, Wh0 has since made his mark as a solo act with sold-out shows at places like Printworks, XOYO and Fabric. The Wh0 Plays and Wh0 Worx label boss boasts production credits for artists like Ten City, Royksopp and Idris Elba and collaborations with the likes of David Penn, David Morales and Nile Rodgers, with his work often topping digital charts and his Spotify clocking up more than a million streams a month.Radio Slave’s Rekids was founded in 2006 and has since spawned successful off shoots with the Techno-focused Rekids Special Projects in 2017 and its newest sublabel, REK’D, in 2024. With Matt Edwards as the sole A&R, Rekids has been crucial in developing early artist careers and has become a haven for established acts operating in House and adjacent genres, having recently featured the likes of Harry Romero, Tal Fussman, Spencer Parker, The Hacker, and many more.

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Radio Slave teams up with Kameelah Waheed for ‘All Rize’ It’s Matt Edwards’ first single on his Rekids label this year, and comes with an additional Revolution Mix. Radio Slave returns to his seminal Rekids imprint with ‘All Rize’, his first single for the label in 2025, landing in May and featuring a vocal from Kameelah Waheed. The track, which continues Matt Edwards’ tendency to favour longer runtimes, builds the pressure through its excellently looping and evolving elements. Waheed, a returning featured artist on Rekids with credits on tracks for Terry Farley and Wade Teo, as well as Hilit Kolet, provides an anchor for the journey, leading the dancefloor through a series of instructions with her inimitable voice. Edwards’ Revolution Mix of ‘All Rise’ then takes a more soulful approach with jazz-inflected guitar riffs and impassioned bass, completing another must-have package from the unstoppable Radio Slave. Radio Slave’s Rekids was founded in 2006 and has since spawned successful offshoots with the Techno-focused Rekids Special Projects in 2017 and its newest sublabel, REK’D, in 2024. With Matt Edwards as the sole A&R, Rekids has been crucial in developing early artist careers and has become a haven for established acts operating in House and adjacent genres, having recently featured the likes of Harry Romero, Tal Fussman, Tiger Stripes, Spencer Parker, The Hacker, and many more

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Danny Howells debuts on Rekids with the ‘Throb’ EP. The legendary DJ’s DJ first EP for Radio Slave’s imprint sees him pair with keyboard player Elliott Herrington. Howells, a quietly revered figure in house music since the mid ‘90s, delves deep across the ‘Throb’ EP, which celebrates subtle drum programming, otherworldly keys and soundscapes throughout. The cossetting warmth of ‘Throb’, a track which tips the smallest of nods to Danny’s role in the heyday of progressive house, was born out of a late-night studio session - long forgotten about and then rediscovered, re-appraised, as so many great tracks are. ‘Thrunk’, another supremely heady cut, follows and sees keys slide around the mix, modulated and tweaked just enough to create a constant feeling of movement without losing balance, firmly rooted by a bassline that Howells, contrary to his usual practice, wrote first. Danny Howells is a darling of British dance music. Emerging in the late 1990s with the likes of the era-defining Jackpot Records, his journey in dance music has always been about music, which has seen him eschew frantic touring and production schedules in favour of doing what he loves. Famous, for those in the know, as Cassy’s favourite DJ, Howell’s deft touch and subtlety as a DJ and Producer are evident in spades on ‘Throb’

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Kiko Navarro & Pere Navarro land on Radio Slave’s Rekids with their ?rst-ever EP, ‘Les Cousins’. Their debut release counts three tracks, merging infectious House grooves with Pere’s Jazz-in?ected trumpet solos for a stylish EP rooted in classic sounds, yet with a distinct modern edge to it. Both hailing from the Balearic Islands, Kiko, a seasoned DJ and producer from Mallorca with music on King Street Sounds, Pacha Recordings, Shall Not Fade and more, and Pere, a multi-instrumentalist, composer and producer from Ibiza. Despite sharing a last name, the pair are not related, meeting for the ?rst time at a private party where Pere spontaneously joined Kiko’s DJ set on trumpet, after which their partnership continued when Kiko invited Pere to record a trumpet solo for a Louie Vega remix, leading up to the creation of their debut ‘Les Cousins’ EP, landing on Rekids this May.

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Matias Aguayo drops debut single on Rekids‘El Internet’ is a prelude to the Coméme founder’ upcoming album on the label. Chile’s Matias Aguayo debuts on Rekids with ‘El Internet’, the ?rst single of his upcoming album on Radio Slave’s acclaimed label. Coméme co-founder Aguayo’s ‘El Internet’ is a dance?oor-tested, pumping and uptempo track with personal, intimate vocals phoning in. “El Internet” tells about walking through the city in hot summer nights looking for the perfect dance?oor and about moments in life where you feel (musical) freedom and change, revolutions in music and dreams in community, about YouTube, MySpace, Fotolog and about people who dance in their houses, yards and on the streets to primitive, raw, and direct music (like the rhythm of the track itself).” - Matias Aguayo . Chilean-born musician and DJ Matias Aguayo has been active for three decades, co-founding the Cómeme label in 2009 and releasing work on the likes of Kompakt, Pschent, Hard Fist, and Permanent Vacation. Beyond music, he has organised underground parties and led social projects, including a theatre production at Le Châtelet in Paris.

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Oliver Dollar presents Contemporary Part Three on Rekids The third instalment features collaborations with Ben Silver, Boogs, and Hazmat, and features Apropos and Boog Brown. Berlin’s Oliver Dollar unveils part three of his ‘Contemporary’ series, releasing on Radio Slave’s Rekids 4th April 2025 and following up last year’s parts one and two, which featured the likes of Harvard Bass, Brillstein, ADMN, and Austin Ato, and won support from the likes of Nightmares On Wax, Anja Schneider, Laurent Garnier, Carista, Jennifer Cardini, Dam Swindle, and more. Part three of Contemporary sees Oliver Dollar invite another cast of hotly tipped collaborators, kicking offthe EP with Melbourne DJ and producers Ben Silver and Boogs - both resident DJs at Revolver Upstairs - for ‘Cosmic Weapon’. Their track features lush, poignant chords underpinned by a rolling groove, with vocal samples warped, chopped, and sliced above for a mind-melting trip. Up next, ‘What Cha’ Gonna Do?’ sees Dollar team up with Apropos, whose inimitable voice previously featured on ‘Contemporary Part One’, and talented Detroit vocalist and Dilla’s Delights’ Boog Brown for a soulful duet. Last up is another Motor City link-up featuring Hazmat Live on production alongside Oliver Dollar for the infectious House energy of ‘Ought To Be Love’, joined by the earworm vocals of Members of the House front vocalist William Beaver, aka Billy Love, known for his work bringing Motown-style gospel vocals to Techno and House with notable Detroit artists like JeffMills, Theo Parrish, Moodymann, Kevin Saunderson, and many more. Closing out the ‘I Feel’ EP, Tal Fussman works with fellow producer 8-AN to drop the dream-like strings of ‘Life Itself’, another deep track that is as club-ready as it is introspective.

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