More relentess hard hitters from the Exaltics for the RRR imprint. Alden Tyrell & Serge sign up for a remix, ORX pops up from 2 meters below sealevel.

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Big electro remix package featuring ADULT., Arpanet, Gesloten Cirkel and K1 on Solar One Music for the Exaltics. A nice divers package on colored vinyl with strong remix jobs by some established names. K1 aka Keith Tucker being one of the pioneers of Detroit Electro and Techno, followed by fellow Detroit artists Adult. & Arpanet, and a very solid remix by Gesloten Cirkel. All winners on this package! Recommended.

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Hard hitting analog and Warehouse friendly Techno & Acid tracks from The Exaltics.

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Limited reissue of the classic Exaltics 2011 release on Creme Eclipse aka The Living Planet. Housed in a full sleeve with fantastic previously unreleased artwork by Godspill. Dont miss this masterclass in brooding and dark electronix tech-fi. It may sound scary at first but lucky for you it all ends in a crop circle rave!

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Clone Records releases the new sci-fi electro-techno album by The Exaltics. Its the 3rd album project for Clone Records after the 2014 "Some Other Place" and critically acclaimed 2019 album "2 Worlds". The Exaltics deliver an album full of futuristic modern techno tracks with beautiful distant atmospheres, alienating techno tracks and energetic robotic electro beats and a critical view on the current state of affairs on our home planet.

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The Exaltics need no further introduction.. operating since 15 years now and become one of the stalwarts of the international underground electro scene. Robert Witschakowski-Jockel founded the project The Exaltics in 2006 as well as the electro/ techno label SolarOneMusic with his long term friend Nico Jagiella. Since then he published countless 12"s and several LP's with labels like Clone, Creme Organization, Bunker or his own label SolarOneMusic and worked during that time with outstanding artists like Drexciya's Gerald Donald, Helena Hauff or the legendary Martin Gore from Depeche Mode. He turned his deep cinematic and most of all charismatic electro into his own trademark. The collection contains 13 Tracks recorded between 2009-2019 including tracks from long out stock titles first time on vinyl. Probably the best overview over the world of The Exaltics.

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Repress!
The Exaltics make their debut on Clone Westcoast Series. This the first volume in a triptych of their stark, futuristic sound yet showing a more melancholic and introspective side this time. You can almost hear the longing for other places.

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Repress!
Third and final part in The Exaltics' Some Other Place tryptich for Clone West Coast Series.



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Repress!

Volume 2 of the Exaltics triptych for Clone West Coast series.

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Repress!
1 8000 MILES DEEP (D.I.E. REMIX)
2 ANOTHER WORLD UNDERNEATH (ANIMISTIC BELIEFS REMIX)
3 SKYWAY CHASE (LEGOWELT REMIX)
4 ITS NOT WHAT IT SEEMS LIKE (THE EXALTICS INFILTRATION MIX)

A heavyweight remix compilation of tracks from The Exaltics' "2 Worlds" album. Detroit In Effect reworks "8000 Miles Deep" in true Motorcity style. Animistic Beliefs turn their hand on "Another World Underneath" in their signature analog style. Legowelt turns "Skyway Chase" in to a true westcoast stomper. The EP is rounded of with a new track from The Exaltics.

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2021 repress! Robotic, atmosferic, dark electrotechno as we have come to expect from The Exaltics. Reminiscent of old B12, Transmat and Dopplereffekt releases.

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2021 repress! Robotic, atmosferic, dark electrotechno as we have come to expect from The Exaltics. This time with harder, more acidic tracks compared to part 1.

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Shipwrec continues to carve out its own sonic universe with this new EP from a mysterious Detroit outfit, The Valley And The Mountain (aka TVTM). The identities behind TVTM remain unknown, but they have released on Belgium's cult label WeMe and in 2013 surfaced with their Assembly Required EP. Across five cuts here they explore crunchy, richly musical ambient, electro and slo-mo techno. First is 'Uncharted Systems', a slow and meandering cut full of atmosphere and metallic synths. Acid lines, lazy claps and smeared pads all add to the sense of drama and its fair to say this is a hugely unique sounding track. 'Detxploit' then picks up the pace with tough arps, chattering clap and filtered vocal musings that walkabout Detroit as the tension builds and the electro vibes grow stronger. 'Chasing Magnetic Particles' is then a beatless, abstract bit of futuristic synth work with twinkles, breaking wave like sounds, pained lines and undulating modulations all stretching out for the duration. 'Rockfall' is a serene and bittersweet affair with crunchy drums, poignant, cutting chords and gurgling synths; a rusty coloured soundscape that makes you feel and think as much as dance. Lastly, 'Outer Reaches' is a downbeat brew of slapping drums and apocalyptic dark disco moods that, like the EP overall, is woozy and intoxicating.



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Felix Lenferink has graced labels like Fourth Wave, Triphouse and Wolf Music with his electronic wizardry under monikers like Frits Wentink. 2012 saw Lenferink debut on Shipwrec, this dynamic artist delivering skewed bass and raucous beats in the form of the Forlane EP. Lenferink returns to his homeland label with new instalment, Forlane II. Whirring machine funk pours from speakers, Lenferink melting samples with pulsing drum patterns. Melodies arc and fade, harmonies quaking under condensed bassline. This swift soundweaver dissolves genres, splicing broken beats with echoed electronic memories. Shifting sonic sands and divergent textures. Comes with a full-colour doublesided poster and a download code for this EP + bonus track that is exclusive to the vinyl.

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Time for homegrown talent, one of the godfathers of Dutch Techno and a true electronic music pioneer: Maarten van der Vleuten. This trailblazer has appeared on classic labels like R&S, Djax Up Beats and his own Signum Recordings, to name but a few, with his brand of machine music. Returning to Shipwrec, MVDV serves up his own recipe for Electro in the form of the ‘Internaut EP’. The title piece takes the rhythmic mould of the 808 but shifts the floorboards with industrial soundscapes and UK Techno sidesteps framing. A morphing and melting piece of otherworldly Electronics, over ten minutes of shifting synthsizer sands. “Holographic Inserts” lands with terse clips and pulsing basslines before a rumbling analogue chord breaks the surface. Warbling bulwarks of space meet clinical lines in an immense track of expansive proportions. An epic of atmospheric, sinister and sharp sounds; a style p ushing t he boundaries of Electro. The first 150 copies are pressed on coloured/marbled vinyl. Comes in a silkscreen printed pvc sleeve.



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After the Cosmic Awakening Ep by DMX Krew on Shipwrec, Breakin's label boss returns under his EDMX moniker, this time to stir up business with some analog 303 mayhem. Four tracks of proper hardcore raving acid! Without any compromise 153 Mission Ep smacks you in the face with a force not many possess these days. A very effective dancefloor smasher for the late hours.



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Felix Lenferink, one of the many aliases of the prolific Steve Mensink, operates on the highly fertile intersection where House meets Bass music. With this EP he's not only blending these two genres, but taking them to another level as well. In three tracks we are being treated to fresh broken drum rhythms, lush harmonics, intricate atmospheres of sound and sexy female vocals. Top-notch production skills again by Felix Lenferink, after successful releases on Rotterdam’s Triphouse (as Frits Wentink), Fourth Wave (sublabel of Ramp) and Lomechanik (as Urkelle). Limited to 200 copys including amazing doublesided poster + download code. Tip!

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Hot release by Neil Landstrumm & Mat Consume, who did a first Shit & Cheap release on Scandinavia in 2001, and 2012 seems a good year to tear it down with a totally unexpected raw & raving electro banger for the Dutch Shipwrec label. Inspired by 60’s surf & garage and later punk & wave, the drum machines are set to give us the essential kick’s, clap’s and hihat’s we need for that oldschool electro vibe. The Trashmen’s Surfin’ Bird gets a remake dipped in acid and with Shadowlands pre-dubstep skills take control, but nevertheless, all tracks have those wobly basslines typical to Landstrumm’s music combined with unique vocals that make this release something special and definitely standing out! This release comes in a sick designed three colour silkscreen printed sleeve, limited to 300 copies including a download code to redeam the digital tracks from the label.

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Funckarma goes in league with Onionboy (Darko Esser), both delivering a track of their own, and a remix of each other's. Funckarma's Rusty W is lush electronics and heavy dubstep at the same time, effective & abstract dancefloor artillery! Onionboy's remix is a 100% old school electro track, solid as a rock and reminding a bit of old Rude66 and Satamile tracks. Onionboy's Kokon is an electronic beauty that keeps building up.. tick layers of nostalgic synths over firm beats... magical! Funckarma turn this track inside out with their typical and complex IDM beat structures that can only be done by the Funcken minds. Another uncatagorizable Shipwrec release, limited to 300 copies, full colour artwork and a download code to redeam all audiotracks and artwork in digital format.

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With Former Descent, Bas Welling (Neurobit) is taking his music into a new direction. More than the breakcore, noise and digital hardcore he got know for the last couple of years, you can expect some dancefloor friendly electro experiences, weird dubstep like broken beats, phat acidic basslines and some beautiful ambient to end with. This EP is not for the faint-hearted and shows, once again, that anything could happen on the Shipwrec label. Highly limited to 200 copies!



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Steindór Kristinsson, well know for his work in Einoma comes with his first solo Ep. The tracks on this Ep will be part of an album that will be released in december 2011. Mysterious sounds and dark scapes take you straight into unknown territories. Limited to 300 copies, handnumbered and with beautiful artwork!



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Inofaith searches carefully for his own sound, and takes on the experiment with his debut 12. This EP features the tracks ‘Dawn Is Late’: a very orchestral, deep piece with a very welcome 2-Step kind of beat. It follows up with ‘Girls Go To Bed Early’: which illuminates a more synthetic depth of the release. The subtle resonance on the synths brings the track alive. The other side of the record starts with the enchanting, yet uplifting ‘Twelve Hours’. You realise you are getting caught in the music when the feminine voice kicks in and lets you drift in circular patterns. The final track is called ‘Nocturne’: calm as the title may seem, it's the most energetic and glowing track of the EP. Inspired by the atmosphere of dusk on a spring evening, it closes the EP with some cinematic movements. First run pressed on coloured vinyl, limited to 200 copies.



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Kaleidoscope is the first EP by the very talented and young producer Individualsim from Amsterdam NL. Winning the Grote prijs van Nederland in 2010 is a great start and shows something special is going on. Pure and Gentle electronic music combining styles like House, Ambient, Jazz, Dub and Pop without ever being predictable. This first vinyl release features four tracks that show a great amount of creativity and the vision it takes to transform certain feelings into music. Limited to 200 copies, pressed on crystal clear vinyl.



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the nice Shipwrec label comes with another fine release that has been produced and manufactured with care and love! Georgious handmade artwork, sweet tracks that go further then just aiming on the dabcefloor and getting huge sales! . Lost&Found is Einóma’s new EP, out in February 2011 on Shipwrec. The record features one long new track on the A-side as well as two older and previously unreleased pieces for the B-side. The main track ‘Bla’ was conceived after editing real-time and live sessions made for gigs after the release of last years ‘Tvenna’ EP. The sound material ‘Bla’ was initially made from was quite old and the idea and title of the EP ‘Lost and found’ came about, reworking of older ideas in a new setting. The A-side demonstrates the more dancefloor side of Einóma while the B-side explores the more dark and dense regions Einóma have become more known for.

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