Toby Tobias has a lengthy history of disturbing the peace. This is his second offering for the ESP Institute. On side A, Second Stimulus stirs shimmering staccato chords, roaming pipes and detuned robotic sighs into quite the disorienting stew—the loose arrangement remaining fragmented over 9 minutes of touch-and-go 808 programming, picking up a pseudo bassline assembled from sub toms, introducing a gritty break loop and eventually blissing out into oblivion. With side B’s Synchro Surfer, Toby plays with the notion of suspense by gently teasing a muted kick and percussion rhythm under washes of white noise, bleeps and sirens that are tape-dubbed and which, over time, begin a dialogue with each other, as if the machines have declared mutiny on the garage. Toby continues to stretch his limits with his output for the ESP Institute, possibly headed toward a full-fledged devolution of conventional dance music. These two songs may have you arrested for public nuisance.

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Toby Tobias joins Delusions again for what will be his sixth(!) 12” entitled
The Rain. The prolific Londoner whose releases have graced such
venerable labels as Rekids, ESP Intistute and Let’s Play House, is back with
a vengeance, delivering two mighty fine originals plus a remix from
Nebraska.
In true Toby Tobias style, The Rain got made on an MPC, sliced and
edited from a single live take through the desk then accidentally deleted so
no further mixing, sequencing or editing could be carried out. But what is
an A&R man’s nightmare, turns out to be the record buying DJ’s gain, as
the improvised, dubby vibe and raw as ***k mixdown give the track an
authentic feel and energy which could only come from the madness in
Toby’s method.
Fresh from his brilliant releases on Mister Saturday Night and Razor n Tape,
we have our man Nebraska do his thing on the remix of The Rain.
Dropping down the BPM’s a bit from Toby’s more frenetic original,
Nebraska add’s a healthy dose of moogy lead lines to the lo-slung house
groove, perfect for warming up the dancefloor.
Closing this release we have New Way Of Feeling which sees Toby in
playful mode with a percussion heavy, driving basement jam. FM pads
form the centerpiece of the track whilst flourishes of Juno come and go,
hints of early 90’s IDM shining through on the glistening sine-wave
melodies. All in all a glorious melting pot of ideas and influences all over
this release which make for one of his strongest yet for Delusions

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Toby Tobias can be found in the shadows of South London. This is his first offering for the ESP Institute. On side A, 'Gravitator' evolves slowly over ten minutes from a somber intro of supernatural sighs, pulsing machine feedback and techno squelches into an ethereal landscape peppered with dissonant fragments of synth. With side B’s 'Right Turn To Nowhere', Toby stretches out even further, flexing a tasteful programming of the 808 while taking the long road to a reverb-drenched crescendo of distortions and expansive string swells. After a prolific output of material for other quality labels around the world, Toby Tobias has undoubtedly re-focused his point-of-view upon his induction to the ESP Institute. These two songs will have you locking up your children at night.

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It is common knowledge Toby Tobias used to rule the coasts of Ibiza with his Balearic Iron Funk! Now back on his home turf of London, Toby has chosen the Cosmic Pint Glass to tell us the story Sun, Sea and Madness! A Room for Babette is a Balearic House Funk bomb filled with sandy frolics and a touch of mayhem. Afterwards we hit the romance button. Touch Meh is a one of the smoothest edits to be given the Toby treatment and on the flip Ptaki take you on an amazingly beautiful 12 minute journey around the islands with their A Room for Babette remix complete with dolphins! When Toby Tobias visited Ibiza he used to stay at an amazing B&B ran by Babette. She was one of the original party people of the island and would hang out with the likes of Grace Jones.
A Room for Babette echoes that summer madness only found on these islands in a certain time and place. The track starts off with that feeling of disorientation that perhaps a few midday holiday brews might bring on. An erratic beat and explosions rattle overhead, until the soothing sounds of a synthesised flute float in. Shortly after a saxophone joins in and the explosions start up again. It's at this point things start to get fun! Tensions are rising and the boogie is starting to happen! Before long you're travelling at full tilt! Toby has been part of the London scene since breaking some shapes in the streets back in the 80's. He has seen genres come and go and all the while been adding to his record collection. In this track you can hear a cross pollination of Styles from Funk, House, Soca and even No Wave making for a DJ friendly track and has a genuinely rare style. After the evening out on the town, it's time to go back to the chalet for a night of romance. Touch Meh is a one of the smoothest, romantic edits. Toby adds his magic to re-edit with the addition of some powerful drums making for a seriously raunchy track! The next day (On the flip of the EP) we meet up with Ptaki, everyone is feeling a little delicate so the boys take you to their favourite cove, or that's what it sounds like. A Room for Babette remix has been tamed beautifully to give a wholly relaxing track with the addition of an amazing string sample that sits perfectly in the groove. The explosions and erratic drums are gone leaving the sound of paradise. After a small visit to some dolphins a rhythm on the horizon can be heard and after a little while, we find ourselves in a trance, fully relaxed to the deep house sound of Ptaki.
What an amazing holiday! .



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TRACKLISTING:
01. The Wonder ft Atwell 02. Love Affair 03. Hot 22 04. Sloflava 05. Only Getting Better ft. Atwell 06. Sending Signals 07. I Robot 08. Broken Computer 09. Ban co Nights 10. Vague Vogue 11. Friday Analogue Jam 12. Whisper It 13. Weird Danger 14. Headway

OVERVIEW: Toby Tobias has been responsible for some fine quality music over the past 10 years with labels such as Rekids, Nang, Let's Play House and Quintessentials all dropping his unique brand of raw, analogue house and techno. A DJ's DJ who always seems to pull out a lesser known gem and make it sound like a classic, Toby knows his music as well as his studio, inside out. We've been proud to deliver three EP's from him on Delusions but we all felt the time was right for a full length, especially considering that 7 years have passed since his debut LP Space Shuffle on Rekids. Toby fully embraced the scope and breadth that an LP affords a producer, holing up in his Hackney studio and losing himself in his machines. Rising Son is the result of those sessions and it's brilliant!

From the opening machine funk of The Wonder featuring vocals from Atwell we can hear that Toby is quite sure about the direction he's taken for the LP. 808 beats bring vintage electro vibes whilst Atwell's vocal hints at the golden era of Chicago house, adding a soulful touch to the rigid groove. Love Affair continues the theme of off-world utopia where the droids have a heart and soul and sing torch songs of love lost, the Moroder-esque influences bringing a retro sheen to the LP. As we continue through tracks such as
Sloflava and Sending Signals we find blissful, downtempo jams which perfectly soundtrack this imagined night time world which Toby seems so happy to immerse himself and his listeners in.

I Robot follows, providing the one cover version on the LP from the Alan Parsons Project as well as being an LP defining focal point. A track which shows that when the machines are working for you, it could just be a perfect world. But Broken Computer soon shows us what can happen when things go wrong. Incidentally, this is from a genuine computer crash which Toby managed to capture using his phone. A beautiful glitch in the system which spewed out such a mournful noise and a very happy accident that would be completely impossible to create if you set out to try.

As we continue we're treated to the likes of Friday Analogue Jam, Whisper It and Weird. Danger, all echoing bleeps, squelching bass notes, heavenly pads and precision beats. In some ways we get a feeling of a land that time forgot, in others something of sublime beauty and futurism. That Toby can paint pictures with his music in this way speaks volumes, knowing instinctively when to draw out a mood or feeling or flip things on their head to command your attention and beg another listen. And another.....



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It’s Toby Tobias time folks! Ahead of his brilliant LP which will be dropping here on DOG in September we give you a little reminder of why he’s one of the heroes of the underground UK house scene. Toby has been honing his skills as a producer, DJ, promoter and all round nice guy for years now and we’re very happy to be offering up fresh new club business from the man himself in the form of The Rising EP. Never one to go for the obvious, he always puts his neck on the line and pushes his productions in an interesting and often unexpected direction, making full use of his fully analogue studio to get those ‘happy accidents’ into his tracks which gives him the edge over so many others on the scene today. Even with a straight up club banger like The Rising, Toby makes sure things stay edgy, raw and just a little bit mental. At the end of the day this is a Chi-town influenced filter disco banger but with fresh spin that’ll make sure it creates the perfect vibe when you drop it in the clubs. Taking things in a deeper direction we have Jitterbug on the remix, keeping the pace and drive but dipping the original in a vat of thick, syrupy treacle which gives us an altogether more heady, spaced out vibe for those moments when only the trippiest shit will suffice. Flip over for Toby’s own dub version of The Rising which strips it all back and warps it out for a loopey, Soundstream influenced take on the original. Full of attitude but keeping the bags of fun times feel with more punch than Frank Bruno (in his heyday!)



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Toby Tobias coming through with the fresh raw s**t for Delusions! Two original tracks here absolutely loaded full of old school analogue machine funk and crazy dub tricknology. It's Burning builds around a beautiful chiming synth while a filtering acid bass line and 808 snares add a distinct bit of B-Boy to the mix. I Give You love heads for a more rugged house vibe complimenting the intense, loosely timed vocal hits perfectly. On the flip we have London Housing Trust bringing serious heat on their remix, jacking up the tempo but adding some decidedly tripped-out synth tweaks resulting in a show stopping reworking primed for freaking people out on the dancefloor. Finally we have that man Lauer working his magic on It's Burning, building up the track around some beautifully euphoric synth stabs and bassline. The perfect close to an EP in which it's very difficult to try and find words to justify. We think Toby Tobias has turned in some of his best ever work here and absolutely love this whole record so really hope you share the same admiration for the release as we do!

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Toby Tobias joins the D.O.G crew for release no. 29 and fits like the proverbial glove with an incredible EP which truly lives up to it's name. It's probably fair to say that Toby is one of the unsung heroes of the UK scene having played a pivotal part in developing the underground disco scene of the late noughties. His Late Night Audio parties alongside releases on Rekids, Let's Play House, Nang and Quintessentials speak volumes as to the mans skills and fastidious nature and here he delivers what we'd be so bold as to say his best work yet with the Pathfinder EP. The title track kicks off and instantly you know you're in for a joyous ride with the rawest house-not-house beats, p-funk bass and echoing stabs. Toby has a way of mixing up the sounds and vibes to bring a fresh and original sound but with plenty of depth and drive. Next up Fabrizio Mammarella gets stuck into Pathfinder reworking the original into a slightly straighter, bass-heavy monster of a track which keeps the dubbed out chords but totally wreaks havoc on the bottom end when the bassline drops. Flipping over we're treated to the slower paced Backbeat which builds around floating chords, chopped vocals and a boogie-inspired bassline. A true Balearic beauty! Finally we have a stunning little number called Abregon which completely defies categorization but manages to successfully fuse elements of jazz, fusion, hi life and house into a brilliantly quirky track which we challenge you not to want to do some freaky-deaky dance to.


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UPC 827170479265 Rel date 10.12.
Tracklist EP: a1. Toby Tobias - Running Away a2. Toby Tobias - Running Away (Homeboy Dub) b1. Toby Tobias feat. Be Atwell - Tres Mal b2. Toby Tobias feat. Be Atwell - Tres Mal (John Heckle remix)
Constantly providing quality over quantity Toby Tobias finally releases its debut on Burek. And as his biography states: "Toby's music is truly unique - in a genre now saturated with generic, formulaic music, Toby is one of the few who can claim to have his own sound"; so Toby brings to Burek its unique view on house music - tracks Running Away i Tres Mal. Running away is a classic house peak time tune with a 90's bass line, wonderful melodic synth stabs and a vocal sample which at its peak simply drives people crazy on the dance floor. Tres Mal wins the listeners almost instantly and has all the requirements to become a hit. Cleverly made arrangement, fat bass line and high quality production are filled with an exquisite vocal of Toby's close friend Be Atwell. On remix duty we have two up and coming producers. For Running away we chose a Croatian house talent Homeboy and he in return delivered a great rework, one of his best so far. In his hand Running away becomes a deep house tune with a moody ambiance and structure in which dance floor tuned chords from the original are turned to flow smoother. Without a doubt, John Heckle is one of last year's brightens stars. His tracks on Mathematics and Tabernacle Records have been among freshest productions around. Remix for Burek we can describe as his journey into deep house with his very own euphoric touch.


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Franc Spangler makes a welcome and long overdue return to Delusions with a mighty-?ne three tracker packed with the good stuff. The throbbing bump of the title track with it’s bouncing square-wave bassline and drifting stabs leads the charge, crunchy hats driving along the groove whilst a cut up vocal ratchets up the energy. Flipping over we have Somewhere Else, a much deeper and jazzier affair based around a repeating four bar horn part. Never straying too far from the dance ?oor, Franc keeps things percussive and dynamic whilst conjuring up a moment of musical bliss, chiming synths dripping down like golden rays of sunshine on the densely textured orchestral layers. Closing off the release, Dreamworld takes us by the hand on a tropical excursion, low slung beats punctuated by echoing xylophone riffs and Apito whistle. Dubby atmospherics and warm Juno106 chords give the track a Balearic mood perfect for the summer months ahead.

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Danish producer Paxton Fettel joins Delusions for his debut EP for the label entitled Night Waves. Despite his youth, he has notched up an enviable catalogue of original, eclectic releases including two LP’s for Greta Cottage Workshop as well as EP’s for Plumage, Kolour LTD and Apersonal. Paxton’s unique sound and audiophile approach to production has led to remixes for Uffe on Tartelet, Chocky on Secret Reels and most recently Sunrom on ?edgling vinyl-only label The Bricks. For his Night Waves EP we get a snapshot of the mans diversity across three original tracks. The opener sees Paxton in his most raw, jacking, dance ?oor focussed mood to date and the result is a high energy house track which punches hard on a big system. Featuring his own bass playing, snipped and squeezed through the sonic mangle, Night Waves steams along with big bold pianos, swinging hats and just the right amount of ?oating synths. Simple elements which combine to be so much more than the sum of its parts and one of those stand-out cuts that will be stuck in your head long after you’ve left the dance?oor. Flipping over we have Paxton going full-on jazz mode in Paci?ca 399 To Freedom. A track which once again has his beloved Sandberg California live bass part pushed to the fore, pianos, strings and synths building around the driving disco groove. Feel-good sunshine vibes oozing from the speakers as little melodies dance around the sizzling hi hats and encompassing pulse of the kick drum. Finally we have a deeper note to close on with It’s Clear. A repeating vocal hook runs throughout the intro while intricate drum programming gives a nod to the sounds of broken beat and live jazz sensibilities. The end result is a warm, loose and dubby jam which completes the package in ?ne style and leaves us looking forward to hearing more from this talented young producer from Copenhagen.

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Time flies when you’re having fun and we can’t fathom how this can be Ben Sun’s 5th EP for Delusions Of Grandeur but it’s true enough and once again he comes up trumps in the form of the Place Of Worship EP. Having previously graced such esteemed imprints as Royal Oak, Tru Thoughts, Razor n Tape as well as his own vinyl-only label Voyeurhythm the London based Australian producer continues to be both highly regarded, yet somewhat under the radar but we’re sure that’s about to change with this incredible new three tracker. Opening up we have See It Come Shining, just the kind of life-affirming club track which seem to be in such short supply these days, but that we need now more than ever. Gospel flavoured piano chords tug on the heart strings whilst a simple, raw disco groove with added 909 punch creates a warmth and energy that transcends the dance floors that it’s destined to liberate. Flipping over we have Oceanways T150, a deep, analogue jam that harks back to simpler times when breakbeats collided with a house thump, uplifting pianos meld into punching basslines and discovering music through muffled old cassette mixtapes or patchy pirate radio reception was all we knew. Rounding off the EP we have the perfect closer Atlantis Transfer. Here Ben puts more early influences into the mixing pot with ambient washes cascading down over a sublime 90’s deep house bassline. Analogue hats and tripped-out sound FX skirt around a naive synth melody making for a heady late night treat to get lost in.

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Helsinki-based producer Saine makes his Delusions debut following amazing output on such revered labels as Voyage Recordings, Odd Socks, Omena and Fina. A producer who can flit from hazy instrumental hip hop through to raw, dusty house at the flick of a switch, Saine has built a solid following amongst lovers of left field leanings we’ve come to expect from the likes of Max Graef, Glenn Astro, Henry Wu and Leon Vynhall. On lead track Act Natural we find Saine in perhaps his heaviest mood to date, delivering a crunchy uptempo house jam which retains his unique sound despite being aimed firmly at the dancefloor. A speaker wobbling eighth note bassline locks down the groove whilst familiar, much-loved frag- ments from the rave days punctuate the crackling beats. Add to this some simple syncopated chords and you have a winning formula for a timeless track which looks to the future whilst respectfully doffing it’s cap to the past. Jus Right continues in a deeper, more musical fashion with Saine getting busy on his synths, building up layers of warm pads and soloing Moog lines. A prominent vocal brings a soulful touch whilst the minimal, almost hihat-less groove adds an original and fresh feel to this blissful track. Flipping over we have Low Key, a shuffling deep house number loaded with sliced Rhodes samples, echoing vocal hits, clipped percussion and sublime bass. As the atmosphere thickens, everything falls away to silence before rebuilding, creating some nice tension in the arrangement. Finally we have Pontchartrain offering up an excellent remix of Jus Right. The Detroit native responsible for some mighty fine releases for the likes of Rocksteady Disco, Lovedancing, Soul Clap, Kolour LTD and Whiskey Disco takes things in a more straight-up house direction with heavier beats, 909 hats pushed to the fore and a distinctively old school feel to the mix.

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Scottish producer Austin Ato has been making waves the last couple of years having had well received releases on Futureboogie and Phonica White and this year looks to be his best yet! Remixes for Folamour on Classic, Balako on Greco Roman and an EP for Man Power's label Me Me Me will be dropping in the coming weeks, paving the way for his Delusions Of Grandeur debut double A side; Ella / Putting It In My Way.

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It’s taken almost 3 years to get the man like Medlar back on Delusions fol- lowing his 2015 release with Dan Shake but finally it’s come together. That release, along with his regular output for Wolf, Riverette and For Discos Only has helped cement Medlar’s reputation as one of the leading UK un- derground house producers and led to official remixes and approved edits for legendary labels TK Disco and West End no less! The Medlar seal of quality has led to support from such influential heavyweight selectors as DJ Harvey, Gilles Peterson and DJ Koze. Kicking things off we see Medlar in straight up dance floor mode on title track NRG, coming through with a drum-heavy workout that utilises a gnarly bassline, echoing synth stabs and rasping hats to excellent effect. Flip over for his own Dub Version which strips things back further placing all the emphasis on the bassline and going heavy on the Space Echo for a tripped out, dubby warehouse vibe tailor made for the freaky hours. Closing the EP we have the aptly named Tripped which drops the BPM’s for a low-slung mood-setter to warm up the floors with. A simple groove lays the foundation for a rolling bassline while chiming synths weave in and out of the spacious mix.

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Time for a cheeky, under the radar one from new Delusions signing Flight Mode. One track either side for extra-loud full-fatness. Two variations on a theme, taking us on a deep, dubby, disco tip. A crisp, rolling groove and echoing stabs swirling around one of the best bass lines ever produced. Global Communications getting stoned with DJ Pierre on the A side. Carl Craig and Moroder hanging out in the kitchen of the after party on the flip side. Play loud, live long and prosper!

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Aroop Roy has been making waves with his unique sounds for the past few years, with a wealth of successful releases and a busy gig schedule at the helm of some of the best clubs around the world. By fusing elements of Jazz, Afro, Latin, Funk and Soul with the deeper end of House and Disco, Aroop has forged his own style with EPs on revered labels including G.A.M.M, Basic Fingers, Freestyle and Lazy Days. For his Delusions Of Grandeur debut he pulled out all the stops, delivering three original tracks which further show his diversity as an artist and ability to produce left of centre, quality underground music without losing sight of the dancefloor. Things kick off with Save Our Love, a track that’s absolutely brimming with energy thanks to punchy Wurlitzer chops, tension-building Philly strings, and a rock-solid disco groove. Next up we have What I love which sees Aroop take an altogether more freaky approach flipping an uptempo rolling break, distorted synth line, cross-rhythm stabs and rasping vocal cuts into an edgy dance floor workout. Closing this brilliant EP is the low-slung bump of Walk That Walk featuring original vocals from Oakland, CA based Blacktroniks who delivers his flow on top of a bass-heavy slice of deep electro boogie.

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Native New Yorker Son Of Sound aka Henry Maldonado returns to Delusions of Grandeur with another fine EP including two floor-friendly originals plus a stripped back remix from Aroop Roy. For those too young to have been buying records in the early 90’s Henry was a key figure, involved in seminal releases on Strictly Rhythm as House 2 House, Maxi Records as Deja Vu and MAW Records as Rhythm Section. To say this guy has history is something of an understatement having made an important contribution to the first wave of deep house with productions dating right back to ’91. More recently he has created magic for Jus Ed’s Underground Quality, Classic, Razor n Tape and Local Talk as well as establishing his own District30 imprint. We kick off with NY Iz All I Know, a warm, soulful yet pumping slice of what can only be described as proper house music! Looped up vocal chops bounce around a classic disco groove until things breakdown into a new chord progression and saw wave bassline which add an interesting twist to the arrangement. Skin Tight drops next introducing a funk break underneath the solid four on the floor kick. One of Henry’s trademark chord progressions emerges and the elements build up around to form another masterclass in sample-heavy house perfection. Aroop Roy steps up for the remix following a run of fine edits and originals on the likes of Freestyle, Basic Fingers and House Of Disco. NY Iz All I Know gets stripped back and pumped up, taking the key elements and adding his own disco inspired groove and Moogy synth business for a floor- pleasing gem that we’re sure will help find him new fans from across the house and disco spectrum.

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This June Session Victim returned to Delusions Of Grandeur imprint with their third studio album.Listen To Your Heart is the result of a year of cross-continental scripting, started in their Hamburg studio and wrapped up stateside in San Francisco’s Room G Studios where the duo had worked on their 2014 LP See You When You Get There. Here we present the third of three LP samplers containing four tracks each, cut nice and loud for the vinyl crew. We kick things off with Almost Midnight, another uplifting summer jam loaded with trademark Session Victim energy and positive vibrations. Next up we have Castle For Sale which drops the bpm’s for a dub influenced, spaced out jam session sounding like King Tubby and Nightmares On Wax getting stuck in the proverbial lift with a large bong for company. Flipping over we have a Head Over Heels, which goes heavy on the lush orchestral strings and a brilliant bouncing Moog bassline bringing a deft touch. Finally we’re treated to Thermal Explorer, which incorporates some wonderful Larry Heard-esque keyboards for a perfect wind-down track to close the release. An impeccable demonstration of retro-inspired yet forward thinking house and downtempo music,Listen To Your Heartsees Session Victim at the top of their game.

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Toby Tobias joins Delusions again for what will be his sixth(!) 12” entitled
The Rain. The prolific Londoner whose releases have graced such
venerable labels as Rekids, ESP Intistute and Let’s Play House, is back with
a vengeance, delivering two mighty fine originals plus a remix from
Nebraska.
In true Toby Tobias style, The Rain got made on an MPC, sliced and
edited from a single live take through the desk then accidentally deleted so
no further mixing, sequencing or editing could be carried out. But what is
an A&R man’s nightmare, turns out to be the record buying DJ’s gain, as
the improvised, dubby vibe and raw as ***k mixdown give the track an
authentic feel and energy which could only come from the madness in
Toby’s method.
Fresh from his brilliant releases on Mister Saturday Night and Razor n Tape,
we have our man Nebraska do his thing on the remix of The Rain.
Dropping down the BPM’s a bit from Toby’s more frenetic original,
Nebraska add’s a healthy dose of moogy lead lines to the lo-slung house
groove, perfect for warming up the dancefloor.
Closing this release we have New Way Of Feeling which sees Toby in
playful mode with a percussion heavy, driving basement jam. FM pads
form the centerpiece of the track whilst flourishes of Juno come and go,
hints of early 90’s IDM shining through on the glistening sine-wave
melodies. All in all a glorious melting pot of ideas and influences all over
this release which make for one of his strongest yet for Delusions

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For our 57th release we’re stoked to be bringing you some heavy new biz from the one and only Ron Basejam. This man is responsible for some of the classiest disco-influenced House music dating back to ’05 when his anthemic For The People blew our minds and soundtracked many an after-party so perfectly. Recent EP’s on Eskimo, Wolf Music, Futureboogie and top notch remixes for the likes of People Must Jam, Brownswood and Classic have all delivered in spades. Here on The Sound Of A Feeling EP we have three brilliant raw, stripped and chopped analogue jams plus the first ever remix from Tee Mango who comes hot off his stunning debut LP Imperfections on Millionhands.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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After his heroic release 'Like You Mean It EP' Uffe returns under a new name - U Dee, where he looks to explore a more stripped back, lo fi, floor focussed sound.
a Uffe has seen great success in the last year with release on Pets as well as the release of his second LP 'No!' on Max Graef's infamous Tartlet label, which has seen amazing support form the likes of RA, XLR8R and DJ Mag. Here on 'Love Is Gone EP' we're treated to 5 tracks of lo-fi, minimal DJ tools full of character and a quirkiness that come like a breath of fresh air

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Having unleashed the beast that is his debut LP Columbusing, thatmanmonkz grants a couple more heavyweight producers permission to get busy with the sonic manglers for remixes of Turn It Out and Boogie Down. First up, one of the vocalist contributors to the LP Dave Aju (known for his releases on Circus Company) takes on his own track Turn It Out, transforming the original from a backyard BBQ summer jam into some kind of mutant electro P-funk meets broken- beat fusion. A filtered bass line and bare bones 808 kicks are what this track is all about forming the perfect rhythmic union with the vocal. Flip over for a remix of Boogie Down from talented new UK producer Laurence Guy. Laurence has been making waves the last year since dropping his Kojak EP on Church and subsequently getting played at seemingly every single Move D gig for the following six months! A slew of brilliant releases came hot on the heels on labels such as Cin Cin, Rose and Outplay. For his Boogie Down remix Laurence has opted for a sweet and laid-back affair which compliments Erik Rico’s paired down vocals perfectly, conjuring up feelings of warm, balmy nights, dancing under the stars. In addition to the remixes we’ve included two more originals from the LP - Turn It Out and the dance-floor pleasing For Bae.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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For our 50th release on Delusions Of Grandeur we’re pleased to bring you seven exclusive tracks from a mighty-fine collection of both existing DOG artists and veritable newcomers alike. Part Two opens with Underground Quality key player Son Of Sound who brings a bucketful of attitude on Under The Son, laying down a rough-edged groove and getting on one with his vintage keys. Up next we have Sebastien Vorhaus & Ponty Mython who bring us the beast that is I’m The Slime. Easing us into things with gentle rhodes samples and a skippy groove, Vorhaus (of Soul Of Hex fame) and Mython soon develop things with hints of acid before unleashing a jazz piano riff that can be best described as unhinged. Flipping over the mysterious Zepp001 hunt and gatherer brings us Enemy. There’s elements of disco with bouncing syndrum fills and a mysterious mood prevails as shakers rattle, bells chime and congas slap but when the bassline drops it’s clear we’re into some serious future s**t here. Finally, we have our very own Norm De Plume who lays down a bad-boy groove with a rocking bassline, clattering cowbells and tension-building pads bringing an intense build and rounding off our 50th release in fine fashion, we hope you agree.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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For our 50th release on Delusions Of Grandeur we’re pleased to bring you seven exclusive tracks from a mighty-fine collection of both existing DOG artists and veritable newcomers alike.
Kicking off Part One we have Rush Hour regular Nebraska who manages to successfully combine elements of wait for it... trance and broken beat into an altogether more exciting and amazing way than that actually sounds on paper. Organic, sampled drums with plenty of grit and dirt lay down a groove whilst spacey synth arps and an almighty break (in a subtle way) make this something of an epic which all of us here have fallen for in a big way. Quintessentials and Kolour LTD favourite Ugly Drums steps up next digging deep in his seemingly bottomless collection of brilliant of disco and soul to mine some killer samples and conjuring up a masterclass in deepest ravehouse in the process. Rounding off Part One DOG mainstays and bona fide Retreaters Session Victim do what they do best on Came To Be Alive, turning in a completely blissed-out, dus98799y soul jam tailor-made as much for cozy nights in front of a log fire as for antipodean BBQ’s under a hazy sun.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Following two EP releases on Delusions Of Grandeur the time felt right for thatmanmonkz to get working on his debut LP. The Sheffield b-boy is no newcomer to production having been releasing music since the mid-noughties but has seen a definite rise in interest the last few years following essential releases on his own Shadeleaf label as well as remixes and productions for the likes of Classic, Kolour LTD and Kon’s StarTime. With his first musical love being Hip Hop it’s easy to understand how his approach to house turns out so refreshing. Inevitably MPC’s, big, bold samples, Jay Dee inspired grooves and a raw, underproduced sound all play a big part and never one to shy away from an interesting collaboration he has enlisted the skills of several vocalists including Detroit MC Ta‘raach (whose credits include Slum Village and Jill Scott), Erik Rico (collabs include Ron Trent and DJ Spinna), Khalil, Dave Aju, Pete Simpson (as A Brother Is...) and Malik Ameer.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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As we await the release of the debut LP Columbusing from thatmanmonkz we’re pleased to give you a little taster of two of the originals plus a couple of brilliant remixes from man of the moment GE-OLOGY and Jimpster. Thatmanmonkz has seen a definite rise in interest the last few years following essential releases on his own Shadeleaf label as well as remixes and productions for the likes of Classic, Kolour LTD and Kon’s StarTime..GE-OLOGY has been blowing minds with his latest release on Theo Parrish’s Sound Signature label with his jazzy take on warm, analogue house currently hitting the top spot on Juno and causing major waves after early plays from Gilles Peterson and Benji B Jimpster has seen great success in 2015, including being voted as Traxsources No1 Deep House DJ and hitting number 19 spot on their Deep House sellers of the year with English Rose.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More