Session Victim need little by way of introduction having been releasing on Delusions consistently for the last 10 years and becoming the undisputed poster boys for the label in the process. Despite their regular appearance however, it’s always a real treat to announce a new record from the German duo and we have to say, the Screen Off EP may well find them in their finest form to date! Coming hot off their latest downtempo LP entitled Low Key, Low Pressure for Night Time Stories, you can tell Hauke and Matthias were ready to take things back to the dance-floor and have delivered an EP which looks set to become a future classic and no doubt big in the box of discerning DJ’s the world over. Screen Off is really it’s own thing, living somewhere on the long and winding road between the Bar Kays and the Bad Brains, suffice to say that what it lacks in easily definable attributes it makes up for in sheer energy and raw attitude. Hauke and Matthias re-invite Jamaican poet and vocalist Ras Stimulant, who contemplates our screen addictions and urges us to disconnect and be present in the moment. Matthias’ rolling bassline provides the backbone, whilst hints of crunchy Moog and chopped guitar samples all bring a sense of urgency to the track. Light The Way acts as an antidote, bringing a sense of calm melancholia in contrast to the title track’s low-end, funked-up fervour. A soft focus and almost distant drum groove draws us in whilst arpeggiating synths add a sense of optimism, reinforcing the tracks title. Closing out the release we have Session Victim’s studio partner, good friend and all-round top producer Iron Curtis in for a remix of Light The Way. Johannes takes an interesting approach for his Illuminati interpretation, enhancing the breakbeat feel and mixing up chopped samples with classic 808 drums. A muscular bassline adds extra weight to his remix but without losing the subtle musicality and positive vibe of the original. Being the vinyl purists they are, Session Victim and Iron Curtis top up the physical 12“ EP with the exclusive Screen Off Acapella and an additional Iron Curtis Remix Reprise.

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This June Session Victim return to Jimpster's ' Delusions Of Grandeur' imprint with a third studio album. 'Listen To Your Heart' is the result of a year of cross-continental scripting, started in their Hamburg studio and wrapped up stateside in San Francisco's Room G Studios where the duo had worked on their 2014 LP 'See you When You Get There'. Sampling still remains an ever present backbone throughout the album. Session Victim have dug deep for sounds, resulting in a richly detailed and organic sound collage that goes hand-in-hand with their live instrumentation, this time enhanced through several guest musician appearances, most notably Carsten "Erobique" Meyer (ex-International Pony). Smooth guitar samples are built up on 'Over and Over' while on 'Moons & Flowers' the live instrumentals that Session Victim do so well come to the fore. The treasure trove of San Francisco's record shops proved to be a hard bait to resist and the pair spent a large part of their Californian time hunting for records to sample. Three new tracks emerged from these digging sessions, with the sweeping disco string arrangements on 'Shadows' standing out as a prime ode to days spent combing through bargain bins. Listen To Your Heart is equally a product of the road. While heavy touring is often cited as a hindrance to the creativity of artists, Session Victim see their live shows as a catalyst to their creativity. Two US tours in 2016 gave the Hamburg duo the opportunity to take track sketches and fragments on the road to incorporate into their live shows and then digest them back in the studio. The playful funk soaked groove of 'Matching Half' captures the sense of movement present throughout Listen To Your Heart and the LP mix of 'Up To Rise', which caused heavy ripples when it dropped as part of 2016's Matching Half EP is an extension of the upbeat and euphoric groove that permeates the album.

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Session Victim’s 5th studio album ‘LOW KEY, LOW PRESSURE’ feels like an anathema to today’s fast paced, industry driven musical landscape – and for all the right reasons.

Having released two intense, dancefloor-focused 12“s on Rhythm Section and Delusions Of Grandeur over the past year, their return to NIGHT TIME STORIES brings out their trippy, headsy side once again.

And despite the pandemic downtime being over, Hauke and Matthias remain holed up in the studio, jamming, head nodding to drum breaks and churning out records like the one in front of you.

Spanning 10 tunes – 12 if you count the limited bonus 7“ that comes with the first pressing – the LP is undiluted Session Victim, with their occasional trio partner Carsten “Erobique“ Meyer as the sole musical guest on the library-esque SOFT LANDING, a tune reminiscent of something the boys would try to hunt down on one of their compulsive record store rummages to feed it to their Akais.
You’ll also find the sequel to one of their cornerstone tracks from their 2020 album NEEDLEDROP, Jazzbeat 07. (It’s JAZZBEAT 08, in case you were wondering.)

Having acquired a taste for the occasional cover version over the years, the duo closes the album out with their rendition of Instra:mental’s PHOTOGRAPH. Tackling such a classic is a daunting task which they approach in a gentle way, not swaying too far from the original, subtly reimagining the rhythmical foundation and exchanging the distinctive playground sounds from the original with field recordings of the locals populating the gritty area around their Neukölln studio.

Being long time fans of Swedish organ player Bo Hansson, Hauke and Matthias tried to reach out to the people responsible for his cover artwork - who today are in their late 80ies and have not answered ever since. Things came together in the most fortunate way when the pair were introduced to French artist Xavier d’espinay Saint Luc and his enchanting pencil wizardry. The outstanding result is what you’re holding in your hands right now.

But what do you really need to know? This is ‘low key, low pressure’. It’s got pristine drum chops to zoom in, hazy melodies to zone out, and all the texture you need to lose yourself in the details.
Including download codes for the unmixed tracks and original DJ mix in MP3 / FLAC / WAV formats.

- For fans of: DJ Shadow, AIR, HNNY, Cinematic Orchestra and RJD2

Tracklisting:
a1 enlightenment
a2 soft landing
a3 jazzbeat 08
a4 the hidden trail
a5 porchless
b1 mycelium dub
b2 walk in the park
b3 assembler
b4 one trick ponies
b5 photograph

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Repress!

“Session Victim debut on Rhythm Section Intl with an EP of understated but highly effective jazzy house rollers“

Having cemented themselves as firm favourites on the Rhythm Section dance-floor over the years, the German duo step forward to present their debut EP on the South London label: “ Basic Instinct”.

Known for their unparalleled energy when performing live or DJing, Hauke and Matthias fly the flag for sample based, soulful house music and a commitment to the art of vinyl DJing. With the never- ending search for the perfect beat at the core of what they do, it was no surprise they found a deep affinity with Rhythm Section INTL over years of playing for each other, jamming in the studio and crossing paths at festivals and airports around the world. In short, this record was an inevitable culmination of two passionate, like minded groups, a match made in Heaven and a long time coming!

Despite hailing from the techno meccas of Berlin and Hamburg, Session Victim are direct descendants of the German Jazzy House masters, tracing inspiration from the likes of Jazzanova, Soulphiction & Compost Records - the likes of which have gone on to inspire a renaissance of this more soulful sound in German clubs, spearheaded by labels like Tartelet and Toy Tonics - the latter of which the duo recently released an EP with.

This latest effort on Rhythm Section INTL is a masterclass in restraint, demonstrating a deep understanding of dancefloor dynamics, putting the maxim ‘less is more’ to great effect. The
opening track, ‘Trying To Make it Home’ is the most immediately engaging cut: a double bass riff drives along a Kerri Chandler-esque filtered piano pattern which gives way to a soaring Gospel

Vocal , allowing the groove to take control as flutes, strings and occasional guitar licks meander in and out of the mix to create a real ‘heads down, arms up’ moment for the dancefloor.

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Time to welcome Session Victim back to Delusions Of Grandeur following some heavyweight releases on Toytonics and Rhythm Section International. The German duo show absolutely no signs of slowing down continuing to impress with their unique sound which combines organic live elements, fat, floor-filling beats and a deep, musical approach. Here on The Intangibles EP we’re treated to three original tracks spanning high energy jazz disco meets techno, soulful uplifting house and downtempo blunted beats. Opener Motivation features spoken word from Ras Stimulant backed by urgent looping Rhodes stabs and an uptempo disco groove. An instant Session Victim dance-floor shaker if ever there was one, the energy cranked up to the maximum without losing sight of that all important groove. Next up we have Dromedary Twist which keeps up the pace but goes deeper on the jazzy organ chords and lays down a heavy syncopated bass- line which ensures the funk factor remains present and correct. Rounding out the EP in fine style, Green Run drops the BPM’s as we head into lazy, hazy, blissed-out jazzed-up beats territory. Lush strings and layers of analogue synths come together on this simple yet enchanting little tune which compliments the other tracks perfectly and will appeal to fans of SV’s more home-listening output from their 2020 LP Needledrop.

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Session Victim have become something of a phenomenon since their inception a little over 12 years ago. They bring a sense of fun and unrivalled energy to their live shows and DJ sets which instantly connects with any crowd in front of them and their charming disregard for musical boundaries ensures that you never know quite what to expect or where they’re heading next. When not feeding their addiction to pinball machines, the duo of Hauke Freer and Matthias Reiling are constantly creating, keeping things fresh by forming labels such as Retreat run by Hauke and Quarion, Pen & Paper run by the duo themselves and Hauke’s new baby Save The Books. Last year’s Needledrop LP for Night Time Stories saw them step away from the dance floor and head into deep, downtempo mode to great effect, and now we’re proud to welcome Session Victim back to Delusions Of Grandeur for the release of Two Crowns which sees them edging back towards clubbier sounds, albeit with their trademark live instrumentation and highly musical approach. The EP gives us three original tracks which move smoothly from the low-slung funky wobble of the title track with it’s stabbing analogue synths and house not house live drum groove, through to the lush, expansive sounds of Village Youth. Once again, Session Victim have created a collection of tracks which give us a sense of nostalgia for early 90’s Fila Brazilia/Solid Doctor records on the influential Porky label. A world where trippy spoken word samples, cut up breakbeats, deep pads and sine wave basslines live in perfect harmony and a sense of optimism flows through every note. Let’s face it, we can all do with some of that right now!

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A1 Needledrop (Laurence Guy Remix)
A2 Still High (Jackmate's Juke Rework)
B1 Isle of Taste (Patrice Scott Remix)
B2 Jazzbeat 7 (Dday One Remix)
B3 No Sky, Blue Sound (Panoram Rework)
Expanding upon their recently released album Needledrop, which has
received support from the likes of CRACK, Dummy, Mixmag, DJ Mag,
Resident Advisor, XLR8R and more, the Remixed EP invites some of the
pairs favourite artists for a deeper exploration of the album.
With a blend of jazz, electronic and downtempo, each of the remixers
instill their own production styles to reimagine one of underground
music’s most intriguing and genre-crossing acts into a new listening
experience. From Laurence Guy’s melodic yet driving remix of
‘Needledrop’, to Jackmate’s transformation of ‘Still High’ into 5-minute,
experimental rework, the ‘Needledrop’ remix EP continues to reaffirm
the original album as Session Victim’s most eclectic LP to date.
Patrice Scott 90’s influenced take on ‘Isle Of Taste’ is a longer and more
contemporary offering, whilst Dday One’s remix of ‘Jazz Beat’ adds a
sinuous saxophone solo to fully embrace the experimental spirit of the
original. The neo-jazz feel of ‘No Sky, Blue Sound’ is flipped to a slower
tempo by Panoram, yet retains the explorative guitar solo heard on the
album.

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The 11-track album titled “Needledrop” provides a suite of both uplifting and easy-listening moments, refined and understated individually yet cohesively crafted with the honest musicianship and inarguable credentials that we know of production duo Session Victim.


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This June Session Victim return to Delusions Of Grandeur imprint with their third studio album. Listen To Your Heart is the result of a year of cross-continental scripting, started in their Hamburg studio and wrapped up stateside in San Francisco’s Room G Studios where the duo had worked on their 2014 LP See You When You Get There. Here we present the second of three LP samplers containing four tracks each, cut nice and loud for the vinyl crew. Shadows gets things rolling with a classic Session Victim housey groove, looped up pads and hooky spoken vocal samples. Filtered string stabs bring a warm and soulful edge whilst dub delay touches add a floaty element to get lost in. Next up we have Unchained which drops the bpm’s for a widescreen, slo-mo jam clouded in a smokey haze with jazzy touches, recalling the halcyon days of Pork Recordings. Flipping over we have a brand new LP version of previous single Up To Rise, another sublime slice of blissed-out house music with a wonderful organic and live sound palette. Echoing Rhodes licks join the lead guitar tune for a Balearic beauty which will be stuck in your head long after the sun sets. Closing this second sampler we have Over And Over, which winds things down somewhat for an inspired, bass-led roller. An impeccable demonstration of retro-inspired yet forward thinking house and downtempo music, Listen To Your Heart sees Session Victim at the top of their game.

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New 2017 Album CD!
Session Victim return to Jimpster's ' Delusions Of Grandeur' imprint with a third studio album. 'Listen To Your Heart' is the result of a year of cross-continental scripting, started in their Hamburg studio and wrapped up stateside in San Francisco's Room G Studios where the duo had worked on their 2014 LP 'See you When You Get There'.
Tracklisting:
1. Over and Over
2. Bring It Back
3. Moons and Flowers
4. The Hatch
5. Shadows
6. Matching Half
7. Unchained
8. If We Can Make It Here
9. Almost Midnight
10. Castle for Sale
11. Up to Rise (LP Mix)
12. Head over Heels
13. Thermal Explorer

Sampling still remains an ever present backbone throughout the album. Session Victim have dug deep for sounds, resulting in a richly detailed and organic sound collage that goes hand-in-hand with their live instrumentation, this time enhanced through several guest musician appearances, most notably Carsten "Erobique" Meyer (ex-International Pony). Smooth guitar samples are built up on 'Over and Over' while on 'Moons & Flowers' the live instrumentals that Session Victim do so well come to the fore.

The treasure trove of San Francisco's record shops proved to be a hard bait to resist and the pair spent a large part of their Californian time hunting for records to sample. Three new tracks emerged from these digging sessions, with the sweeping disco string arrangements on 'Shadows' standing out as a prime ode to days spent combing through bargain bins.

Listen To Your Heart is equally a product of the road. While heavy touring is often cited as a hindrance to the creativity of artists, Session Victim see their live shows as a catalyst to their creativity. Two US tours in 2016 gave the Hamburg duo the opportunity to take track sketches and fragments on the road to incorporate into their live shows and then digest them back in the studio. The playful funk soaked groove of 'Matching Half' captures the sense of movement present throughout Listen To Your Heart and the LP mix of 'Up To Rise', which caused heavy ripples when it dropped as part of 2016's Matching Half EP is an extension of the upbeat and euphoric groove that permeates the album.


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Franc Spangler makes a welcome and long overdue return to Delusions with a mighty-?ne three tracker packed with the good stuff. The throbbing bump of the title track with it’s bouncing square-wave bassline and drifting stabs leads the charge, crunchy hats driving along the groove whilst a cut up vocal ratchets up the energy. Flipping over we have Somewhere Else, a much deeper and jazzier affair based around a repeating four bar horn part. Never straying too far from the dance ?oor, Franc keeps things percussive and dynamic whilst conjuring up a moment of musical bliss, chiming synths dripping down like golden rays of sunshine on the densely textured orchestral layers. Closing off the release, Dreamworld takes us by the hand on a tropical excursion, low slung beats punctuated by echoing xylophone riffs and Apito whistle. Dubby atmospherics and warm Juno106 chords give the track a Balearic mood perfect for the summer months ahead.

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Danish producer Paxton Fettel joins Delusions for his debut EP for the label entitled Night Waves. Despite his youth, he has notched up an enviable catalogue of original, eclectic releases including two LP’s for Greta Cottage Workshop as well as EP’s for Plumage, Kolour LTD and Apersonal. Paxton’s unique sound and audiophile approach to production has led to remixes for Uffe on Tartelet, Chocky on Secret Reels and most recently Sunrom on ?edgling vinyl-only label The Bricks. For his Night Waves EP we get a snapshot of the mans diversity across three original tracks. The opener sees Paxton in his most raw, jacking, dance ?oor focussed mood to date and the result is a high energy house track which punches hard on a big system. Featuring his own bass playing, snipped and squeezed through the sonic mangle, Night Waves steams along with big bold pianos, swinging hats and just the right amount of ?oating synths. Simple elements which combine to be so much more than the sum of its parts and one of those stand-out cuts that will be stuck in your head long after you’ve left the dance?oor. Flipping over we have Paxton going full-on jazz mode in Paci?ca 399 To Freedom. A track which once again has his beloved Sandberg California live bass part pushed to the fore, pianos, strings and synths building around the driving disco groove. Feel-good sunshine vibes oozing from the speakers as little melodies dance around the sizzling hi hats and encompassing pulse of the kick drum. Finally we have a deeper note to close on with It’s Clear. A repeating vocal hook runs throughout the intro while intricate drum programming gives a nod to the sounds of broken beat and live jazz sensibilities. The end result is a warm, loose and dubby jam which completes the package in ?ne style and leaves us looking forward to hearing more from this talented young producer from Copenhagen.

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Time flies when you’re having fun and we can’t fathom how this can be Ben Sun’s 5th EP for Delusions Of Grandeur but it’s true enough and once again he comes up trumps in the form of the Place Of Worship EP. Having previously graced such esteemed imprints as Royal Oak, Tru Thoughts, Razor n Tape as well as his own vinyl-only label Voyeurhythm the London based Australian producer continues to be both highly regarded, yet somewhat under the radar but we’re sure that’s about to change with this incredible new three tracker. Opening up we have See It Come Shining, just the kind of life-affirming club track which seem to be in such short supply these days, but that we need now more than ever. Gospel flavoured piano chords tug on the heart strings whilst a simple, raw disco groove with added 909 punch creates a warmth and energy that transcends the dance floors that it’s destined to liberate. Flipping over we have Oceanways T150, a deep, analogue jam that harks back to simpler times when breakbeats collided with a house thump, uplifting pianos meld into punching basslines and discovering music through muffled old cassette mixtapes or patchy pirate radio reception was all we knew. Rounding off the EP we have the perfect closer Atlantis Transfer. Here Ben puts more early influences into the mixing pot with ambient washes cascading down over a sublime 90’s deep house bassline. Analogue hats and tripped-out sound FX skirt around a naive synth melody making for a heady late night treat to get lost in.

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Helsinki-based producer Saine makes his Delusions debut following amazing output on such revered labels as Voyage Recordings, Odd Socks, Omena and Fina. A producer who can flit from hazy instrumental hip hop through to raw, dusty house at the flick of a switch, Saine has built a solid following amongst lovers of left field leanings we’ve come to expect from the likes of Max Graef, Glenn Astro, Henry Wu and Leon Vynhall. On lead track Act Natural we find Saine in perhaps his heaviest mood to date, delivering a crunchy uptempo house jam which retains his unique sound despite being aimed firmly at the dancefloor. A speaker wobbling eighth note bassline locks down the groove whilst familiar, much-loved frag- ments from the rave days punctuate the crackling beats. Add to this some simple syncopated chords and you have a winning formula for a timeless track which looks to the future whilst respectfully doffing it’s cap to the past. Jus Right continues in a deeper, more musical fashion with Saine getting busy on his synths, building up layers of warm pads and soloing Moog lines. A prominent vocal brings a soulful touch whilst the minimal, almost hihat-less groove adds an original and fresh feel to this blissful track. Flipping over we have Low Key, a shuffling deep house number loaded with sliced Rhodes samples, echoing vocal hits, clipped percussion and sublime bass. As the atmosphere thickens, everything falls away to silence before rebuilding, creating some nice tension in the arrangement. Finally we have Pontchartrain offering up an excellent remix of Jus Right. The Detroit native responsible for some mighty fine releases for the likes of Rocksteady Disco, Lovedancing, Soul Clap, Kolour LTD and Whiskey Disco takes things in a more straight-up house direction with heavier beats, 909 hats pushed to the fore and a distinctively old school feel to the mix.

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Scottish producer Austin Ato has been making waves the last couple of years having had well received releases on Futureboogie and Phonica White and this year looks to be his best yet! Remixes for Folamour on Classic, Balako on Greco Roman and an EP for Man Power's label Me Me Me will be dropping in the coming weeks, paving the way for his Delusions Of Grandeur debut double A side; Ella / Putting It In My Way.

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It’s taken almost 3 years to get the man like Medlar back on Delusions fol- lowing his 2015 release with Dan Shake but finally it’s come together. That release, along with his regular output for Wolf, Riverette and For Discos Only has helped cement Medlar’s reputation as one of the leading UK un- derground house producers and led to official remixes and approved edits for legendary labels TK Disco and West End no less! The Medlar seal of quality has led to support from such influential heavyweight selectors as DJ Harvey, Gilles Peterson and DJ Koze. Kicking things off we see Medlar in straight up dance floor mode on title track NRG, coming through with a drum-heavy workout that utilises a gnarly bassline, echoing synth stabs and rasping hats to excellent effect. Flip over for his own Dub Version which strips things back further placing all the emphasis on the bassline and going heavy on the Space Echo for a tripped out, dubby warehouse vibe tailor made for the freaky hours. Closing the EP we have the aptly named Tripped which drops the BPM’s for a low-slung mood-setter to warm up the floors with. A simple groove lays the foundation for a rolling bassline while chiming synths weave in and out of the spacious mix.

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Time for a cheeky, under the radar one from new Delusions signing Flight Mode. One track either side for extra-loud full-fatness. Two variations on a theme, taking us on a deep, dubby, disco tip. A crisp, rolling groove and echoing stabs swirling around one of the best bass lines ever produced. Global Communications getting stoned with DJ Pierre on the A side. Carl Craig and Moroder hanging out in the kitchen of the after party on the flip side. Play loud, live long and prosper!

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Aroop Roy has been making waves with his unique sounds for the past few years, with a wealth of successful releases and a busy gig schedule at the helm of some of the best clubs around the world. By fusing elements of Jazz, Afro, Latin, Funk and Soul with the deeper end of House and Disco, Aroop has forged his own style with EPs on revered labels including G.A.M.M, Basic Fingers, Freestyle and Lazy Days. For his Delusions Of Grandeur debut he pulled out all the stops, delivering three original tracks which further show his diversity as an artist and ability to produce left of centre, quality underground music without losing sight of the dancefloor. Things kick off with Save Our Love, a track that’s absolutely brimming with energy thanks to punchy Wurlitzer chops, tension-building Philly strings, and a rock-solid disco groove. Next up we have What I love which sees Aroop take an altogether more freaky approach flipping an uptempo rolling break, distorted synth line, cross-rhythm stabs and rasping vocal cuts into an edgy dance floor workout. Closing this brilliant EP is the low-slung bump of Walk That Walk featuring original vocals from Oakland, CA based Blacktroniks who delivers his flow on top of a bass-heavy slice of deep electro boogie.

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Native New Yorker Son Of Sound aka Henry Maldonado returns to Delusions of Grandeur with another fine EP including two floor-friendly originals plus a stripped back remix from Aroop Roy. For those too young to have been buying records in the early 90’s Henry was a key figure, involved in seminal releases on Strictly Rhythm as House 2 House, Maxi Records as Deja Vu and MAW Records as Rhythm Section. To say this guy has history is something of an understatement having made an important contribution to the first wave of deep house with productions dating right back to ’91. More recently he has created magic for Jus Ed’s Underground Quality, Classic, Razor n Tape and Local Talk as well as establishing his own District30 imprint. We kick off with NY Iz All I Know, a warm, soulful yet pumping slice of what can only be described as proper house music! Looped up vocal chops bounce around a classic disco groove until things breakdown into a new chord progression and saw wave bassline which add an interesting twist to the arrangement. Skin Tight drops next introducing a funk break underneath the solid four on the floor kick. One of Henry’s trademark chord progressions emerges and the elements build up around to form another masterclass in sample-heavy house perfection. Aroop Roy steps up for the remix following a run of fine edits and originals on the likes of Freestyle, Basic Fingers and House Of Disco. NY Iz All I Know gets stripped back and pumped up, taking the key elements and adding his own disco inspired groove and Moogy synth business for a floor- pleasing gem that we’re sure will help find him new fans from across the house and disco spectrum.

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Toby Tobias joins Delusions again for what will be his sixth(!) 12” entitled
The Rain. The prolific Londoner whose releases have graced such
venerable labels as Rekids, ESP Intistute and Let’s Play House, is back with
a vengeance, delivering two mighty fine originals plus a remix from
Nebraska.
In true Toby Tobias style, The Rain got made on an MPC, sliced and
edited from a single live take through the desk then accidentally deleted so
no further mixing, sequencing or editing could be carried out. But what is
an A&R man’s nightmare, turns out to be the record buying DJ’s gain, as
the improvised, dubby vibe and raw as ***k mixdown give the track an
authentic feel and energy which could only come from the madness in
Toby’s method.
Fresh from his brilliant releases on Mister Saturday Night and Razor n Tape,
we have our man Nebraska do his thing on the remix of The Rain.
Dropping down the BPM’s a bit from Toby’s more frenetic original,
Nebraska add’s a healthy dose of moogy lead lines to the lo-slung house
groove, perfect for warming up the dancefloor.
Closing this release we have New Way Of Feeling which sees Toby in
playful mode with a percussion heavy, driving basement jam. FM pads
form the centerpiece of the track whilst flourishes of Juno come and go,
hints of early 90’s IDM shining through on the glistening sine-wave
melodies. All in all a glorious melting pot of ideas and influences all over
this release which make for one of his strongest yet for Delusions

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For our 57th release we’re stoked to be bringing you some heavy new biz from the one and only Ron Basejam. This man is responsible for some of the classiest disco-influenced House music dating back to ’05 when his anthemic For The People blew our minds and soundtracked many an after-party so perfectly. Recent EP’s on Eskimo, Wolf Music, Futureboogie and top notch remixes for the likes of People Must Jam, Brownswood and Classic have all delivered in spades. Here on The Sound Of A Feeling EP we have three brilliant raw, stripped and chopped analogue jams plus the first ever remix from Tee Mango who comes hot off his stunning debut LP Imperfections on Millionhands.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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After his heroic release 'Like You Mean It EP' Uffe returns under a new name - U Dee, where he looks to explore a more stripped back, lo fi, floor focussed sound.
a Uffe has seen great success in the last year with release on Pets as well as the release of his second LP 'No!' on Max Graef's infamous Tartlet label, which has seen amazing support form the likes of RA, XLR8R and DJ Mag. Here on 'Love Is Gone EP' we're treated to 5 tracks of lo-fi, minimal DJ tools full of character and a quirkiness that come like a breath of fresh air

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Having unleashed the beast that is his debut LP Columbusing, thatmanmonkz grants a couple more heavyweight producers permission to get busy with the sonic manglers for remixes of Turn It Out and Boogie Down. First up, one of the vocalist contributors to the LP Dave Aju (known for his releases on Circus Company) takes on his own track Turn It Out, transforming the original from a backyard BBQ summer jam into some kind of mutant electro P-funk meets broken- beat fusion. A filtered bass line and bare bones 808 kicks are what this track is all about forming the perfect rhythmic union with the vocal. Flip over for a remix of Boogie Down from talented new UK producer Laurence Guy. Laurence has been making waves the last year since dropping his Kojak EP on Church and subsequently getting played at seemingly every single Move D gig for the following six months! A slew of brilliant releases came hot on the heels on labels such as Cin Cin, Rose and Outplay. For his Boogie Down remix Laurence has opted for a sweet and laid-back affair which compliments Erik Rico’s paired down vocals perfectly, conjuring up feelings of warm, balmy nights, dancing under the stars. In addition to the remixes we’ve included two more originals from the LP - Turn It Out and the dance-floor pleasing For Bae.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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For our 50th release on Delusions Of Grandeur we’re pleased to bring you seven exclusive tracks from a mighty-fine collection of both existing DOG artists and veritable newcomers alike. Part Two opens with Underground Quality key player Son Of Sound who brings a bucketful of attitude on Under The Son, laying down a rough-edged groove and getting on one with his vintage keys. Up next we have Sebastien Vorhaus & Ponty Mython who bring us the beast that is I’m The Slime. Easing us into things with gentle rhodes samples and a skippy groove, Vorhaus (of Soul Of Hex fame) and Mython soon develop things with hints of acid before unleashing a jazz piano riff that can be best described as unhinged. Flipping over the mysterious Zepp001 hunt and gatherer brings us Enemy. There’s elements of disco with bouncing syndrum fills and a mysterious mood prevails as shakers rattle, bells chime and congas slap but when the bassline drops it’s clear we’re into some serious future s**t here. Finally, we have our very own Norm De Plume who lays down a bad-boy groove with a rocking bassline, clattering cowbells and tension-building pads bringing an intense build and rounding off our 50th release in fine fashion, we hope you agree.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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For our 50th release on Delusions Of Grandeur we’re pleased to bring you seven exclusive tracks from a mighty-fine collection of both existing DOG artists and veritable newcomers alike.
Kicking off Part One we have Rush Hour regular Nebraska who manages to successfully combine elements of wait for it... trance and broken beat into an altogether more exciting and amazing way than that actually sounds on paper. Organic, sampled drums with plenty of grit and dirt lay down a groove whilst spacey synth arps and an almighty break (in a subtle way) make this something of an epic which all of us here have fallen for in a big way. Quintessentials and Kolour LTD favourite Ugly Drums steps up next digging deep in his seemingly bottomless collection of brilliant of disco and soul to mine some killer samples and conjuring up a masterclass in deepest ravehouse in the process. Rounding off Part One DOG mainstays and bona fide Retreaters Session Victim do what they do best on Came To Be Alive, turning in a completely blissed-out, dus98799y soul jam tailor-made as much for cozy nights in front of a log fire as for antipodean BBQ’s under a hazy sun.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Following two EP releases on Delusions Of Grandeur the time felt right for thatmanmonkz to get working on his debut LP. The Sheffield b-boy is no newcomer to production having been releasing music since the mid-noughties but has seen a definite rise in interest the last few years following essential releases on his own Shadeleaf label as well as remixes and productions for the likes of Classic, Kolour LTD and Kon’s StarTime. With his first musical love being Hip Hop it’s easy to understand how his approach to house turns out so refreshing. Inevitably MPC’s, big, bold samples, Jay Dee inspired grooves and a raw, underproduced sound all play a big part and never one to shy away from an interesting collaboration he has enlisted the skills of several vocalists including Detroit MC Ta‘raach (whose credits include Slum Village and Jill Scott), Erik Rico (collabs include Ron Trent and DJ Spinna), Khalil, Dave Aju, Pete Simpson (as A Brother Is...) and Malik Ameer.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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As we await the release of the debut LP Columbusing from thatmanmonkz we’re pleased to give you a little taster of two of the originals plus a couple of brilliant remixes from man of the moment GE-OLOGY and Jimpster. Thatmanmonkz has seen a definite rise in interest the last few years following essential releases on his own Shadeleaf label as well as remixes and productions for the likes of Classic, Kolour LTD and Kon’s StarTime..GE-OLOGY has been blowing minds with his latest release on Theo Parrish’s Sound Signature label with his jazzy take on warm, analogue house currently hitting the top spot on Juno and causing major waves after early plays from Gilles Peterson and Benji B Jimpster has seen great success in 2015, including being voted as Traxsources No1 Deep House DJ and hitting number 19 spot on their Deep House sellers of the year with English Rose.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Following hot on the heels of Toby’s brilliant long player Rising Son we bring you a couple of our favorite tracks remixed by two of our favorite producers, namely I:Cube and Session Victim. The Versatile veteran Nicolas Chaix kicks things off in his own unique style on his interpretation of Love Affair with widescreen pads and subterranean clanks and growls setting things up for a heady house journey. Session Victim do their thing on Slo Flava, jacking up the tempo and turning in a bouncing live jam with a soulful edge. Completing this EP we also have the two original versions of Love Affair and Slo Flava in all their glory.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More