Little wolfy number yeah? Medlar stepped up before and he’s stepping up again! This time he’s brought a couple of friends along for the ride with the WOLF OG showcasing four solid Deep House cuts with some UK & US flavours. 15 years deep and they still can’t keep us down.

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We’re stoked to welcome back Medlar to Delusions for his third EP on the label and you’re in for a proper treat! One of the unsung heroes of UK underground house music, Medlar has released on Wolf Music, Wah Wah 45’s and West Friends. His remixes and edits for the likes of West End, Kon, Dele Sosimi, Glenn Astro, Disclosure and Billy Cobham always hit the spot with an authentic, raw and crunchy sound that work magic on the dance floor. Here on his Interruptor EP we have 4 tracks which show off his range as a producer, taking in percussive tools, deep and dusty basement jams and blissful late night atmospherics. Lead track Interruptor is deceptively simple but devastating on a big system. Chopped up percussion, speaker wobbling bass and a heavy kick lay the foundation for crazy timbales and filtering syn-toms, all topped off with a familiar sample from back in the rave days. Next up we have I Wish which features Kim Anh who delivers a brilliant vocal complimenting the low-slung disco drums, 808 percussion and fat bassline perfectly. This is our idea of what a modern day house hit should sound like. Raw and unpolished with a loose, un-quantized groove so you can feel the funk and a dynamic arrangement which keeps the energy high throughout. Flipping over we have Cable Street which cranks things up with a techy house jam perfect for more peaks time sets. Once again, Medlar knows ex- actly how to make more with less and keeps the shuffling drums stripped back and simple stabs and modulating FX front and centre for maximum im- pact. Finally, Turn Things Around brings a more 90’s deep NYC feel to the EP with floating pads, bouncing bassline, piano stabs and organ riff. Subtley epic and grandiose without being showy, this is a slow-burner that could just be one of those B2 tracks which become your favourite of the release.

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It’s testament to the man they call Medlar, that you never quite know what you might get with one of his releases. WOLF Music family since the early days, his latest mini-LP on the label is no exception. Seven cuts that prove this man can do anything, taking you on an otherworldly, island tour.

First stop, ‘Aerial’, channelling that inner Wally Badarou for a cosmic, sand-stomping chuggathon, heavy on the juiced-up basslines, tripped out synth wizardry and space delay goodness. Your pace quickens, ‘Iguanadon’ rattles the world around you, shamanic echoes swirling through your skull as that acidic stab hypnotises you into a stupor.

Out the other side, you stumble across an ‘Elephant Bingo’. Cup of tea, track three. Slap bass, bongos and synth stabs lifting the spirits.

Back on the beach you drift off into a slice of sleazed up Balearic business, turning the funk dial all the way up to 11 via ‘ELV’. Suddenly things take a trippier turn. Are you dreaming? ‘CR78-108’ booms in the background, pure jungle-tinged, digi dubwise movements.

A few stiff drinks and you’re on your feet again. ‘Phoenix Lights’ New York house stylings pump you with life, even if your hazy brain is still hearing wild echoes all over the place.

How did you end up here, 10 hours later? One too many ‘Sin Prisa’ homebrews no doubt, yet you’re still stompin through, granted it’s of the slow-mo, acid-laced variety though.

What was in that welcome drink Medlar handed you at the start? Who knows, who cares when you get that kinda bang for your buck.

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There’s no better man to mark the fiftieth release on WOLF Music than South London stalwart and OG WOLF family, Medlar. Marrying techy touches and UKG stylings, with sonar bumps and Medlar's signature, sample-heavy groove, it’s a fitting way to bring in the half century.
The Peckham powerhouse throws down from the off with the rubbery, wiggling, ‘Novanta’. A garage infused lo-fi shuffle, springing samples and saturated stabs mingle with a choice vocal snippet. Looping up a Rhodes top line Medlar adds a certain swagger to this South of the river saunter.
'Pampas Drums' gets the room spinning with metallic percussive hits, twisting samples and wiggy zaps that form a cosmic swirl of echoes. Like a perpetually charging ray gun that's about to blow, the rising swells add layers of suspense to this hardy drum workout. Perfect laid over tracks or to shock dancers in it's own right.
Take to the flip for ‘Paloma’ showcasing Medlar’s fondness for a dose of UKG. Swinging hats and skipping claps blend with offbeat vocal cut-ups that give a classic underground '90s spark. Rolling subs add a weight whilst a crunched-up soulful synth offers a fresh flavoured touch to this tough jam.
Medlar rounds off the E.P in the Rye Wax basement with late night slammer, ‘Monday Boy’. Straight up, synth heavy club business, rich in analogue power and perfectly interlaced melodies, that has peak time written all over it.
Ten years in the game for WOLF Music and a landmark 50th release produced by a man who's been part of the brotherhood since the beginning.


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Hot off the back of his edits for seminal New York label West End, Medlar returns to his spiritual home for an EP that once again shows his versatility and cements his growing reputation as one of the best producers to come out of the UK in recent years. Four 808 electro inspired jams named after his favourite restaurants in Palermo, Istanbul, Paris and Peckham. The EP rounds off nicely with some help from West Friends and Rhythm Section affiliates FYI Chris. Buy or cry.


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The A side, Body Action has been causing quite a stir since it was included in Medlar's excellent Solid Steel mix last year. With it's recognisable vocal hook and piano line, it stood out amongst the high calibre of records included. On the flip Aya Chan is a brand new cut but channels Medlar's love for classic 80's labels such as West End & Prelude. Hand stamped vinyl only release with promo feedback form included.

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Medlar returns with his first EP since his debut album, Sleep. Having recently worked with Dan Shake on a collab EP for Delusions of Grandeur and remixing Andreya Triana for Ninja Tune. WOLFEP030 sees Medlar in fine form with fans of Sleep being treated to four complex and varied tracks. Early DJ support from Bicep & Leon Vynehall

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Following on from his debut album last year, Sleep. Medlar follows up with extended 12" versions of Tides, the stand out track from the album and Tap Spring. Boston crate digger Kon is on remix duty who turns out a straight up house version of Tides. While WOLF Music resident Greymatter takes on album track Listen, turning the jazz shuflling house track into a rumbling big room rework .

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WOLF MUSIC PRESENT 'SLEEP', THE DEBUT ALBUM FROM THE MIGHTY MEDLAR. FOLLOWING ON FROM LAST YEAR'S 'TERRELL' AND 'KNOCKARD PEARL', NED 'MEDLAR' PEGLER HAS READIED A DEBUT LP THAT COMPROMISES 10 TRACKS OF BLISSED OUT VIBES, MOODS GROOVES & HOUSE MUSIC. A MASTER OF CLASSIC KEYBOARD STABS AND SULTRY VOCAL CUTS, THE SOUTH LONDON-BASED PRODUCER HAS RECEIVED SUPPORT AND A REMIX FROM BICEP AS WELL AS DETROIT SWINDLE. UNDOUBTEDLY INFLUENCED BY THE EARLY HOUSE STYLES OF CHICAGO, DETROIT AND NEW JERSEY, MEDLAR'S TOUCH IS A DISTINGUISHED ONE. 2 X LP BLACK & WHITE INK BLOT VINYL IN A GATEFOLD SLEEVE THE FIRST 500 COPIES COMES WITH A CD WHICH IS ONLY AVAILABLE WITH THIS VINYL.


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Franc Spangler makes a welcome and long overdue return to Delusions with a mighty-?ne three tracker packed with the good stuff. The throbbing bump of the title track with it’s bouncing square-wave bassline and drifting stabs leads the charge, crunchy hats driving along the groove whilst a cut up vocal ratchets up the energy. Flipping over we have Somewhere Else, a much deeper and jazzier affair based around a repeating four bar horn part. Never straying too far from the dance ?oor, Franc keeps things percussive and dynamic whilst conjuring up a moment of musical bliss, chiming synths dripping down like golden rays of sunshine on the densely textured orchestral layers. Closing off the release, Dreamworld takes us by the hand on a tropical excursion, low slung beats punctuated by echoing xylophone riffs and Apito whistle. Dubby atmospherics and warm Juno106 chords give the track a Balearic mood perfect for the summer months ahead.

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Danish producer Paxton Fettel joins Delusions for his debut EP for the label entitled Night Waves. Despite his youth, he has notched up an enviable catalogue of original, eclectic releases including two LP’s for Greta Cottage Workshop as well as EP’s for Plumage, Kolour LTD and Apersonal. Paxton’s unique sound and audiophile approach to production has led to remixes for Uffe on Tartelet, Chocky on Secret Reels and most recently Sunrom on ?edgling vinyl-only label The Bricks. For his Night Waves EP we get a snapshot of the mans diversity across three original tracks. The opener sees Paxton in his most raw, jacking, dance ?oor focussed mood to date and the result is a high energy house track which punches hard on a big system. Featuring his own bass playing, snipped and squeezed through the sonic mangle, Night Waves steams along with big bold pianos, swinging hats and just the right amount of ?oating synths. Simple elements which combine to be so much more than the sum of its parts and one of those stand-out cuts that will be stuck in your head long after you’ve left the dance?oor. Flipping over we have Paxton going full-on jazz mode in Paci?ca 399 To Freedom. A track which once again has his beloved Sandberg California live bass part pushed to the fore, pianos, strings and synths building around the driving disco groove. Feel-good sunshine vibes oozing from the speakers as little melodies dance around the sizzling hi hats and encompassing pulse of the kick drum. Finally we have a deeper note to close on with It’s Clear. A repeating vocal hook runs throughout the intro while intricate drum programming gives a nod to the sounds of broken beat and live jazz sensibilities. The end result is a warm, loose and dubby jam which completes the package in ?ne style and leaves us looking forward to hearing more from this talented young producer from Copenhagen.

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Time flies when you’re having fun and we can’t fathom how this can be Ben Sun’s 5th EP for Delusions Of Grandeur but it’s true enough and once again he comes up trumps in the form of the Place Of Worship EP. Having previously graced such esteemed imprints as Royal Oak, Tru Thoughts, Razor n Tape as well as his own vinyl-only label Voyeurhythm the London based Australian producer continues to be both highly regarded, yet somewhat under the radar but we’re sure that’s about to change with this incredible new three tracker. Opening up we have See It Come Shining, just the kind of life-affirming club track which seem to be in such short supply these days, but that we need now more than ever. Gospel flavoured piano chords tug on the heart strings whilst a simple, raw disco groove with added 909 punch creates a warmth and energy that transcends the dance floors that it’s destined to liberate. Flipping over we have Oceanways T150, a deep, analogue jam that harks back to simpler times when breakbeats collided with a house thump, uplifting pianos meld into punching basslines and discovering music through muffled old cassette mixtapes or patchy pirate radio reception was all we knew. Rounding off the EP we have the perfect closer Atlantis Transfer. Here Ben puts more early influences into the mixing pot with ambient washes cascading down over a sublime 90’s deep house bassline. Analogue hats and tripped-out sound FX skirt around a naive synth melody making for a heady late night treat to get lost in.

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Helsinki-based producer Saine makes his Delusions debut following amazing output on such revered labels as Voyage Recordings, Odd Socks, Omena and Fina. A producer who can flit from hazy instrumental hip hop through to raw, dusty house at the flick of a switch, Saine has built a solid following amongst lovers of left field leanings we’ve come to expect from the likes of Max Graef, Glenn Astro, Henry Wu and Leon Vynhall. On lead track Act Natural we find Saine in perhaps his heaviest mood to date, delivering a crunchy uptempo house jam which retains his unique sound despite being aimed firmly at the dancefloor. A speaker wobbling eighth note bassline locks down the groove whilst familiar, much-loved frag- ments from the rave days punctuate the crackling beats. Add to this some simple syncopated chords and you have a winning formula for a timeless track which looks to the future whilst respectfully doffing it’s cap to the past. Jus Right continues in a deeper, more musical fashion with Saine getting busy on his synths, building up layers of warm pads and soloing Moog lines. A prominent vocal brings a soulful touch whilst the minimal, almost hihat-less groove adds an original and fresh feel to this blissful track. Flipping over we have Low Key, a shuffling deep house number loaded with sliced Rhodes samples, echoing vocal hits, clipped percussion and sublime bass. As the atmosphere thickens, everything falls away to silence before rebuilding, creating some nice tension in the arrangement. Finally we have Pontchartrain offering up an excellent remix of Jus Right. The Detroit native responsible for some mighty fine releases for the likes of Rocksteady Disco, Lovedancing, Soul Clap, Kolour LTD and Whiskey Disco takes things in a more straight-up house direction with heavier beats, 909 hats pushed to the fore and a distinctively old school feel to the mix.

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Scottish producer Austin Ato has been making waves the last couple of years having had well received releases on Futureboogie and Phonica White and this year looks to be his best yet! Remixes for Folamour on Classic, Balako on Greco Roman and an EP for Man Power's label Me Me Me will be dropping in the coming weeks, paving the way for his Delusions Of Grandeur debut double A side; Ella / Putting It In My Way.

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Time for a cheeky, under the radar one from new Delusions signing Flight Mode. One track either side for extra-loud full-fatness. Two variations on a theme, taking us on a deep, dubby, disco tip. A crisp, rolling groove and echoing stabs swirling around one of the best bass lines ever produced. Global Communications getting stoned with DJ Pierre on the A side. Carl Craig and Moroder hanging out in the kitchen of the after party on the flip side. Play loud, live long and prosper!

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Aroop Roy has been making waves with his unique sounds for the past few years, with a wealth of successful releases and a busy gig schedule at the helm of some of the best clubs around the world. By fusing elements of Jazz, Afro, Latin, Funk and Soul with the deeper end of House and Disco, Aroop has forged his own style with EPs on revered labels including G.A.M.M, Basic Fingers, Freestyle and Lazy Days. For his Delusions Of Grandeur debut he pulled out all the stops, delivering three original tracks which further show his diversity as an artist and ability to produce left of centre, quality underground music without losing sight of the dancefloor. Things kick off with Save Our Love, a track that’s absolutely brimming with energy thanks to punchy Wurlitzer chops, tension-building Philly strings, and a rock-solid disco groove. Next up we have What I love which sees Aroop take an altogether more freaky approach flipping an uptempo rolling break, distorted synth line, cross-rhythm stabs and rasping vocal cuts into an edgy dance floor workout. Closing this brilliant EP is the low-slung bump of Walk That Walk featuring original vocals from Oakland, CA based Blacktroniks who delivers his flow on top of a bass-heavy slice of deep electro boogie.

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Native New Yorker Son Of Sound aka Henry Maldonado returns to Delusions of Grandeur with another fine EP including two floor-friendly originals plus a stripped back remix from Aroop Roy. For those too young to have been buying records in the early 90’s Henry was a key figure, involved in seminal releases on Strictly Rhythm as House 2 House, Maxi Records as Deja Vu and MAW Records as Rhythm Section. To say this guy has history is something of an understatement having made an important contribution to the first wave of deep house with productions dating right back to ’91. More recently he has created magic for Jus Ed’s Underground Quality, Classic, Razor n Tape and Local Talk as well as establishing his own District30 imprint. We kick off with NY Iz All I Know, a warm, soulful yet pumping slice of what can only be described as proper house music! Looped up vocal chops bounce around a classic disco groove until things breakdown into a new chord progression and saw wave bassline which add an interesting twist to the arrangement. Skin Tight drops next introducing a funk break underneath the solid four on the floor kick. One of Henry’s trademark chord progressions emerges and the elements build up around to form another masterclass in sample-heavy house perfection. Aroop Roy steps up for the remix following a run of fine edits and originals on the likes of Freestyle, Basic Fingers and House Of Disco. NY Iz All I Know gets stripped back and pumped up, taking the key elements and adding his own disco inspired groove and Moogy synth business for a floor- pleasing gem that we’re sure will help find him new fans from across the house and disco spectrum.

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This June Session Victim returned to Delusions Of Grandeur imprint with their third studio album.Listen To Your Heart is the result of a year of cross-continental scripting, started in their Hamburg studio and wrapped up stateside in San Francisco’s Room G Studios where the duo had worked on their 2014 LP See You When You Get There. Here we present the third of three LP samplers containing four tracks each, cut nice and loud for the vinyl crew. We kick things off with Almost Midnight, another uplifting summer jam loaded with trademark Session Victim energy and positive vibrations. Next up we have Castle For Sale which drops the bpm’s for a dub influenced, spaced out jam session sounding like King Tubby and Nightmares On Wax getting stuck in the proverbial lift with a large bong for company. Flipping over we have a Head Over Heels, which goes heavy on the lush orchestral strings and a brilliant bouncing Moog bassline bringing a deft touch. Finally we’re treated to Thermal Explorer, which incorporates some wonderful Larry Heard-esque keyboards for a perfect wind-down track to close the release. An impeccable demonstration of retro-inspired yet forward thinking house and downtempo music,Listen To Your Heartsees Session Victim at the top of their game.

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Toby Tobias joins Delusions again for what will be his sixth(!) 12” entitled
The Rain. The prolific Londoner whose releases have graced such
venerable labels as Rekids, ESP Intistute and Let’s Play House, is back with
a vengeance, delivering two mighty fine originals plus a remix from
Nebraska.
In true Toby Tobias style, The Rain got made on an MPC, sliced and
edited from a single live take through the desk then accidentally deleted so
no further mixing, sequencing or editing could be carried out. But what is
an A&R man’s nightmare, turns out to be the record buying DJ’s gain, as
the improvised, dubby vibe and raw as ***k mixdown give the track an
authentic feel and energy which could only come from the madness in
Toby’s method.
Fresh from his brilliant releases on Mister Saturday Night and Razor n Tape,
we have our man Nebraska do his thing on the remix of The Rain.
Dropping down the BPM’s a bit from Toby’s more frenetic original,
Nebraska add’s a healthy dose of moogy lead lines to the lo-slung house
groove, perfect for warming up the dancefloor.
Closing this release we have New Way Of Feeling which sees Toby in
playful mode with a percussion heavy, driving basement jam. FM pads
form the centerpiece of the track whilst flourishes of Juno come and go,
hints of early 90’s IDM shining through on the glistening sine-wave
melodies. All in all a glorious melting pot of ideas and influences all over
this release which make for one of his strongest yet for Delusions

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For our 57th release we’re stoked to be bringing you some heavy new biz from the one and only Ron Basejam. This man is responsible for some of the classiest disco-influenced House music dating back to ’05 when his anthemic For The People blew our minds and soundtracked many an after-party so perfectly. Recent EP’s on Eskimo, Wolf Music, Futureboogie and top notch remixes for the likes of People Must Jam, Brownswood and Classic have all delivered in spades. Here on The Sound Of A Feeling EP we have three brilliant raw, stripped and chopped analogue jams plus the first ever remix from Tee Mango who comes hot off his stunning debut LP Imperfections on Millionhands.

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After his heroic release 'Like You Mean It EP' Uffe returns under a new name - U Dee, where he looks to explore a more stripped back, lo fi, floor focussed sound.
a Uffe has seen great success in the last year with release on Pets as well as the release of his second LP 'No!' on Max Graef's infamous Tartlet label, which has seen amazing support form the likes of RA, XLR8R and DJ Mag. Here on 'Love Is Gone EP' we're treated to 5 tracks of lo-fi, minimal DJ tools full of character and a quirkiness that come like a breath of fresh air

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Having unleashed the beast that is his debut LP Columbusing, thatmanmonkz grants a couple more heavyweight producers permission to get busy with the sonic manglers for remixes of Turn It Out and Boogie Down. First up, one of the vocalist contributors to the LP Dave Aju (known for his releases on Circus Company) takes on his own track Turn It Out, transforming the original from a backyard BBQ summer jam into some kind of mutant electro P-funk meets broken- beat fusion. A filtered bass line and bare bones 808 kicks are what this track is all about forming the perfect rhythmic union with the vocal. Flip over for a remix of Boogie Down from talented new UK producer Laurence Guy. Laurence has been making waves the last year since dropping his Kojak EP on Church and subsequently getting played at seemingly every single Move D gig for the following six months! A slew of brilliant releases came hot on the heels on labels such as Cin Cin, Rose and Outplay. For his Boogie Down remix Laurence has opted for a sweet and laid-back affair which compliments Erik Rico’s paired down vocals perfectly, conjuring up feelings of warm, balmy nights, dancing under the stars. In addition to the remixes we’ve included two more originals from the LP - Turn It Out and the dance-floor pleasing For Bae.

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For our 50th release on Delusions Of Grandeur we’re pleased to bring you seven exclusive tracks from a mighty-fine collection of both existing DOG artists and veritable newcomers alike. Part Two opens with Underground Quality key player Son Of Sound who brings a bucketful of attitude on Under The Son, laying down a rough-edged groove and getting on one with his vintage keys. Up next we have Sebastien Vorhaus & Ponty Mython who bring us the beast that is I’m The Slime. Easing us into things with gentle rhodes samples and a skippy groove, Vorhaus (of Soul Of Hex fame) and Mython soon develop things with hints of acid before unleashing a jazz piano riff that can be best described as unhinged. Flipping over the mysterious Zepp001 hunt and gatherer brings us Enemy. There’s elements of disco with bouncing syndrum fills and a mysterious mood prevails as shakers rattle, bells chime and congas slap but when the bassline drops it’s clear we’re into some serious future s**t here. Finally, we have our very own Norm De Plume who lays down a bad-boy groove with a rocking bassline, clattering cowbells and tension-building pads bringing an intense build and rounding off our 50th release in fine fashion, we hope you agree.

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For our 50th release on Delusions Of Grandeur we’re pleased to bring you seven exclusive tracks from a mighty-fine collection of both existing DOG artists and veritable newcomers alike.
Kicking off Part One we have Rush Hour regular Nebraska who manages to successfully combine elements of wait for it... trance and broken beat into an altogether more exciting and amazing way than that actually sounds on paper. Organic, sampled drums with plenty of grit and dirt lay down a groove whilst spacey synth arps and an almighty break (in a subtle way) make this something of an epic which all of us here have fallen for in a big way. Quintessentials and Kolour LTD favourite Ugly Drums steps up next digging deep in his seemingly bottomless collection of brilliant of disco and soul to mine some killer samples and conjuring up a masterclass in deepest ravehouse in the process. Rounding off Part One DOG mainstays and bona fide Retreaters Session Victim do what they do best on Came To Be Alive, turning in a completely blissed-out, dus98799y soul jam tailor-made as much for cozy nights in front of a log fire as for antipodean BBQ’s under a hazy sun.

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Following two EP releases on Delusions Of Grandeur the time felt right for thatmanmonkz to get working on his debut LP. The Sheffield b-boy is no newcomer to production having been releasing music since the mid-noughties but has seen a definite rise in interest the last few years following essential releases on his own Shadeleaf label as well as remixes and productions for the likes of Classic, Kolour LTD and Kon’s StarTime. With his first musical love being Hip Hop it’s easy to understand how his approach to house turns out so refreshing. Inevitably MPC’s, big, bold samples, Jay Dee inspired grooves and a raw, underproduced sound all play a big part and never one to shy away from an interesting collaboration he has enlisted the skills of several vocalists including Detroit MC Ta‘raach (whose credits include Slum Village and Jill Scott), Erik Rico (collabs include Ron Trent and DJ Spinna), Khalil, Dave Aju, Pete Simpson (as A Brother Is...) and Malik Ameer.

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As we await the release of the debut LP Columbusing from thatmanmonkz we’re pleased to give you a little taster of two of the originals plus a couple of brilliant remixes from man of the moment GE-OLOGY and Jimpster. Thatmanmonkz has seen a definite rise in interest the last few years following essential releases on his own Shadeleaf label as well as remixes and productions for the likes of Classic, Kolour LTD and Kon’s StarTime..GE-OLOGY has been blowing minds with his latest release on Theo Parrish’s Sound Signature label with his jazzy take on warm, analogue house currently hitting the top spot on Juno and causing major waves after early plays from Gilles Peterson and Benji B Jimpster has seen great success in 2015, including being voted as Traxsources No1 Deep House DJ and hitting number 19 spot on their Deep House sellers of the year with English Rose.

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Following hot on the heels of Toby’s brilliant long player Rising Son we bring you a couple of our favorite tracks remixed by two of our favorite producers, namely I:Cube and Session Victim. The Versatile veteran Nicolas Chaix kicks things off in his own unique style on his interpretation of Love Affair with widescreen pads and subterranean clanks and growls setting things up for a heady house journey. Session Victim do their thing on Slo Flava, jacking up the tempo and turning in a bouncing live jam with a soulful edge. Completing this EP we also have the two original versions of Love Affair and Slo Flava in all their glory.

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WAS - Word and Sound Medien GmbH
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Germany
Contact: [email protected]More