Typeless. Undefinable. Divergent. The adjectives used to describe musical anatomy and direction are irrevocably inexhaustible, but as sure as the sun will rise again, we will remain Typeless. We’ve spent the days regrouping, realigning and now we finally can release a record that is dear to us and has simply been a ridiculously long time coming.

The ascension of Viers is well charted, and having already played a part in that indomitable sonic crusade we once again submit to his gripping vibrations as he distils them into safe and consumable formats distinguishable to 6 tracks and no punches pulled, the bruising of egos and maybe some self-assuredness is at hand. Smashed veneers everywhere no thanks to Viers. Now watch out for the title track, underpinned by devastating kicks and exacerbated by gritty chords, it is befitting of soundtrack to a subterranean aesthetic. Next comes ‘Floris’, an IDM-inclined electro journey, but with the originality and added peculiarities of a limitless entity. Track 3 is ‘Hidden Bone’ and it is almost inexplicable. Shuddering percussion and erratic mechanoid modulations combine to somehow cause an oddly beautiful chaos. ‘Running’ comes in pummelling, the weighty break and modulated keys create a prismic heat ensuring ceaseless head-nodding and heavy breathing. Now, do you hear 140? ‘Tell Me’ is the low-slung bass-weight weapon you forgot you needed. Holiday in the mind of a former you and don’t forget to buss’ it. Closing the show is ‘Feeling Like This’, with its experimental glaze and mercurial patterns somewhat blurring the imposing lines between classic AFX and the Night Slugs era.

Give your brain the ride of its life and get Viers between your ears. Typeless is back and you can’t even believe it, but you have to because these words in a row are telling you to.

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Strap yourself in and take 4 mind-blowing hits of Viers! Bass to break skin and torrents of drums flow through the bloodstream. Synth stabs up the spine. Hi-NRG surges within. Straight-to-the-face warehouse sonics with techno vertigo to elevate your heart rate. You can expect withdrawals

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Nutcracker. We concluded 2018 with a gentle bed of ethereal, chilly ambient so we could rocket into 2019 with something especially loud, brash, pummeling. Here is ?Lights Out?, a four-track EP by Viers, a.k.a. LK, proprietor of Hokkaido Dance Club and purveyor of surgically-precise, brutal techno, riotous electro, jacked house. If this doesn’t wake you up, nothing will.

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Bordeaux based producer Leon Revol releases debut album on Church.

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Julio Victoria is a name that needs no introduction in Colombia's electronic music scene. One of the most influential DJs to emerge from South America over the last decade, Julionow presents Astrolabe, his new EP and first vinyl release. It is also his debut for South East London based label, Church.
The vinyl, composed of three portentous tracks, found its inspiration in an elaborate old fashioned instrument, historically used by astronomers and navigators to identify new stars and planets. Perhaps that's the reason why "Astrolabe" immerses the listener into a celestial state of relaxation and contemplation. A dance ritual that never ends. "Evasión" introduces a more percussive lead groove that carries hypnotic top lines of fuzzy synth patterns that ease across the duration of the track. "Tres" closes the collection with groove inducing hats and a pulsing bass line that partners perfectly with more reverb-soaked swells of filtered chords and showers of twinkling & expanding melodies.
Astrolabe will have a solid run of launch events across Colombia, as well as in Asia and Europe, which will include Seoul, Tokyo, Hong Kong, London, Zurich and Dublin.

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Church Marble 005 is upon us and it comes from Cape Town, courtesy of Biodive.

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After a brief hiatus, Church Volumes returns with deep cuts from Igor B, Leon Revol, Wasserfall & Vaage and U-I.


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Mancunian Hidden Spheres has showcased himself as one of the most innovative producers out there, releasing across the likes of Lobster Theremin, Rhythm Section International and his own imprint Fruit Merchant, all of which have been the perfect outlets for his inspiring blend of house and jazz. Church now features as the latest addition, who continue their stellar discography with 'Words Can't Explain', a collaborative EP which sees Hidden Spheres alongside singer-songwriter and guitarist, Oscar Jerome.
The collection begins with the original mix, lowering you into slick jazz guitar licks and echoing vocals, before Hidden Spheres provides a tight groove to lock around the melodies in fine form. The hybrid creation of jazz meets house binds perfectly as warm keys hang effortlessly in the air and popping guitar lines carry you onwards, supporting the sublime vocal from Oscar.
The dub version opens up room for the guitar licks and synth top lines to take centre stage, a real opportunity to marvel at the arrangement here.
On the flip is Yu Su's rework who ups the tempo and dims the lights for a punchier rework.. The half way point welcomes a percussive led break before the hats return and pick up the groove once again, closing the 'Words Can't Explain' EP in style.

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The Detached Observation EP kicks off with Paradise Crane - a deep and dreamy production carried by soaring synths that echo throughout. Valentino Mora builds upon the soundscape left by Rai, remixing with fine affect as he introduces a simplistic yet highly effective tech groove to complement her work well.
The B side sees Rai offer up a balearic feel with rich horn lines dancing around a haze of muffled bass line and soft kicks. The EP comes to close with more delightful reverb soaked chords which are carried by liquid smooth hats from start to finish coming together in fine form for the title track.

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Loz Goddard is next up on Church White with three hazy nuggets, alongside a remix from your fave house band Session Victim.


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DJ Malcolm steps out the dog house, featuring Dabriel Garius on keys.



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Pacific Coliseum lends his craft to Church under new alias PC. Euphoric biz on the A, with a deep snip on the B.


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Church alum FYI Chris return with a four track belter fit to follow their stand out 'No Hurry' Release from way back when...

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Church start 2017 in familiar fashion, introducing Ben Hauke to the label.


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South London via Toronto, next up for Church is Jesse Futerman.

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Church Volumes 003 featuring Nicholas, Seb Wildblood, Jesse Futerman & Philip Budny.


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Church Marble 002 comes in the form of a collaboration between Beesmunt Soundsystem & San Proper.

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New Church Black from Beesmunt Soundsystem, five fresh cuts including a Mosey remix.

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Ishmael returns with his second offering for church, this time his debut full length 'Sometime In Space'.

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After a successful summer of Church White releases gathering support from Session Victim, Move D, Galcher Lustwerk and a host of others, Church returns with it's next offering from Peckham via Auckland brothers Chaos In The CBD. Fresh off the back of the Juno number one seller EP 'Midnight In Peckham' on Rhythm Section, they delve into deeper territory with emotive title track 'Constraints Of Time Travel'


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Following the debut 12? from young blood Happa, fledging London label Church break into the year with their second official release from up and comer Rumah. Following his debut collaborative 12? on Nineteen89, the double A-side release exhibits a maturing of the producers sound and cements his allegiance to affront, dance floor ready Techno. Both tracks centre around infectious spoken word samples, mercilessly spliced for the benefit of Hughes' exceptionally powerful use of rhythm. 'Stutter' combines bouncy kicks with glitchy percussion, whilst 'Murmur' melds heavyweight grooves with mesmerising, dark acid bass lines and cutting snares. Church founders Apes & Seb Wildblood's spin on 'Stutter' slows down the tempo into Deep House/Techno territory, with simmering reverbed stabs and atmospheric vocals, this re-imagined cut is tailor made to be used as a solid club tool. James Fox on the other hand provides a slinky interpretation of 'Murmur', Stretching out the samples taken from Rumah's originals and manipulating the evocative, soulful vocals he is best known for. The release marks an integral step into the early foundations of the promising label, Rumah is showing himself as a definite one to watch. Early support for the release comes from; Bicep, Dark Sky, Ben Pearce, South London Ordnance and Paleman.

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