Bordeaux based producer Leon Revol releases debut album on Church.

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Church Marble 005 is upon us and it comes from Cape Town, courtesy of Biodive.

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After a brief hiatus, Church Volumes returns with deep cuts from Igor B, Leon Revol, Wasserfall & Vaage and U-I.


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Mancunian Hidden Spheres has showcased himself as one of the most innovative producers out there, releasing across the likes of Lobster Theremin, Rhythm Section International and his own imprint Fruit Merchant, all of which have been the perfect outlets for his inspiring blend of house and jazz. Church now features as the latest addition, who continue their stellar discography with 'Words Can't Explain', a collaborative EP which sees Hidden Spheres alongside singer-songwriter and guitarist, Oscar Jerome.
The collection begins with the original mix, lowering you into slick jazz guitar licks and echoing vocals, before Hidden Spheres provides a tight groove to lock around the melodies in fine form. The hybrid creation of jazz meets house binds perfectly as warm keys hang effortlessly in the air and popping guitar lines carry you onwards, supporting the sublime vocal from Oscar.
The dub version opens up room for the guitar licks and synth top lines to take centre stage, a real opportunity to marvel at the arrangement here.
On the flip is Yu Su's rework who ups the tempo and dims the lights for a punchier rework.. The half way point welcomes a percussive led break before the hats return and pick up the groove once again, closing the 'Words Can't Explain' EP in style.

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The Detached Observation EP kicks off with Paradise Crane - a deep and dreamy production carried by soaring synths that echo throughout. Valentino Mora builds upon the soundscape left by Rai, remixing with fine affect as he introduces a simplistic yet highly effective tech groove to complement her work well.
The B side sees Rai offer up a balearic feel with rich horn lines dancing around a haze of muffled bass line and soft kicks. The EP comes to close with more delightful reverb soaked chords which are carried by liquid smooth hats from start to finish coming together in fine form for the title track.

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Loz Goddard is next up on Church White with three hazy nuggets, alongside a remix from your fave house band Session Victim.


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DJ Malcolm steps out the dog house, featuring Dabriel Garius on keys.



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Pacific Coliseum lends his craft to Church under new alias PC. Euphoric biz on the A, with a deep snip on the B.


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Church alum FYI Chris return with a four track belter fit to follow their stand out 'No Hurry' Release from way back when...

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Church start 2017 in familiar fashion, introducing Ben Hauke to the label.


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South London via Toronto, next up for Church is Jesse Futerman.

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Church Volumes 003 featuring Nicholas, Seb Wildblood, Jesse Futerman & Philip Budny.


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Church Marble 002 comes in the form of a collaboration between Beesmunt Soundsystem & San Proper.

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New Church Black from Beesmunt Soundsystem, five fresh cuts including a Mosey remix.

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Ishmael returns with his second offering for church, this time his debut full length 'Sometime In Space'.

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After a successful summer of Church White releases gathering support from Session Victim, Move D, Galcher Lustwerk and a host of others, Church returns with it's next offering from Peckham via Auckland brothers Chaos In The CBD. Fresh off the back of the Juno number one seller EP 'Midnight In Peckham' on Rhythm Section, they delve into deeper territory with emotive title track 'Constraints Of Time Travel'


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After a Summer of Church White Releases, Church Black steps back to the forefront, this time with eight Raw Jams from Church alumni Viers.

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Following the debut 12? from young blood Happa, fledging London label Church break into the year with their second official release from up and comer Rumah. Following his debut collaborative 12? on Nineteen89, the double A-side release exhibits a maturing of the producers sound and cements his allegiance to affront, dance floor ready Techno. Both tracks centre around infectious spoken word samples, mercilessly spliced for the benefit of Hughes' exceptionally powerful use of rhythm. 'Stutter' combines bouncy kicks with glitchy percussion, whilst 'Murmur' melds heavyweight grooves with mesmerising, dark acid bass lines and cutting snares. Church founders Apes & Seb Wildblood's spin on 'Stutter' slows down the tempo into Deep House/Techno territory, with simmering reverbed stabs and atmospheric vocals, this re-imagined cut is tailor made to be used as a solid club tool. James Fox on the other hand provides a slinky interpretation of 'Murmur', Stretching out the samples taken from Rumah's originals and manipulating the evocative, soulful vocals he is best known for. The release marks an integral step into the early foundations of the promising label, Rumah is showing himself as a definite one to watch. Early support for the release comes from; Bicep, Dark Sky, Ben Pearce, South London Ordnance and Paleman.

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