Tracklisting:
A1 Eduardo De La Calle - Son Of Sri Ranchor
A2 Eduardo De La Calle - Kardama vs SRPGKM
B1 Eduardo De La Calle - Deva Juti
B2 Eduardo De La Calle - ARNOHCR

Sales Note
Out of the many artists, both new and established, that Futurepast has welcomed to its family, Spanish producer and DJ Eduardo De La Calle is one that we can definitively call a legend. His vast discography includes many of dance music's most appreciated labels, so we're humbled to present a full EP from him.

His EP "Kardama" emerged as the winter of 2022 bled into 2023, a period where he'd actually been producing more downtempo works, so "Kardama" is his most recent take on techno; a genre he is certainly well-versed in with over 25 years experience.

As a reflective work, De La Calle processes emotions and thoughts with analog methods, reverse delays and pedals on "Kardama". The emotions that he holds close to himself show up in the detail that sits deeper within each track.

"I simply make music with the intention of feeling better" says De La Calle, "it is a therapy for my mind and for my spiritual state. Through a creative process, I feel calm and useful for the world and for myself."

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Deep driving techno tracks by the Spanish techno don

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Eduardo De La Calle s recent Distortion Theory III EP on Abstract Reasoning was another impressive piece of work from the prolific producer. Now come four diverse remixes of the title track, each with their own unique twist on the warped machinations of the original.
J - Keel kicks off proceedings with a droning, tense interpretation which toughens up the original considerably. Reversed chord stabs pitch up and down as ominous bass bores a steady course through the track s underbelly, with ticking percussive elements ensuring a motorik pulse.
The masterful Roman Fl gel teases out the chime motif of the original and supplements them with muted marimba-esque arpeggios for a soothing, underwater feel. The beats are kept to a succinct minimum, with subtle swathes of strings bringing a majestic, dreamlike tinge to this refined, minimalistic production.
Fellow Spaniard ORBE brings an ambient feel to the hazy, delicate melodics of his mix, with the delayed, warped synth patterns that struggle to be heard and beautiful atmospherics recalling Carl Craig. Moments of distorted pressure seep through and remind us of the buggedout flavour of the original.
Holland s Conforce rounds things off with plump low end throbs and sparse synth pulses reminiscent of Basic Channel, with gently shuffling hi-hats underpinning the murky yet warm textures and broad, heavily reverbed swathes of chord drama.
A1 Eduardo De La Calle ? Distortion Theory III (J-Keel remix)
A2 Eduardo De La Calle ? Distortion Theory III (Roman Flügel remix)
B1 Eduardo De La Calle ? Distortion Theory III (ORBE remix)
B2 Eduardo De La Calle ? Distortion Theory III (Conforce remix)


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Eduardo De La Calle has been doing his thing since the early 2000s, but the last couple of years have seen him move into overdrive. Releases on Planet E, Hivern Discs, Nitsa Trax, Turbo Recordings, Gigolo and Darkroom Dubs to name just a few have shown he is both prolific and consistent, and this new four-track collection is just as compelling as his recent output.\\r\\n\\r\\nDistortion Theory III is a whirring hypnotic machine jam that melds shimmering synth snippets to mind-bending FX undulations and throbbing low end. Disorientating and wonky as hell, it\\\'s the sound of a funky computer malfunction somewhere in deep space.\\r\\n\\r\\nLight Tunnel continues the theme, coming across like the dying throes of space station spinning out of control due to excessive amounts of sub bass. It\\\'s a dizzying, disorientating ride.\\r\\n\\r\\nAcid Aaron C (Edit) wastes no time getting down to business with its gurgling, incessant 303 line present from the get-go. Shuffling percussion rubs up against heady female vocal lines and wonky detuned 8-bit synth blips, the undercurrent of the track swelling and calming seemingly at will. \\r\\n\\r\\nThe Dub Math takes things down a notch with hazy sounds and plodding sub bass combining with heavily reverbed vocal incantations which all combine to bring together the vibe referenced in the title.

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Suns out, guns out: Darkroom Dubs ease into 2018 slowly with a new addition to their limited vinyl series courtesy of Madrid analogue scientist Eduardo De La Calle. Last spotted on Planet E and boasting a 15 year back-cat on the likes of Cadenza, Biologic, Just This, Hivern Discs and Mule Muziq, Eduardo is a man you’re already well acquainted with. And you’re going to want to get even closer once you’ve digested these four straight-to-business stripped-back traxx. Each cut designed for deep mix tailoring that you can really bend minds with.

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Eduardo always delivers quality music, but this is a very special record, we can say that "this is a showcase of electronic music". Four tracks with four different styles of electronica: deep and marvelous keys in “Wondrous Punia”, a mastely detroit house lesson in “Knockout Sakshi”, the minimal techno monster in “Great Manojar”, and the psichodelic electronic cult song “Georgeous Shiama”.
Another timeless record for your collection.


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Shimmering from the depths of experimental techno, Eduardo returns to Anemone with the Bhishma EP.


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“Everything is sound in the material world. You and me, we are vibrations” Sampling, strife and spirituality - three notions that form the basics of Eduardo’s lifestyle. De la Calle is back on Forbidden Colours, again flaunting his connection with El_Txef_A. The release consists of three original cuts. On the A Side at 45 rpm is the energy and freneticism of 'Hobson’s Choice': "Because a person may refuse to accept what is offered, the two options are taking it or taking nothing" On the B side, the sublime 'Paradox of Choice' leads with a strange kick loop and astral synthesizers followed by 'Transportation Forecasting', where a classic 4x4 kick is paired with analog recordings to depict a more colorful setting.

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Eduardo de la Calle signs Sungate's first release, an original four track EP which overall concept takes inspiration from Hindu mythology and comes alive through four balanced, elegant and strong productions. Analog sound with hypnotic cadence, futuristic personality and Eduardo's unique personal trademark.


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we are very glad that our favorite spanish producer “eduardo de la calle" is back to mule musiq. there are four deep analog techno tunes.

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A special undercover project debut from Templefeld (Kirk Degiorgio), with a remix by Anthony Child (Surgeon), sends a message of positivity. A curious Chimera of sounds presents itself out of the wild, from kinetic half-time drum and bass-heavy techno to shoegaze wall of sound to dreamy sunset islander vibes.

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Releases by Intergalactic Gary are few and far between. Besides a handful of collaborations such as The Parallax Corporation (with I-F) and with Pasiphae, the must-know DJ from Den Haag has largely been about his talent behind the decks.
His last solo EP was as Silverstream in 1995, and he breaks the mould with us for his first solo EP release in 15 years — 'Signs of Disarray'.
Written and produced by Intergalactic Gary
A1, A2 and B1 mixed by Redshape
Mastering and cut by Simon at The Exchange
Artwork by Kohei Matsunaga
Layout by Naomi Clair

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Bold, inventive, daring and electrifying, 'Vision Electrified' is Xhin's most personal work to date. An alchemy of IDM, jazz, techno and live instrumentation, the artist's latest polarizing EP breaks through the barriers, further carving his highly unique space out in the sonic universe.


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Harmonious Thelonious's ethnomusicologic journeys to the African continent continues with a burning package of 3 rhythmic tracks inspired by American minimalist music and African rhythm patterns. A primordial soup of polyrhythms and dense harmonics hypnotise the body into movement, transporting the origins of dance music to neoteric audiences.

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Chicago’s Slick Master Rick is Houz’Mon of Dance Mania fame and founder of Beatboys Records. His highly coveted ‘Halloween House’ is re-released here along with 3 new ghetto acid trax made during the golden era of house. Slickest work on the TB-303 from the sometimes forgotten ghetto house originator.


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A message to all listening: #DontjusttalkaboutitbeAboutIt. Jamal Moss (aka Hieroglyphic Being, Mathematics) invokes his JAI/MAHL alias with a message in the music. Reprogramming club consciousness with 4 transdimensional sonic incantations and rhythmic transgressions of the highest order.

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