Label:bureau b/ selekt
Cat-No:bb197
Release-Date:23.03.2015
Genre:House
Configuration:12" Excl
Barcode:827170582064
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Label:bureau b/ selekt
Cat-No:bb197
Release-Date:23.03.2015
Genre:House
Configuration:12" Excl
Barcode:827170582064
1
automat & max loderbauer - verstärker
2
automat & max loderbauer - hall
3
automat & max loderbauer - kompressor
4
automat & max loderbauer - echo
S E L E K T ? S E L E K T is the name of the new Bureau B sublabel
S E L E K T is the 12" platform for experiments by musicians on the label or other artists
S E L E K T offers space for collaborations and remixes. No borders
The protagonists:
Automat: Berlin music collective comprising Jochen Arbeit (Einstürzende Neubauten, Die Haut), Achim Färber (Project Pitchfork, Prag) and Georg Zeitblom (Sovetskoe Foto). Their debut album appeared in April 2014 on Bureau B.
Max Loderbauer: Berlin musician, producer and sonic architect on ambient, IDM and minimal techno terrain. One half of the Sun Electric duo in the 1990s, later a member of the Moritz von Oswald Trio, various collaborations with Ricardo Villalobos.
The outcome: dark, hypnotic, experimental electro dub/IDM
Andreas Reihse (Kreidler) on Automat & Max Loderbauer:
Muffled hammering grows rhythmical. An uncarpeted snare joins in, clicks and clacks, babbling, racing from left to right around your head, out the back and in through the front again, a beat, a beat drives forward, forward through jungle, tunnels, pushing on and on, Tempelhof, down the corridor, knocking, knock knock, doors open, everyone in. Doors close. A cigarette. Menthol. Hangs in the air. Screws the spring into the metal. Sacral. Sharpens. Sharpens. The sound gets dirtier. Breaks off. Breathe. Another cigarette. Menthol. Feedback fills the room and on it goes.
Automat and Max Loderbauer open proceedings on the new SELEKT label quite masterfully with an auspicious 4 track EP - Verstärker / Hall / Kompressor / Echo. How did this come about? Automat, busy recording their second album, came across Max Loderbauer in the neighbouring studio. They got along swimmingly and started working together straight away. "Everything played live, no overdubs" as Automat's bass player Georg Zeitblom confirms - first take, no shake. The studio was stripped down to basics. No computers though: a tape machine, guitar amplifier, analogue EQs, rehearsal space: "Re-rewind, the crowd say Bo Selekter!"
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Conatct: [email protected]More
S E L E K T is the 12" platform for experiments by musicians on the label or other artists
S E L E K T offers space for collaborations and remixes. No borders
The protagonists:
Automat: Berlin music collective comprising Jochen Arbeit (Einstürzende Neubauten, Die Haut), Achim Färber (Project Pitchfork, Prag) and Georg Zeitblom (Sovetskoe Foto). Their debut album appeared in April 2014 on Bureau B.
Max Loderbauer: Berlin musician, producer and sonic architect on ambient, IDM and minimal techno terrain. One half of the Sun Electric duo in the 1990s, later a member of the Moritz von Oswald Trio, various collaborations with Ricardo Villalobos.
The outcome: dark, hypnotic, experimental electro dub/IDM
Andreas Reihse (Kreidler) on Automat & Max Loderbauer:
Muffled hammering grows rhythmical. An uncarpeted snare joins in, clicks and clacks, babbling, racing from left to right around your head, out the back and in through the front again, a beat, a beat drives forward, forward through jungle, tunnels, pushing on and on, Tempelhof, down the corridor, knocking, knock knock, doors open, everyone in. Doors close. A cigarette. Menthol. Hangs in the air. Screws the spring into the metal. Sacral. Sharpens. Sharpens. The sound gets dirtier. Breaks off. Breathe. Another cigarette. Menthol. Feedback fills the room and on it goes.
Automat and Max Loderbauer open proceedings on the new SELEKT label quite masterfully with an auspicious 4 track EP - Verstärker / Hall / Kompressor / Echo. How did this come about? Automat, busy recording their second album, came across Max Loderbauer in the neighbouring studio. They got along swimmingly and started working together straight away. "Everything played live, no overdubs" as Automat's bass player Georg Zeitblom confirms - first take, no shake. The studio was stripped down to basics. No computers though: a tape machine, guitar amplifier, analogue EQs, rehearsal space: "Re-rewind, the crowd say Bo Selekter!"
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Conatct: [email protected]More
More records from bureau b/ selekt
12" Excl
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Label:bureau b/ selekt
Cat-No:bb233
Release-Date:08.07.2016
Genre:House
Configuration:12" Excl
Barcode:4260038312483
in stock
Last in:06.06.2016
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Label:bureau b/ selekt
Cat-No:bb233
Release-Date:08.07.2016
Genre:House
Configuration:12" Excl
Barcode:4260038312483
Tracklist:
A1. STEYN A2. HOLLZ B1. METHAL B2. ELEKKTRIK
Shortinfo:
What happens when you bring together two percussionists who are well-established in the electronic music scene and commission them to produce four tracks exclusively with percussion instruments-with the only requirement being not to deliver any overtly thought-out nerd music? The answer has been provided by Sven Kacirek and Thomas Klein on this release.
A few word abut the musicians:
Sven Kacirek has previously released five solo albums, including the highly praised "Kenya Sessions" in 2011. He has collaborated with Marc Ribot, Nils Frahm, Shabaka Hutchings and F. S. Blumm. In 2015 he released an album together with Stefan Schneider on Bureau B.
Thomas Klein is a founding member of the band KREIDLER and has published three solo albums on Bureau B since 2011 under the moniker Sølyst.
Although the two musicians each speak their own distinct rhythmic language, with only a few data transfers between Hamburg and Düsseldorf they have conjured up four compact tracks, which despite the instrumental limitations are surprisingly diverse in terms of sound, groove and depth.
The collaboration went like this: Each sent the other a sketch for further development and expanded upon the one they had received. In a final meeting, there were only a few formal decisions to be made and some minimal corrections. Each contributed his own spectrum of instrumental and tonal possibilities-without overdoing it. In addition to drums, cymbals, shakers, xylophone and vibraphone sounds, sonic treatments are clearly audible. In this way, the acoustic and electronically triggered sound material came into an unconventional dialogue. The musicians only met in person for the mixes at Düsseldorf's Elektro-Mueller Studio.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Conatct: [email protected]More
A1. STEYN A2. HOLLZ B1. METHAL B2. ELEKKTRIK
Shortinfo:
What happens when you bring together two percussionists who are well-established in the electronic music scene and commission them to produce four tracks exclusively with percussion instruments-with the only requirement being not to deliver any overtly thought-out nerd music? The answer has been provided by Sven Kacirek and Thomas Klein on this release.
A few word abut the musicians:
Sven Kacirek has previously released five solo albums, including the highly praised "Kenya Sessions" in 2011. He has collaborated with Marc Ribot, Nils Frahm, Shabaka Hutchings and F. S. Blumm. In 2015 he released an album together with Stefan Schneider on Bureau B.
Thomas Klein is a founding member of the band KREIDLER and has published three solo albums on Bureau B since 2011 under the moniker Sølyst.
Although the two musicians each speak their own distinct rhythmic language, with only a few data transfers between Hamburg and Düsseldorf they have conjured up four compact tracks, which despite the instrumental limitations are surprisingly diverse in terms of sound, groove and depth.
The collaboration went like this: Each sent the other a sketch for further development and expanded upon the one they had received. In a final meeting, there were only a few formal decisions to be made and some minimal corrections. Each contributed his own spectrum of instrumental and tonal possibilities-without overdoing it. In addition to drums, cymbals, shakers, xylophone and vibraphone sounds, sonic treatments are clearly audible. In this way, the acoustic and electronically triggered sound material came into an unconventional dialogue. The musicians only met in person for the mixes at Düsseldorf's Elektro-Mueller Studio.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Conatct: [email protected]More
12" Excl
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Label:bureau b/ selekt
Cat-No:bb208
Release-Date:20.07.2015
Genre:House
Configuration:12" Excl
Barcode:827170595064
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Cat-No:bb208
Release-Date:20.07.2015
Genre:House
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1
MOEBIUS PLANK NEUMEIER - Snippet Speed Display (Richard Fearless Remix)
2
MOEBIUS PLANK NEUMEIER - Snippet Speed Display (Richard Fearless, Metal Box Mix)
Tracklist:
A1 Speed Display (Richard Fearless Remix)
B1 Speed Display (Richard Fearless Remixed by Richard Fearless, Metal Box Mix)
S E L E K T ? S E L E K T is the name of the new Bureau B sublabel
S E L E K T is the 12" platform for experiments by musicians on the label or other artists
S E L E K T offers space for collaborations and remixes. No borders
“Zero Set” represented a milestone in latter-day Krautrock, created in 1983 by a hugely authoritative triumvirate of the German avant-garde: Dieter Moebius, Conny Plank und Mani Neumeier. The musician, producer, remixer and self-confessed Krautrock fanRichard Fearless has dismantled the outstanding track “Speed Display” and bequeathed two new versions to Bureau B.The original musicians:Dieter Moebius was a member of seminal bands like Cluster and Harmonia. He was, indeed still is, active as a solo artist and in various collaborations (with Conny Plank, amongst others). Conny Plank is seen as the definitive Krautrock producer, having worked with Kraftwerk, NEU!, Cluster and Ash Ra Tempel. Last but not least, Mani Neumeier, Guru Guru founder, figurehead and drummer.How the remixes came about:Delving into Conny Plank’s tape archives, we came across the original “Zero Set” multitracks. What a find! We asked ourselves: what would happen if these tapes fell into the right hands? Hands which know their way around a studio, understand how remixes work –whilst according the materials in question the respect they deserve. The first name that sprung to mind was Richard Fearless. Not so long ago, he had meticulously curated a 2CD/3LP compilation of Bureau B tracks (Kollektion 4), hence recommending himself as just the man for the job.Richard Fearless:Best known as founder and frontman of the British bandDeath In Vegas,Fearless has clearly been inspired by Germn electronic music, as many of his albums reveal. A sought-after producer and remixer, he has worked withIggy Pop, Bobby Gillespie, Paul Weller, Liam Gallagher and Hope Sandoval.He once described his love of Krautrock andrelated movements as follows: “I always listen out for music with a sense of space; where compositions are stripped down to the barest components while retaining the power to conjure emotion. If you can trigger emotion with the most minimal amount of sound, that’s job done as far as I’m concerned.”The remixes:The original was powerful enough, driven forwards by Mani Neumeier’s machine-like drums and incessant bass synths, yetFearless has managed to crack up the energy levels even further. On the A-side he has grafted rhythmic patterns onto a four-to-the-floor beat and compelling bass signature. Feedback, echoing voices, a sprinkling of synth–only the most essential elements, nothing which risks overloading the mix. Meanwhile on the B-side, the original track is barely recognizable.Fearless has plucked just a few notes from the bassline and crafted a fine slice of hypnotic electro-dub with minor chord echoes.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Conatct: [email protected]More
A1 Speed Display (Richard Fearless Remix)
B1 Speed Display (Richard Fearless Remixed by Richard Fearless, Metal Box Mix)
S E L E K T ? S E L E K T is the name of the new Bureau B sublabel
S E L E K T is the 12" platform for experiments by musicians on the label or other artists
S E L E K T offers space for collaborations and remixes. No borders
“Zero Set” represented a milestone in latter-day Krautrock, created in 1983 by a hugely authoritative triumvirate of the German avant-garde: Dieter Moebius, Conny Plank und Mani Neumeier. The musician, producer, remixer and self-confessed Krautrock fanRichard Fearless has dismantled the outstanding track “Speed Display” and bequeathed two new versions to Bureau B.The original musicians:Dieter Moebius was a member of seminal bands like Cluster and Harmonia. He was, indeed still is, active as a solo artist and in various collaborations (with Conny Plank, amongst others). Conny Plank is seen as the definitive Krautrock producer, having worked with Kraftwerk, NEU!, Cluster and Ash Ra Tempel. Last but not least, Mani Neumeier, Guru Guru founder, figurehead and drummer.How the remixes came about:Delving into Conny Plank’s tape archives, we came across the original “Zero Set” multitracks. What a find! We asked ourselves: what would happen if these tapes fell into the right hands? Hands which know their way around a studio, understand how remixes work –whilst according the materials in question the respect they deserve. The first name that sprung to mind was Richard Fearless. Not so long ago, he had meticulously curated a 2CD/3LP compilation of Bureau B tracks (Kollektion 4), hence recommending himself as just the man for the job.Richard Fearless:Best known as founder and frontman of the British bandDeath In Vegas,Fearless has clearly been inspired by Germn electronic music, as many of his albums reveal. A sought-after producer and remixer, he has worked withIggy Pop, Bobby Gillespie, Paul Weller, Liam Gallagher and Hope Sandoval.He once described his love of Krautrock andrelated movements as follows: “I always listen out for music with a sense of space; where compositions are stripped down to the barest components while retaining the power to conjure emotion. If you can trigger emotion with the most minimal amount of sound, that’s job done as far as I’m concerned.”The remixes:The original was powerful enough, driven forwards by Mani Neumeier’s machine-like drums and incessant bass synths, yetFearless has managed to crack up the energy levels even further. On the A-side he has grafted rhythmic patterns onto a four-to-the-floor beat and compelling bass signature. Feedback, echoing voices, a sprinkling of synth–only the most essential elements, nothing which risks overloading the mix. Meanwhile on the B-side, the original track is barely recognizable.Fearless has plucked just a few notes from the bassline and crafted a fine slice of hypnotic electro-dub with minor chord echoes.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Conatct: [email protected]More
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Label:non standard productions
Cat-No:nsp18
Release-Date:24.07.2020
Configuration:LP Excl
Barcode:4251804120593
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Last in:07.07.2020
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Label:non standard productions
Cat-No:nsp18
Release-Date:24.07.2020
Configuration:LP Excl
Barcode:4251804120593
Tracklist LP:
A1. 18 Month 5:27,
A2. Cherub 6:24,
A3. Die Zeit 3:29,
A4. Nebel 6:34
B1. Lichtmeer 1:27,
B2. Remove 5:39,
B3. Sub 5:40,
B4. Green 4:43,
B5. Tripod 4:26
All tracks written and produced by Max Loderbauer
at Non Standard Studios, Berlin
Executive Producer Tobias Freund
Short Info:
After seven years, the second release of Max Loderbauer on Non Standard Productions arrives again in his style of post - german - electronic - avant garde.
“Donnerwetter” is the perfect blue print of modern reduced electronic adventures.
Carefully chosen out of a pool of recordings produced by Max in the last years, slightly edited and arranged into a full length album.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Conatct: [email protected]More
A1. 18 Month 5:27,
A2. Cherub 6:24,
A3. Die Zeit 3:29,
A4. Nebel 6:34
B1. Lichtmeer 1:27,
B2. Remove 5:39,
B3. Sub 5:40,
B4. Green 4:43,
B5. Tripod 4:26
All tracks written and produced by Max Loderbauer
at Non Standard Studios, Berlin
Executive Producer Tobias Freund
Short Info:
After seven years, the second release of Max Loderbauer on Non Standard Productions arrives again in his style of post - german - electronic - avant garde.
“Donnerwetter” is the perfect blue print of modern reduced electronic adventures.
Carefully chosen out of a pool of recordings produced by Max in the last years, slightly edited and arranged into a full length album.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Conatct: [email protected]More
+ Show full info- Close
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Last in:09.10.2024
Label:Mr Bongo
Cat-No:MRB7222
Release-Date:12.07.2024
Genre:Soul/Funk
Configuration:7"
Barcode:
1
Bill Withers & Studio Rio - Lovely Day (Studio Rio Version)
2
Bill Withers & Studio Rio - Lovely Day (Studio Rio Instrumental Version)
Repress soon!
As mood changers go, this track is up there with the best. Last year whilst DJing with miche at Shapes festival in the snow-capped mountains of Switzerland, a breathtaking yet ominous Alpine sky suddenly became a picture postcard moment. The clouds parted and a double rainbow formed, as miche dropped Studio Rio's bossa nova remake of Bill Withers’ all-time classic 'Lovely Day'. From there, the dancefloor shifted gears and morphed into full-swing feel-good vibes, in a beautiful, spontaneous moment nobody could have planned for.
Mr Bongo now proudly presents a reissue of this brilliant, bossa-channelling Bill Withers reinterpretation from Studio Rio’s 2014 release ‘The Brazil Connection’. Masterminded by the German, Grammy award-winning Berman Brothers, the project was born out of their deep love of Brazilian music. “Our goal was to bring the Brazilian joie de vivre to iconic performances by well-known artists. What would these classic songs sound like had they been recorded in the studios of Rio de Janeiro in the first place, with the best Brazilian musicians and arrangers?” the brothers reflect.
Capturing the life force of Brazil, the beating heart that is its music, they set out to find the musicians who would fit best with their concept. Landing in Rio in 2013 a series of coincidences led to them being introduced to their idols Marcos Valle and Roberto Menescal, who both agreed to come on board. The Berman Brothers also wanted to find some of the musicians who recorded with one of Brazil’s most influential composers Tom Jobim. “Fifty years after Jobim made the music that really defines bossa nova, we found that many of his sidemen were still active, including Paulo Braga of Jobim’s famed rhythm section. It was magic; everything just fell into place.”
There's no question that the original of ‘Lovely Day’ is up there as one of the most feel-good, spirit-lifting anthems of all time. Here the brothers, with the help of a whole host of Brazil’s finest musicians, rework Bill’s soul-fuelled groove into a bossa nova slice of sunshine. With the blessing of Bill and Sony, they were given access to the original multitracks so they could incorporate Bill’s vocals perfectly into the new arrangement.
Joy-injected horns and bouncing double bass blend with the smile-inducing samba flavour of Pretinho da Serrinha’s cavaquinho playing. Tying it all together Torcuato Marinao who worked with the likes of Gal Costa, Gilberto Gil and Caetano Veloso, completes the line-up as arranger of the songs.
The perfect end-of-the-night track, mood lifter or soul warmer, remakes don’t get much better than this.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Conatct: [email protected]More
As mood changers go, this track is up there with the best. Last year whilst DJing with miche at Shapes festival in the snow-capped mountains of Switzerland, a breathtaking yet ominous Alpine sky suddenly became a picture postcard moment. The clouds parted and a double rainbow formed, as miche dropped Studio Rio's bossa nova remake of Bill Withers’ all-time classic 'Lovely Day'. From there, the dancefloor shifted gears and morphed into full-swing feel-good vibes, in a beautiful, spontaneous moment nobody could have planned for.
Mr Bongo now proudly presents a reissue of this brilliant, bossa-channelling Bill Withers reinterpretation from Studio Rio’s 2014 release ‘The Brazil Connection’. Masterminded by the German, Grammy award-winning Berman Brothers, the project was born out of their deep love of Brazilian music. “Our goal was to bring the Brazilian joie de vivre to iconic performances by well-known artists. What would these classic songs sound like had they been recorded in the studios of Rio de Janeiro in the first place, with the best Brazilian musicians and arrangers?” the brothers reflect.
Capturing the life force of Brazil, the beating heart that is its music, they set out to find the musicians who would fit best with their concept. Landing in Rio in 2013 a series of coincidences led to them being introduced to their idols Marcos Valle and Roberto Menescal, who both agreed to come on board. The Berman Brothers also wanted to find some of the musicians who recorded with one of Brazil’s most influential composers Tom Jobim. “Fifty years after Jobim made the music that really defines bossa nova, we found that many of his sidemen were still active, including Paulo Braga of Jobim’s famed rhythm section. It was magic; everything just fell into place.”
There's no question that the original of ‘Lovely Day’ is up there as one of the most feel-good, spirit-lifting anthems of all time. Here the brothers, with the help of a whole host of Brazil’s finest musicians, rework Bill’s soul-fuelled groove into a bossa nova slice of sunshine. With the blessing of Bill and Sony, they were given access to the original multitracks so they could incorporate Bill’s vocals perfectly into the new arrangement.
Joy-injected horns and bouncing double bass blend with the smile-inducing samba flavour of Pretinho da Serrinha’s cavaquinho playing. Tying it all together Torcuato Marinao who worked with the likes of Gal Costa, Gilberto Gil and Caetano Veloso, completes the line-up as arranger of the songs.
The perfect end-of-the-night track, mood lifter or soul warmer, remakes don’t get much better than this.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Conatct: [email protected]More
12" Excl
in stock
Label:Berlin Atonal
Cat-No:atonal003
Release-Date:22.07.2016
Genre:Techno
Configuration:12" Excl
Barcode:666017308265
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Last in:10.06.2022
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Last in:10.06.2022
Label:Berlin Atonal
Cat-No:atonal003
Release-Date:22.07.2016
Genre:Techno
Configuration:12" Excl
Barcode:666017308265
1
max loderbauer & jacek sienkiewicz - A Andes
2
max loderbauer & jacek sienkiewicz - B Himalaya
Berlin Atonal Recordings is happy to announce two forthcoming releases, both featuring live cuts from two of the most talked about performances at the 2015 edition of the festival. Synthesiser genius Max Loderbauer (NSI, Sun Electric, Vilod, Moritz von Oswald Trio) and techno experimentalist Jacek Sienkiewicz (Recognition) combined for a stunning live show on the opening night of festival 2015. Blending harmonic drones and almost unrecognizably distended vocal samples with adroitly weighted melodic passages, this collaboration was a masterclass in expertly crafted ambient music from two of the genres' leading exponents. Two passages from this set have been mastered and cut to vinyl in a special 12" with artwork by Pedro Maia based on his visuals for the show.
Tracklist:
A Andes
B Himalaya
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Conatct: [email protected]More
Tracklist:
A Andes
B Himalaya
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Conatct: [email protected]More
Label:Toy Tonics
Cat-No:toyt064
Release-Date:12.05.2017
Configuration:12" Excl
Barcode:0880655506412
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Last in:17.05.2024
Label:Toy Tonics
Cat-No:toyt064
Release-Date:12.05.2017
Configuration:12" Excl
Barcode:0880655506412
Tracklist 12":
A1) Orlando Magic, A2) Cabrio Mango
B1) 1981, B2) She Keeps It Good
The Toy Tonics crew is known for being addicted to two things: vintage music machines and old vinyl. 100% music aficionados. On the Tonic Edit series the crew shares some of their favorite old tracks - in a reworked version.
This time COEO get back in time. They destroyed a couple of 1970ies disco jams. Recut & repasted them. And gave them their special COEO touch. Of course it's irresistible!
This release comes on vinyl only first. Later maybe could be out on selected Digital sellers.. not sure yet.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Conatct: [email protected]More
A1) Orlando Magic, A2) Cabrio Mango
B1) 1981, B2) She Keeps It Good
The Toy Tonics crew is known for being addicted to two things: vintage music machines and old vinyl. 100% music aficionados. On the Tonic Edit series the crew shares some of their favorite old tracks - in a reworked version.
This time COEO get back in time. They destroyed a couple of 1970ies disco jams. Recut & repasted them. And gave them their special COEO touch. Of course it's irresistible!
This release comes on vinyl only first. Later maybe could be out on selected Digital sellers.. not sure yet.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Conatct: [email protected]More
Label:Recognition
Cat-No:r-ep035
Release-Date:23.03.2015
Genre:Techno
Configuration:12" Excl
Barcode:827170590960
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Last in:27.03.2015
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Last in:27.03.2015
Label:Recognition
Cat-No:r-ep035
Release-Date:23.03.2015
Genre:Techno
Configuration:12" Excl
Barcode:827170590960
1
max loderbauer & jacek sienkiewicz - east ridge
2
max loderbauer & jacek sienkiewicz - west ridge
Tracklist :
A: West Ridge B: East Ridge
Info:
Valleys, ravines, crags, inaccessible mountain peaks, abyss. Since times immemorial, stark mountain landscape has always been humankind's inspiration and a constant reference point for many generations of exploratory artists. "Ridges" is a result of a creative encounter between veteran of improvised avant-electronics Max Loderbauer (among others, co-creator of Sun Electric, member of Moritz von Oswald Trio, and frequent collaborator of Ricardo Villalobos) and spiritus movens of Warsaw-based label Recognition Jacek Sienkiewicz. Meeting takes place not only on the level of investigating pure sound and building complex structures, but also on the level of fascination with mountainside aura and mystique that is common to both artists: Alps (Loderbauer) and Tatra (Sienkiewicz), as well as with the vocal cultures of communities inhabiting theese areas. Deeply introspective and individualistic confrontation
between two peer sensibilities and imaginative worlds gave birth to two separate compositions in the vein of contemplative electronic music at it purest.
Both timeless and futuristic, soundscapes imagined by Loderbauer and Sienkiewicz could serve as a perfect antidote to turbo-speed contemporaneity with its tweets, social networks, neuroses and unavoidable anxieties. This music is created without paying attention to current trends and tendencies, although it simultaneously takes its due place among the works of noble pioneers, from Popol Vuh's Transilvanian hymns in Herzog's "Nosferatu" and Lionel Marchetti's concrete report from the glacier, to Simon Fisher Turner's Himalayan soundtracks. More than 20 minutes of material contained in "Ridges" is a document of research passions of both musicians, while for the listeners it could serve as an invitation for imaginative sound journeys, but also for a bit of research that could - and should! - be undertaken on one's own.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Conatct: [email protected]More
A: West Ridge B: East Ridge
Info:
Valleys, ravines, crags, inaccessible mountain peaks, abyss. Since times immemorial, stark mountain landscape has always been humankind's inspiration and a constant reference point for many generations of exploratory artists. "Ridges" is a result of a creative encounter between veteran of improvised avant-electronics Max Loderbauer (among others, co-creator of Sun Electric, member of Moritz von Oswald Trio, and frequent collaborator of Ricardo Villalobos) and spiritus movens of Warsaw-based label Recognition Jacek Sienkiewicz. Meeting takes place not only on the level of investigating pure sound and building complex structures, but also on the level of fascination with mountainside aura and mystique that is common to both artists: Alps (Loderbauer) and Tatra (Sienkiewicz), as well as with the vocal cultures of communities inhabiting theese areas. Deeply introspective and individualistic confrontation
between two peer sensibilities and imaginative worlds gave birth to two separate compositions in the vein of contemplative electronic music at it purest.
Both timeless and futuristic, soundscapes imagined by Loderbauer and Sienkiewicz could serve as a perfect antidote to turbo-speed contemporaneity with its tweets, social networks, neuroses and unavoidable anxieties. This music is created without paying attention to current trends and tendencies, although it simultaneously takes its due place among the works of noble pioneers, from Popol Vuh's Transilvanian hymns in Herzog's "Nosferatu" and Lionel Marchetti's concrete report from the glacier, to Simon Fisher Turner's Himalayan soundtracks. More than 20 minutes of material contained in "Ridges" is a document of research passions of both musicians, while for the listeners it could serve as an invitation for imaginative sound journeys, but also for a bit of research that could - and should! - be undertaken on one's own.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Conatct: [email protected]More