The always on-point and culturally significant Tuskegee Music is back with more essential music, this time from venerated American producer D’Marc Cantu. Over the course of a distinguished career, Cantu has contributed to everything from jackbeat to acid, house to techno on labels like Creme Organisation and Les Disques De La Mort. Always serving up raw-edged, uncompromising sounds, he does so again here on another standout EP. Opener ‘Beat The Move’ is an urgent, high tech piece of slick and supple acid house with 303 undulations, dark vocal loops and the sort of hammering drums that get the club locked right in. The sublime ‘In The Forest’ is a tripped out bit of restless electro with skittish hits and rueful pads that gets right to your heart. Last of all is the militant, marching ‘A Narrow Connection’ which closes things out with crisp kicks and scintillating sheet metal drums that straighten your back and get you stomping. These are utilitarian yet wonderfully unique club tracks from a real master of the
form.

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In 2017, D'Marc Cantu released the critically-acclaimed "The Lodge" LP on Altered Moods, which was the first chapter in a two-part story. The second part is now incoming, in the form of a remix EP of one of the most popular cuts on the album, "S. E. G." The new record contains both the original track and three remixes created by both up-and-coming and legendary artists in the industry. It closes the story of D'Marc Cantu stepping completely out of his own comfort zone to visit the ultra deep side of house music Starting off on the front side is the original mix and an exquisitely atmospheric reshape by the one and only Larry Heard (aptly titled the "Atmospheric Mix"). He chops up the original and sprinkles it into a spicy stew of his most cherished chords and keys. On the flip, Altered Moods chief director Malcolm Moore puts his spin on the original with a rapid, charged-up number filled with bubbly leads, boxy drums, and jazzy keys. Finally, Chicago Skyway comes through with a really hot jack mix that starts out mellow before ramping up and bringing the whole EP as well as the story itself, full circle."

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After a quiet 2016 which saw the label release only a single EP, Altered Moods Recordings launches the first in a steady stream of releases for 2017 and beyond with its first double-pack since "Love...Lost and Found", the first vinyl record it released back in 2006. With "The Lodge", AMR has joined forces with techno and jakbeat wunderkind D'Marc Cantu, who has a long, storied history with labels such as M>O>S>, Creme Organization, and Nation, and with his mentor and friend Tadd Mullinix as their duo 2AMFM. On this double-12, he shows us and the world his more melodic, deeper side, while still maintaining a sense of urgency and a fingerhold on the jakbeat throughout. We have listened to this release for a long time and it never gets old to the ears. We are confident that this release will end up being a timeless classic in the coming years.


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Keeping up the urgent pace set by the Strength In Numbers collection, Thema now turns to a modern master of the JakBeat, D’Marc Cantu. Hailing from Ann Arbor on the fringes of Detroit, Cantu has worked for more than a decade developing a sound that carries the torch from the box jam originators of techno and house music. His first appearances were alongside the mighty Tadd Mullinix (better known as James T. Cotton) with their 2 AM/FM project, before bringing Traxx into the fold for the X2 venture. As a solo artist Cantu has shored up on labels as highly regarded as Crème Organization, M>O>S, Nation and Desire, bringing a rich, full-bodied sound laden with powerful synth hooks, crafty drum programming and a live, jammed-out delivery that overflows with imagination. Given his adventurous tendencies and punchy Midwestern finish, Cantu is a perfect fit on Thema and the six tracks that make up this record show a great deal of the diversity the man is capable of, from dancefloor burners to atmospheric introspections

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Typically bold and 'playable' gear from this Ann Arbor based machine head. Heavy on the jak, this one.

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The release was a follow up of sorts to my remix of Ricardo Tobar’s « If I love you ». Having spoke to Jerome Mestre of Desire a few times since the remix, he and I decided that it would be great to follow it up with a dance focused release.


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The explosive initiation of One Electronica's "1210" series comes from Ann Harbours D'Marc Cantu. The series will consist of one twelve inch and one ten inch vinyl. No mp3's as per with One Electronica and its main aims are to give the artist freedom to do what ever he or she wishes! The extensive palate of sounds available on this pack range from slower ambience influenced grooves, outright "jak", industrial grit pursuing to intense, pace-ridden, electronic mayhem; as heard in "Microdots".

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18 Months after serving up his debut LP ''Fallen'', D'Marc Cantu returns to his other home from home, Crème Organization. He’s back with a six track EP, Alternate Frequency, that sees him explore the same prickly analogue house and techno that has made him into the revered producer he is today. The title track opens up the EP with fizzing analogue synth lines and a nervous, howling melody before acid, muffled vocals and coarse claps all get chucked into the dense sci-fi mix. 'Size And Shape' is a more propulsive and dancefloor facing track. Surfing along on a lively kick drum, repeated vocal phrases interact with choppy percussion, glowing pads light up the backdrop and a delightfully lively melody runs amok at the centre of it all. Like an old school garage house track in overdrive, it’s full of charm. 'Straight Shooter' is then a zithering, 100 mile an hour piece of skeletal acid techno that grows ever more frantic and 'Tazakuro' is a liv ely anal ogue brew of cowbells, freewheeling synths and tumbling drums. ‘Titanium Control Arms’ lurks deep in outer space with the humdrum of intergalactic space travel gurgling all around the central melodic motif and 'Speed Freak' is just that, a hyper-driven bit of electro with frantic percussion and riddled with unnerving synth lines that makes you want to jiggle every bone in your body.



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Michigan resident D'Marc Cantu serves up his next album on the ever-excellent MOS Recordings on June 11th 2012. Though essentially a house and techno producer, American Cantu often goes further than most, calling on a world of influences to ensure his jacking productions are as far away from standard as possible, yet still do damage on the right dancefloors as have previous EPs on this label, Nation and Crème Organization. His latest offering, A New World, aims to capture, detail and relay many different stories from within the re-born city of Detroit. Across the course of eight tracks, many different moods and styles are explored from dark and abstract to more synth lead and serene. There are plenty of squelchy acid lines and frantic percussive workouts, but so too are there pockets of slower, deeper, dubbier introspection that speak of mystery and intrigue as does the city of Detroit itself. Says D’Marc of the album.. "Detroit, MI has a rich history and is filled with amazing people and I wanted to capture what I feel every time I go there. With every song there’s an evolution that leads you to a new yet familiar place. These songs all have a story and each revolves around the concept of growth, community and rebuilding. "Spirit Form", "The First Planet" and "Genetic Script" all drive the idea of rebirth, utilizing dreamy pads and primal rhythms as they dig at the soul, while "Good"'s levity reaches at the heart of what I love about living in Ann Arbor, Michigan. It continues to inspire me, with its many amazing artists and diversity." Despite all these conceptual ideals, the album will not disappoint existing fans, as so too does the album deal in the sort of thing that people have come to expect of this considered producer. Tracks like "Green Bike Seat" and "Mobile Communication" aim to encapsulate the honesty and decaying beauty of urban life, never allowing you to forget the reality of life in a sprawling metropolis. A true journey of investigation, realisation and re-discovery, A New World is far more than just another house album, but instead demands and rewards the close attention of anyone listening.

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The world just got a little bit warmer again with this upcoming debut album of D'Marc Cantu. After several releases on Creme JAK, M>O>S>, Nation as well as collaborations as 2AMFM and Saturn V there finally is a full length showcase of this Chicago native's extraordinary talents. Limited edition 2LP of 300 copies in handnumbered/stickered sleeves with poster.



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After the 2AM/FM release, next up in the 10'' series on MOS_deep is a solo-project of D'Marc Cantu. D' Marc delivers two surprisingly melodic, sexy and hypnotizing housetracks. "Set Free" opens with a hard-hitting flanged bass-sound and a devastating kick and slowly evolves into a dreamy and atmospheric track full of mystery. "Tonight" is a hypnotic and haunting latenight-dancefloor track, combining long stretched melodic stabs, an ultra-deep bassline and D' Marc's whispering vocals taking you down deep in the uncanny and eery underworld of his soul.



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Originally from Manchester now based in Lewes, Kalli co-runs the GODDEZZ parties and record label.
Sonically, Kalli can't hold back when interconnecting the dots of hoover synths, electro, gritty rave and off-kilter weirdness.
Soft Play is a primal techno beast with punk undertones and monstrous hoover rave drop.
Gems Per Capita shows Kalli in full club mode, unleashing a bass heavy electro tinged track with a killer Acid break; a peak time weapon.
The memory of trying to naively connect to an identity, along with searching for daily eccentric enjoyment in a rural, rainy post-industrial town’ Kalli.

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Richard Fearless follows his critically acclaimed psycho-geographical techno masterpiece ‘Deep Rave Memory’ with its companion album ‘Future Rave Memory’.

Across titanium kosmische, industrial ambience, weightless acid and dark drone, this new record is an instrument of evocative wonder and heavy emotion.

A dystopian ambient album and work of modernist meditation set firmly in an era when humanity is reckoning with its outsized place in the natural world, a process which may evoke humility, defiance, denial or despair.

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A stunningly accomplished work, ‘Deep Rave Memory’ is an insight into Fearless’ worlds – both metaphysical and geographical. Pulsating in unison with the heartbeat of a modern metropolis, it was recorded at the Metal Box’ – his studio located on the peninsula of land where the River Lea meets the Thames. The haunting and wistful blue ambient ‘Vision of You’ leads into the bracingly chilly ‘New Perspective’, which evokes a heavy rush where perceptions are blurred and vision is freeze framed, via elements of techno-soul, Sheffield Bleep and Mika Vainio. A snarling beast of a track, the relentless machine funk of ‘Devil on Horseback’ perfects the pure cathartic release of dark ‘n’ hot body music, whilst ‘Acid Angels’ is a throbbing low-fi 303 requiem, which encapsulates that perfect dancefloor moment, when the first light breaks through the shutters. A future classic and the album’s modus operandi, title track ‘Deep Rave Memory’’s discordant filter passes sweep across a hypnotic melody, communicating a deep sense of warm nostalgia and taking you on an epic journey – stretching out a single riff over 12 minutes – akin to the krautrock greats of which Fearless is so fond. ‘Atlas of Insanity’ is big room techno with pounding kicks, death-whip metallic snares and head spinning, spiralling synth lines that drill into your core. This is raw, impulsive and frantic music that sizzles with electric effervescence. The Germanic kosmische idyll of ‘Driving with Roedelius’ is a homage to one of Richards’ heroes – Hans-Joachim Roedelius – and was inspired by his experience playing a set consisting solely of the electronic pioneer’s music, at a festival celebrating his life and career. On the album's closer, Fearless recounts, “‘Broken Beauty’ is something I’ve always strived for in my art. It’s inspired by Robert Frank, William Eggleston and the way they could take the most inane object a turn it into something of beauty. It’s equally schooled by the aggressive simplicity of King Tubby’s dubbing and the transcendence of Joy Division’s ‘Decades’. The sparse allure of the best dub and techno is something I’m always striving for; being able to conjure emotion with the fewest possible elements; to not fix what’s broken, but to make it shine.

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The ridiculously talented Christopher Rau goes a little harder than his normal sonic spectrum for his debut release on Drone, delivering two fantastic techno excursions with this strong double hitter. The tile track is Beasts: harsh, dripping, and cold. Fans of Pan Sonic won’t be disappointed. Riggleysz exposes Rau’s Deep House sensibilities with a percussive, dj tool that breaks out into an infectious techno work out.

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Hand stamped white label, album sampler for forthcoming Richard Fearless album of the same title. Atlas of Insanity’ is reactionary, big room techno from Richard Fearless; a pounding kick, death whip snares, and synth lines that drill into your core. This is raw, impulsive electronic body music made to loose your mind. With ‘New Perspective’ Fearless delivers pure techno soul. With sonic leanings towards the North’s Bleep scene and minimalist techno pioneer Mika Vainio’s Philius and Ø alias.

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Sheffield’s Tommy Vicari Jnr delivers a study in contrasts for his first release on Drone. ‘Kept In’ is a concordant, synthetic techno pop excursion that bursts into your head like a thought and ricochets throughout. The static and reverb harnessed by Vicari to create ‘Closing In’ is a dub/techno assault, and inverse to the propulsive and glitchy rhythm of the A side.

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Limited edition release of 500 in a black sleeve, each with a unique, experimental numbered screen print, 30 cm x 60 cm

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Death in Vegas return with the single ‘Honey’, its second collaboration with Sasha Grey. ‘Honey’ is a slow, seductive serenade, with an organic, psychedelic tone: dreamy and dripping with intensity. The B side features ‘Witchdance Dub’, Richard Fearless’ long-held remix of ‘Witchdance’ off Trans-Love Energies, featuring the haunting vocals of Katie Stelmanis from Austra. Fearless cut three dubplates of ‘Witchdance Dub’ after he mixed this track. Dj Harvey has one, Prosumer the other, and Fearless kept the 3rd: delicate acetates that have been played out sparingly but with electric effect. This track is effortless, minimal dance music imbued with Fearless’ unique production sound- it’s not one to miss.

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Coming off Transmission, Death in Vegas’s critically acclaimed 6th album which saw the band collaborating with Sasha Grey, are three unique remixes by Silent Servant and Rudolf Klorzeiger.

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Night Blind is Richard Fearless’ second release on Drone’s white label series. The title track coalesced in the early hours of the morning as diffuse, Turneresque lights glimmered across the Thames and the container was pounded by a storm. Unnerving and melancholic yet with a glimmer of light, this is Fearless at his best. On the B side is Cancan. With Xavier’s spiritual acid head, Kenichi Iwasa, on percussion duties, this is one for peak time body shaking. Both tracks were recorded and mixed at the Metal Box by Chris Blakey and produced by Richard Fearless. Stamped and numbered edition of 300 vinyl

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D’Marc Cantu’s second release on Drone is an introspective, emotive piece of electro. With it’s deep pads, ‘Omega Red’ provides the soundtrack to a trek through the snowy wastes, never letting up and calling through the night. Dreaming of a world beyond our own on a journey without end, waking to find fragments of that world still holding on. In contrast, under his Rival alias Cantu delivers ‘Sustain’ a ferocious track with monotonous drum lines that slowly takes you into the night. Rival has, since it’s inception, been about exploring the limitations of a single, one take session. Taking the principles of a live set and applying them with gear that would ordinarily be left in the studio adds an uncertainty and urgency to the moment that would otherwise not be there.



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Luke Hess and DJ Richard remix sides A and B of Drone 005 for the sixth release from Drone. Luke Hess takes Overview Effect, Richard Fearless' dubbed out, Detroit techno fused title track, and transposes its mood; breaking out the 303 and sampling the original strings to add an element of dazed hallucination for this peak time acid track. DJ Richard brings crafted electro rhythms and swelling, dubbed out horns to his remix of Metal Dub, completely reimagining the stripped-down, metallic techno of the original.

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Richard Fearless delivers some Transatlantic love with his third Drone instalment, and the fifth release from this growing label. Overview Effect is dubbed out Detroit-esque techno with with an epic two and half minute string workout and a cognitive shift to pure Fearless magic. Metal Dub is stripped-down, metallic, hypnotic techno with haunting pads, and it's been smashing it in the darkest of rooms of late. A deep, heavy release on Drone.

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