Death in Vegas return with the single ‘Honey’, its second collaboration with Sasha Grey. ‘Honey’ is a slow, seductive serenade, with an organic, psychedelic tone: dreamy and dripping with intensity. The B side features ‘Witchdance Dub’, Richard Fearless’ long-held remix of ‘Witchdance’ off Trans-Love Energies, featuring the haunting vocals of Katie Stelmanis from Austra. Fearless cut three dubplates of ‘Witchdance Dub’ after he mixed this track. Dj Harvey has one, Prosumer the other, and Fearless kept the 3rd: delicate acetates that have been played out sparingly but with electric effect. This track is effortless, minimal dance music imbued with Fearless’ unique production sound- it’s not one to miss.

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Coming off Transmission, Death in Vegas’s critically acclaimed 6th album which saw the band collaborating with Sasha Grey, are three unique remixes by Silent Servant and Rudolf Klorzeiger.

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Originally from Manchester now based in Lewes, Kalli co-runs the GODDEZZ parties and record label.
Sonically, Kalli can't hold back when interconnecting the dots of hoover synths, electro, gritty rave and off-kilter weirdness.
Soft Play is a primal techno beast with punk undertones and monstrous hoover rave drop.
Gems Per Capita shows Kalli in full club mode, unleashing a bass heavy electro tinged track with a killer Acid break; a peak time weapon.
The memory of trying to naively connect to an identity, along with searching for daily eccentric enjoyment in a rural, rainy post-industrial town’ Kalli.

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Richard Fearless follows his critically acclaimed psycho-geographical techno masterpiece ‘Deep Rave Memory’ with its companion album ‘Future Rave Memory’.

Across titanium kosmische, industrial ambience, weightless acid and dark drone, this new record is an instrument of evocative wonder and heavy emotion.

A dystopian ambient album and work of modernist meditation set firmly in an era when humanity is reckoning with its outsized place in the natural world, a process which may evoke humility, defiance, denial or despair.

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A stunningly accomplished work, ‘Deep Rave Memory’ is an insight into Fearless’ worlds – both metaphysical and geographical. Pulsating in unison with the heartbeat of a modern metropolis, it was recorded at the Metal Box’ – his studio located on the peninsula of land where the River Lea meets the Thames. The haunting and wistful blue ambient ‘Vision of You’ leads into the bracingly chilly ‘New Perspective’, which evokes a heavy rush where perceptions are blurred and vision is freeze framed, via elements of techno-soul, Sheffield Bleep and Mika Vainio. A snarling beast of a track, the relentless machine funk of ‘Devil on Horseback’ perfects the pure cathartic release of dark ‘n’ hot body music, whilst ‘Acid Angels’ is a throbbing low-fi 303 requiem, which encapsulates that perfect dancefloor moment, when the first light breaks through the shutters. A future classic and the album’s modus operandi, title track ‘Deep Rave Memory’’s discordant filter passes sweep across a hypnotic melody, communicating a deep sense of warm nostalgia and taking you on an epic journey – stretching out a single riff over 12 minutes – akin to the krautrock greats of which Fearless is so fond. ‘Atlas of Insanity’ is big room techno with pounding kicks, death-whip metallic snares and head spinning, spiralling synth lines that drill into your core. This is raw, impulsive and frantic music that sizzles with electric effervescence. The Germanic kosmische idyll of ‘Driving with Roedelius’ is a homage to one of Richards’ heroes – Hans-Joachim Roedelius – and was inspired by his experience playing a set consisting solely of the electronic pioneer’s music, at a festival celebrating his life and career. On the album's closer, Fearless recounts, “‘Broken Beauty’ is something I’ve always strived for in my art. It’s inspired by Robert Frank, William Eggleston and the way they could take the most inane object a turn it into something of beauty. It’s equally schooled by the aggressive simplicity of King Tubby’s dubbing and the transcendence of Joy Division’s ‘Decades’. The sparse allure of the best dub and techno is something I’m always striving for; being able to conjure emotion with the fewest possible elements; to not fix what’s broken, but to make it shine.

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The ridiculously talented Christopher Rau goes a little harder than his normal sonic spectrum for his debut release on Drone, delivering two fantastic techno excursions with this strong double hitter. The tile track is Beasts: harsh, dripping, and cold. Fans of Pan Sonic won’t be disappointed. Riggleysz exposes Rau’s Deep House sensibilities with a percussive, dj tool that breaks out into an infectious techno work out.

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Hand stamped white label, album sampler for forthcoming Richard Fearless album of the same title. Atlas of Insanity’ is reactionary, big room techno from Richard Fearless; a pounding kick, death whip snares, and synth lines that drill into your core. This is raw, impulsive electronic body music made to loose your mind. With ‘New Perspective’ Fearless delivers pure techno soul. With sonic leanings towards the North’s Bleep scene and minimalist techno pioneer Mika Vainio’s Philius and Ø alias.

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Sheffield’s Tommy Vicari Jnr delivers a study in contrasts for his first release on Drone. ‘Kept In’ is a concordant, synthetic techno pop excursion that bursts into your head like a thought and ricochets throughout. The static and reverb harnessed by Vicari to create ‘Closing In’ is a dub/techno assault, and inverse to the propulsive and glitchy rhythm of the A side.

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Limited edition release of 500 in a black sleeve, each with a unique, experimental numbered screen print, 30 cm x 60 cm

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Death in Vegas return with the single ‘Honey’, its second collaboration with Sasha Grey. ‘Honey’ is a slow, seductive serenade, with an organic, psychedelic tone: dreamy and dripping with intensity. The B side features ‘Witchdance Dub’, Richard Fearless’ long-held remix of ‘Witchdance’ off Trans-Love Energies, featuring the haunting vocals of Katie Stelmanis from Austra. Fearless cut three dubplates of ‘Witchdance Dub’ after he mixed this track. Dj Harvey has one, Prosumer the other, and Fearless kept the 3rd: delicate acetates that have been played out sparingly but with electric effect. This track is effortless, minimal dance music imbued with Fearless’ unique production sound- it’s not one to miss.

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Coming off Transmission, Death in Vegas’s critically acclaimed 6th album which saw the band collaborating with Sasha Grey, are three unique remixes by Silent Servant and Rudolf Klorzeiger.

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Night Blind is Richard Fearless’ second release on Drone’s white label series. The title track coalesced in the early hours of the morning as diffuse, Turneresque lights glimmered across the Thames and the container was pounded by a storm. Unnerving and melancholic yet with a glimmer of light, this is Fearless at his best. On the B side is Cancan. With Xavier’s spiritual acid head, Kenichi Iwasa, on percussion duties, this is one for peak time body shaking. Both tracks were recorded and mixed at the Metal Box by Chris Blakey and produced by Richard Fearless. Stamped and numbered edition of 300 vinyl

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D’Marc Cantu’s second release on Drone is an introspective, emotive piece of electro. With it’s deep pads, ‘Omega Red’ provides the soundtrack to a trek through the snowy wastes, never letting up and calling through the night. Dreaming of a world beyond our own on a journey without end, waking to find fragments of that world still holding on. In contrast, under his Rival alias Cantu delivers ‘Sustain’ a ferocious track with monotonous drum lines that slowly takes you into the night. Rival has, since it’s inception, been about exploring the limitations of a single, one take session. Taking the principles of a live set and applying them with gear that would ordinarily be left in the studio adds an uncertainty and urgency to the moment that would otherwise not be there.



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Luke Hess and DJ Richard remix sides A and B of Drone 005 for the sixth release from Drone. Luke Hess takes Overview Effect, Richard Fearless' dubbed out, Detroit techno fused title track, and transposes its mood; breaking out the 303 and sampling the original strings to add an element of dazed hallucination for this peak time acid track. DJ Richard brings crafted electro rhythms and swelling, dubbed out horns to his remix of Metal Dub, completely reimagining the stripped-down, metallic techno of the original.

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Richard Fearless delivers some Transatlantic love with his third Drone instalment, and the fifth release from this growing label. Overview Effect is dubbed out Detroit-esque techno with with an epic two and half minute string workout and a cognitive shift to pure Fearless magic. Metal Dub is stripped-down, metallic, hypnotic techno with haunting pads, and it's been smashing it in the darkest of rooms of late. A deep, heavy release on Drone.

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With this release, Anne Arbor's jakbeat man delivers 6 minutes of electronic mania; a piece of repetitious, dance-inducing machine funk with a hook that hits you like a punch in the face with a velvet glove, brooding pads, and a top line like steel drums on acid. D'Marc Cantu twists the sound of Detoit techno and Chicago house with his own visceral production style and makes it his own. "Sonically I'm reminded of old home videos, a lower quality presentation of a memory. Decay has that quality to it that reminds of a time gone but stills feels familiar and comforting" DMC "Rival was the first experiment of my first alias, Rival. It was recorded in with a Volca drum machine the first day I got it, no effects and no edits, as is the basis of the alias, unedited analog sessions. One take"

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Holy Tongue (Valentina Magaletti, Al Wootton & Susumu Mukai) follow up their critically acclaimed album with a two track 7” on Trule. On the A Side ‘Ambulance Dub’ creeps in like John Carpenter at Firehouse. The B Side ‘The Bigger Tutti’ goes full on Steppers punk. They are all snakes now.

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Devilish edit duo Duane Harriott and Sean Marquand aka Devin Dare are back with some fresh flips for the new year! Kicking off with feel good classic NYC disco, DANCEMUZAK spins a familiar tune into something hypnotic and driving, while ITSDISCOTIME takes some mind-blowing holy grail source material and loops and builds to perfection. The flip side launches with the cheeky uptempo soul of LOOKINGGOOD that seems almost predestined for a Theo Parrish set, and finishes slow and low with the Clavinet driven funk of 1HEATER4SASHA. DD show once again why they are some of the best editors in the game!

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Tracklisting
A1 Glaskin - Hush Up
A2 Glaskin - Double Tap
B1 Glaskin - Inertia
B2 Glaskin - Tank
B3 Glaskin - Motion

Sales Note
Glaskin is the alias of two brothers, Jonathan and Ferdinand, based in Munich. The pair have emerged as key figures in the citys electronic music scene as longtime residents of the renowned Blitz Club, standing out a homegrown talents amongst its vibrant electronic landscape. Bringing a unique, forward-thinking techno style, as evidenced by their contributions to Mutual Rytms Federation Of Rytm II and III compilations in previous years, they now mark a new chapter and open 2025 in style with their debut 12 on the label, Inertia Of Motion. Each cut on the EP has been handcrafted with analogue gear, reflecting their distinctive artistic and sonic vision. The release is a direct outcome of the creative process behind their live set, which has become an integral part of the duos identity and shows a natural evolution of their singular sound.

Hush Up kicks things off with deep, rubbery and rolling techno rhythms. The drums are stripped back and laced
with pulsing synth patterns and spoken word snippets that add a freaky edge. Double Tap ups the anti with classic,
pumping deep techno with smart filters adding movement to the track as urgent leads hurry onwards. Inertia bring
a more anxious atmosphere with tightly coiled drums and perc and eerie bell sounds ring out over the fat, twisted
bassline. The brilliant Tank brings mind-melting loopy techno with dubby chords and textured leads warming their way between the beats to great effect, while Motion is suspenseful techno that locks you into a high speed groove peppered with thumping hits and kicks. Last of all, digital bonus Blushed Blue explores a moody, minimal, late night techno sound that is warm, stylish and hypnotic to close the show


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Tracklisting
A1 Flotation Aid - Celebrities
A2 Vlaysin - Open Your Mind
B1 Sestrica - Ssense
B2 Proxyan & Lewski - Cereology

Sales Note
THOUSANDS OF YEARS AGO, SCIENTISTS FROM ANOTHER PLANET CAME TO EARTHTO CREATE ALL FORMS OF LIFE, INCLUDING HUMAN BEINGS. REFERENCES TOTHESE SCIENTISTS AND THEIR EXPERIMENTS CAN BE FOUND IN THE ANCIENTTEXTS OF MANY CULTURES.
DUE TO THEIR HIGHLY ADVANCED TECHNOLOGY, THEY WERE CONSIDERED AS
MASTERS BY OUR PRIMITIVE ANCESTORS AND OFTEN REFERRED TO AS 'ELOHIM'WHICH IN ANCIENT HEBREW MEANT 'THOSE WHO CAME FROM THE SKY TO RULEUS'.

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RAWAX proudly presents Jörn Elling Wuttke - Pan Sonic Youth
This is the first solo release from the man who is also part of legendary Alter Ego, The Primitive Painter, Sensorama & Acid Jesus!
We are more than happy to be part of this overdue premiere!

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2025 Repress. 200 copies only.

GLOW WORLD is Rod Modell's new project resulting from his collaboration with Taka Noda. The duo delivers what could be an example of perfect elegance and musical refinement, but the resulting sounds are once again dirtied, ruined and ravaged by a noise capable of deafening us, sounds that come from afar, that seem to fade away but suddenly illuminate the world around us, which lands on us and which no longer belongs to us, leaving us lost in an infinite melancholy.

GLOW WORLD is a work characterized by buoyant ambient sounds from which delicate rhythmic textures emerge, and never speeding up they run along the routes of an electronic music that surely knows how to be as minimal and suffused as it is distressing. Touches of piano, slow pulsations of bass lines and constantly disturbed sounds that nevertheless almost lull the listener into listening to this timeless music, perfect for letting go, observing time inexorably slipping out of our hands forever.

Sounds that are timeless, it was said. Rod Modell and Taka Noda are visionaries, and GLOW WORLD is a rare gem. Simply another masterpiece.

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Tracklisting
A1 Dold - Grainy
B1 Dold - Surface
B2 Dold - Blush

Sales Note
Swedish talent Dold drops nuanced techno cuts on 10" via SHDW's Mutual Rytm X.

Stockholm-based Patrik Eriksson, aka Dold, is a cultured producer known for crafting hypnotic loops with a minimalist, emotive touch-bridging underground dancefloors and introspective listening.

As a DJ, producer, and co-founder of Arsenik, Dold has championed raw, unembellished techno since 2015. His releases on Key and Fuse blend Detroit techno's legacy with IDM's intricacy and ambient's ethereal tones, creating a style that is both timeless and forward-thinking. Whether it's crafting tapestry's recorded via hardware in the studio or performing live, Dold continues to innovate, honouring techno's roots while exploring its future, and his talent is on full display across his label debut on Mutual Rytm X.

'Grainy' opens the EP and showcases Dold's ability to craft deep and loopy techno with a stripped-back, emotive
edge. It's deft but enthralling, with innovative synths rising and falling through the minimal drums. 'Surface' is another compelling deep cut with hurried drum funk and subtle synth pulses, adding a futuristic edge to the groove. The fantastic 'Blush' brings smears of warm synth and machine soul to a dynamic dub techno rhythm that bends the
past with the present. Digital bonus cuts 'Dub at Heart (Club Version)' and 'Dub at Heart (Sofa Version)' offer
contrasting perspectives of the same track, with the first aiming directly for peak-time sessions, while the latter closes the package on a laid-back tip.

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