On June 6th, Death In Vegas return with new album ‘Death Mask’, where disintegration, overload and total sonic immersion tell a personal tale. With dirty circuitry and rough-hewn textures at the fore, this is gritty, unpolished techno; an audio outlier that’s full of personality, and a bold artistic statement. It’s closer in DNA to the grainy growl of sunn O))), or the searing intensity of Underground Resistance at their fiercest, and as far from generic influencer business as you could possibly get.

“I’ve been soaking in Ramleh’s ‘Hole In the Heart’, the machine funk of Terrence Dixon’s Population One, Jamal Moss’ psychedelic techno jams, the stunning minimalism of Mika Vanio’s Ø and Panasonic, the layered drones of LOOP, and drowning in the acid of TM 404”

Broader inspirations are weaved into the album’s fabric too; from his Thameside Metal Box studio and evocations of nautical ghosts, to lamentations for a broken world, to memories of a youthful Detroit pilgrimage, and the innocent fraternity of rave euphoria, there’s a lot going on, acting as a chronicle of moments, and

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Death in Vegas return with the single ‘Honey’, its second collaboration with Sasha Grey. ‘Honey’ is a slow, seductive serenade, with an organic, psychedelic tone: dreamy and dripping with intensity. The B side features ‘Witchdance Dub’, Richard Fearless’ long-held remix of ‘Witchdance’ off Trans-Love Energies, featuring the haunting vocals of Katie Stelmanis from Austra. Fearless cut three dubplates of ‘Witchdance Dub’ after he mixed this track. Dj Harvey has one, Prosumer the other, and Fearless kept the 3rd: delicate acetates that have been played out sparingly but with electric effect. This track is effortless, minimal dance music imbued with Fearless’ unique production sound- it’s not one to miss.

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Coming off Transmission, Death in Vegas’s critically acclaimed 6th album which saw the band collaborating with Sasha Grey, are three unique remixes by Silent Servant and Rudolf Klorzeiger.

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On June 6th, Death In Vegas return with new album ‘Death Mask’, where disintegration, overload and total sonic immersion tell a personal tale. With dirty circuitry and rough-hewn textures at the fore, this is gritty, unpolished techno; an audio outlier that’s full of personality, and a bold artistic statement. It’s closer in DNA to the grainy growl of sunn O))), or the searing intensity of Underground Resistance at their fiercest, and as far from generic influencer business as you could possibly get.

“I’ve been soaking in Ramleh’s ‘Hole In the Heart’, the machine funk of Terrence Dixon’s Population One, Jamal Moss’ psychedelic techno jams, the stunning minimalism of Mika Vanio’s Ø and Panasonic, the layered drones of LOOP, and drowning in the acid of TM 404”

Broader inspirations are weaved into the album’s fabric too; from his Thameside Metal Box studio and evocations of nautical ghosts, to lamentations for a broken world, to memories of a youthful Detroit pilgrimage, and the innocent fraternity of rave euphoria, there’s a lot going on, acting as a chronicle of moments, and

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Originally from Manchester now based in Lewes, Kalli co-runs the GODDEZZ parties and record label.
Sonically, Kalli can't hold back when interconnecting the dots of hoover synths, electro, gritty rave and off-kilter weirdness.
Soft Play is a primal techno beast with punk undertones and monstrous hoover rave drop.
Gems Per Capita shows Kalli in full club mode, unleashing a bass heavy electro tinged track with a killer Acid break; a peak time weapon.
The memory of trying to naively connect to an identity, along with searching for daily eccentric enjoyment in a rural, rainy post-industrial town’ Kalli.

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Richard Fearless follows his critically acclaimed psycho-geographical techno masterpiece ‘Deep Rave Memory’ with its companion album ‘Future Rave Memory’.

Across titanium kosmische, industrial ambience, weightless acid and dark drone, this new record is an instrument of evocative wonder and heavy emotion.

A dystopian ambient album and work of modernist meditation set firmly in an era when humanity is reckoning with its outsized place in the natural world, a process which may evoke humility, defiance, denial or despair.

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A stunningly accomplished work, ‘Deep Rave Memory’ is an insight into Fearless’ worlds – both metaphysical and geographical. Pulsating in unison with the heartbeat of a modern metropolis, it was recorded at the Metal Box’ – his studio located on the peninsula of land where the River Lea meets the Thames. The haunting and wistful blue ambient ‘Vision of You’ leads into the bracingly chilly ‘New Perspective’, which evokes a heavy rush where perceptions are blurred and vision is freeze framed, via elements of techno-soul, Sheffield Bleep and Mika Vainio. A snarling beast of a track, the relentless machine funk of ‘Devil on Horseback’ perfects the pure cathartic release of dark ‘n’ hot body music, whilst ‘Acid Angels’ is a throbbing low-fi 303 requiem, which encapsulates that perfect dancefloor moment, when the first light breaks through the shutters. A future classic and the album’s modus operandi, title track ‘Deep Rave Memory’’s discordant filter passes sweep across a hypnotic melody, communicating a deep sense of warm nostalgia and taking you on an epic journey – stretching out a single riff over 12 minutes – akin to the krautrock greats of which Fearless is so fond. ‘Atlas of Insanity’ is big room techno with pounding kicks, death-whip metallic snares and head spinning, spiralling synth lines that drill into your core. This is raw, impulsive and frantic music that sizzles with electric effervescence. The Germanic kosmische idyll of ‘Driving with Roedelius’ is a homage to one of Richards’ heroes – Hans-Joachim Roedelius – and was inspired by his experience playing a set consisting solely of the electronic pioneer’s music, at a festival celebrating his life and career. On the album's closer, Fearless recounts, “‘Broken Beauty’ is something I’ve always strived for in my art. It’s inspired by Robert Frank, William Eggleston and the way they could take the most inane object a turn it into something of beauty. It’s equally schooled by the aggressive simplicity of King Tubby’s dubbing and the transcendence of Joy Division’s ‘Decades’. The sparse allure of the best dub and techno is something I’m always striving for; being able to conjure emotion with the fewest possible elements; to not fix what’s broken, but to make it shine.

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The ridiculously talented Christopher Rau goes a little harder than his normal sonic spectrum for his debut release on Drone, delivering two fantastic techno excursions with this strong double hitter. The tile track is Beasts: harsh, dripping, and cold. Fans of Pan Sonic won’t be disappointed. Riggleysz exposes Rau’s Deep House sensibilities with a percussive, dj tool that breaks out into an infectious techno work out.

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Hand stamped white label, album sampler for forthcoming Richard Fearless album of the same title. Atlas of Insanity’ is reactionary, big room techno from Richard Fearless; a pounding kick, death whip snares, and synth lines that drill into your core. This is raw, impulsive electronic body music made to loose your mind. With ‘New Perspective’ Fearless delivers pure techno soul. With sonic leanings towards the North’s Bleep scene and minimalist techno pioneer Mika Vainio’s Philius and Ø alias.

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Sheffield’s Tommy Vicari Jnr delivers a study in contrasts for his first release on Drone. ‘Kept In’ is a concordant, synthetic techno pop excursion that bursts into your head like a thought and ricochets throughout. The static and reverb harnessed by Vicari to create ‘Closing In’ is a dub/techno assault, and inverse to the propulsive and glitchy rhythm of the A side.

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Limited edition release of 500 in a black sleeve, each with a unique, experimental numbered screen print, 30 cm x 60 cm

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Death in Vegas return with the single ‘Honey’, its second collaboration with Sasha Grey. ‘Honey’ is a slow, seductive serenade, with an organic, psychedelic tone: dreamy and dripping with intensity. The B side features ‘Witchdance Dub’, Richard Fearless’ long-held remix of ‘Witchdance’ off Trans-Love Energies, featuring the haunting vocals of Katie Stelmanis from Austra. Fearless cut three dubplates of ‘Witchdance Dub’ after he mixed this track. Dj Harvey has one, Prosumer the other, and Fearless kept the 3rd: delicate acetates that have been played out sparingly but with electric effect. This track is effortless, minimal dance music imbued with Fearless’ unique production sound- it’s not one to miss.

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Coming off Transmission, Death in Vegas’s critically acclaimed 6th album which saw the band collaborating with Sasha Grey, are three unique remixes by Silent Servant and Rudolf Klorzeiger.

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Night Blind is Richard Fearless’ second release on Drone’s white label series. The title track coalesced in the early hours of the morning as diffuse, Turneresque lights glimmered across the Thames and the container was pounded by a storm. Unnerving and melancholic yet with a glimmer of light, this is Fearless at his best. On the B side is Cancan. With Xavier’s spiritual acid head, Kenichi Iwasa, on percussion duties, this is one for peak time body shaking. Both tracks were recorded and mixed at the Metal Box by Chris Blakey and produced by Richard Fearless. Stamped and numbered edition of 300 vinyl

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D’Marc Cantu’s second release on Drone is an introspective, emotive piece of electro. With it’s deep pads, ‘Omega Red’ provides the soundtrack to a trek through the snowy wastes, never letting up and calling through the night. Dreaming of a world beyond our own on a journey without end, waking to find fragments of that world still holding on. In contrast, under his Rival alias Cantu delivers ‘Sustain’ a ferocious track with monotonous drum lines that slowly takes you into the night. Rival has, since it’s inception, been about exploring the limitations of a single, one take session. Taking the principles of a live set and applying them with gear that would ordinarily be left in the studio adds an uncertainty and urgency to the moment that would otherwise not be there.



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Luke Hess and DJ Richard remix sides A and B of Drone 005 for the sixth release from Drone. Luke Hess takes Overview Effect, Richard Fearless' dubbed out, Detroit techno fused title track, and transposes its mood; breaking out the 303 and sampling the original strings to add an element of dazed hallucination for this peak time acid track. DJ Richard brings crafted electro rhythms and swelling, dubbed out horns to his remix of Metal Dub, completely reimagining the stripped-down, metallic techno of the original.

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Richard Fearless delivers some Transatlantic love with his third Drone instalment, and the fifth release from this growing label. Overview Effect is dubbed out Detroit-esque techno with with an epic two and half minute string workout and a cognitive shift to pure Fearless magic. Metal Dub is stripped-down, metallic, hypnotic techno with haunting pads, and it's been smashing it in the darkest of rooms of late. A deep, heavy release on Drone.

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With this release, Anne Arbor's jakbeat man delivers 6 minutes of electronic mania; a piece of repetitious, dance-inducing machine funk with a hook that hits you like a punch in the face with a velvet glove, brooding pads, and a top line like steel drums on acid. D'Marc Cantu twists the sound of Detoit techno and Chicago house with his own visceral production style and makes it his own. "Sonically I'm reminded of old home videos, a lower quality presentation of a memory. Decay has that quality to it that reminds of a time gone but stills feels familiar and comforting" DMC "Rival was the first experiment of my first alias, Rival. It was recorded in with a Volca drum machine the first day I got it, no effects and no edits, as is the basis of the alias, unedited analog sessions. One take"

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RAWAX proudly presents the 5th release by Ricardo Villalobos on his own series!
This time we have the honor to unveil Ricardo alias Richard Wolfsdorf - TIA, originally released on Below in 2000
This gem will be available only on Vinyl!

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Holy Tongue (Valentina Magaletti, Al Wootton & Susumu Mukai) follow up their critically acclaimed album with a two track 7” on Trule. On the A Side ‘Ambulance Dub’ creeps in like John Carpenter at Firehouse. The B Side ‘The Bigger Tutti’ goes full on Steppers punk. They are all snakes now.

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New Marcellus Pittman!

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fabric bring together Pangaea and Leonce for a pair of UKG influenced / US club tracks. “With both of us playing each other’s tracks, it felt natural to collaborate in the studio on original music. Both ‘Dusted’ and ‘Stuck’ bridge the UK and US scenes, and are the result of multiple studio sessions in London when Leonce was touring in Europe” ~ Pangaea. ‘Dusted’ is UKG influenced with out-of-this-world textures, fast paced drums, expertly-chopped vocals that build on the styles Pangaea and Leonce are known for whilst 'Stuck' takes a more restrained approach, taking influence from classic 90s US club tracks. Pangaea co-runs cult UK label Hessle Audio, widely regarded as one of the finest electronic music producers of a generation whilst Leonce has been honing his US underground Club styles with the RA Recommends critically acclaimed 2024 album, System Of Objects.

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Tracklisting
A1 Temudo - Meteora
A2 Temudo - When I Grow Up
B1 Temudo - Vrthng
B2 Temudo - It's Always Past

Sales Note
Temudo - Meteora (FUSE06) by Noah Hocker

A leader of the Portuguese wave in techno co-founding Hayes Collective while boasting acclaimed releases on Klockworks, Blueprint, and Soma, Temudo grabs the reins to take club music back to its days of audacity and risk taking. A more than promising up-and-comer turned modern reference, Temudo defends his reputation with a release showcasing depth in his various sonic universes and a deep understanding of his music's history. For its seventh release, Temudo's 'Meteora' is a logical next step for the club's direction - a sweet spot between dancefloor efficiency and enduring aesthetic.

Combining the intrigue of mental soundscapes with the reliability of imposing rhythm, 'Meteora' finds itself collected, expressing effect through restraint. The title track, claiming the EP's A1, is just that - a force of interweaving sound design and powerful micro transitions. Some believe the best techno records are able to express emotion and attitude despite its dissonant and machinelike nature; if that's the case then Temudo has mastered the craft. 'When I Grow Up', however, puts the focus back on the body. What sounds like warbling tape modulation over a percussive lead makes this record an addictively delirious ride from start to finish, fitting in with the track before while shifting to different priorities. Proving his versatility, 'Vrthng' at first seems reminiscent of the minimal Berlin style with a higher pace, but quickly progresses into something intensely euphoric. With experience and measure, an out of the box approach can really pay off, and the added emotion in 'Vrthng' is certainly a turning point in the EP. This mindset is clearly carried over in the project's conclusion : 'It's Always Past'. A surprising use of harmony and storytelling, this final chapter ends with Temudo sealing his style with confidence. The track is mystified by its chords, ending 'Meteora' with a question mark that leaves us in anticipation for what Temudo dares to do next.

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The latest release of the label brings with it a devastating energy, divided between two distinct but complementary sides:
A Side – Pure, hypnotic and sharp acid techno, signed by Shkedul & Enrico Vivaldi. Tight rhythms and acid lines that will set the dancefloor ablaze.
B Side – A journey into the most futuristic and enveloping electro, with the productions of Juaan & Alex Neri. Pulsating grooves and spatial sounds for those who love deep and sophisticated vibrations.

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Agonis debut album Neutropia gets a high profile and well deserved remix treatment. Originally released in 2021 on his own co-founded amenthia recordings, the album was a strong statement in terms of sound. Formerly known for his excellent deep and incantatory techno, Neutropia opened the door to show more of his far reaching musical interests. It became a vital document of genre bending electronics, fusing half paced drum & bass, rolling amen breaks, forceful frequencies, dreamlike trip-hop and futuristic techno all together. For Neutropia Remixed the sound palette even got wider. Four artists that are highly appreciated by the amenthia camp were asked to rework their track of choice and make it their own. Carrier drops the pace of 'Thermo' and adds a brilliant touch of his stripped down half-time rhythm excellence. Christina Vantzou continues to build on the powerful frequencies that were present at the full original album with a mesmerizing drone trip. Amsterdam resident upsammy adds her glistering dynamics to the dark 'Algoflash' and Felix K does what he does best.. The Hidden Hawaii/Nullpunkt originator turns the rolling 'Pyrchid' into a heady drum work out.

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Tracklisting
A1 Flotation Aid - Celebrities
A2 Vlaysin - Open Your Mind
B1 Sestrica - Ssense
B2 Proxyan & Lewski - Cereology

Sales Note
THOUSANDS OF YEARS AGO, SCIENTISTS FROM ANOTHER PLANET CAME TO EARTHTO CREATE ALL FORMS OF LIFE, INCLUDING HUMAN BEINGS. REFERENCES TOTHESE SCIENTISTS AND THEIR EXPERIMENTS CAN BE FOUND IN THE ANCIENTTEXTS OF MANY CULTURES.
DUE TO THEIR HIGHLY ADVANCED TECHNOLOGY, THEY WERE CONSIDERED AS
MASTERS BY OUR PRIMITIVE ANCESTORS AND OFTEN REFERRED TO AS 'ELOHIM'WHICH IN ANCIENT HEBREW MEANT 'THOSE WHO CAME FROM THE SKY TO RULEUS'.

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(incl ORBE remix) Non welcomes Translate for his first ep on the white series with a singular, blinding 4 tracker including a great Orbe Remix.

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“Our pause here, between one ocean and the next, may be only a moment in the history of the Universe"

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