Tracklisting:
A1 Markus Suckut - Bliss
A2 Markus Suckut - Queue
B1 Markus Suckut - Alter
B2 Markus Suckut - Drippin Sweat

Release Note:
Modern, subtle and impeccably produced techno tracks. Four reasons not to follow trends.

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Markus Suckut returns with his second EP on 'made of Concrete'. Named after the Ruhr area, one of the densest regions in Germany, 'Ruhr' shows off the mesmerizing skillset and versatility of the producer. His hometown Düsseldorf is one of the three major cities on the Ruhr map and has brought up its very own Düsseldorf-sound within German electronic music, with local heroes Kraftwerk paving the way in the 1970s. The twists and turns of the Ruhr river and the musical paths that electronic music has taken all come together in this EP, which steers from techno to electronica with ease.

While 'Tunnel' is a rather straightforward minimal techno banger, the title track 'Ruhr' is almost melancholic. 'At The Park With Friends' ventures into the realms of ambient. The 5-tracker is accompanied by a technoid remix of 'Smoke' by Markus Suckut's longtime friend Thomas Hessler.

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Rekids regular Markus Suckut drops his third album entitled ‘Heaven Is A State Of Mind’ this September. Here is a limited edition 10” of extra two tracks from the album. ‘We Will All Disappear One Day’ is a syncopated ominous beast if a track complete with purring bassline, on the flip is the moody two-step number entitled ‘Death Is Not Final’ with twisted sequences and trippy effects.

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Rekids regular Markus Suckut drops his third album entitled ‘Heaven Is A State Of Mind’ this September. When not helming his own imprints, SCKT and Pattern Research, the Du¨sseldorf artist has been releasing on Rekids since 2015 and is now a core member of the label’s family. Earlier this year saw the arrival of ‘New Life EP’, a mesmerising release exemplary of the producer’s knack for making imaginative house and techno complete with a compelling groove. No stranger to the long player format having released two albums previously, Markus Suckut returns to Radio Slave’s label with a quality nine-track album. From the word go Suckut’s album demonstrates his versatility as a musician, initiating with a beatless intro named ‘Escape’, before ‘Breeze’ comes into play with its skipping percussion and loopy atmospherics. Crunchy snares and crystalline synths make up ‘Sun’s Out’ whilst ‘Future Is Not Always Bright’ drives forward with its sultry low-end, ethereal pads and sci-fi bleeps, leading into ‘Take A Break’ and its medley of elaborate drums, living up to its name. ‘Above The Clouds’ is comprised of intricate notes and soothing chords whilst the machinelike ‘Orchid’ features electro inspired melodies, contrasting to the album’s title track, ‘Heaven Is A State Of Mind’, with its bumpy bass and warping textures. ‘Wonderland (Version)’ is a ghostly acid cut which suitably closes the album.

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German producer Markus Suckut returns with a mesmerising techno release entitled ‘New Life EP’, a precursor to his forthcoming album on Rekids. First appearing on Rekids in 2015, Markus Suckut has since become a vital member of the Rekids family when not running his own labels SCKT and Pattern Research. Pounding drums and atmospheric effects initiate ‘New Life’ before a groove laden bassline and scintillating synths ebbs into the mix. ‘Mistakes Are For Everyone’ then generates an oscillating aesthetic whilst syncopated kicks join echoing nuances, leading into the rattling sounds of ‘Shimmer’ with its ghostly chords and tantalising melodies. With Suckut having released two albums already the Du¨sseldorf artist is no stranger to the long player format making his forthcoming album on Rekids all the more exciting.

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Rekids regular Markus Suckut returns to Radio Slave’s renowned imprint with a solid techno two-tracker this November. Recent years has seen Markus Suckut’s distinguished career enter its next phase, whether playing a role in the relaunch of Steve O’Sullivan’s Mosaic imprint, debuting on Rekids, or pioneering his own imprints Exile (alongside Johannes Heil) and SCKT. In his next outing on Rekids the German DJ and producer demonstrates functional techno from the off, initiating with the cavernous and uncompromising ‘10 Y’ which forges a swelling tension using echoing stabs and rolling kicks. On the flip, the groveled ‘Zero Nine Six’ meanders forward with subtle bass tones as mesmerising synth throbs gradually ebb into the mix.

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Following a stellar contribution to Radio Slave's Clone Wars remix package, Markus Suckut makes his full Rekids debut with the Heat On Feet EP. The three tracks on offer capture Suckut's ability to marry intensity with groove, with the toughness of his iron-forged techno breakbeats and ambient textures. The A cut, Untitled #1, is perhaps the EP's most instantly ear-catching, framing itself around a swinging hardcore break with a bubbling acid bassline coming to the fore over the course of the track's seven-minute running time. #2 opens the B-side with a fast, stripped-down, atmospheric techno tool, while #3 closes the EP with a pounding 4x4 melting away to reveal a romantic star-gazing breaks & pads combo. The EP marks the start of a new phase in Suckut's already illustrious career, which has seen the German release on many of techno's most respected labels. More Rekids releases are in the works, plus 2016 will see the resurrection of his own SCKT imprint, with the two labels together becoming the producer's main outlets.


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Steve O'Sullivan's Mosaic label is back with a second volume of its dubs series, this time on nice yellow vinyl with Sub Basics and Fletcher given one side each to shine. Sub Basics goes first with 'Mediterranean', a lovely liquid dub with bottomless depths and perfectly smooth, frictionless drums. Lovely soft melodies drift in and out as the echoing hits and icy hi-hats help oil this most heady of grooves. On the flip, Fletcher offers up 'Sludge' which is a little more tense and menacing, with darker bass and more texture as well as distant groaning pads that keep you guessing and on edge.

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We're always glad to hear new material from undisputed dub techno don Steve O'Sullivan. This new one on his own Mosiac label finds him facing off with Paul Simmons on a pair of deliciously deep cuts. 'Inner Glow' is given the whole of the A-side to make its mark and it does - with a slightly more soulful sound than you might expect. Rather than pure heads down underwater deepness, it's got a heart warming vocals hook and brighter chord vamps over the signature drum smoothness. 'Stilll Burnin''is a quicker cut with more radiant chords and a soulful spirit, then a Bluespirit dub of the a-side zones things out nicely.

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Dub techno don Steve O'Sullivan's Mosaic label is back with a new dubs series and vol 1 kicks things off with a real doozy on lovely red wax. The boss himself offers up a Bluetrain special edition dub of Hidden Sequence's 'Synapse' which is all icy lines and liquid rhythms which make you think of some frozen lake on a misty morning. Sub Basics (Temple of Sound, Lion Charge Records) opens up with a fresh dub laden track with rippling chords, tons of echo and rolling drums on 'Quarters.' Both are timeless dub outings, as you would expect from this label.

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The latest from Steve O'Sullivan and Mosaic's archive raiding series sees the first ever airing for an unreleased extended mix of the soft and soul-drenched 'Composure', plus two choice selections on the slip, the sleek sub-bass powered 'She Don't Do Chicks' and a dub mix of the equally streamlined 'Bumper Car'. If the A-side is a luxurious period piece of sorts - it could be related to Underground Resistance's 'Galaxy 2 Galaxy' for instance - then two on the other side could have been made yesterday they're so relevant and playable, coasting along with the kind of subtly jacking framework and dubby basslines that G Man made his own. All lovingly remastered at The Exchnage too.

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Berlin native and Rubisco label head Nick Beringer lays down some serious rolling beat science for Mosaic’s 5th LTDX edition. The EP kicks off in style in the shape of ‘Intercity’: straddling a square 4/4 house rhythm with an ‘Art of Trance’ spirit ? all brought together in contemporary style. Layers of subtly filtered melody pulsate their way throughout, rising and falling as minimal elements collide for maximal sonic impact.Switching to more familiar territory, ‘Time Shift’ reins things back a notch as tight 909 beats swing to well rounded bottom end, carrying the warm layers of evolving synths and chorded elements with precision effect. Ending on the introspective mood of ‘Counterclockwise’, Beringer displays an even defter touch, heralding the light fantastic as the spectre of night passes by.

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Steve O'Sullivan invites a trio of artists to lay down some serious head nodding beats for ‘Rhythm Method Vol.4’. Calling on one of Canada’s trusted talents and solid purveyors of deep grooves Jay Tripwire leads the charge with ‘Mung Bean Medley’. There’s simply no messing: pushing through a taught rhythmic workout, incessant toms and metallic tones etch deep into the mood - awash with dubbed out atmospherics and crafty touches that more than a give a nod to the dark house dubs of yesteryear. On the flip, ‘Hidden Sequence’ inject their creative flex, demonstrating the all important art of minimalist bounce with ‘Synchro’. The kind of fully swung beats and tripped out twinges that brighten the groove more often than not when 7am comes calling. The svelte bustle and soothing tones of ‘Makka’ from Fletcher by contrast, soothe the mind and leaves plenty of room to kick back as weary limbs take their toll: a fine tonic indeed.

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With the summer season well and truly in full step, Mosaic returns with two finely tuned cuts of classic dubbed-out minimalism. A Side "In The Night" is a typically understated affair from label boss Steve O'Sullivan under his Wise Caucasian alias. Propelled by a bass-heavy tone and lit by layers of percussion that build on each other you'll find yourself getting lost in the washes of sparse vocals, rhythmic stabs and splashes of delay that reach out over the dance floor. Far from providing instant gratification, this requires timely and repeated play to uncover the layers of subtle finesse and craftsmanship: perfect for keeping those feet moving at any hour of the night, or day for that matter. On the B Side, Steve teams up once again with fellow Londoner , Frazer Campbell on "Rise" which goes straight for the full smile effect as the duo conjure up one of those rare pieces of magic. Set to a melee of skippy percussion, high-pitched toms and warmly toned melody, the prophetic voice of Maya Angelou and her timeless poem "Still I Rise" resonates supreme, bringing a touch of thoughtful intelligence that's all too often forgotten. As the track hits it peak, you can't help but feel the deep elation a groove like this brings in the darkest of hours.

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As Mosaic reaches release number 40, Steve O'Sullivan dives into another studio collaboration with his new label mate and expert hand, Mike Schommer - bringing in the talents of Rod Modell on remix duties. Etching two slices of dub heavy grooves that cover either side of the techno and house spectrum, their first effort emphasises the former on title track "Submerged" (B1). It doesn't pull any punches - precision moulded bass takes centre stage around evolving synths and classic delay action. Their 2nd "Depth Charge Dub" (B2) leans more towards the latter as the duo focus on the combination of a rolling sub, laidback percussion and subtle stabs that cycle gently around. The cherry on top comes in the form of Rod Modell's "DeepChord's Negative-Space Exploration Version" as he takes a 9 min trip to the hinterland of his sonic imagination, elegantly finding new layers and spatial effects. Call it what you will, 'dubbed out house with a splash of techno' or 'dubbed out techno with a splash of house' - this is heavyweight material.

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Deepchord co-founder Mike Schommer is back from a 15 year hiatus with an entrancing 12'' on Steve O'Sullivan's Mosaic Records. After withdrawing from production for an extended period, the enigmatic producer revives his legacy with an unrestrained session using analog synths, drum machines and cavernous sound manipulations. 'Invitation to Love' uses minimalist 4/4 percussion and unfurling delays whilst 'Remember When' explores echoed synth stabs in a broken beat framework. Lastly, tranquil stepper 'Into The Night' carries floating chords and cyclical melodies through airy acoustics. 'Anamnesis' presents three quintessential dub techno methods - offering a masterfully engineered package by one of the genres most revered figures


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With spring well and truly in the air and party season in step, Mosaic Records boss Steve O'Sullivan launches Mosaic's 38th release - joining forces with fellow Londoner Frazer Campbell for a new studio collaboration. Not content with letting the dust settle from his recent work alongside Ricardo Villalobos, O'Sullivan has stayed a little closer to his London home to work with Frazer Campbell for this latest tag team effort. A dextrous hand in the mix and producer in his own right, Campbell has a passion for all things that sit on the deeper end of the house, techno and electronica spectrum. In his own words, thought emoting music is central to his mission having launched Open Recordings and Elliot Project Records last year: a worthy sparring partner indeed. Since the start of the year, the pair had their heads down focusing on finding a happy medium between deeply swung grooves and the airy influences of Detroit - shaking out an interesting trio of tracks for their label debut. Far from treading the obvious path, the main event A1 'Hypnotonic' revels in a lighter touch as metronomic beat programming cycles endlessly to a held set of notes. Off-kilter bass pulses, warped out vocals and effect splashes all intersect to keep the energy input constant as they capture one of those less frenzied moments where the very notion of time seems to hold still. Make no mistake, this is a slow burn vibe. Head to the flipside B1 'Soultonic' to plunge yourself straight into hip twitching mode when the lights go down. A deep chord, syncopated hats and deftly tweaked synths echo as a full dose of shuffle inflicts its move. Simple yet so effective, this track will not let you down. Winding things back up a touch, the tougher edge of 'Alleyway Funk' pushes the feeling on thanks to a thumping kick and a deft nod towards UK Garage. Met with a soft glisten of a Rhodes piano and tweakish melody, the pair round things off in a boyant mood - fans of Soul Capsule and Schatrax will no doubt agree. Repeat play of this EP is recommended as its all the more rewarding for it.


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Steve O'Sullivan's Mosaic Split Series is back with a fresh instalment for you in 2017 as the boss continues to discover and compile music from artists new and old for the well-received series that marked his return a few years ago. Focusing on three slabs of high grade deepness for release number six, the A Side comes from a firm Mosaic favourite Dean Decosta, a long-time friend and contributor to the imprint. Hailing from California, his music has always held a timeless quality and subtlety that is in key with the label and Steve's ethos. Stripping everything back to basics, Recon feels like a tribute to the last days of summer and the warm coastal breeze that inhabits the shore in Decosta's native California. Filling the space with warm pads and twinkling synths, the bass end neatly pulses and tweaks throughout as it elegantly moves to a spatial groove that seems to freeze the very moment in time you inhabit. Complimented perfectly by Within Without, Leeds lad Bobby O'Donnell serves up an instant ace for the B side as he fuses a tough ended kick with dub tinged Rhodes chords, pattering hats and swirling melody: evoking the kind of uplifting vibe that won't go amiss with DJs and dancers alike. Expect some heavy rotation and smiling faces on this. Last, but not least, rising Swedish producer Sean Dixon lays down a fusion of Omar S styled synth jams to dub driven house. By taking elements of the classic and injecting a fresh angle, Dixon creates a unique space in the sound that builds and builds, deserving both your time and attention. With repeated play, you can't but help admire his craft. If you haven't already checked out his catalogue don't get caught sleeping.

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To the untrained ear a collaboration between Mosaic boss Steve O'Sullivan and minimal house maestro Ricardo Villalobos may not seem like the most obvious sound clash. However, dig a little deeper and you'll find that both these artists have a long history and shared love of stripped back aesthetics and dubbed out rhythms carving out respective sounds that have never strayed far from their roots. Sullric is the result of a daylong session at the end of 2016 where the pair plugged in, switched on and set everything to cycle: recording several hours' worth of material to tape with an edit of their favourite passage worked into two versions in post-production. As you'd expect from anything Villalobos turns his hands to, the sound palette is fully laden with dreamy tinges of warped audio, pulsating synthesis and psychedelic tinges that are as equal as they are diverse never failing to surprise. O'Sullivan's input shines through in the rhythmic feel and the application of effects throughout, holding the entire track together as they hit on a moment that truly captures the spirit of joint electronic enterprise. The Side A edit totals 10 mins and leads with lighter touch hat work that evolves in layers and builds, focusing more on the bass edged tones and vocals that envelope the senses throughout: the use of meditative gongs and a large stringed breakdown cutting through the mix to maximum effect. Side B, titled the deeper dub, stretches over 12 mins and is slightly denser in feel as the rhythmic chug is brought to the fore - driving the track into a sparser territory that gives more ground and emphasis to the breakdowns when they drop. Either way, if you're seeking some heavy beats with weird shit on top look no further.


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Long-time influential techno label Mosaic is back with a fine new EP from Germany's Andre Kronert. The Odd/Even boss has been turning out dubby and atmospheric EPs for ten years now, and here he adds three more such sumptuous tracks to his discography. A Track Called Jinx is first and is an economical but effective roller with vast drums, subtle hi hats and a wonky lead synth line that brings a trippy feel to the groove. Perfect for basements or warehouses alike, it works on both head and heel in style. Bottom Line is more forceful and hard hitting thanks to slamming drums and a nervous, twitching, haunted synth sound off in the distance. Racing along and taking you with it, the urgency of this one really is compelling. Finally, Pressure Dub is somewhere in the middle, with rolling kicks looping down low, scattered percussive hits up top and unsettling synth motifs all layered up into a smooth dub techno classic. Spacious and spooky it is another effortlessly essential cut from Kronert and Mosaic. Available on limited edition 180 yellow vinyl only.



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The first in a series of special 12's to mark the 20th anniversary of the labels inception sees much sought after tracks from Mark Ambrose , Kumquat Kids and Steve O'Sullivan reissued in remastered and edited versions. Deep minimal rollers for those that know.

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Jorge Zamacona returns to Mosaic with three sublime slices of raw techno flavoured house.


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For the third volume of the Mosaic Red Label Series Drumcode's Alan Fitzpatrick provides two slices of perfectly crafted main room jackin techno. Limited to 500 copies and pressed on 180g purple vinyl in a special collectors edition sleeve.



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The resurgence of Mosaic continues in proper form with the fifth installment of the Split Series. In keeping with the theme of pairing lesser-known artists with more established producers, Part Five welcomes Annie Errez back to the fold after her appearance on Split Series: Part Four and teams her up with Clandestine, the production duo consisting of UK house/techno mainstays, Neville Watson and Justin Drake (of Peace Division fame). Needless to say, this is a very special collaboration, indeed. A1 - Annie Errez "Discovery Inn" Following up her two blazing cuts for Split Series: Part Four, Annie blesses the A side of Part Five with a pulsating, dub inflected groove in the true Mosaic tradition. Simple yet infectious in a Blue Train style, "Discovery Inn" bumps along with classic stabs that fill the space between the bass with finesse. This is one of those grooves that can go on forever and never get old - pure quality. B1 - Clandestine "Slave to The System" Neville and Justin get right down to it with dirty, swinging, old school vibes. Raw, saturated beats snap and shuffle as gritty synths punctuate the patterns. As the title implies, this one is designed for a proper sound system, kicking along unapologetically on behalf of those who seek rough and tough sounds that reside in the zone between house and techno. As they say, "Let the rhythm hit 'em." B2 - Clandestine "Vengeance" Keeping the raw grooves alive, "Vengeance" is nothing short of a disco/techno excursion of epic proportions. Classic drum programming frames a menagerie of chopped sample bits, making for a loopy head-trip of sonic goodness - once it gets into your mind, there's no stopping this tune. This is some prime time weirdness (of the best kind) that is sure make the freaks come out of the shadows.



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The next instalment of this nine part series sees Mosaic take a diversion into darker techno territory with contributions from Ed Davenport, Aubrey and Ozka. Over the last few years Ed has been quietly gaining respect from those who like their house splashed with a good dose of techno. The Berghain regular's "Bloodchild" rides the fine line between both genres perfectly with a dark twisted bass line driven groove and eerie vocal line that typifies his unique sound. Next up is Aubrey who has provided a storming techno monster of a remix of Ed Davenport's unreleased "Islands." A very welcome return to the label after a 17 year break and when seen alongside his recent Ostgut Ton, Ferox and Metroplex appearances it is no wonder that people are calling 2014 his best year yet. Belgian techno wizkid David Nizet (aka Ozka) provides the closing track to the EP. Despite having recorded for the likes of Dave Angel's Rotation and Mowar this guy has been bubbling under the radar for some time . With forthcoming contributions to John Beltrans Dado and Arne Weinberg's Diametric coming up we are sure his talent won't go unnoticed for much longer . Check out the wonderful bass line driven dub-stab-fest he has given us in "Thirteen years" if you have any doubts!


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Since its inception in 2022 the PILLZ label has built a reputation for refined underground moods, and “Take A Chill Pill” is certainly no different.; The astounding Belgian producer; Session 4000 maneuvers and delievers 4 cuts between gritty shades of house and electro. This EP shifts the night into fifth gear with spaced out atmosfears and direct drive. Here is a producer whose experience for the hazy after hours takes us deep into such imagined trips as a “ravey conga paradise”, or some “hypnotic textured blend of vox sampled hits,” or twisted ravey motions, and big bass lines that blast the floor.

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After being marooned in a small beach town in Brazil at the start of the pandemic, California-born Gene On Earth eventually made it home to Berlin. As the reality of the global situation sunk in, he set to work on his second album, working in an obsessive daily rhythm. After gathering an arsenal of samples and inspiration he returned to the studio for 5 months of feverish work. Set for release on June 3rd via his own imprint Limousine Dream, ‘Time on The Vine’ is a slick record delivered with the laid-back warmth of a producer at the top of his game. Breezy yet assured, its wonky minimal rhythms are as feel good as they are fun, a perfect antidote to the long and waning pandemic that birthed them.

Audio clips will be sent in a future date.

Additionally, please note that there is a digital version of the album too, and the digital and vinyl version design artworks are different.

You can see how the digital version artwork looks like:
https://geneonearth.bandcamp.com/album/time-on-the-vine

Vinyl records don't include digital download coupon unfortunately.

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Boulderhead debuts on Rhythm Section International with his most expansive EP to date:
“ I Need Space to Dance”

The Bristol based producer, known for his intricately crafted, up tempo club records has long been a favourite at RS HQ and has, over the years, garnered much respect from a plethora of influential DJs. His most recent hit “ Bread, Butter, Noodles, Spice”, was a festival earworm and one of the most played underground tracks of 2023.

Existing in the sweet spot between tech-house, prog, broken beat and minimal techno - this EP sees Boulderhead widen his sonic palette with a collection of songs that showcase his versatility.
Equally appealing to the Ricardo Villalobos contingent as it will be to those delving into the history of progressive house and the golden days of minimal techno - we think there’s a bit of something for everyone here.

Despite the many different bases the EP touches on - the sound pallette and production are unified and coherent. Henry is at the top of his game, and much like contemporary artists like Adam Pits, Priori and Russell EL Butler - his style screams ALBUM!

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To celebrate two decades of Metro Area, Environ has partnered with renowned mastering engineer Matt Colton (Metropolis Studios) to remaster and recut the first four Metro Area 12"s: Metro Area, Metro Area 2, Metro Area 3 and Metro Area 4. Unlike the album reissue, these records include the original, extended 12" versions of all songs, including some which have never been re-released. Metro Area 4 is the duo's fourth 12" EP, originally released in 2001.



TRACKLISTING

A. Metro Area - Miura
B1. Metro Area - Let's Get...
B2. Metro Area - Strut


INFO

Autumn of 2022 marked 20 years since the initial release of Metro Area's first and only album, Metro Area. Environ had already remastered and re-released this essential LP for its 15th anniversary. So this time around, we're doing something a bit different.

To celebrate two decades of Metro Area, Environ has partnered with renowned mastering engineer Matt Colton (Metropolis Studios) to remaster and recut the first four Metro Area 12"s: Metro Area, Metro Area 2, Metro Area 3 and Metro Area 4. Unlike the album reissue, these records include the original, extended 12" versions of all songs, including some which have never been re-released.

Metro Area 4 is the duo's fourth 12" EP, originally released in 2001.

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Environ is proud to announce the reissue of Morgan Geist's cult classic Super. Originally released in summer 2001, the record is an ode to New York City and many of the producer's most vital influences. With live strings from the Kelley Polar Quartet and plenty of disco DNA, it's no mystery that this was made by half of Metro Area (and released just months before their underground classic "Miura"). Remastered and cut by the award-winning Matt Colton of Alchemy Mastering.


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After a 10 year hiatus, Steve O'Sullivan's Mosaic label returns under a new guise: Mosaic Split Series. This series will be split between old school artists from Mosaic and beyond and artists from the new school. This first release sees Mosaic legend Jorge Zamacona don his Urban Sombrero for the latest installment in his "mosaic efforts" series. A deep, trippy, dirty house workout in Jorge's unique style. In keeping with the whole ethos of this project we have newcomer Ben Buitendijk's offering , "Promised Land," on the flip. An ultra-deep dub house/techno track that echoes the Mosaic sound of old with a modern twist. Melodic and atmospheric, this one deserves to be played from beginning to end.


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Dance Generation from the prolific Parisian producer Vitess again affirms his place in leading France’s underground clubbing scene, and beyond. Four electronic tracks are entailed in this EP, spotlighting his distinctive twist on homogenising groovy synths and percussive layers.

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DMX Krew returns to Hypercolour with a new long player. ‘Spiral Dance’ comes stuffed with wonky and futuristic synth jams.

Having honed a style that has endured over an illustrious career, DMX Krew continues to immerse his productions in luscious analogue electronica, touching on the many bases of electro, Detroit techno, synthpop and dreamwave.

With previous albums for Rephlex, Permanent Vacation and Balkan Vinyl, amongst others, ‘Spiral Dance’ becomes the fifth album for Hypercolour, following on from 2021’s ‘Loose Gears’.

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Previously featured as Epau on the label’s “get — together” compilation, get-traum welcomes back Nu Zau & Sepp for some more groovy goodness – incl. a remix from label head Traumer !

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The mash-up maestro sets his sights on Jamaica for this 7 track EP of dubbed out pop. THE WAILERS play back up for ADELE, DUA LIPA, CHRISTINA AGUILERA, and DURAN DURAN, while AMY WINEHOUSE & THE PRETENDERS join forces to become a ska super group. Hand-stamped white label

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Tracklisting
A1 Wiremu - The Subtle Hustle
A2 Wiremu - Beat-Up Town
B1 Wiremu - Key Notes Frequency Quotes
B2 Wiremu - Have You Written On The Wall?

Sales Note
Embarking on our musical journey with Wiremu, originally from New Zealand and now based in Leeds, we set sail with his EP, "The Subtle Hustle." Beyond a personal passion, Wiremu's dedication to music production serves as a tribute to his Maori heritage, infusing his compositions with profound cultural depth. "The Subtle Hustle," the opening track, forges a dynamic tone with deep bass, punchy percussion, and house-infused Rhodes chords. Minimal references and synthetic rips seamlessly fuse, creating a captivating dance track. "Beat-Up Town," the second track on the A side, is a dance floor blockbuster with bouncy bass, accompanied by an 808 kick drum. Keyboard work integrates chords into a dynamic groove, making it stand out among dance tracks. "Key Notes Frequency Quotes," opening the B side, introduces lead hi-hats contributing to a great dynamic. Vocal inserts layer over ripped synthesizer parts, creating a house vibe filled with energy and style. Closing the record, 'Have You Written On The Wall?' takes us on a journey through running percussion and minimalistic elements, skilfully compressing space and stretching time, accompanied by atmospheric backing.

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