Part Two of the Far East Transcripts series. Hhatri welcomes back more of the house rarities that Soichi Terada & Shinichiro Yokota masterminded in the early 90's.


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The next set of the Japanese musical tales on Hhatri's imprint comes from Takecha (aka Takeshi Fukushima), a producer who has played a part in creating some of the seminal pieces of house music that have originated from Japan. His music is characterised by the perfect marriage of experimentation and emotional content. For those that know, Takecha's first EP 'Kind of Deep' released on his own imprint, GWM records, in 1995 is a secret gem among Japanese House music collectors. Only 100 copies were ever available and it is a subtle reminder of what and how Deep House should sound like. Takecha provides no less in A Tale of Shiga; four gorgeous tracks that provide some insight into his own creative, albeit humble genius in his approach to producing music. Fresh off the press are three previously unreleased tracks with the addition of ""Freak Out"" released in 1998. TIP!


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The artist described the EP as being inspired by many of the heavy concepts that have been concurrent in his life during the process of making the tracks. The sounds have adopted elements of the music that have been experienced during his trips to play out in Berlin's unique music scene. Key to the penning of the tracks are the loss of distinctive sounds, expressive emotion and unparalleled feeling that was once so prevalent in the many of the lesser known and iconic works produced in the earlier years of House music. Channeling the desire to bring back what has been missing in today's formulaic music production design, Traela hopes to find the listeners once again looking inside the content of the music. Finding the emotional substance displayed through healing and the release of lost love, Traela's message on the making of this release: " Many ideas were prevalent during the process of the EP but the most important during this exercise was finding yourself, learning to express and learning to love yourself in order to love others'.

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Part Two of the Far East Transcripts series. Hhatri welcomes back more of the house rarities that Soichi Terada & Shinichiro Yokota masterminded in the early 90's.


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WAS - Word and Sound Medien GmbH
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Brawther and Alixkun present a collection of 15 underground Japanese house tracks from the early days of electronic dance music, back when the genre was sweeping across the globe. Ahead of a related documentary project titled 'HOUSE' in Japanese characters, the compilation is the first to showcase the works of Japanese house on an historical and global level, with classics and rare-as-a-hen's teeth tracks. Carefully selected by Brawther and his sidekick Ailxkun, this is a nectar of deep grooves and blissful melodies that form the blueprint of the Japanese House Sound. Legends like Soichi Terada, Yukihiro Fukutomi or The Ecstasy Boys are back to back with unsung hearoes like Takecha, Magic Ware or Katsumi Hidano. Aimed at the house music lover and overall music enthousiasts, this compilation is the one stop shop of all things early Japanese House, unveiling the mystery behind it all and shining a brand new light on it, dusted and remastered, for your listening pleasure.


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DJOKO is a fast-rising star of the German scene, a stalwart for house music in the techno-oriented country, pushing funk influenced danceable beats that have seen him become a best-seller. Hot off a recent EP on Berg Audio, DJOKO is returning to Shall Not Fade for a second record - after the phenomenal success of 2020's Hooked, this one is long-awaited.

Ventura EP is an exhibition of DJOKO's skill, tight and groovy house cuts that beg to be played all summer. Kicking off with a hazy gentle burner in "Morning Wonders", he serves up laid-back pads glittering with a funky dance pop organ - a summer track that is flipped and darkened in Leo Pol's remix, adding a firmer rhythm and growling sub bass; the night-time's answer to this day party number. The title track exemplifies DJOKO's fresh take on house music, carefully blending retro samples - crooning disco vocals and organic bass - with a soaring futuristic sound palette into a sublime high-class groove. Pumping B2 "Sylvestre Alone" is a percussive, emotive roller, its tight infectious riffs unavoidably pushing you to dance; the digital bonus track, "Don't Compare Yourself" is meaty, a bass-driven piece that closes the EP with real euphoria, building into a spacey drop full of early rave energy.

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There's no stopping Ludovic Llorca! After having several successful releases out on labels like We Play House, Shadeleaf and House Of Disco, Art Of Tones returns to our beloved LT family with a second 12" 'The Rainbow Song' is the follow up to The Same Thing EP released back in 2013. If you've come across Art Of Tones before you know what's in store for you. The Rainbow Song got all the signatures of a great Art Of Tones track. It's uplifting, got a tight groove, a strong vocal hook and well crafted jazz-like rhodes chords, it's damn catchy! For remix duties we find one of Paris' finest purveyors of high quality underground electronic music, S3A aka Max Fader. Max showcases his deep seated love for disco and house and has created a version that celebrates both, while aiming straight for your hips. With just a few added elements he takes the track in a different but no less powerful direction.

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