The legendary Lidell Townsell on the legendary TRAX label - What's not to like? 'Get the hole' might sound like a fairly dubious title for an EP, but it works within the realms of Chicago house! Released in the golden year of '88, this EP contains nothing but vintage midwest ACID grooves! You could argue that the XXX rated message behind lead cut 'get the hole' is an early precursor of what would come out of the Chi via Dance Mania and other associated labels and artists in latter years. Rumour has it the track had an impact on the super underground B-more club scene too unsurprisingly! If you like your house music rough, ready & raw then this is for you! Warehouse sounds, box jams, it's all here! Remastered in conjunction with Trax Records, fully legit, now is the time to revisit a cornerstone of classic Chicago House music, often imitated, never bettered! More

The hip house boom was in full effect, thanks to Tyree Cooper's efforts, and Trax responded with this double-header. 'Power Move' is straight up hip hop, but it's the flip, producer by Trax regular Lidell Townsell, 'I'll Make You Dance' that does the business here. Kool Rock Steady, also known as Edward Rudolph, had serious credentials for an MC, being cousin of one Africa Bambaataa. This release is also notable for yet another misspelling of Lidell Townsell's Christian name (Lydell, since you ask). More

Huge Kai Alexi EP re issued on Trax... All 4 tracks remastered for 2016. More

A brilliant tune produced by a team who also worked together at Chicago's Loop Record store, Jesse Jones and Carl Bias. Written by Leroy Haggard (AKA Mr. Lee, "When You Hold Me" was arguably the fiest of the deep house genre. The pair went on to work extensively with Liz Torres, the queen of house. Re mastered for 2016 and re released in conjunction with Trax. More

Another huge monumental piece of house history from the Trax back catalogue! Farley "Jackmaster" Funk under his Blackman guise... I'll Beat That Bitch With A Bat... Repressed and re mastered in conjunction with Trax 2016. More

4 superb tracks from K Alexi from the depths of the Trax vaults... circa 1994 More

The third Jungle Wonz release on Trax, again with Harry Dennis' gorgeous vocals. A real bench mark in the house sound of Chicago from Marshall Jefferson. More

Seminal Chicago Acid house compilation fully remastered and spread over 2 x 12" for the first time. DJ Pierre... Maurice Joshua... Lidell Townsell... Jack Frost... Mr. Lee classics all here... Re issued in conjunction with Trax 2015. More

We dig deep into Trax's vaults to unearth some unreleased versions of some Trax classics. Vol. 2 contains a Ron Hardy Reel To Reel edit of Jamie Principle's "Waiting On My Angel" while the original demo version of Frankie Knuckles "Your Love" containing haunting female vocals is on the flip. Released in conjunction with Trax 2015. More

Originally a member of the California R&B group Club Nouveau, this was Irving's crowning glory as a member on the Chi-town house faternity. The song was written by Dwayne 'Willie Wonka' Grant and remixed by Frankie Knuckles and is quite unlike most of the vocals that came out of the house scene, with a beautiful clarity to his voice. More

Pitched somewhere between the molasses gloop of 'Acid Tracks' and his more gospel moments, Pierre's Phantasy Club was a vocal project that, without reaching the heights of some of his more momentous Wild Pitch productions and remixes, still showed his versatility. "I'll put the bug in you it'll make you stay, I'll plant it it'll never go away". We believe you, Pierre. Repressed & remastered for 2015 & featuring all original label artwork, with permission from Trax records. More

The first release on Trax naturally came from the Jesse Saunders stable. It was an agreement between pressing plant owner Sheerman and Saunders and Vince Lawrence that led to the formation of the label. Early pressings even had a Jes Say catalogue number etched in them, through subsequent editions bear the Trax cat. no. "Wanna Dance", unusually for Trax is not really house at all, bearing far more similarities with the experimental productions of On-U-Sound and the Doug Wimbish/Skip McDonald crew. Says Vince "This is built around the fact that we found out that could call the Linn drum people and order a chip and that said somethin' - we got our first sampler. When we learned that you could say shit and play it like an instrument that was a big deal then." Repressed & remastered for 2015 & featuring all original label artwork, with permission from Trax records "Wanna Dance?" is now available again to be rediscovered.
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The combination of Ron Hardy, Adonis & Frankie knuckles on one record should make even the hardest of house heads excited. "Work the box" is that said record, featuring production & mixes from all of these legendary figures in classic Chicago Trax fashion! Experimental, spaced out, hard, minimal, raw & jacking, all words that could be applied to the 4 cuts contained here. This is the real deal, up there with the best jack tracks, direct, straight to your dome bangers with a left-field edge. %100 essential. The sound of the warehouse & the muzic box 1986 right here! Repressed, remastered & re-released in conjunction with Trax Records for 2015. More

One of the godfathers of Chicago House Jesse Saunders originally composed and released this proto house classic in 1984. Its initial release was on Jesse's own seminal Jes Say Records before later being re released on Trax in the 90's. All 4 original mixes have been re mastered and are re released in conjunction with the Trax rights holders. More

Marshall Jefferson, Ron Hardy & Frankie Knuckles collaborating across 2 sides of a single 12"? Need we say more? Obviously that's a dream line-up right there & of course the results of such a meeting of minds is nothing short of outstanding! Just listen to the record & you'll see! Essential business... "Ride The Rhythm" came out on Trax in 1986, making it one of the "first wave" House records to land & make a massive impression here in the UK & in Europe. Marshall Jefferson's fingerprints are all over this bad boy, his massive piano riffs, non-stop bass-lines, the pounding drums, everything about this record is just HUGE! He had an incredible knack for making accessible, club tracks with cross over appeal that the underground heads clamored to get hold of at the same time. Throw Frankie & Ronnie (literally) in the mix & you've got solid, classic, all-time Gold on your hands (& turntables!). Fully re-mastered, re-pressed & re-released for 2015 in it's original format with the permission & participation of all rights holders with all original Trax label artwork intact.
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Armando Gallop, the legendary Chicago producer & DJ whose career was tragically cut short by his death in 1996 left behind a legendary reputation as one of the windy city's finest. Having released on seminal labels such as; Trax, Musique, Westbrook and his own Warehouse imprint, Armando brought his own rough hewn brand of machine Funk and acid to the table and the dance music world has been much better off for it since. "The New World Order Level 3" is a collection of Armando's tracks running through various styles and sounds; Acid, Disco infected bangers, crazy Chi-town jack tracks and much more. This collection is a great overview of some of Armando's lesser known tracks and has always been a tough one to track down, it also features the storming "Pleasuredome" that was recently comped on Nina Kraviz' stellar DJ Kicks mix among a clutch of other lesser known gems. An essential addition to any Chicago lovers record collection, essential original House music! Re-mastered, re-pressed and re-released in conjunction with the official license and rights holders for 2015.

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Chaotic, acidic jack tracks are the order of the day here, Dancer aka Sidney Winters, dropped this obscure bomb on Trax in the peak year of 1987. Both sides are mixed by the late, great Frankie Knuckles and have all the trademarks of his touch; tough drum machines, Italo inspired melodies and thundering bass-lines. These monster tracks sound absolutely massive and will surely do damage when dropped today. "Am A Dog" is the A-side and is the more melodic of the two cuts, featuring triggered dog-like vocal stabs, epic, soaring synths and a repeated voice floating in and out of the mix, while on the B-side the descriptively titled "Boom Boom" does exactly that, a descending, aggressive acid line drives the track with some reverbed-out drums and a disjointed female voice repeating "Boom boom goes my heart", deep, dark and heavy! Both tracks have been re-mastered and re-pressed for the very first time since their original release in 1987 in conjunction with Trax Records, and have been made available again with original label artwork. Essential
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Time now for something a little different! Farley "Jackmaster" Keith's x-rated Jackmaster Dick alias is in effect right here with the "Sensuous Woman Goes Disco", essentially a cut-up of Jesse Saunders' "Funk U Up" and the comedian Rudy Ray Moore's "The Sensuous Black Woman Meets The Sensuous Black Man" this record takes no prisoners! A solid proto-Ghetto House classic it is not for the faint hearted or the easily offended! Take heed though, it WILL make you dance! Re-mastered, re-pressed and re-issued in conjunction with Trax Records. More

Caribbean-Belgian composer, producer and musician Nala Sinephro announces her debut album Space 1.8 with lead track “Space 3”. Space 1.8 will be released on 3rd September via Warp Records.

The instrumental “Space 3” is a short clip from a 3 hour improvised session with drummer Eddie Hick (Sons of Kemet) and producer/multi-instrumentalist Dwayne Kilvington on synths bass (Wonky Logic, Steam Down) culminating in a synth driven, particle-splitting, rapture. Speaking about the track, Sinephro explains: “We recorded it in the start of spring, it was a magical day. The day after recording I collaged the drums, added fifteen synths, produced and mixed it at home and it was all done.”

Sinephro’s music fuses meditative sounds, jazz sensibilities, folk and field recordings. Her musical practice is rooted in the study of frequency and geometry and guided by the premise that sound moves matter. Her debut album Space 1.8 takes shape as a metaphysical structure, where each curative space is a womb-like cocoon created by Sinephro in service of relief and affirmative, ecstatic freedom. Space 1.8 was composed, produced, performed, engineered, recorded, mixed by Sinephro at age 22. On the album, she plays modular synths and pedal harp alongside her friends James Mollison, Shirley Tetteh, Nubya Garcia, Eddie Hick, Dwayne Kilvington, Jake Long, Lyle Barton, Rudi Creswick and more.

Following electrifying live performances across the London scene, word of Nala Sinephro’s playing quickly spread throughout the UK jazz scene, consequently landing her performances as part of the celebrated jazz night Steam Down, alongside playing with and supporting the likes of Demae, Eun, Coby Sey, Rosie Turton, Robert Ames, London Contemporary Orchestra, Touching Bass, Spitfire Audio, Nadeem Din-Gabisi. She was touted as one of The Guardian’s artists to watch in 2020, has garnered support from the likes of Gilles Peterson; and is a resident DJ on NTS sharing monthly selections of celestial sounds. In 2021, she joined the innovative Warp Records roster where she continues to weave her unique sound world.

- Specs Black vinyl 12" in printed inner in printed 3mm spine outer with download card insert

TRACKLIST:
A1. Space 1
A2. Space 2
A3. Space 3
A4. Space 4
A5. Space 5
B1. Space 6
B2. Space 7
B3. Space 8

QUOTES:
“A benchmark in ambient jazz featuring outstanding players and delicately woven arrangements” - 8.3 - Pitchfork (Best New Music)
“Space 1.8 is a healing sound bath full of rigorous psychoacoustic knowledge and elegant playing” - The Observer (One to watch)
“Very few records have this capacity to make you temporarily fearless, but on Space 1.8, Sinephro harnesses the power of sound to move and heal the listener in ways that are real, and expansive.” - 9/10 - Loud & Quiet
"What sticks with Space 1.8 is the focus of its vision: precise like mathematics but imbued with a rich cosmic breadth." - 9/10 - UNCUT
'Her debut album sits at a slight angle to anything else you may have heard coming out of the UK in recent years” - Stereogum
"A calming, restorative and mind-expanding blend of jazz and ambient" - Resident Advisor (RA Recommends) More

Repress!

Following the success of his last RS release, 'Ripples,' the enigmatic Wallace returns to Rhythm Section after a series of stellar releases with a highly anticipated follow-up - ‘Papertrip’ that is destined to once again set the dance music community ablaze.

Wallace's impact on the scene has been nothing short of extraordinary, since Ripples he has gone on to play in the iconic Panorama bar, tour Japan and release a double LP on Mule musiq.Wallace continues to cultivate a dedicated following among discerning listeners and industry tastemakers alike. Now, with the forthcoming release, Wallace is poised to ascend to new heights, continuing the undeniable Wallace-maina. More

Originally from Malaga but a Berlin resident for the past 13 years, Carlo is thrilled to unveil his first album released under his own record label, Bisiesto. This label stands out for its unique approach, releasing just one album every four years on leap day, February 29th. In contrast to his previous style, this album blends all his musical influences into a unique mixtape of instrumentals.

Reminiscent of Nightmares on Wax, Kid Loco, and Mushroom Jazz, this album offers a unique auditory experience. Lora Ute brings a hint of tangy mellowness to ‘Because’ balancing dreaminess with playful notes, while Jose Fernancaster, with his immaculate guitar skills, infuses ‘Todo Mal’ with sexy guitar riffs and wahs. Intr0beatz's hip-hop touch enhances ‘Lemon Haze’, while Black Loops, a percussionist at heart, collaborates on ‘Midnight Cruiser’ to encapsulate the solitude of night-time city cruising with a lo-fi sound. Piek rounds off ‘Esperanza’ with an empowering bassline, tying the track together with a golden ribbon. More

Massive vocal driven Garage House pressure here, from way way back in 1992! Yes, 'Follow Me' is one of THOSE records, one that transcended genre boundaries on it's release and continues to do so today. A true classic piece of NYC goodness from back in the day. The super production team of DJ Pierre and george Morel could only deliver the heat and that's exactly what they did - created a timeless House record with the bassline that just doesn't let up! This is the sort of track that got hammered on the US House scene, found a home in the UK Garage world and got spin at almost any and all clubs where the DJ's had half a clue and an iota of taste! Containing the original 3 mixes released in '92 now's your chance to bag a bonafide, hands down classic record! 'Follow Me' has been skilfully remastered from all original master sources and fully licensed and reissued officially for 2017. More

Tracklisting
A1 DJ Sommer - Darling I Pray
A2 DJ Sommer - All My Love
B1 DJ Sommer - Heartbeat
B2 DJ Sommer - So Happy

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Thankfully, Richard D. James has decided to finally release at least some of the output that he's been banging on about since mid-2000s. In a number of interviews, the might Aphex Twin hinted that he has vast artilleries of tracks stacked up and unreleased, probably more on purpose than out of laziness...or maybe not. What we do know is that AFX is reborn after the string of acid 12"s released about 10 years ago on Rephlex, that saw the alias become one of the most popular of James' alter egos. Orphaned Deejay Selek is a collection of tunes that contain all of the Twin's magic and unpredictably, but that also cut straight to the point and head to the middle of the dance floor. This is banging brain dynamite coated in the man's iconic style and flair. Welcome back AFX, and many hats off to Warp for making it happen. More

2022 repress More

The second Jungle Wonz release on Trax, again with Harry Dennis' gorgeous vocals, was sub-licensed to both New York label Vendetta and Breakout in the UK (both subsidiaries of A&M), with some fine remixes by former Area resident Justin Strauss. "This was one of the first house songs I ever heard when I was like 14" recalls Felix Da Housecat. "Marshall Jefferson has been a huge influence on all my basslines. People usually think that basslines come from 80's pop bands but they came from Marshall Jefferson. Marshall Jefferson is probably the best house producer of all time for this period." More

Marshall Jefferson, Ron Hardy & Frankie Knuckles collaborating across 2 sides of a single 12"? Need we say more? Obviously that's a dream line-up right there & of course the results of such a meeting of minds is nothing short of outstanding! Just listen to the record & you'll see! Essential business... "Ride The Rhythm" came out on Trax in 1986, making it one of the "first wave" House records to land & make a massive impression here in the UK & in Europe. Marshall Jefferson's fingerprints are all over this bad boy, his massive piano riffs, non-stop bass-lines, the pounding drums, everything about this record is just HUGE! He had an incredible knack for making accessible, club tracks with cross over appeal that the underground heads clamored to get hold of at the same time. Throw Frankie & Ronnie (literally) in the mix & you've got solid, classic, all-time Gold on your hands (& turntables!). Fully re-mastered, re-pressed & re-released for 2015 in it's original format with the permission & participation of all rights holders with all original Trax label artwork intact.
More

(180 gr vinyl) Musique Pour La Danse presents another collaboration with SF-based Jonah Sharp following the first ever vinyl release of his Reagenz LP with Move D in 2021. This time, the iconic Flurescence EP by his Spacetime Continuum solo project gets the reissue treatment, after being released on the Scotsman's own Reflective Records back in 1993 with an unforgettable holographic center label.

TRACKLISTING

A1. Space Time Continuum - Fluresence (2022 Remaster)
A2. Space Time Continuum - Transmitter (2022 Remaster)
B1. Space Time Continuum - Drift (2022 Remaster)
B2. Space Time Continuum - Drug #6 (2022 Remaster)

INFO

Musique Pour La Danse presents another collaboration with SF-based Jonah Sharp following the first ever vinyl release of his Reagenz LP with Move D in 2021.

This time, the iconic Flurescence EP by his Spacetime Continuum solo project gets the reissue treatment, after being released on the Scotsman's own Reflective Records back in 1993 with an unforgettable holographic center label.

There is a good reason why this EP, actually Sharp's debut release, was so hard to find at reasonable prices and why it has appeared in countless compilations and top lists in the last 3 decades with no sign of slowing down.

Truly timeless, this masterclass in forward thinking electronic music focuses on deeply textured, masterfully arranged, and skillfully morphing tracks with a cosmic tinge that feels warm instead of cold, and rewards repeat listens.

Prepare to bend the very fabric of spacetime during the 28 minutes of heavenly chill out and celestial techno/trance contained in this 12" black hole, remastered and repackaged for the 21st century. Title track Flurescence is one of the very few that actually captures the ambience of those magical floating years and a trip to the edges of outer space that never ceases to amaze, while Transmitter is a deep dive to the bottom of an ethereal ocean of fur suspended in time, with mysterious samples from the producer's answering machine to boot. Drift is a bona fide gem of rhythmic psychedelic electronic music, breaking down and projecting early trance, IDM and electronica ideas like a prism turning revealing a colorful spectrum of colours after being hit by light. Finally, the fast-paced dancefloor weapon Drug#6 is up there with Choice's Acid Eiffel, Resistance D's Cosmic Love, and Red Planet's Cosmic Movement in the intergalactic pantheon of narcotic, acid techno cuts.

Needless to say, zero gravity listening is strongly encouraged. More

The third Jungle Wonz release on Trax, again with Harry Dennis' gorgeous vocals. A real bench mark in the house sound of Chicago from Marshall Jefferson. More