R&S welcomes Acid Mondays for a 12" of lysergic house music that reaches far into the outer cosmos. Formed "somewhere in the 5th dimension” Acid Mondays is the cosmic coalition of fellow psychonauts Negghead (Dan Ward) and Lex Wolf (Alex Wolfenden). Repeated transformative visits to Ibiza culminated in landing regular slots at Circoloco where they have been testing this tune in the dance all Summer long. ‘Universal Rhythm’, their latest interstellar dispatch and debut on R&S is their finest work to date. An anthemic paean to the cosmos that features an impassioned spoken word missive from shamanistic MC Shovell, impressively recorded in a single take, making the case for the universality of experience and oneness of all beings. Latin rhythms fuse with a driving Fender Rhodes lick (provided by JD73) and percolating cow bells to hypnotic effect. This calls to mind a combination of classic Carl Craig and Villalobos at his most playful. R&S new signing The Maghreban supplies a killer dubbed out take on the original that strips away the heavy kicks and pumps up the percussion, hurtling the synth pads to the fore that comes on like John Carpenter peaking on MDMA.

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La Vie En Rose commences its 2016 campaign with a tight little package from the delirious Ibiza dwelling duo, Acid Mondays. The British lads are well known for their ability to concoct deadly dance floor weaponary for labels such as Rumors, Illusion, One Records and 2020Vision among others and now they’re back on the French label with two hot new tracks plus a remix from Greek grafter John Dimas. Lead track ‘Garaldo’ is a heady stepper with warped, galactic vocal snippets, glowing FX and a killer bassline. Coming in at just over 10 minutes, it’s a trip into the deepest recesses of Acid Mondays cosmic craniums. Lola ED family member John Dimas weighs in with his reinterpretation of ‘Garaldo’, putting the original on a diet and cultivating a slimline, though equally effective version of the track. His delicate use of twinkling melodies, barely there vocals and skippy percussion gives us a whole new piece of music, which is wonderfully restrained.On the flip, ‘Machette’ lives up to its name, with the percussion slicing and dicing its way through a gnarly bassline and bubbling toms. As the track progresses, the pace picks up and we’re gripped by its superglue-esque groove. A trippy breakdown around the five-minute mark is the icing on the cake. SupeR

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The duo Acid Mondays have brought their quirky forms of house and techno to a wealth of respected labels over the years - Warp, Circus and 2020 Vision to name but a few. Now, Negghead and Lex Wolf can add Guy Gerber’s forward-thinking RUMORS to that list, with their humorously-titled ‘Tacos Per Minute’ EP which looks set to add to the imprint’s hard-earned reputation as a breeding ground for innovative techno. The eponymous lead track features skittering metallic echoes, a pulsing sub-bass, distorted vocals and futuristic synth chords for an atmospheric opener. The first of the B-sides, ‘Mezcalid’ takes things darker and deeper. Rattling, mechanical percussion combines with a satisfyingly heavy, rhythmic bass-line before joining skipping riders for an irresistible groove. That characteristic sub-bass makes a reappearance in ‘Techno Wellies’, a track whose driving drums and up-tempo claps set the scene for a multitude of echoing effects and shimmying percussion eventually developing into a samba-esque piece of techno. The ‘Tacos Per Minute’ EP is a danceable yet quirky techno release, whose attention to percussive detail and slightly dusty feel mark it out as a characteristic Acid Mondays production, sitting comfortably amongst the high-calibre catalogue of RUMORS releases.



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Instinkt records return with a solid EP from the Ibiza based, Acid Mondays. They deliver the goods once more with 4 quality tracks of deep underground house to make up the ‘Pint Of Cornflakes EP’.
Another quality release from Instinkt Records!


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Know widely for delivering no nonsense dance floor weapons of the highest quality, One Records pull out the goods once again with a double hitter from Acid Mondays. Back on board the label since their standout remix of Andrade was released earlier this year, this time they offer their unique production skills with 'Schlurptastic' and 'Dohec'. On the B-side Bass Culture boss D'Julz brings two sterling remixes to the table



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Negghead and Lex Wolf form Acid Mondays and together the two have released music with 20:20 Vision, Circus, Deep Vibes and Illusion Recordings. Illusion give Acid Mondays the full treatment after the duo's Salvia Sessions 12" from last year sold out almost instantly. Smith, who appeared on the original 12", provides an additional 'unreleased' remix while Deepblak label head Aybee's 'reshuffle's' the original, burying it deep in chords and reflective vocal delays. Not to miss out on the production action Acid Mondays provide their own East End dub to Watching Eastwood and invite Z Records producer Dan Goldman to play keys over the top as JD73.


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The next release on contemporary scarecrow comes from Chicago house legend Boo Williams. This double pack features 8 tracks of quality Chicago house to complete another solid release on this rising Australian label

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After delivering releases by Boo Williams, MR G and Acid Mondays, label owner Garry Todd steps up with the next 12" on the Contemporary Scarecrow label, featuring the vocal talents of Chicago house music legend Mike Dunn. The 12" comes with original, dub and Trus'me remix

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Australian based producer Garry Todd, takes time out from his fashion and record label Contemporary Scarecrow to release this 12” of straight up house bombs aimed directly for the dancefloor. Limited edition hand stamped 12”.

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