The legendary Lidell Townsell on the legendary TRAX label - What's not to like? 'Get the hole' might sound like a fairly dubious title for an EP, but it works within the realms of Chicago house! Released in the golden year of '88, this EP contains nothing but vintage midwest ACID grooves! You could argue that the XXX rated message behind lead cut 'get the hole' is an early precursor of what would come out of the Chi via Dance Mania and other associated labels and artists in latter years. Rumour has it the track had an impact on the super underground B-more club scene too unsurprisingly! If you like your house music rough, ready & raw then this is for you! Warehouse sounds, box jams, it's all here! Remastered in conjunction with Trax Records, fully legit, now is the time to revisit a cornerstone of classic Chicago House music, often imitated, never bettered!

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The hip house boom was in full effect, thanks to Tyree Cooper's efforts, and Trax responded with this double-header. 'Power Move' is straight up hip hop, but it's the flip, producer by Trax regular Lidell Townsell, 'I'll Make You Dance' that does the business here. Kool Rock Steady, also known as Edward Rudolph, had serious credentials for an MC, being cousin of one Africa Bambaataa. This release is also notable for yet another misspelling of Lidell Townsell's Christian name (Lydell, since you ask).

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Huge Kai Alexi EP re issued on Trax... All 4 tracks remastered for 2016.

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A brilliant tune produced by a team who also worked together at Chicago's Loop Record store, Jesse Jones and Carl Bias. Written by Leroy Haggard (AKA Mr. Lee, "When You Hold Me" was arguably the fiest of the deep house genre. The pair went on to work extensively with Liz Torres, the queen of house. Re mastered for 2016 and re released in conjunction with Trax.

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Another huge monumental piece of house history from the Trax back catalogue! Farley "Jackmaster" Funk under his Blackman guise... I'll Beat That Bitch With A Bat... Repressed and re mastered in conjunction with Trax 2016.

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4 superb tracks from K Alexi from the depths of the Trax vaults... circa 1994

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The third Jungle Wonz release on Trax, again with Harry Dennis' gorgeous vocals. A real bench mark in the house sound of Chicago from Marshall Jefferson.

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Seminal Chicago Acid house compilation fully remastered and spread over 2 x 12" for the first time. DJ Pierre... Maurice Joshua... Lidell Townsell... Jack Frost... Mr. Lee classics all here... Re issued in conjunction with Trax 2015.

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We dig deep into Trax's vaults to unearth some unreleased versions of some Trax classics. Vol. 2 contains a Ron Hardy Reel To Reel edit of Jamie Principle's "Waiting On My Angel" while the original demo version of Frankie Knuckles "Your Love" containing haunting female vocals is on the flip. Released in conjunction with Trax 2015.

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Originally a member of the California R&B group Club Nouveau, this was Irving's crowning glory as a member on the Chi-town house faternity. The song was written by Dwayne 'Willie Wonka' Grant and remixed by Frankie Knuckles and is quite unlike most of the vocals that came out of the house scene, with a beautiful clarity to his voice.

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Pitched somewhere between the molasses gloop of 'Acid Tracks' and his more gospel moments, Pierre's Phantasy Club was a vocal project that, without reaching the heights of some of his more momentous Wild Pitch productions and remixes, still showed his versatility. "I'll put the bug in you it'll make you stay, I'll plant it it'll never go away". We believe you, Pierre. Repressed & remastered for 2015 & featuring all original label artwork, with permission from Trax records.

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The first release on Trax naturally came from the Jesse Saunders stable. It was an agreement between pressing plant owner Sheerman and Saunders and Vince Lawrence that led to the formation of the label. Early pressings even had a Jes Say catalogue number etched in them, through subsequent editions bear the Trax cat. no. "Wanna Dance", unusually for Trax is not really house at all, bearing far more similarities with the experimental productions of On-U-Sound and the Doug Wimbish/Skip McDonald crew. Says Vince "This is built around the fact that we found out that could call the Linn drum people and order a chip and that said somethin' - we got our first sampler. When we learned that you could say shit and play it like an instrument that was a big deal then." Repressed & remastered for 2015 & featuring all original label artwork, with permission from Trax records "Wanna Dance?" is now available again to be rediscovered.


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The combination of Ron Hardy, Adonis & Frankie knuckles on one record should make even the hardest of house heads excited. "Work the box" is that said record, featuring production & mixes from all of these legendary figures in classic Chicago Trax fashion! Experimental, spaced out, hard, minimal, raw & jacking, all words that could be applied to the 4 cuts contained here. This is the real deal, up there with the best jack tracks, direct, straight to your dome bangers with a left-field edge. %100 essential. The sound of the warehouse & the muzic box 1986 right here! Repressed, remastered & re-released in conjunction with Trax Records for 2015.

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One of the godfathers of Chicago House Jesse Saunders originally composed and released this proto house classic in 1984. Its initial release was on Jesse's own seminal Jes Say Records before later being re released on Trax in the 90's. All 4 original mixes have been re mastered and are re released in conjunction with the Trax rights holders.

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Marshall Jefferson, Ron Hardy & Frankie Knuckles collaborating across 2 sides of a single 12"? Need we say more? Obviously that's a dream line-up right there & of course the results of such a meeting of minds is nothing short of outstanding! Just listen to the record & you'll see! Essential business... "Ride The Rhythm" came out on Trax in 1986, making it one of the "first wave" House records to land & make a massive impression here in the UK & in Europe. Marshall Jefferson's fingerprints are all over this bad boy, his massive piano riffs, non-stop bass-lines, the pounding drums, everything about this record is just HUGE! He had an incredible knack for making accessible, club tracks with cross over appeal that the underground heads clamored to get hold of at the same time. Throw Frankie & Ronnie (literally) in the mix & you've got solid, classic, all-time Gold on your hands (& turntables!). Fully re-mastered, re-pressed & re-released for 2015 in it's original format with the permission & participation of all rights holders with all original Trax label artwork intact.


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Armando Gallop, the legendary Chicago producer & DJ whose career was tragically cut short by his death in 1996 left behind a legendary reputation as one of the windy city's finest. Having released on seminal labels such as; Trax, Musique, Westbrook and his own Warehouse imprint, Armando brought his own rough hewn brand of machine Funk and acid to the table and the dance music world has been much better off for it since. "The New World Order Level 3" is a collection of Armando's tracks running through various styles and sounds; Acid, Disco infected bangers, crazy Chi-town jack tracks and much more. This collection is a great overview of some of Armando's lesser known tracks and has always been a tough one to track down, it also features the storming "Pleasuredome" that was recently comped on Nina Kraviz' stellar DJ Kicks mix among a clutch of other lesser known gems. An essential addition to any Chicago lovers record collection, essential original House music! Re-mastered, re-pressed and re-released in conjunction with the official license and rights holders for 2015.



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Chaotic, acidic jack tracks are the order of the day here, Dancer aka Sidney Winters, dropped this obscure bomb on Trax in the peak year of 1987. Both sides are mixed by the late, great Frankie Knuckles and have all the trademarks of his touch; tough drum machines, Italo inspired melodies and thundering bass-lines. These monster tracks sound absolutely massive and will surely do damage when dropped today. "Am A Dog" is the A-side and is the more melodic of the two cuts, featuring triggered dog-like vocal stabs, epic, soaring synths and a repeated voice floating in and out of the mix, while on the B-side the descriptively titled "Boom Boom" does exactly that, a descending, aggressive acid line drives the track with some reverbed-out drums and a disjointed female voice repeating "Boom boom goes my heart", deep, dark and heavy! Both tracks have been re-mastered and re-pressed for the very first time since their original release in 1987 in conjunction with Trax Records, and have been made available again with original label artwork. Essential


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Damian Lazarus and JOJO ABOT unleash mesmerising new single ‘Warrior Dance’ on Crosstown Rebels. The single builds on the release of the Crosstown founder’s fifth album ‘Magickal’, with remixes provided by Major League Djz and Raxon. Following the initial shock-drop release of his latest album ‘Magikal’ and the 2025 edition of his revered Day Zero Festival in Tulum, Crosstown Rebels founder Damian Lazarus unveils his next sonic o?ering, ‘Warrior Dance’, featuring Ghanaian interdisciplinary artist and healer JOJO ABOT. A dynamic and powerful composition, ‘Warrior Dance’ sees Lazarus and JOJO ABOT craft an entrancing fusion of pulsating beats, immersive textures, and commanding vocals, adding to the album’s diverse soundscapes and blending hypnotic rhythms with amapiano in?uences. Their synergy extends beyond this track, with the duo having already collaborated on ‘Force’, another standout moment from ‘Magikal’ that showcases JOJO ABOT’s evocative vocal prowess and the in?uence of her Ghanaian roots.

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Tal Fussman returns to Rekids with the ‘I Feel’ EP. Rekids welcomes back Tal Fussman with the ‘I Feel’ EP, following up his 2024 ‘De?nition’ EP on Radio Slave’s label, which won support from the likes of Honey Dijon, Orlando Voorn, Yu Su, Saoirse, Dave Clarke, and more. The Innvervisions, COD3QR artist and Survival Tactics label boss starts ‘I Feel’ with the title track and, in true Fussman fashion, infuses drummy club cuts with plenty of feeling via soulful synths and apt vocal sampling. The rolling organic percussion of ‘MAD’ continues, locking us in the groove while hard-hitting stabs ?y above before ‘Bongo Man’ channels the lush sounds of the rainforest alongside more expert drum work. Closing out the ‘I Feel’ EP, Tal Fussman works with fellow producer 8-AN to drop the dream-like strings of ‘Life Itself’, another deep track that is as club-ready as it is introspective.

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Audio alchemist Damian Lazarus continues to redefine the boundaries of electronic music with his fifth studio album, ‘Magickal’. Damian steps into his next evolutionary phase, combining his newly found sobriety with a more mature outlook while still pushing boundaries and creating unforgettable moments. At the root of it all is the magical power of togetherness and human connection that only music can facilitate. Driven by this core ethos, Damian continues on his mission to share his heartfelt music, taking the dance floor into unexplored realms of experience, facilitating moments of transcendence, bliss and pure, unadulterated magic. Damian Lazarus, the avant-garde architect of spiritually nourishing sounds, is joined by a stellar lineup of collaborators on his latest excursion. It’s imaginative and mystical, rhythmically captivating and daring in its own way, as is typical of Damian’s approach. Taking consideration of his past, the album references his previous work to create a tapestry of compositions that tap into the energy of key moments from his discography. Drawing on his existing catalogue creates cohesive through lines and thematically serves as a continuation of previous stories. November’s single, ‘Sunrise Generation’, for instance, works as a companion to ‘Vermillion’, which was recorded by Damian with his band The Ancient Moons and vocalist Moses Sumney back in 2015. ‘Sunrise Generation’, featuring the beautiful vocals of Fink, was Damian’s first major release since his Grammy-nominated 2021 collaboration ‘Don’t Be Afraid’ with Diplo and Jungle, and continues to take inspiration from global gatherings at solstice and those moments of collective awe at sunrise. Indeed, the album’s themes of mental elevation and psychedelic sonic journeys are evident throughout. Damian channels this energy through tracks like the soulful ‘So Low’, featuring the incredible Zoe Kypri, and the luminous ‘Searchin’, with Jem Cooke, whose collaboration with Damian dates back to ‘Flourish’ (2020) and lead single ‘Into The Sun’. Uplifting is the operative word here, as Damian aims straight for our hearts and inner selves, stripping away the layers to take us on a trip inwards, and out into the ether all at once. There’s a clear nod to Damian’s appreciation of amapiano when he teams up with Ghanaian interdisciplinary healer Jojo Abot on ‘Warrior Dance’. Old friend and inspirer Mathew Jonson brings his virtuoso touch to ‘Are You Dreaming?’, while TEED and A-Trak form an awesome alliance for ‘Falling Down’ with its heartrending vocals. ‘Alive’ features the Bloom Twins, and also additional production from acclaimed producer Mark Ralph, who incidentally worked on Damian’s debut album ‘Smoke The Monster Out’ in 2009 and forms another throughline to the past. ‘Alive’ blends pop sensibilities and song structure with Damian’s inimitable sound - and could become one of Damian’s biggest moments to date. ‘La Hija De Juan Simon’ delves into the Latin energy synonymous with vibrancy and self-expression as Damian teams up with acclaimed Spanish flamenco-influenced duo Mëstiza. On a solo tip, he rolls out with the eight-minute-plus soulful funk flex ‘Why Don’t U’.

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Ahead of a full-length album coming on Glitterbox Recordings, the king of disco re-edits Dr Packer presents the second instalment of this 12” series. ‘Different Strokes Part 2’ features four Dr Packer versions of soulful house favourites, giving a flavour of what’s to come from the LP. Kicking off with a bonafide classic, Dr Packer’s take on Soulsearcher’s ‘Can’t Get Enough!’ maintains all its most iconic elements, the euphoric vocals and timeless groove given a fresh-sounding elasticity. Next up is Dr Packer’s remix of The Shapeshifter’s evergreen ‘Lola’s Theme Recut’ appearing for the first time on vinyl. An exclusive to this vinyl release, a remix of Johnny Corporate’s ‘Sunday Shoutin’’ picks up the pace with a funking bassline to suit any dynamic disco set. Rounding off this foursome of impeccable remixes is Cleptomaniacs featuring Bryan Chambers ‘All I Do’, a vocal house classic from the early noughties, reinterpreted masterfully for today’s Glitterbox dancefloor,r which was originally featured on the label’s A Disco Hï compilation. Dr Packer has done it again, breathing new life into your most beloved dance records so you can fall in love with them all over again.

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“Reconnect”, a collaborative project between Italy’s Francesco Mami and France’s Julien Chaptal, is a musical exploration that originated during a unique period of global confinement, where creativity flourished in unexpected ways. The genesis of "Reconnect" traces back to a time when the world was asked to pause and stay indoors. During the first 50 days of this period, Julien Chaptal found joy and inspiration in reconnecting with his instruments and the myriad of musical ideas that constantly filled his mind. Embracing the freedom to create without boundaries, he produced a track a day, amassing around 50 tracks, many of which remained unfinished.A year later, a serendipitous meeting in Geneva with Francesco Mami over sake, good food, and music sparked the idea of collaboration. Julien sent some of his initial tracks to Francesco, who reworked them, adding his unique touch and bringing them to life. Their online exchange and collaborative efforts resulted in the tracks that now form the EP. Francesco, a true studio craftsman, expanded on Julien's original vision, creating a synergy that neither could have achieved alone. The record encapsulates a theme of "Confined Freedom," a reflection of the period of its creation and draws from three decades of electronic music influences, a melting pot of inspiration that shaped its sound. The warmth of the gear used in the studio sessions provided a comforting contrast to the external circumstances. Various drum machines and synthesizers were employed, contributing to the unique sound of the EP, though no specific piece of equipment was highlighted as central to its creation. "Reconnect" is not just a collection of tracks; it is a testament to the resilience of creativity and the power of collaboration, even from a distance.

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South Londons’ indomitable Medlar delivers an ambitious new album The long-time underground favourite has collaborated with the likes of Dele Sosimi, Rebekah Reid, Deevoenay, Finn Peters, Sam Virdie, Afla Sackey and Arnau Obiols on an album that finds him taking his production to new levels. From roots playing illegal raves in the South West to building up a cultured catalogue that bounces between house and garage, Medlar has long been part of the underground conversation. He has dropped a previous album and many innovative remixes and edits for the likes of Billy Cobham and Shirley Lites, worked in the studio and on stage with Afro legend Dele Sosimi and most recently released an album under his own name that collected myriad different sonic sketches from the past 15 years. Islands is an altogether different proposition that comes after establishing himself as a mix engineer and producer of other people's music. In that time, Medlar has honed his skills, learnt new tricks and grown more able to express himself in sound. The result is an album that explores a more electronic palette inspired by '80s fusion sounds whilst maintaining a loose, organic flow through his use of live instrumentation. “The idea for the LP was for a collection of music which could sit alone as club tracks, but would work equally well as part of a whole. The name Islands came from this, as there's some connecting ideas but the tracks sit independently in their own little sonic worlds. I took a lot of inspiration from early 80’s electronic music produced during early years of MIDI technology… proto house, jazz fusion, electronic disco and experimental ambient. I wanted to juxtapose some of these methods with more contemporary production and make something that's ultimately quite fun!” says Medlar of the record which could easily soundtrack a summer road trip. Across 11 tracks, he blends old-school techniques like a fusion of live instruments, FM synthesis and MIDI triggered vocal samples with more contemporary touches such as punchy, club-friendly drums and dub inspired, speaker-wobbling low end. The result is less reliant on samples than his previous works and makes for a perfect blend of retro authenticity and future freshness.

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