Track list:
A1 – Dondoni
A2 – Barkuchi Fus
B1 – Don’t Worry
B2 – Don’t Worry (Paolo Mosca Remix)
Release Info:
Fresh off the critically acclaimed “Capichone EP” on Peach Discs, Nachtbraker takes
us on a blazing journey! The tight drum patterns, vigorous and heartwarming pads,
bolstered with his signature bass lines, will have you reminiscing on 90’s Dutch
House Music.
In the driver’s seat, anthemic title track “Dondoni” gears up with a vivacious synth
pad and galvanic bass line whilst, in the passenger seat, “Barkuchi Fus" goes full
throttle on multi-layered melodies and pads. In the back seat we find the original
mix of “Don’t Worry” with a cleverly alternating arrangement and intricate sound
design.
Rounding out the package, you’ll find Treviso (IT) based Slow Life affiliate Paolo
Mosca flips “Don’t Worry” into an epic feast of arpeggios and melodies on some
nifty and steadfast drum

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Four new original songs from Nachtbraker with intricate percussion and melodic arrangements. Diving deep into Nachtbraker's wicked mind, each tune has a healthy dose of weirdness.

Title track "Bay Be Blu" tickles the endorphin receptors with its euphoric melodies and 'Stranger Things' atmospheres. The second track leans on soothing warm synths gliding over a dub bass with tight drums. In addition, attentive listeners will hear Nachtbraker's personal field recordings on the beaches of Barceloneta. When the record is flipped one finds herself in "Tangelo Dreams", a mid 90's, Pacific Records inspired jam with a driving baseline. Rounding off the record is "Drip", a track drenched in unconventionalism and oddities.

Mastered and lacquer cut by Simon (The Exchange) Davey.

Track list:

A1 - Bay Be Blu (12" mix)
A2 - Warmer
B1 - Tangelo Dreams
B2 - Drip



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Track list:

A1 - Flambo (Central Remix)
A2 - LOL (Frits Wentink Remix)
B1 - Just Doing My Thang (NB's Evolutionary Mix)
B2 - Horsepony (Nemo Vachez Dub Mix)

Release Info:

One year after its release, Quartet Series proudly presents the remix EP of Nachtbraker's successful debut album When You Find a Stranger in the Alps. A collection of remixes by some serious talent. These three producers were carefully selected by Nachtbraker because of their impeccable reputation and ability to bring something unique to the world of music.

Humble Danish maestro Central (Help, Dekmantel) flips "Flambo" into a Jori Hulkkonen'esque summer anthem with a highly addictive bassline. Preacher of wonkiness Frits Wentink (Wolf, Heist, Bobby Donny) took "LOL" and brought it some serious keys on a solid breakbeat while maintaining its jolly character. Flipping the record, Nachtbraker brings us the evolution of "Just Doing My Thang" turning it into a quirky dance floor tune whilst also showcasing his ear for detail. Up and coming talent Nemo Vachez (Forest Ill, Opia Records, Rakya) dives deep into "Horsepony" as if he's cruising the depths of a rainforest in a submarine. His surreal dub mix is the perfect final track of this fine piece of wax


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Vinyl Only Release
The second instalment of Nachtbraker's new label features four new original tunes from the Nachtbraker kitchen. Expect his signature deep grooves and inventive arrangements with moody synth melodies. Leonardo Ceviche is built for the dance floor, a "lean back" groove with a trance vibe to it. One (For Mom) is tailored for the warm summer nights, a steady baseline and snap-py snares supporting the lush and sweet synth melody. Flip the record for two versions of Havel. With the first one taking on a classic deep house guise, the Trip Mix of Havel takes us on a journey beyond your imagination.

Mastered and lacquer cut by Simon (The Exchange) Davey.

Track list:

A1 - Leonardo Ceviche
A2 - One (For Mom)
B1 - Havel
B2 - Havel (Trip Mix)



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Vinyl Only Release
A new label by Nachtbraker with an eccentric deep EP, mastered and cut by the legendary Simon - the exchange - Davey. Fresh of his successful debut album on Quartet Series, he delivers us four contemporary and inventive cuts. Expect subtle synths and the signature Nachtbraker groove. Redefining whats deep in 2019 with this new label, Nachtbraker will be keeping you com-fortably awake.

Track list:
A1 - Parmigiana
A2 - Number 33
B1 - Mild Lifestyle
B2 - Sippin' Dew Drops



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After a string of acclaimed EPs on Heist, Dirt Crew and Quartet Series, Amsterdam's Nachtbraker presents 'When You Find a Stranger in the Alps', his first longplayer on his own Quartet Series imprint.

Format : 2x12"/ 2LP Album , Full HQ Sleeve, Download Card, Sticker
Track list:

A1 - The Dream Sequence B1 - Randy C1 - You Can't Run D1 - Aliens
A2 - Flambo B2 - Stranger C2 - Just Doing My Thang D2 - Horsepony
A3 - NSFW B3 - Driving Me Lazy C3 - Innaspace D3 - When You Wake Up
A4 - LOL

Release Info:

After a string of acclaimed EPs on Heist, Dirt Crew and Quartet Series, Amsterdam's Nachtbraker presents 'When You Find a Stranger in the Alps', his first longplayer on his own Quartet Series imprint. The good-humoured Dutchman - tongue always firmly in cheek - has always refused to stick to the 'sound du jour' and the industry's conventions, following his own path instead, continually willing to step out of his comfort zone. 'When You Find a Stranger in the Alps', a nod to his favourite Coen Brothers' movie, is testament to Nachtbraker's studio prowess and drive to explore new sonic pastures and styles. The album consists of thirteen tracks, made over the course of 2,5 years in his studio at Volkshotel Amsterdam. Constantly shifting through different settings and moods, the album feels like a deep dream, with vivid details, blurry edges and a warped sense of time. The word "stranger" in the title references to this dream state in which you sometimes can be a stranger to yourself.

Album opener 'The Dream Sequence' sets the mood with a lo-slung hip-house groove that relies heavily on field recordings, like the sound of one of the capital's trams. 'Flambo', a delectable slice of up-tempo French filtered house, is aimed straight at the dance floor. Nachtbraker dims the lights on 'NSFW', cleverly manipulating samples from adult oriented flicks, and turns in a hilarious skit with 'LOL'.

Flip over for 'Randy', a quintessential Nachtbraker track, morphing from a Balearic, tropical disco shuffler to a dance floor banger. 'Driving me Lazy' starts out as a downtempo number but changes into a full-on drum 'n bass workout. The driving 'You Can't Run' features drunken chords over a sober beat, conjuring up visions of running circles in a dark maze. 'Just Doing My Thang' rides a classic broken beat, while Nachtbraker pushes the boundaries again on Innaspace, which starts out as an instrumental hip hop track yet finishes on a jungle tip.

'Aliens' is a choppy, headsdown groover with cheeky UFO-geek samples that wouldn't be out of place on a mid-90s West Coast Deep House compilation. 'Horsepony' finds Nachtbraker on a sultry Nightmares on Wax tip. Finally, it ends with where it all started; it'll be the moment "When You Wake Up".

The album is recorded and mixed at Nachtbraker's studio in the Amsterdam Volkshotel. All 13 tracks are run through 2" tape on a Studer A800 and are mastered at Q-lab studio in Basel, Switzerland.



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After a string of acclaimed EPs on Heist, Dirt Crew and Quartet Series, Amsterdam's Nachtbraker presents 'When You Find a Stranger in the Alps', his first longplayer on his own Quartet Series imprint.

Format : CD Album , Full HQ Sleeve, Download Card, Sticker
Track list:

1 - The Dream Sequence 5 - Randy 8- You Can't Run 11 - Aliens
2 - Flambo 6 - Stranger 9- - Just Doing My Thang 12 - Horsepony
3 - NSFW 7 - Driving Me Lazy 10- Innaspace 13 - When You Wake Up
4 - LOL

Release Info:

After a string of acclaimed EPs on Heist, Dirt Crew and Quartet Series, Amsterdam's Nachtbraker presents 'When You Find a Stranger in the Alps', his first longplayer on his own Quartet Series imprint. The good-humoured Dutchman - tongue always firmly in cheek - has always refused to stick to the 'sound du jour' and the industry's conventions, following his own path instead, continually willing to step out of his comfort zone. 'When You Find a Stranger in the Alps', a nod to his favourite Coen Brothers' movie, is testament to Nachtbraker's studio prowess and drive to explore new sonic pastures and styles. The album consists of thirteen tracks, made over the course of 2,5 years in his studio at Volkshotel Amsterdam. Constantly shifting through different settings and moods, the album feels like a deep dream, with vivid details, blurry edges and a warped sense of time. The word "stranger" in the title references to this dream state in which you sometimes can be a stranger to yourself.

Album opener 'The Dream Sequence' sets the mood with a lo-slung hip-house groove that relies heavily on field recordings, like the sound of one of the capital's trams. 'Flambo', a delectable slice of up-tempo French filtered house, is aimed straight at the dance floor. Nachtbraker dims the lights on 'NSFW', cleverly manipulating samples from adult oriented flicks, and turns in a hilarious skit with 'LOL'.

Flip over for 'Randy', a quintessential Nachtbraker track, morphing from a Balearic, tropical disco shuffler to a dance floor banger. 'Driving me Lazy' starts out as a downtempo number but changes into a full-on drum 'n bass workout. The driving 'You Can't Run' features drunken chords over a sober beat, conjuring up visions of running circles in a dark maze. 'Just Doing My Thang' rides a classic broken beat, while Nachtbraker pushes the boundaries again on Innaspace, which starts out as an instrumental hip hop track yet finishes on a jungle tip.

'Aliens' is a choppy, headsdown groover with cheeky UFO-geek samples that wouldn't be out of place on a mid-90s West Coast Deep House compilation. 'Horsepony' finds Nachtbraker on a sultry Nightmares on Wax tip. Finally, it ends with where it all started; it'll be the moment "When You Wake Up".

The album is recorded and mixed at Nachtbraker's studio in the Amsterdam Volkshotel. All 13 tracks are run through 2" tape on a Studer A800 and are mastered at Q-lab studio in Basel, Switzerland.



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limited to 500 copies with artwork
Track list:

A - Small Towel People
B1 - Kippendijen
B2 - Zomaar

Release Info:

Label boss Nachtbraker is finally making his solo debut on Quartet Series after a successful EP last year on Heist Recordings. Widely known for exploring different sounds and angles with his productions, this record is the most club-orientated to date. Intricate ghetto house with a slight French touch to straight up 4x4 with a pinch of jacking flavour would be an accurate description of this release. The use of 90's hip hop samples within this auditory concoction successfully highlights Nachtbraker's excellent ear for detail and penchant for exciting, eclectic and downright weird changeovers.

The main hitter taking over the full A side is the title track "Small Towel People". An uplifting bass line accompanied by heated 909 percussion and a hypnotic thriving arp to seal the deal. On the flipside, you'll find "Kippendijen" on the B1. A heavyweight in the house category, some glimpses of early days jacking house and a little French touch on the filter. Throw in a breakdown even Houdini wouldn't be able to handle and you'll find yourself putting this track on repeat. Then when the needle hits the B2 groove, "Zomaar" kicks off with an energetic mpc style breakbeat before morphing into a deep jam of lush chords and a thrusting 4x4 beat. The track closes after switching back to the first part of the record and ends in a sublimely deep and dubby breakbeat.


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Vinyl 12” (180 gr., Full Cover)

Track list :

A1. M.m.m - featuring San Proper's elegy
A2. M.m.m - featuring San Proper's elegy (Session Victim remix)
B1. Hamdi
B2. Hamdi (Bil mix)


Release Info:

Across the street from where Trouw used to be, lies a nice little hotel. It was in the basement of this hotel, where a curious meeting happened. Something so coincidental and so unassumingly trivial, that even the slightest event of randomness could have prevented this from ever happening, yet it did happen and here we are.

This curious meeting was the result of an open studio door of Nachtbraker, and the hint of disco coming out the door, where Dr. San Proper just happened to pass by in search of whatever it is he searches for at 10 am on a Tuesday. The good doctor decided to walk in, greeted Nachtbraker in his ordinary weird way and casually grabbed a microphone. Nachtbraker pressed record, Dr. Proper got his inner Mick Jagger on, and behold: Misses, madame, mademoiselle was born: an up-tempo disco groove with Nachtbraker's touch of loose arrangement, and San Proper's amazing vocals. We asked our good friends and great producer duo Session Victim to re-interpret M.m.m. and they gave it a great dreamy-but-groovy twist, adding pads and shuffling hi-hats.

We had already heard Nachtbraker working on a deep house - meets - afro track a while back and he made 2 versions of this track to complement the EP. Hamdi is probably one of the most euphoric tracks in his discography to date, and it's one you're likely to hear a lot in the coming time. With the use of chopped vocals (we'll let you figure out the source material) and a teasing build up, the track breaks down into a lovely chant, adding energy with every bar without ever coming close to being tacky or overproduced. The alternate version is an excursion into 808 booty territory, using different chops, alienating loops and yes, even a siren.

The M.m.m. EP is Nachtbraker's most mature production to date and we're happy to share it with you. Play it loud.

Your Sincerely,

Maarten & Lars.


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Track list:
A1 Really Ties the Room Together
B1 Rew
B2 Rew (Rerub)

Release Info:
Nachtbraker is back! It's been a huge year for the Amsterdam deep house juggernaut who returns to Dirt Crew with his all new and colorfully titled "Really Ties The Room Together" EP. Constantly on the move, he's found time between touring throughout Europe, Asia and South America to continue to push his a-typical house sound forward with this year's HEIST release and his quirky jam "Busy Bee" that was featured on our "Deep Love 100" Compilation.

This three tracker is jam packed with bouncing club tunes and a whole lot of flange. Things kick off with the title track "Really Ties The Room Together". It twists and turns over an unconventional but irresistible groove, shimmying shakers, brass stabs and a serpentine riff work together creating a super tight dance floor cut.

"Rew" begins somewhere in deeper territory, suspense building beneath the clouds, a rumbling bass rolls in from over the horizon before a glorious funk guitar blows the whole thing wide open, letting the sun's rays burst through and that familiar Nachtbraker good time energy shine in. The rerub of "Rew" is something altogether new from our deep house protagonist, a break beat and casual groove guide gently towards an ever intensifying acid trip. Don't be fooled by the lovely deep chords, things get nasty in the end.
It's best to expect the unexpected from our adventurous resident producer, and this EP is no exception.



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Limited! Full Cover 180 Gr. Vinyl.

Track list 12":

A1. Gotta act to react , A2. Pollo con Pollo B1. Intermezzlow, B2. Intermezzo , B3. Gotta act to react (Float mix)


Release Info:
They say all good things comes in threes, and with the marking of Nachtbraker's 3rd release for Heist, we can confirm this universal truth once again. Maurits Verwoerd comes back to Heist with more dancefloor muscle than ever before, and shows us great development of his sound: while keeping his unconventional drum patterns and love for the deeper side of house, he adds some filtered funk flavor along the way.
'Gotta act to react' drives on a saturated bassline, a hypnotizing guitar lick and some seriously loose hi-hats, but really delivers once those hard to place filtered hits come in. 'Pollo con Pollo' is potentially Maurits' most clear attempt at a straightforward groove, with a lovely dreamy guitar loop running throughout the track. Add his loose sense of arrangement and changeovers, and it's still anything but straightforward. The B- side gets nice and weird with 2 versions of Intermezz(l)ow, the one being a lovely textured interlude and the other a rough drum workout built around the same theme.
When we asked Maurits who he wanted to have as a remixer, he suggested he'd do a remix himself. We knew better than to argue with him, and since he is who he is, we're not entirely surprised he came up with a great dubbed out acid-tinged flip of 'Gotta act to react'. This EP really shows Nachtbraker's steady rise and will most likely take him out of the shadows he so enjoys, into headline territory and we're glad to support him in this journey.
Sincerely yours, Lars & Maarten


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Format : Vinyl 12” (180 gr., Limited Full Cover)

Track list:

A In the Sky
B1 Burnin’
B2 Dark

Release Info:

Crackazat seamlessly blends contemporary electronica with dancefloor euphoria on his new record “In the sky”

Crackazat has had quite the run of amazing releases on Heist since his first outing back in 2021. Alfa, 2022 follow up Demucha and his mini album ‘Senses’ released last year have shown that Heist is the perfect label for him to show off his keyboard wizardry and broad musical influences. Whether he’s doing his ‘Monday Jams’ from his home for his dedicated Bandcamp followers, or he’s on the road to South Africa where he has a huge following, Crackazat always brings something special with his music. ‘In the sky’ hits you right in the feels and sees the talented musician navigate from synth-happy dancefloor cuts to electronic & jazzy deep house.

What might stand out most on his new record is how Crackazat feels totally at ease with all these different styles and how he blends his voice seamlessly in the tracks to add depth, meaning, and energy. This might be most apparent on the title track, which is built around a syncopated ‘Alfa-esque’ key loop (Crackazat fans will know what we’re talking about here). There’s gorgeous vocal chops and warm arpeggiated synths in the background that give the track lots of texture, while the percussion shuffles along in perfect swing with the song’s energy. Add some lovely strings, leads, and a moody breakdown, and you’ve got yourself a fine piece of dancefloor magic.

On “Burnin’”, Crackazat channels his inner raver with 90s inspired percussion, a honky
piano loop, and some very catchy & quirky vocal chops. He freely sprinkles claps and snares around like it’s Christmas and the big breakdown has the kind of madness-inducing energy that gets every clubber going!

EP closer ‘Dark’ is Crackazat in his most contemplative mode; a vibe he always loves to explore on his Heist outings. The bass is deep, the kick heavy, and the synth licks are mellow but powerful. His voice and effects give this track a beautiful extra dimension that would even make Fred Again jealous. The stripped-back percussion has clear influences from contemporary African dance music, which adds yet another layer to Crackazat’s broad sonic landscape. All in all, Dark is a track that makes you want to close your eyes and just sway into oblivion.

Crackazat once again manages to take us on a deep trip into his sonic world and showcases a level of craftsmanship that most of us can only dream of. ‘In the sky’ is a lovely end to our 2024 releases and we hope you enjoy the music.

As always, play it loud and dance, dance, dance!

Maarten & Lars

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Format : Vinyl 12” (180 gr., Limited Full Cover)

Track list:

A1 I Can Tell You What You Want
A2 A Taste of the 90s
B1 Dirty Jazz
B2 You Know What I Mean?

Release Info:

DJ Sneak returns to his roots on his Synesthesia EP on Heist Recordings.

Last year, when DJ Sneak visited our studio during ADE, we spoke for a long time about his newly found joy in house music, producing music in the current landscape, and letting go of all the things that made him uneasy with the scene for a long time. At one point, he grabbed a bunch of his hard drives, fired up our Dave Smith & Pioneer Toraiz sampler (the one we used for our live shows and the workstation he swears by for producing and arranging all his music), and showed us what must be one of the most impressive collections of demos we’ve ever seen. He talked us through his ideas for a new record on Heist with the enthusiasm of a producer who had just bought his first MPC60 back in the 80s. His ‘Back to love’ EP was still due to release and we already knew the follow-up would be equally amazing.

Fast forward about a year and after amazing feedback on his Heist debut from platforms like XLR8R, DJ Mag, Faith fanzine and plenty of radio coverage, along with DJ support from the likes of Joy Anonymous, Louie Vega, Jamie Jones, Honey Dijon, TSHA, Dj Seinfeld, Jennifer Cardini, Carista, he drops a new record on Heist recordings; The Synesthesia EP is another showcase of the raw talent of DJ Sneak, skillfully working his gear and churning out massive tunes full of classic Chicago house references, 90’s euphoria, and chunky synths.

The EP kicks off with ‘I can tell what you want’, a deep and bubbly groover where DJ Sneak takes some naughty chopped up R’n’B vocals and adds a pinch of the ghetto sound that he adopted in his formative years in Chicago. Sneak manages to take that influence and deliver something altogether contemporary with this track, ticking all the right boxes of catchy vocals, moody chords, a nasty bassline, and clever sampling.

If the first track embodies his Chicago spirit, then ‘A taste of the 90s’ embodies DJ Sneak’s New York spirit. With funky guitar and key licks, loopy horns, shuffling percussion and plenty of changeovers in the arrangement, he masterfully shows us the joy of classic house music. There’s always another element that gets added or taken away to build anticipation or release the energy with its chunky low end. It’s a true party starter with the energy of a young DJ Sneak spinning his first records way back when.

On the flip, we’ve got ‘Dirty jazz’. This delicious piece of Deep House is built around off-kilter drums with a syncopated bass line and quirky sample cuts. It’s got enough beef to keep the energy going, and the right amount of weirdness to grab your attention whenever this is played.

The closing track ‘You know what I mean’ adds another layer of weird-sounding vocals that will stick with you until long after the song is over. This track – and the whole EP for that matter – oozes the playful energy of a producer who’s completely comfortable with his musicality. It’s fun and playful, delivered with the class that only a hero of the underground like Sneak can do.

On the Synesthesia EP, DJ Sneak takes you deep on a trip through his musical roots and keeps you on the edge of your seat with 4 tracks bursting with personality.

Grab this record while you can and share the love,
Heist Recordings.

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Format : Vinyl 12” (180 gr., Limited Full Cover)

Track list:

A1 Touch Me Again
A2 Hang On
B1 The Joy of Melancholy
B2 Forever and Ever

Release Info:

Dam Swindle return to Heist in excellent form with a 4-track EP in their signature style.

The iconic Amsterdam duo returned to the studio after their much-lauded ‘Minor Fools’ EP, where the lead track ‘That’s Right’ became one of the most heartwarming tracks 2023. Their recent contribution to the Phonica 20-year compilation -‘Allright (just a tribute)’- is turning into one of the biggest hits of this year with big plays on pretty much every festival around, whether it’s Glastonbury or Dekmantel. The guys are known for their ability to bend different styles into something very much their own and their newest addition to the Heist catalog is no different. The ‘Touch Me Again’ EP sees them go from sample-heavy house to classic 90’s piano-driven tracks with a touch of acid and it’s one you don’t want to miss.

The record starts with ‘Touch Me Again’, a house jam with chopped vocals, energetic synth stabs and a big breakdown. Add to that a touch of acid and you’ve got a follow-up to their Phonica hit of 2023.

‘Hang On’ takes you back into classic Swindle territory, with their signature sampling style and knack for finding those lush vocals. The synth chops and bassline give the track its upbeat energy and the distant filtered pads move in an ever so subtle way, that there’s always something new happening while keeping the attention on that catchy main hook.

On the flip, we see the guys take things a bit deeper with emotive vocals and introverted keys layered over a steady groove on their track ‘The Joy of Melancholy’. Fast-forward to the drop and all that energy comes free with a huge piano break, which propels the track into a blissful ‘hands-in-the-air’ dancefloor moment.

The EP closes with ‘Forever and Ever’, a gospel-inspired Deep house tune full of organ hits and off-kilter sample chops. This 4-track EP gives you jam upon jam upon jam and sees Dam Swindle solidify their position as the go-to artist in the house scene and keeps them at the forefront of electronic music.

Grab this record while you can and share the love,

Heist Recordings.

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Format : Vinyl 12” (180 gr., Limited Full Cover)

Track list:

A1 Mirage
A2 Coffee
B1 Tapioca
B2 Mirage (Elisa Bee Remix)
B3 Abalone

Release Info:

Label mainstays Fouk just dropped the perfect dancefloor Bomb with ‘Mirage’ paired with a high-octane Elisa Bee remix

We all know Dutch duo Fouk from their soulful, bouncy take on house music. They’re also responsible for some of Heist’s biggest tracks like Kill Frenzy or their Lil Louis inspired 2021 release ‘Blue Steel’. On their new EP, the talented duo shows us a fresh side of their sound: the main-room hands-in-the-air-going-wild side. To top things off, Italian producer Elisa Bee made time in her busy schedule of DJ’ing and releasing for artists like Ben Sims on his Hardgroove imprint and Unknown to the Unknown to deliver a killer remix of the title track.

Fouk’s return to Heist after 3 years is a welcome one and with ‘Mirage’, they might just have given us their biggest house track in their decade spanning career. The track is built around a stuttering synth loop and a seductive female vocal chanting ‘What made you wanna…” The real star here is the bassline, which propels the track into a seriously infectious groove. Add some lush strings and moody changeovers and you’ve got yourself a full-blown dancefloor weapon. Mirage has been a staple in Dam Swindle’s sets for the past months and has been one of their set highlights ever since.

“Coffee” is one for the classic Fouk fans. It’s got lovely Rhodes, a joyous combination of whoo’s, snare-rolls and synth hits grooving on top of an infectious orchestral background loop. “Tapioca” is a hybrid latin-electronic groove that builds on punchy synths, live percussion and drunk keys to balance the energy of the track.

Elisa Bee’s remix of ‘Mirage’ is an intense percussive workout that builds on a breakbeat loop and a rave-bassline. The tempo is turned up a notch or 2 and that stutter synth and vocal of the original make this remix a wild warehouse affair.

Closing track of the EP is ‘Abalone’; A lovely bleep-house affair that still has a bit of that warehouse vibe. It’s got the perfect amount of distortion the drums while keeping things dreamy with some face-melting pads throughout the track.

As always, enjoy the music and play it loud!

Lars & Maarten

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Format : Vinyl 12” (180 gr., Limited Full Cover)

Track list:

A1 Closer (feat. AVA LAVÁ)
A2 Running from the Noise (feat. Life on Planets)
A3 Midnight Time (feat. AVA LAVÁ & Joey Hotwax)
B1 The Answer
B2 Gratitude

Release Info:

Makèz deliver the perfect follow up to their hit ‘Downstream’ with L.A. artist Life on Planets.

Dutch Duo Makèz had their big break when we released their first record on Heist in 2019, but it’s safe to say that ‘Downstream’ (on No Art records) has taken things to the next level for the talented Amsterdam duo. With support from pretty much the whole of Radio 1 (Pete Tong, Jaguar, Sarah Story, Danny Howard and more), and club DJ’s across the board ranging from ANOTR to Louie Vega, their fall 2023 release has really been a dream collab with vocalist and producer Life on Planets. It’s only fitting that the duo comes home to Heist with their follow up EP: ‘Midnight time’.

This new EP is a perfect blend of the intricate, soulful songs and punchy club tracks we’ve come to love from Makèz, On the A-side, we’ve got the jazz cut ‘Closer’ with AVA LAVÁ, who fans will remember from their Holy Sun EP on Heist. ‘Closer’ is equally laidback, full of textures and rich musical elements and a perfect mood-setter for the EP.

Next is ‘Running from the noise’ with Life on Planets on vocals. This is the follow up to Downstream that simply had to happen. It’s just as breezy and effortless as the duo’s biggest hit to date, but goes even deeper and minimalistic, taking you on a vibe that resembles the sound of that classic 100% Galcher mixtape/album from 2013. There’s definitely something in the air when these artists get together in the studio; The music is warm, fuzzy, and inviting, but most importantly, just about as sexy as can be.

‘Midnight time’ is another collaboration with AVA LAVÁ, and takes the EP into the club realm, while still keeping things jazzy. Lush Rhodes chords and a rolling live bass form the basis, while the young vocalist seems to freestyle her way through the track, much in a way an MC would do to get the crowd going. Everything about this track is infectious and you can just feel this go off in a club.

That club is exactly where we end up on the B-side, with ‘The Answer’ and ‘Gratitude’. Both have their own direction; ‘The Answer’ is a Chicago-inspired jam with acid licks, a powerful male vocal and clean 909 drums, where ‘Gratitude’ goes deeper with its haunting strings, clever vocal chops and loops and synths that somehow resemble static noise from an old radio. With their ‘Midnight Time’ EP, Makèz treat us to a gorgeous journey through their sonic world, a place we’re happy to hang out for a long, long time.

As always, enjoy the music and play it loud!

Lars & Maarten


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Format : Vinyl 12” (180 gr., Limited Full Cover)

Track list:
A1 Love Can Make It Happen
A2 Going Back to It
B1 Full Cycle
B2 Pockets

Release Info:

House music legend DJ Sneak shows us why he’s a master of the groove on his ‘Back to love’ EP for Heist Recordings.

There’s only a handful of people that can really say they’ve seen House music since its earliest days. Puerto Rica-born, Chicago-bred, and LA-based artist DJ Sneak is definitely one of them. He has been the king of the groove ever since his big break back in ’94 through Cajmere’s label Cajual and was key in the development of that mid-nineties house sound with appearances on labels such as Strictly Rhythm, Henry St Music and 83 West. Sneak has worked with some of the biggest artists in the game including Daft Punk, (delivering lyrics for their track ‘Digital Love’), Armand Van Helden and many more.

After a break in the past few years where Sneak re-evaluated his relationship with the scene and his music, he’s now back doing the thing he loves most: Making killer tracks and slamming it on a record. We’ve always considered each other friends and Sneak has been a true supporter of our music and the label since day 1, so it’s humbling to realize that we’re now in a place where we can let his music shine on Heist. With that, we’re proud to present this future classic from the master himself.

The aptly titled “Back to love” EP starts off with one of Sneak’s most intimate productions to date: “Love can make it happen”. Built around an ever-evolving vocal loop, and dreamy strings this track is deeper than deep with the percussion matching that meditative energy, with the grunt only Sneak can bring.

“Going back to it” is Chicago house music in its core. Moody chords, some vocal chops, a badass bass line, and solid percussion is all you need. With ‘Full Cycle’ on the flip, we see Sneak take back his rightful place as the king of the groove. It’s a track that has us reminiscing the days of ‘Paperclip People’ where the bluntness of a live recorded ‘on/off’ arrangement really adds something special to a track.

The EP ends with “Pockets”, a house jam with classic 90s vocals and energetic snare drums to add that classic New York touch to this already amazing record and shows us that DJ Sneak has a great feel for bringing modern day house music with a vintage feel.

As always, enjoy the music and play it loud!

Maarten & Lars


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Format: Vinyl 12” (Limited 180 gr. Blue Vinyl - Special Cut Out Sleeve - Printed Inner sleeve)

Track list:

A1 Crackazat - Alfa
A2 Andy Hart - Epsilon Girls
A3 Makèz - Different Planets
B1 Kassian - 8th Movement
B2 Nachtbraker - Hamdi

Release Info:

The Dam Swindle curated compilation Heist Classics Vol. 02 delivers even more of the label’s biggest hits in a beautiful limited-edition package.

It’s safe to say that in it’s 10 years of existence, Heist Recordings has given us plenty of amazing music and has cemented itself as one of the key labels in today’s house scene. The first 3 compilations of this year have had an amazing response with radio and club tastemakers (re)discovering some of the best music that has come out on Heist. With support from Paul Woolford, Luke Slater, Antal, James Zabiela, Nightmares on Wax, a 10/10 in Faze Mag and various radio plays on BBC R1 with Pete Tong, Annie Mac and more, it’s safe to say that everyone has been loving these releases. Now, Dam Swindle conclude their 10-year anniversary releases with Classics vol. 2: a limited-edition collection with hits from Crackazat, Andy Hart, Kassian, Makèz and Nachtbraker.

The release kicks off with ‘Alfa’: Crackazat’s biggest hit to date (and that’s saying something, coming from a producer that has delivered jam upon jam in his career). It’s a signature Crackazat song with an off-kilter live key loop, shuffling percussion and pumping low end.
Andy Hart’s ‘Epsilon Girls’ was originally released in 2014 and has helped cement the artist and label’s position in the house music landscape. A vintage Barbara St. Clair loop gives the track a lovely human touch, which is countered by layers upon layers of glimmering electronics.

Different Planets is the track that really kickstarted the career of the talented duo Makèz. Released in 2019, the track has everything we’ve come to love from their recognizable sound: lively drums, catchy hooks and warm & jazzy chords. UK duo Kassian are represented on this package with their track ‘8th Movement’. Their sound has progressed towards techno in recent years which has given them support from artists across the board such as Ben UFO, Special Request and many more. Their Heist classic ‘8th Movement’ - still housey in its core - already has hints of their newfound style in its sound design and rolling energy.

We end the record with what might be Nachtbraker’s biggest track of his career: ‘Hamdi’. You’ll find him currently at work with artists such as Shanti Celeste where he recently released his Capichone EP, but the sound he developed in the early part of his career had Heist written all over it. ‘Hamdi’ is a proper anthem, with African drums, an ecstatic vocal sample and a killer groove.

The vinyl release of Heist Classics Vol. 02 is printed on colored 180grams heavyweight vinyl and is limited to 1000 records with a special design by our Art Director Bas Koopmans (Wellness.)

Enjoy the music and play it loud!

Lars & Maarten

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Format : Vinyl 12” (180 gr., Limited Full Cover)

Track list:
A That’s Right
B1 Minor Fools
B2 Soul’s Lament

Release Info:

“Pumping, vibrant, and packed with energy”: Iconic duo Dam Swindle deliver once again with their ‘Minor fools’ EP.

Last year, Dam Swindle celebrated their 10 year anniversary with the ‘Keep on Swindling’ series. The hard-hitters ‘All I want’, ‘Good woman’, and ‘You’ showed various sides of that much loved Swindle sound as well as some steps into a more leftfield electronic area. Now, they’re back on Heist with a 3-track club EP full of that recognizable upbeat energy.

‘That’s Right’ has Dam Swindle in full live mode, not unlike their timeless classic “Call of the Wild feat. Jungle by Night”. Live keys, bass, percussion, and horns (the latter by the Jungle by Night’s trumpet guru Bo Floor) give you the feeling like you’re on stage with a full band, hearing them give their all to record this heartwarming piece of music. Over the course of its 7 minutes, the duo takes you on an electrifying feel-good trip through the Swindle sonic universe.

On The EP title track ‘Minor fools’, Dam Swindle go into classic US house mode. Shuffling hats, a bouncy bass and male vocal chops lay the foundation for some crunchy jazz chords (think Underground Resistance with a Swindle touch). The track builds tension with haunting organs, looped vocals and smart modulation in the keys. Add to that the bouncy synth section at the heart of the track and you’ve got a jam that slaps hard in the best way imaginable.

The EP ends with the dreamy & contemplative ‘Soul’s lament’; A slow burner that builds and builds on a relentless rhythm of bells and skipping hi-hats. Slowly, a massive string section takes control of the track, after which, an acid line takes over that gives the track its driving electronic touch. It’s a welcome deep note to an EP that shows you exactly why Dam Swindle are such well respected and versatile producers.

Grab this record while you can and dance, dance, dance!

Heist Recordings.


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Format : Vinyl 12” (180 gr., Limited Full Cover)


Track list:
A1. Everything alright feat. Aika Mal
A2. Everything alright feat. Aika Mal (Dam Swindle remix)
A3. Eleven eleven twenty two
B1. Crush
B2. Only breaks can love your heart

Release Info:
Amy Dabbs puts her heart and soul in the breaks anthem ‘Everything Alright feat. Aika Mal’ on her Heist debut EP.
Bonus: A tantalizing 140BPM Dam Swindle remix

Amy Dabbs might be one of the hardest working artists in the game right now. Making it in the current electronic music landscape is not an easy thing, which might be why this talented artist is so heavily invested in her musical output. With releases on Aus Music, Shall not Fade and her own Dabbs traxx, a monthly residency on Rinse FM and a tour schedule that seems to get busier by the minute, we’re happy to see her hard work is paying off. Add to that some support by artists such as Special Request, The Blessed Madonna, Jaguar and Cinthie and you know this Berlin-based artist is right where she belongs: in the spotlight.

With a love for all things high energy – including, but not limited to house music and breaks – Amy knows how to set fire to a dancefloor (or record for that matter). Her music has been described by Resident Advisor as “Elegant and soulful drum & bass, that’ll still catch the ears of house heads.” So here you go, house heads: Amy Dabbs on Heist. The ‘Only breaks can love your heart’ EP is packed with feelgood energy and comes with a Dam Swindle remix that has the duo laying down some pleasantly unexpected breakbeats on an altogether rush-inducing record.

Right from the start, you know you’ve got an anthem on your hands with ‘Everything alright’. The gorgeous vocals by Aika Mal give you that right amount of emotive, ravey energy and come wrapped in a package of solid breaks and mesmerizing chords. With a hint of acid and a couple of meticulously crafted breakdowns you’ll be singing along with this track before you know it.

The Dam Swindle remix drops the tempo a little bit, but with its 140 bpm, warm broken beat and UK bass, the duo delivers a curveball of a track with a lot of crossover appeal. They went for a more stripped back approach that combines introverted percussion with bouncy keys that complement the vocals perfectly for an altogether irresistible remix.

‘Crush’ is a signature Amy Dabbs tracks, with driving 909 percussion, female vocal chops, ethereal pads and classic strings. It’s a warmhearted affair laced with Amy’s feelgood DNA. On the flip you’ll find ‘Eleven eleven twenty two’; a classic deep house track with subtle hints of UKG in its sampling and bass. The pads and leads are moody and the skippy percussion gives this track the kind of energy you’d welcome when pulling an all-nighter.

Rounding off the EP, we’ve got the ep title track ‘Only breaks can love your heart’; another showcase of Amy’s knack to make house aficionados dance to drum and bass. There’s a certain contrast in pace – raging drums versus dreamy chords that makes you feel at ease listening to a fast-paced track like this. The vocals are equally hazy with a subtle 90’s and 00’s RnB feel. Bassface guaranteed on this one!

We’re extremely happy we get to call Amy our friend and proud to share her music through Heist. As always, play it loud and dance, dance, dance!

Yours Sincerely,
Maarten & Lars

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Format: Vinyl 12” (180 gr., Limited Full Cover)

Track list:
A1. I need to know
A2. Do you think about me
A3. Freddie’s groove
B1. Phantom feat. The Potash Twins
B2. Endless life
B3. When we last met

Release Info:
Crackazat & Heist present: “Senses”. A stunning mini album that sees the artist deliver a heartwarming perspective on contemporary electronic
music
On “Senses”, we see the pure talent of Crackazat come to life like never before. We’ve all danced to “Alfa” or his most recent hit on Heist “Demucha” and
have heard his venture into the more poppy side of things with his 2022 album ‘Evergreen’ on Freerange. “Senses” however, is on another level. Crackazat
takes you on a sonic journey exploring his musical personality with live keys, vocals, bass and production all coming from his studio in Uppsala, Sweden. The
jazzy horns that are featured throughout are recorded by Adeev and Ezra Potash, better known as the Potash twins. The duo took a sidestep from their
recordings with John Legend, Robert Glasper and even Diplo to dive into this project with Crackazat and help him deliver arguably his best work to date.
The 6-track album starts off with the low-slung groove of ‘I need to know’. The whole atmosphere is warm, dreamy and seems to be written to lift your spirits,
no matter where you are in life. Plucked strings, arpeggios and long horn notes give this song its energy, which is subtly supported by lo-fi drums and sparse
bass licks.
“Do you think about me”, keeps the energy tight with a lovely drum groove and a sparse bass section. From the first note of the track, you get the feeling like
the energy could change any moment. Halfway through this is exactly what happens, when uplifting keys and a buzzing lead take control of the track. The
string arrangement is subtle enough to never overshadow the other instrumentation, but simply adds a beautiful layer to a track that’s already filled with
emotion. It’s all smiles when the energy of this track is set loose!
If “Do you think about me” is Crackazat in pop mode, “Freddie’s Groove” is Crackazat in full-on jazz mode. The nod to Freddie Hubbard is clear, and
Crackazat cleverly takes ideas from both the jazz legend and his legendary French sampler, Pepe Bradock for this track. The horns are deep and moody, the
groove is jazz-house at its best and Crackazat’s soft vocals have the perfect amount of fragility to fit the groove. The changeover into a stabby synth section
halfway through the track is a subtle reminder from the skilled producer that – even with all these musical elements – he can direct you to the front of the
dancefloor with the twist of a note.
“Phantom” sees Crackazat move into a shuffling Latin-dance vibe. Here, the song reaches its full potential through the horn section, so it’s only fitting that this
is the feature track for the Potash Twins. The Latin rhythms are lush, the key progression is on point and the energy on this track just keeps on going with
layers and layers of horns, powerful vocal chops, and subtle but effective percussion changeovers.
“Endless life” is a track that feels like it’s building up momentum with every repetition. Whether it’s the broken beat groove, the offbeat keys or the sparse
horn hits, chord hits or leads, there’s a certain energy in this track that takes a hold of you and simply doesn’t let go.
The outro “When we last met” is built around vibey drunk keys and a downtempo hip-hop groove. There’s a hint of old school D’angelo in this track and you
can clearly hear the artist feels at ease with the path he’s taking the listener on. It’s a perfect ending to a record that showcases the beautiful world that
Crackazat has crafted through his compositions and one thing is for sure: This is an album we will all keep coming back to for a long time to come.
Yours Sincerely,
Maarten & Lars

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Format: Vinyl 12” (180 gr., Limited Full Cover)

Track list:

A1 – Won’t u take me
A2 – Piano heaven
B1 – Masterplan
B2 – Piano heaven (St. David remix)

Release Info:

Cinthie joins the Heist fam with an EP full of lush, epic house music with 3 originals and a St. David remix.

Cinthie is the kind of artist who seems to be everywhere all at once. In the past years, we’ve seen her compile a lush DJ Kicks compilation, release numerous EP’s on labels such as Aus music, run one of Berlin’s finest record stores (Elevate Records), tour the world fiercely, and create an all-new live show. Her EP for Heist has been in the works for a long, long time and it’s an absolute pleasure to finally present the ‘Music for Discotheques’ EP. Spoiler alert: It’s a no holds-back, ‘all killers, no fillers’ record. Just the way we like it.

In classic Cinthie fashion, this EP has the Berlin-based artist explore various sides of house music, starting with the vocal cut ‘Won’t u take me’. Lush pads, shuffling snares and a dreamy female vocal work together to bring a warm and classy house track with a clear nod to 90’s US house, but with its feet firmly rooted in the present.

Piano heaven takes you on an Italo-meets-deephouse excursion straight into…Drum roll…: Piano heaven. A driving 909 groove and a deceptively simple bass form the foundation of the track, but it’s the keys (and strings) that bring this track to its full peak-time potential. The energy in this track is of the ‘hands-in-the-air / screaming-out-loud’ type and it has already become one of the biggest tracks in Cinthie’s live-show.

On the flip, Cinthie explores the pacier electronic side of the dance spectrum, with the footwork inspired jam ‘Masterplan’. Think classic 808’s, loopy synths and a cheeky spoken word piece that lifts the song to a level where it’s extremely danceable and quite simply put; really fun.

The final track of the EP is the expertly crafted remix by Italian house maestro St. David; an artist Cinthie has always been a big fan of. He’s made a dazzling rework of ‘Piano Heaven’: A deep and driving deephouse version that’s layered in sweeps, fx and bleeps for an altogether mesmerizing effect.

We’re thrilled that we can share Cinthie’s music on the label and have her join the family after having played so many shows together and having spoken about doing something together for such a long time. As always, play it loud and dance, dance, dance!

Yours Sincerely,
Maarten & Lars

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Conatct: [email protected]More

Format: Vinyl 12” (Limited 180 gr. Cristal Clear Vinyl - Special Cut Out Sleeve - Printed Inner sleeve)

Track list:
A1 Dam Swindle – The break up
A2 Scan 7 – The best is yet to come
B1 Fouk – Kill Frenzy
B2 Demuir – Werq. feel. gruv. vogue.
B3 Adryiano – Me and you and her

Release Info:
Label bosses Dam Swindle dive into the label back catalog and compile 2 special edition releases of classics to celebrate 10 years of
Heist Recordings.
Founded in 2013, Heist Recordings has quickly become a go-to house label, giving rise to a vibrant scene of groove aficionados and all things
deep house. Now in the label’s 10th year, Dam Swindle take a moment to reflect on the great tracks that have come out over the years with 2
limited edition compilations of classics.
On this first compilation, the duo starts with the track that helped the label burst onto the scene: Their instant classic ‘The break up’. With its
vintage vocals, Rhodes chops and instantly recognizable bell loop, it’s easy to understand why so many people are still in love with this track. It’s
only fitting that this anniversary release for Heist goes back to where it all started.
The second track on the compilation is from the legendary Detroit outfit Scan 7: Their 2020 track ‘The Best is yet come’ from Heist’s 50th release.
The appearance of Scan 7 on the label turned quite some heads at the time, but in fact, it made total sense. The mutual love for house, key
grooves and that classic Detroit vibe brought Scan 7 and Dam Swindle together and the result was an amazing release full of Midwest electronic
funk.
On the flip, we’ve got Dutch duo Fouk with their first hit on the label ‘Kill Frenzy’, which kickstarted the rise of their signature sound back in 2014.
The release ends with 2 extremely catchy and strong house releases by Demuir and Adryiano. Demuir’s vocal cut ‘Werq. Feel. Gruv. Vogue’. is
one of the highlights in Demuir’s catalog and a showcase of the producer’s knack for sampling and writing a house groove. Adryiano’s piano
house track ‘Me and you and her’ is a perfect ending to this first compilation, showing us that great house music can be as simple as repeating
something over and over and over, until that groove is all you hear.
The vinyl release of Heist Classics vol. 01 is printed on clear 180 grams heavyweight vinyl and is limited to 1000 records with a special design by
our Art Director Bas Koopmans (Wellness.)
Yours Sincerely,
Maarten & Lars

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
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Format: (180 gr., Limited Full Cover)

Track list:

A1 – Orchid’s Wish
A2 – Make Me Feel Feat. Marina Trench
B1 – Blu Thang
B2 – Free Feat. Tour-Maubourg
B3 – Purple Corner Fig

Release Info:

Heist welcomes Belgian house maestro UC Beatz to the label with a 5 track EP featuring Marina Trench and Tour-Maubourg.

UC Beatz is a man who likes to do things his own way. You can hear it in his distinctive sound, but it also goes back to when he started producing and putting out records. If he would have asked us for advice back then, we would have definitely tried to talk him out of starting a record label without a good distribution deal. The hours of work to get the records made, printed and stamped is one thing, but going from shop to shop to sell your work, just because you believe in it? That’s just mad.

Thankfully, Belgian producer, DJ -and yes, label owner- UC Beatz didn’t ask our opinion when he started Entrepot Records in 2014 and we’re glad for it. It’s been a total success story for him and an inspiration for independent artists all around. His releases quickly gained momentum, all sold out in weeks and with that, helped him establish his name as stylish deep house producer with his own sound.

Fast forward to 2023, and we find UC Beatz on labels such as Classic Music Company, Razor ‘n Tape and now we’ve his debut on Heist for you. There’s no need for him to go from shop to shop this time, because we’re sure people will jump on this record the minute it hits the shelves.

UC Beatz delivers a stunning 5 track EP with guest appearances from Marina Trench and Tour-Maubourg. The EP sees the artist go from euphoric sample house (Orchid’s Wish) to his classic pad-driven sound on tracks like Purple Corner Fig and Blu Thang. The EP would be good without the collabs, but UC Beatz found a perfect match in style with fellow Heist artist Marina Trench on ‘Make me feel’. His co-production with Tour-Maubourg sees the duo dive deep into a classic Chicago deephouse vibe and deliver the most ethereal track of the EP.

Yours Sincerely,
Maarten & Lars

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Format: (180 gr., Limited Full Cover)

Track list:

A1 - Soundsystem
A2 - High
B1 - Day by Day
B2 - 909 feat. Emil & Boo Williams (OV remix)

Release Info:

Orlando Voorn is back on Heist after his 2022 ‘Heist mastercuts’ EP and comes in with a heavy dose of soulful machine funk. ‘Heist mastercuts part 2’ has the techno & house veteran showing his eclectic style with the vocal cut ‘Soundsystem’, Midwest inspired sample jam ‘High’ and his Boo Williams collaborative drum workout ‘909’.

On the first Heist mastercuts, Orlando dove deep into his archives and presented a collection of old and new tracks, showing us that his music has aged well and reminding us that he’s a producer still on the top of his game. He kept busy in 2022 with releases on our own label Transient Nature, Kompakt, a handful of Bandcamp only tracks, and a self-released album. Somehow, he found the time to work on his follow up ep on Heist and managed to completely blow us away with the music.

The EP kicks off with Soundsystem: a masterclass in simplicity. A steady and minimalistic groove guides you through the track, where silky vocals and woozy chords take you on a trip through Orlando’s sonic universe. Orlando moves into freak mode with a trippy lead and dubbed-out keys to add some playfulness to an already outstanding track.

‘High’ is Orlando’s take on what could easily be an old Andrés track. Here, he samples a female vocal (I get high, I get high, I get high), and cleverly adds his own vocals to add depth and originality to the track. The percussion on high grooves in an effortless way and underlines the feel of this track: It’s fun, cool and incredibly funky. There’s a bit of Dam Swindle sauce on the mix to make sure this track hits the right spot on any dancefloor.

On the flip, there’s ‘Day by day’: A classic Orlando Voorn cut with a live bassline, plenty of chopped samples and a Rhodes loop that could have come straight from a B-roll of a ‘First Choice’ recording session. The b-side ends with a collab with Orlando’s close friend Emil and legendary Chicago producer Boo Williams. The producers take a monologue from Boo Williams about working the 909 and deliver a drum workout -yes with the 909- that keeps on building energy, showing exactly what Boo is talking about.

The digital package also includes an instrumental mix of Soundsytem and an alternative mix to 909, just for good measure. This is the first artist release in our 10 years of Heist anniversary year and this EP perfectly encapsulates the Heist Sound: varied, deep, soulful, and banging.

Yours sincerely,
Maarten & Lars

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WAS - Word and Sound Medien GmbH
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Format: (180 gr., Limited Full Cover)

Track list:

A1 - Dam Swindle - You
A2 - Dam Swindle - More love
B1 - Dam Swindle - The wrap around (2022 mix)
B2 - Dam Swindle - 64 Ways feat. Mayer Hawthorne (Nightmares On Wax remix)
B3 - Dam Swindle - The wrap around (DJ Bone’s doc ciroc remix)

Release Info:

We’ve come to the third and final installment of Dam Swindle’s ‘Keep on Swindling’ series and are proud to see them finishing off their 10-year anniversary with a bang. This final ep holds 2 new originals, remixes by Nightmares on Wax and DJ Bone and the long-awaited re-release of their seminal track from 2013: ‘The Wrap Around’.

‘Keep on Swindling part 3’ kicks off with ‘You’; a fast-paced slice of electronic funk that sees the boys dive into heady club territory. With this track, they show a new direction in their sound that combines their vintage sampled-based soulfulness with modern percussive and melodic elements. Whether it’s the moody arpeggio, the techno-ish stabs or the bell-driven percussion in ‘You’; it’s all coming together in a way that is both heartwarming and rush-inducing.

The A side also holds ‘More Love’; a track that takes you back to what has been the center of the Dam Swindle sound in the past 10 years. Conga loops, vocal chops, synth stabs and a simple string to keep the tension; it’s all in there. Add to that a simple funk bass loop and you’ve got yourself a modern-day Swindle classic.

On the flip, you’ll find a special song from the Dam Swindle catalog: ‘The wrap around’. When released on Huxley’s now defunct ‘Saints & Sonnets’ label back in 2013, the release made its way into many record bags and sold out quickly, never to be repressed again. Discogs prices went through the roof, while the title track became one of the biggest tracks for Dam Swindle in their early years. Now, it will be available on vinyl and digital again through Heist. It's had a few touch-ups in arrangement and mixing for the 2022 mix, but the boys worked hard to maintain the rough edges that made the original loved by so many fans.

The B2 is a collaboration with none other than Nightmares on Wax, who delivers a brilliantly creative version of ‘64 ways feat. Mayer Hawthorne’. N.O.W. completely flips the original, opting to use the spoken word intro in a mangled and chopped way on top of a nasty groove and soaring bassline. The main vocal comes in during the second part of the song and adds to the buildup with new Rhodes chords, cowbells, and electronic chops. It was already special when we got together and agreed on the remix, but the result really blew our mind and cemented the position of N.O.W. as a legendary producer even more.

The EP closes off with another special track: DJ Bone’s Doc Ciroc remix of ‘The Wrap Around’. DJ Bone has been living in the Netherlands for a long time already and it was only a matter of time before the legendary Detroit producer and DJ would meet Dam Swindle. It was on one if his ‘Further’ events that we laid the foundation for this collab and it’s an honor to have DJ Bone add his raw soulful techno style to the Swindle’s original track. DJ Bone goes for pacey percussion with a classic Detroit Techno feel. His version is minimalistic and raw, chopping up the vocal and using the original Prophet pad as a base layer of warmth. The track gets even beefier when the bassline comes in: A dirty modded 101 lick with so much electronic funk that makes it impossible not that dance.

On ‘Keep on Swindling part 3’, Dam Swindle showcase a more electronic side of their sound and sees them connect with likeminded artists who have delivered amazing interpretations of some of the most loved DS tracks of the past years. With that, we’ve come to a banging conclusion to 10 years of Dam Swindle. There’s only thing that keeps us up right now: What will their next step be…?

Yours Sincerely,
Heist Recordings.

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2022 Repress

180g VINYL.Release: 24.06.2013 - UPC: 827170508361- Tracklist: A1. The break up B1. The make up
Vital sales points:
- First EP of the label by the label-bosses themselves; Dam Swindle
- Releases on Freerange, Dirt Crew, Saints & Sonnets and more
- Just back from their first US tour in May 2013
- Pressing on 180 grs black vinyl
Info: It's not often that silly, boyish dreams come true. But, if you take a closer look at our past 12 months, dreams seem to come true every other day. We've had a great year with releases on such great labels and had the opportunity to play our music all over the world and we've enjoyed every minute of this musical rollercoaster. And today, we've got another dream that's turning into reality: We're starting our own label. This is Heist Recordings, and you're looking at our very first release. We're extremely proud to share this two track EP of our own music with you and we hope you'll like it as much as we do. The break up is a track that checks all the boxes of the signature DS sound. An infectious set of airy chords, a bumpy bass-line and a lush female vocal give the track that feeling that bridges everything we love about the house from back in the days with the things that get everyone excited today. The make up is a deeper track, but still a genuine house tune, with some repetitive almost hypnotic vocals and stabs and of course, a pumping groove. You'll lose track of everything halfway through the break, but as soon as the beat kicks in, you know its business time. This is just the first step. Enjoy it, and be sure to keep an eye out for more of Heist in the near future.
Sincerely yours, Dam Swindle



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Format: (180 gr., Limited Full Cover)

Track list:

A1 - Byron the Aquarius - I love yo
A2 - Byron the Aquarius - Get up
B1 - Byron the Aquarius - Love
B2 - Byron the Aquarius - Success
B3 - Byron the Aquarius - I love yo (Kush Jones remix)

Release Info:

Heist Recordings has been pushing the envelope for house music since day one and we’re always on the lookout for artists that represent our vision on electronic music. Our next guest on the label fits that profile and more. He is the embodiment of modern-day electronic funk and a true wizard on the keys: Atlanta raised cool guy Byron the Aquarius.

Byron has a solid history on the label: He remixed Parker Madicine back in 2017 and did a mad solo on the 2019 released Dam Swindle track ‘The life behind things’. We’ve done some shows together and stayed in touch while Byron was working together with Jeff Mills on his 2020 jazz crossover record ‘Ambrosia’ on Axis. Now, after a solid string of releases on labels like Shall not Fade and Purveyor Underground, Byron is making his solo appearance on Heist. His ‘Akira’ EP goes from dark basement grooves to dreamy broken beats and features a remix by New York dance music wizard Kush Jones.

The Akira EP kicks off with ‘I love yo’. In this track, Byron decides to leave his keys at home and goes in deep with a moody club workout. ‘I love yo’ is a track that juxtaposes dreamy samples with rough percussion and vocal chops with a clear nod to the work of Mr. G. The melody is mellow, but don’t be deceived; clever drum programming and plenty of sub take this track into the club vibe just the way Byron likes it: warm, hazy and sexy AF.

Byron is not known for delivering straightforward house tunes, but when he does deliver them, he does it in style. Enter ‘Get up’; the A2 of the EP. There’s everything we love about house music: smart vocal chops, driving percussion, classic house keys and a booming sub to get you bumping to this beat.

The B-side sees Byron up the tempo and take a deep dive into bass territory with ‘Love’. In this track, there’s lush pads running over a percussive broken beat and chopped R ’n B vocals to add some serious sex appeal. It’s deceptively simple and clean but ever so catchy, which clearly shows Byron’s prowess as an electronic music producer.

Going back to classic house mode, we’ve got ‘Success’: A spoken word house track that fits right in with the classics. Byron sets the mood with some bumpy key-and synth work while brainstorming about originality and blackness throughout the track. Even though the message underneath might be a serious one, Byron succeeds in delivering this in a fun, uplifting way that never gets pretentious or divisive.

The EP finishes with a remix by New Yorker Kush Jones. This is an artist who understands how to build a groove. He could take you anywhere from house to juke, footwork and techno, which is exactly why he’s been getting so much love for his music recently. Kush is an artist who sees no boundaries in his music and still manages to create his own sonic universe. His remix of ‘I love yo’ takes a dreamy approach with soft chords running over an electronic groove with a pure and improvised feel. All elements fit together perfectly and it’s the clever ad-hoc programming and arrangement that suck you into his unbounded world from the first beat.

As always, enjoy the music and play it loud.

Yours sincerely,
Maarten & Lars

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Format: (180 gr., Limited Full Cover)

Track list:

A1 - Dam Swindle - Good woman
A2 - Gaoulé Mizik - A ka titine (Dam Swindle remix)
B1 - Dam Swindle - High Life feat. Lorenz Rhode (Ash Lauryn remix)
B2 - Dam Swindle - Yes, no, maybe feat. Tom Misch & Lorenz Rhode (Arp Frique remix)
B3 - Dam Swindle - Call of the wild feat. Jungle by night

Release Info:

After the chart-topping Keep on Swindling part 1, that included summer anthem ‘All I want’ and the live jazz rework of ‘The break up’ by Emma-Jean Thackray, Dam Swindle are now back with part 2 of their 10-year anniversary series. If you thought the first edition had the goods, you’re in for a treat with this one. Keep on Swindling part 2 includes a new afro-tinged DS original, alongside a never-released remix of an obscure Guadeloupean record and remixes by rising star of the Detroit music scene Ash Lauryn and Rush Hour favorite Arp Frique. To top things off, the boys release their afro-brass dancefloor burner ‘Call of the Wild’ feat. Jungle by Night for the first time on a single.

The EP kicks off with a new original production by DS: ‘Good woman.’ This track has Dam Swindle on their best dancefloor behavior: Powerful live drums with an electronic edge and a big smudge of soul through smart sampling. The track has the feel of a soulful drum workout, taking its warmth from the lovely organ hits played by the talented Tim Jules and lush vocals. It also has plenty of low end with its offbeat sub and heavy kick, which give this track all the beef it needs to make any dancefloor -big or small- move in ecstasy.

The next track is somewhat of a special project. Tipped in 2019 by close friend Vincent ‘Venz’ Reinders who now runs one of Amsterdam’s finest venues Radioradio, Lars and Maarten started working on a rework of the song ‘ A ka titine’ by Guadeloupean band ‘Gaoulé Mizik’. The original release was only distributed from private press in small amounts, and therefore did not reach that many people. Versions of this record are rare on Discogs and unfortunately change hands for large sums of money, which keeps the music in obscurity.

The Dam Swindle rework was first put out as a free download, but was taken offline quite soon after, when we started our path to locate the original rightsholders and get their approval. Fast forward 3 years and we’re here with an official remix of this amazing piece of music where the guys add an electronic twist to the original to bring that classic Gwo Ka music towards today’s clubs.

On the flip, we’ve got the amazing Ash Lauryn remixing the title track of Dam Swindle’s 2018 album: ‘High life’ co-written by Lorenz Rhode. Ash Lauryn has been moving from strength to strength and is proudly representing the city of Detroit and all its musical heritage with her DJ sets, productions, and the content she makes. We recently got the opportunity to meet in person and this woman is about as real as it gets. Her aura simply vibrates when she plays, and she oozes class behind the decks. This remix – co-produced with Stefan Ringer- takes a deep and grooving approach to the original, with new heady percussion to add that original Detroit flavor.

The next track is a remix by of our favorite and colorful Dutch artists: Arp Frique. Arp Frique is known for his multicultural take on music, combining Caribbean and Cabo Verdean styles with classic disco and funk. He decided to write a whole new song around the vocals of the Swindle, Rhode & Tom Misch hit ‘Yes, no, maybe.’ He takes a loose-limbed, tropical disco direction where the live, analog recording lays a perfect foundation for this breezy track. The vinyl release contains the vocal mix, while we also have the instrumental available for download.

The Ep closes with a Dam Swindle original for the 2018 album High Life that really needs no introduction: ‘Call of the wild feat. Jungle by Night.’ It’s a track that seems to keep the dancers happy wherever we play it and hasn’t lost any of its appeal in the past four years. Originally only released in album format, this track now makes its way on a single 12” to round off an exciting new release by the Swindles. Enjoy the music, play it loud and remember…

Keep on Swindling!

Yours sincerely,
Maarten & Lars


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ll star cast from 4 different cosmic corners comes the more electronic side of Hamam. T hink of it as the dorian gray of Frankfurt airport , but instead it's at the hamam in istanbul. Fattish - no stranger to electronic versions of loved and cherished turkish songs, Fattish delivers a monster cinematic piece, strings section...the whole lot...check anything he puts his hands on, this one made it to the wax Kozmonotosman - our man on the moon, he visits regularly so if u need any rocks or bits ask him he will bring u, I got loads of rock so u can ask me alternatively.
My man delivers a super dope and groovy number from a not so well known jam from the 70's . Just get down and boogie on this. Kurt Adam - one of the new faves of the Hamam camp, delivers a taverna cut in a housey affair. Don't be fooled by the electronics, I drink raki to this any day at the drinkery. Hold me down if u can m gonna dance in euphoria, hear the wolfman roarrr.



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2LP


GENRE/S: Disco / House / Early 90

TRACKLISTS:


A1 - Civil - Sombras Na Calçada (Def Dub Mix)
A2 - Rev N Ldj - Happy
B1 - La Luna - Come To Me (Ven Aqui) (Vocal Ethno Techno Mix)
B2 - Trippi T - Open Space (Outer Space Remix)
C1 - Lorena - Tu Eres Igual Que Los Demás (De Luxe Dub)
C2 - Paulette Lassitter - X - Rated (Throb Solo Mix)
D1 - Friction Feauturing Squeaky G - Reach Out ( Percussion Mix )
D2 - Las Vegas - Soleil Dance
D3 - DJ Raffa And Dj Leandtronik - Tecnology Tecno Mix
SHORT INFO:

There are still some pearls of dance music from the late 80's to early 90's that have remained in obscurity and have gone unnoticed or at least there has been no special attention, so Jose Manuel has dug deep as he already did in the first chapter of the compilation " Milagros del Ritmo ".
Among the annals of releases between '89 and '93 Jose has found pearls that he wanted to encapsulate in the second chapter of " Milagros Del Ritmo II " . Nine tracks among which we find : Come To Me (Ven Aqui) by La Luna produced by Erik Kupper, where percussion and Latin influences dominate over a house beat, then there is Teknology by Dj Raffa, a well known Brazilian Dj, followed by Lorena with Tu Eres Igual Que Los Demás (De Luxe Dub), where the beat vaguely recalls Los Niños Del Parque by Liaisons Dangereuses.
This second volume of "Milagros Del Rirmo II " cannot be missed by DJs who love and play the retro sound.


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Vinyl 12” (180 gr., Full Cover)

Track list :

A1. M.m.m - featuring San Proper's elegy
A2. M.m.m - featuring San Proper's elegy (Session Victim remix)
B1. Hamdi
B2. Hamdi (Bil mix)


Release Info:

Across the street from where Trouw used to be, lies a nice little hotel. It was in the basement of this hotel, where a curious meeting happened. Something so coincidental and so unassumingly trivial, that even the slightest event of randomness could have prevented this from ever happening, yet it did happen and here we are.

This curious meeting was the result of an open studio door of Nachtbraker, and the hint of disco coming out the door, where Dr. San Proper just happened to pass by in search of whatever it is he searches for at 10 am on a Tuesday. The good doctor decided to walk in, greeted Nachtbraker in his ordinary weird way and casually grabbed a microphone. Nachtbraker pressed record, Dr. Proper got his inner Mick Jagger on, and behold: Misses, madame, mademoiselle was born: an up-tempo disco groove with Nachtbraker's touch of loose arrangement, and San Proper's amazing vocals. We asked our good friends and great producer duo Session Victim to re-interpret M.m.m. and they gave it a great dreamy-but-groovy twist, adding pads and shuffling hi-hats.

We had already heard Nachtbraker working on a deep house - meets - afro track a while back and he made 2 versions of this track to complement the EP. Hamdi is probably one of the most euphoric tracks in his discography to date, and it's one you're likely to hear a lot in the coming time. With the use of chopped vocals (we'll let you figure out the source material) and a teasing build up, the track breaks down into a lovely chant, adding energy with every bar without ever coming close to being tacky or overproduced. The alternate version is an excursion into 808 booty territory, using different chops, alienating loops and yes, even a siren.

The M.m.m. EP is Nachtbraker's most mature production to date and we're happy to share it with you. Play it loud.

Your Sincerely,

Maarten & Lars.


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Germany
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