Solomun & CASSIM remix two of the track rake from Radio Slave’s Venti album released earlier this year. Diynamic boss and Ibiza titan Solomun remixes Radio Slave ‘The Lunatics’ on Rekids, following the original’s inclusion in Matt Edwards’ acclaimed ‘Venti’ album in May. The original, a rework itself, reimagined the 1981 Fun Boy Three track ‘The Lunatics Have Taken Over The Asylum’, with Edwards’ ode to the band’s late lead vocalist and The Specials frontman Terry Hall winning support from Saoirse, Erol Alkan, Jennifer Cardini, Laurent Garnier, Paul Woolford, and Honey Dijon. Solomun’s remix of ‘The Lunatics’ is sparkling aural nostalgia executed with total joy. Crisp 80s drums, Stranger Things-esque Jupiter 8 synth swells, the vocoded titular vocal, and a gloriously rich sliding bassline combine to drag the listener back to 1983 in the best possible way. As the track builds, rousing guitars join the ensemble, completing what is a hypnotic, melodic trip to the 80s via what’s set to be a 2024 anthem. CASSIMM’s remix of Radio Slave vs Audion’s ‘Mouth To Mouth’ continues the story of Matthew Dear’s classic, which Radio Slave revived and reinvented as part of his 2024 LP, ‘Venti’. Radio Slave’s hi-NRG disco cover of Audion’s minimal/maximal 2006 and era-defining anthem has dominated dancefloors since it emerged as a single in late 2023, with the likes of Erol Alkan, Job Jobse, Sean Johnston, Jennifer Cardini and Eats Everything continuing to play it today and the latter awarding it an Essential New Tune whilst sitting in for Pete Tong on BBC Radio 1. Now, recent Rekids alum CASSIMM continues his huge run of form with a chunky, main-room house interpretation that shows just why his recent release, ‘House of Moves,’ won DJ support from the likes of Tong, Arielle Free, Paul Woolford, Honey Dijon, and Jennifer Loveless. CASSIMS’s remix of Radio Slave vs Audion quickly follows Lindstrom and Solomun’s remixes of the ‘Venti’ LP’s tracks, which have seen support from the likes of Ivan Smagghe, Chloé Caillet, Nightmares On Wax, and more

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Radio Slave's 'Venti' is released on Rekids on May 17th and is a twelve-track celebration of Matt Edward's most prominent alias' history. Starting life as a series of singles that began in 2023, 'Venti' sees Edwards explore lower tempos, House, Disco, and the Pop reinterpretations that birthed the moniker back in 2001.

From Venti’s opening track onwards, a glistening piece of piano-led house that's become an anthem at Sean Johnston and the late Andrew Weatherall's lauded ALFOS parties, it is clear that Edwards is keen to celebrate the past but through the lens of now. A Radio Slave favourite, 'Wait A Minute', is updated to include a powerful vocal from Nez. Kylie's 'Can't Get You Out of My Head' - a track that kicked Radio Slave into the modern dance music consciousness is reinvented as an Italo-inspired cover featuring Michael Love Michael delivering glorious vocals. 'Wild Life' and 'Wake Up', another two tracks that, as singles, dominated house and disco sets of the great and good in 2023, feel simultaneously fresh while paying homage to the origins of House - message-heavy vocals and all. A cover of Audion's 'Mouth to Mouth' and Edwards' tribute to Terry Hall, the Fun Boy Three reimagining 'The Lunatics' are keen displays of Radio Slave's knack for taking on beloved tracks and making them his own. The lasers-set-to-stun cut-and-paste nu-disco of Radio Slave’s 'Jaws' is a muscular and timely reminder that the punch of a track lies in its feel rather than tempo, while Edward's command of dub aesthetics and unmatched ability to stretch grooves into a tension-filled journey shines through on 'New Balance' and the epic closer, 'Thirty-Six'. Never one to entirely give into the throes of the 4:4, the cinematic electro of 'Stranger In The Night' and Balearic Cagedbaby collab 'Amnesia' round out 'Venti' as the whole Radio Slave experience - as intense as it is subtle.

One of the most prolific and critically lauded electronic music artists of the past two and half decades, Matt Edwards was born in Catford, London, in the early 1970s. When acid house hit the city, Edwards was deep in the scene, and he's remained there since. Residencies at the groundbreaking Ministry of Sound and an 'unofficial' residency that has seen him become one of Panorama Bar's most booked DJs during his 15-year stint living in Berlin have provided the grounding for an enviable tour diary that continues today.

His Rekids imprint, a label that has platformed some of dance music's biggest names, has been regarded as a high benchmark for two decades with Matt as sole A&R. Collaborations with legendary artists such as DJ Hell and Robert Hood, releases for Running Back, R&S, Innervisions, Figure and more, and a remixography that simply couldn't be repeated in modern music show just how important Radio Slave is.

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Repress!

Radio Slave drops ‘Strobe Queen’ this June, complete with Eric Kupper and Kirk Degiorgio Remixes. following a string of massive singles over the course of 2022 and 2023, in tandem with the continued success of his acclaimed Rekids and RSPX imprints, Radio Slave prepares his latest single ‘Strobe Queen’, a 12-minute, slow-burning house epic landing this March. Eric Kupper and Kirk Degiorgio remix Radio Slave’s ‘Strobe Queen’ this June. Heard in clubs courtesy of Honey Dijon, Laurent Garnier, and Sean Johnston, amongst others, and on the airwaves via the likes of BBC Radio 1, Radio Slave now recruits two legendary remixers for thw remixes of ‘Strobe Queen’. Requiring little introduction, Eric Kupper and Kirk Degiorgio both turn in exceptional versions of the original, while Radio Slave contributes a stunning reprise of his own, continuing to explore his love of slower tempos and long arrangements of golden era NYC, as seen in subsequent singles ‘Wild Life’ and ‘Wake Up’. Radio Slave aka Matt Edwards is one of dance music’s undisputed heavyweights. Having made his name as a DJ in the 90s, he went on to become the king of edits, twisting pop, R&B and indie cuts into essential versions that consistently set clubs alight. Since the mid-2000s, Edwards’ originals have helped define modern dance music, tackling techno, house, breakbeat, minimal and disco whilst exploring dub, balearic sounds and ambient across the myriad of other aliases and projects.

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Radio Slave pays homage to Fun Boy Three with ‘The Lunatics (A Tribute to Terry Hall)’.
Fun Boy Three’s ground-breaking 1981 anthem ‘The Lunatics Have Taken Over The Asylum’ reflected a socio-political uncertainty and fear of the time, mirroring today’s calamitous society.

Radio Slave’s tribute to the late vocalist of The Specials and Fun Boy Three, Terry Hall, ‘The Lunatics (A Tribute To Terry Hall)’ centres itself on the unmistakable haunting vocal chant of its source material. Welded to the sort of unbreakable groove that Radio Slave has spent two decades refining, the vocal swells, repeating chorus, and jolting alarm sounds make for yet another anthem from one of dance music’s most bankable names.

Rounding out the release, Radio Slave strips the single of its iconic vocal for the ‘A Clinic Full Of Cynics’ dub. In this version, he lets its infectious guitar strum bass roar and added jazz-inflected musical elements shine in a pure and true tribute to Ska music told by the Rekids founder.

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Superpitcher and Idjut Boys remix Radio Slave’s ‘Wake Up’. Radio Slave’s spoken word slow-burner ‘Wake Up’ dropped on Rekids March ‘23, winning support from the likes of Roman Fluegel, Louise Chen and Red Axes and continuing a run of singles that explores the house and disco roots of the iconic British UK/Producer. Now, he invites Kompakt a?liate and Hippie Dance co-founder Superpitcher alongside UK duo Idjut Boys to reimagine ‘Wake Up’ on a fresh 12”. The original ‘Wake Up’ saw Matt Edwards, aka Radio Slave, utilise low-slung grooves and an iconic speech-like vocal. Superpitcher remixes the track ?rst, turning it into an acid-infused trip with its vocal samples echoing through cavernous, dubbed-out soundscapes. On the ?ip, we see Idjut Boys turn up the ?ange in their hypnotic version while maintaining the original’s bassline and stripping back the vocal to eerie whispers.

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Roy Davis Jr. & Byron The Aquarius and Jamie 3:26 & Danou P remix Radio Slave’s Wildlife. ‘Wildlife’, released a few months back, found Radio Slave tapping into his house and disco roots. It proved a dance?oor smash that got support from a wide array of artists, from DJ Bone and Tim Sweeney to Roman Flugel and Axel Boman. As such, the artists chosen to remix come from similar backgrounds and bring all new perspectives to this irresistible gem. First up are Chicago house legend Roy Davis Jr. and keys playing maestro Byron The Aquarius. Both make the sort of dusty, feel-good deep house that will never grow old and have done so on the scene's best labels. Their sizzling seven-minute rework of 'Wildlife' has jazzy, life-a?rming keys and smeared synths that bring the warmth. The drums are rubbery and inviting, and the whole thing brings real musicality to the ?oor. The second remix is from original Chicago innovator, deep digger and edit king Jamie 3:26 and a young Dutch artist he has long since mentored, Danou P. Between them, they have cooked up gems like 'What It Is' together on Shake Records and remixed for Defected, all with a healthy respect for disco, funk and soul from the 80s onwards. Their take on 'Wildlife' is a piano-laced and upbeat party starter. Noodling bass ri?s,zippy synth details and lavish chords make for a sophisticated sound that will swell the heart.

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Following the recently dropped ‘Strobe Queen’, which picked up support from Honey Dijon, Sean Johnston, Laurent Garnier, BBC Radio 1’s Pete Tong and Danny Howard amongst many more, Radio Slave returns with another standout House cut ‘Wild Life’, turning in two exceptional Disco and Dub mixes. “I’ve always adored the “Wildpitch” era of DJ Pierre, Roy Davis Jnr, DJ Duke and labels like Power Music It’s definitely influenced my work as Radio Slave and “Wild Life” started out as a nod to that early nighties sound. Conceived during the pandemic, I had the track mapped out and then with help of a good friend I decided to add live bass, loads of analogue keyboards and record the whole thing live and it became this super funky disco jam.” - Radio Slave

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Initially released in 2020 via his own Rekids, ‘Stay Out All Night’ is one of Radio Slave’s biggest tracks todate, alongside timeless cuts such as ‘Grindhouse’, ‘Don’t Stop No Sleep’, and ‘Another Club’. Recruiting Carl Cox & Commix for remix duties, ‘Stay Out All Night (Remixes)’ sees two varied dancefloor-focused revisions drop this February on 12”. Leading the pack, Carl Cox steps up to the plate fresh from the release of his ‘Oh yes, oh yes!’ book. The People’s Choice delivers a lively 4/4 interpretation, flipping the syncopated breaks of the original into astomping blend of house and techno destined for dancefloor decimation. Following on is Metalheadz affiliate Commix, taking a break from his usual brand of flawless Drum & Bass to flip the original into a fresh UK Garage cut.

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Radio Slave returns to his Rekids imprint this October with the perfectly balanced ‘Acid Dip’ single. The titular track on ‘Acid Dip’ sees Matt ‘Radio Slave’ Edwards in particularly strident form. Riding a broken, stuttered-kick rhythm, ‘Acid Dip’ is a jabbing, insistent slice of UK techno shot through with hardcore and, whilst not skimping on raw power, still maintains the hypnotic nature that inhabits much of Edwards’ work. On the flip, ‘Armani’ takes off down a dubbed-out, futuristic Italo-infused house workout that, throughout its eleven minutes 28-second span, shows a more dense, layered side to Radio Slave production. Another triumph of a single from one of modern electronic music’s most consistent talents, Radio Slave’s ‘Acid Dip’, is released 15th October via Rekids.

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Radio Slave returns to his Rekids imprint for his first release of 2021, ‘Variations’. Marking the first release of 2021, Matt Edwards aka Radio Slave turns in two thundering tracks loosely based around a common theme: his signature maximal minimalism mixed with classic dub techno aesthetics. While his recent anthemic single ‘Live My Life’ displays Edwards’ knack for twisting vocal hooks into main room artillery, ‘Variations’ sees the Berlin-based producer head for room 2, showcasing Edwards ability for crafting devastatingly effective heads-y techno. After releasing Robert Hood’s incendiary ‘Mirror Man’ LP towards the end of 2020, Rekids is showing no signs of slowing down for 2021. With this release highlighting an artist at the top of his game, ‘Variations’ adds yet another powerful and striking 12” to both the discography of one of electronic music’s most essential labels and one of its most lauded artists.



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Radio Slave returns to his Rekids label with ‘Live My Life’, including a remix from Saved Records’ boss Nic Fanciulli. Responsible for some of the most recognisable vocal tracks in techno for the past 15 years, Radio Slave’s latest sees him turn in yet another tough, infectious cut that uses soulful vocal refrains as hooks. Airtight, rolling grooves have been a prominent feature in much of Radio Slave’s work, and ‘Live My Life’ is no different, paired with occasionally overlapping vocals it’s a masterclass in tension and release. On the flip, Grammy-nominated and globally renowned DJ and producer Nic Fanciulli cleverly reinterprets Edwards’ original, in a version that sees a pulsing, offbeat bassline and ever-evolving drums drive the track towards vocal crescendos throughout. Stirring, memorable, and yet another outstanding release from one of dance music’s finest. TRACK LISTING: A. Live My Life, B. Live My Life (Nic Fanciulli Remix)


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Rekids label boss Radio Slave ventures further into unknown territory in a three-part sophomore album entitled ‘Radio Silence’ with the first instalment dropping in June.

Stretching nearly two decades, Matt Edwards’s discography is staggering with releases on labels like Running Back, R&S, Ostgut Ton, Nonplus and Figure, not to mention his illustrious imprint Rekids which has been instrumental in supporting the music and careers of incendiary artists over the years, including Nina Kraviz, Mr. G, DJ Deep, Nic Fanciulli, Peggy Gou, Laurent Garnier, Spencer Parker and many more.

Although he’s released multiple albums under different guises it was only until 2017 that the debut Radio Slave album, ‘Feel The Same’, was released. Now, the renowned UK artist delivers his latest body of work in the form of his ‘Radio Silence’ album, which will be dropping in not one, but three parts.

The first chapter features perhaps the most leftfield tracks we’ve ever heard Radio Slave product, even hitting 150BPM on closing track ‘SYD’. There’s a rawness to the album, which is in part due to the fact each track was recorded live and without edits using hardware and Ableton as the main sequencer.

Across the seven tracks, Radio Slave hone’s in on a sound that’s haunting and hypnotic. Opening track ‘Ghost’ is punctuated by lingering synths, while ‘Cell’ introduces pummelling kicks that will do damage on a big system. ‘Contact’ bleeps and glitches before making way for blaring horn-like synths, and ‘ZQU’ is a masterclass in mind-bending techno. Elsewhere, closing track ‘SYD’ delivers on every level, thanks to uncompromising 150BPM realness.


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The third of three samplers, comprised of selected tracks taken from Spencer Parker's new album, ‘Dance Music’ out via his own label Work Them Records.
“There was no real concept behind the album, all I knew is that I wanted to do something honest. The tracks I make are the tracks I play in my sets and tracks I want people to dance to - that’s where the title comes from.” - Spencer Parker.
'Cruising Control' hits you hard from the off with a melting pot of industrial kicks, shuffling hats and expansive stabs. Following in a similar vein 'Remember' carries that same aesthetic with the addition of some throwback keys and a hypnotic vocal sample.
On the flip 'Cash Only' keeps on the Berlin techno tip that has been a common theme running through the LP, combining a ruthless, fist pumping beat with wobbly, mesmerising synthwork, sure to get the bodies moving.
To close out the last of the samplers, Parker conjures up those insular moments caught alone in the crowd, with nothing but the music to focus on. And with that provides the perfect tone to end this "Dance Music" sampler on, an LP Parker has created with the intention of making people dance firmly at the forefront of his mind.

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The second of three samplers, comprised of selected tracks taken from Spencer Parker's new album, ‘Dance Music’ out via his own label Work Them Records.
“There was no real concept behind the album, all I knew is that I wanted to do something honest. The tracks I make are the tracks I play in my sets and tracks I want people to dance to - that’s where the title comes from.” – Spencer Parker.
Part Two of the sampler opens with the uncompromising club cut & rave inspired 'The Power. Next up, the stuttering ‘Nights And Weekends’ is a nod to electro that has boundless energy & really shows off the respected DJ and producer's diverse production skills.
Kicking off the B side, ‘Girl...' takes in the old school European techno sound relentless in its arrangement & firmly aimed at big dark spaces.
The melodic ‘Emotional Tendencies’ closes out the second of Parker’s ‘Dance Music’ offering an introspective and deep side to the LP and highlights another facet of Parker's productions.


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The first of three samplers, comprised of selected tracks taken from Spencer Parker's new album, ‘Dance Music’ out via his own label Work Them Records.
“There was no real concept behind the album, all I knew is that I wanted to do something honest. The tracks I make are the tracks I play in my sets and tracks I want people to dance to - that’s where the title comes from.” – Spencer Parker.
Part One of the sampler opens with ‘It Was Just A Dream’, a ghostly cauldron of glitches, bleeps and sound bites that locks you into a dazed state of hypnosis. Next up, ‘The Oh’ hits with a taste of classic house, marrying emotive stabs, a tough kick and fizzing ride cymbals.
On the B side, ‘You’re Under My Control Now’ takes the sound industrial combining a Kraftwerk-esque metronomic breath with rapid fire toms and a dynamic kick. ‘Absolutely Raving’ closes out the first of Parker’s ‘Dance Music’ samplers offering a rave leaning techno weapon that wouldn’t be out of place in the hallowed grounds of Berghain.


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Russian producer Valya Kan debuts on Spencer Parker’s Work Them Records with a four track sampler from her subterranean album ‘Dust And Haze’.
‘Leave’ opens up the sampler with tantalising synths and dubby effects before you're lead into ‘Promises’ featuring Valya Kan’s voice, uttering the track title whilst syncopated percussion and ghostly atmospherics work their magic. Flip it over and you're hit with the whirring sci-fi elements and rattling samples in ‘Smoke In The Cockpit’. Rounding off the sampler ‘Acid Hotel’ is a more up-tempo, demonstrating rolling arpeggios and snappy snares.

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4 tracks of solarized muscular techno… Berlin-based producer Setaoc Mass is next to appear on Spencer Parker's Work Them roster with four commanding techno numbers in 'The M Scale' EP. Real name Sam Coates, Setaoc Mass was born and raised in Manchester and now resides in Berlin where he's appeared on the radar of fellow expat Spencer Parker... Kicking off the EP is which Man Ray' which kicks in with crunchy snares and a hypnotising riff, the next track 'Movement' unloads a viscous low-end alongside a metallic synth and ominous atmospherics. First up on the B side is 'Ulterior Motive' which triggers the release by unleashing a torrent of cavernous kicks whilst tantalising melodies add to the escalating energy, before 'Manifesto' erupts with uncompromising arpeggios accompanied by infectious claps and subtle stabs until rounding off a fine EP from Setaoc Mass..

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London-based producer, DJ, promoter and venue owner Dan Beaumont drops an imaginative and esoteric house single titled 'Spirit Talkin'' on Work Them Records with a remix from label founder Spencer Parker. The man behind Dalston Superstore, Dance Tunnel, the Chapter 10 warehouse parties, an NTS radio show and releases on the likes of Classic, No Fit State and Disco Bloodbath - one word to describe Dan Beaumont is multifaceted. ‘Spirit Talkin'' sees him deliver a lengthy dancefloor cut with a heady groove and intricate drum patterns joined by penetrating vocal wails that emit feeling throughout. His 'Beaumont Beats' version keeps things percussive in a classic NY drum track style, whilst Spencer Parker's 'Workmix' raises the tempo with a strong emphasis on kicks before slowly introducing energetic chords and the powerful vox.

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New mixes of Spencer Parker's latest ep, featuring tough techno from Young Male and Adriana Lopez and straight up madness from the one and only Mr Ties…

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Work Them Records begins 2015 with a remix package of Radio Slave's 2014 release, 'Werk', that takes in versions from DJ Richard, Dan Beaumont and s:vt. White Materials man Dj Richard takes the cut into trippy, technoid house territory while Dance Tunnel impresario and London institution Dan Beaumont cracks out his 909 and servers up a strident pumper. Work Them artist s:vt closes the package with a powerful rework that channels the original's tone perfectly. With a release schedule that includes tracks and remixes from Mr Ties, Adrianna Lopez, Young Male and newcomer CAIAZZO from Queens for 2015, Work Them Records is looking sharp

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Work Them Records begins 2015 with a remix package of Radio Slave's 2014 release, 'Werk', that takes in versions from DJ Richard, Dan Beaumont and s:vt. White Materials man Dj Richard takes the cut into trippy, technoid house territory while Dance Tunnel impresario and London institution Dan Beaumont cracks out his 909 and servers up a strident pumper. Work Them artist s:vt closes the package with a powerful rework that channels the original's tone perfectly. With a release schedule that includes tracks and remixes from Mr Ties, Adrianna Lopez, Young Male and newcomer CAIAZZO from Queens for 2015, Work Them Records is looking sharp

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Following standout tracks and remixes from Radio Slave, Rødhåd and Parker himself, 'Golden Boy' is in good company on Work Them. Work Them Records welcomes Concrete (Paris) residents The Outsiders to the fold with a three track EP dropping this October. Behzad, Amarou and Antigone make up The Outsiders, a French trio who have been the subject of enthusiastic support from Work Them boss, Spencer Parker, for a couple of years now. From the heavily swung 909 grooves of 'Golden Boy' and 'The Magic River' to the spaced out 'Epiphany', this release combines heady, deep tones with real driving power. The 3 track ep that blurs the lines between house and techno. Paris, is most definitely in the house !


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Radio Slave follows up last years 'Repeat Myself' on Spencer Parker's Work Them Records with a 12' entitled 'Werk' set to drop on 2nd June. Drawn out hypnotic cuts are Radio Slave specialities and with 'Werk' and his previous Work Them outing he delivers his trademark with unflinching confidence. The two full tracks on the EP take simple vocal samples and cast iron grooves and stretches them drum-skin tight while two accapella versions make for irresistible DJ play. While 'Werk' marries its eponymous vocal with shuffling, scraping percussion and little else to create a timeless jacking house dub the flip side's 'Jus Werk' evokes Dan Bell minimalism with fluttering, mechanical sine wave sequences

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Answer Code Request brings the Berlin and Berghain vibes while Aaron FIT Siegel's epic mix represents Detroit to the fullest, and is sure to appeal to the heads that love his work on FXHE. ACR remix already extensively roadtested by the man himself and Marcel Dettman. FIT remix a staple end of night record in Spencer Parkers sets of past few months.



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A new EP from Work Them Records head Spencer Parker......Dedicated to those people on the dance floor that embrace the moment, not the memory.



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Straight out of New York City, the man behind White Material makes his Work Them Records debut, with 4 killers of pure analogue madness.

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WORKTHEM Returns with the latest EP from the one and only PTA ! 3 tracks of "Mr Fingers stuck on a desert island with Suburban Knight" machine fuelled realness

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