Elevating the paradigms of electronic music, Chapelle XIV Music unveils “The First Android Church Of Claude Shannon,” an immersive LP from Yoyaku household Roger Gerressen. Bathed in the aesthetic allure of retro-futurism and the imaginative dimensions of classic sci-fi cinema, this opus synthesizes the arcane with the avant-garde in a masterful tapestry of sound.

Comprising six intricately crafted tracks, the album serves as an auditory odyssey that transcends the borders of genre. Whether enveloped in the nebulous ambience of a discerning DJ set or fueling introspective home listening marathons, these compositions resonate with an arresting quality that’s evocative yet profoundly innovative.

Within the multi-dimensional soundscapes of this album, listeners find a harmonious blend of homage and innovation. Drawing inspiration from Claude Shannon—the mathematical genius and pioneering mind behind modern digital circuit design theory—”The First Android Church Of Claude Shannon” stands as a testament to the synthesis of past and future. With Roger Gerressen at the helm, the boundaries of electronic music are redefined, creating an aural experience that is both cerebral and soul-stirring, beckoning the listener into an uncharted territory of sonic exploration.

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This is the last part of Sushitech 15th Anniversary Reissues series: The debut release of Roger Gerressen's Monoaware project for Sushitech. Limited copies.

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Roger Gerressen switches to the main FOF label for his next release, 'Liberal' taking up the entirety of the A side with a killa' groove resplendent with knife edged percussion and tripped out synth stabs. Flipsides 'Mint' goes subaquatic with a serious slice of heads down bizinizz - a male spoken vocal refrain repeats throughout to give a hypnotic edge. Lastly, Roger teams up with his buddy Smokin' G on 'Drunk Game', super rounded, housed up beats and an undulating synth / string line permeate the groove lending the ep a sense of levity.


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The talented producer from Nijmegen proves himself yet again at the forefront of spaced out and hypnotic electronic dance music. And the king of all that’s dub, Brendon Moeller, delivers a mental rework under his Echologist monniker.

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Latuhalat EP PT.2 by Jocelyn released on Irenic

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Latuhalat EP PT.1 by Jocelyn released on Irenic

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Tenth installment of the Irenic Special series. MOOR takes the helm for a deep and minimal release.
Parallel 9 is in charge of the remix, and it’s a gritty one.

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Repress!

IRENICSPC002 brings us two new tracks by Bas Amro, best known for his releases on Freerange Records and Wolfskuil Records. For this EP he takes an unusual straight-forward approach; ‘Chained’ is a driving dub track with beautiful chords, while ‘Nearing’ leans towards the deeper side of the techno spectrum. With both tracks being very suitable for the dancefloor, the b-side finds label boss Roger Gerressen changing pace, delivering a remix for the early hours.

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Repress!

Roger Gerressen’s imprint is back with a Various Artist EP, with four tracks laying between minimal house and dub techno.

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Repress!

IRENICSPC002 brings us two new tracks by Bas Amro, best known for his releases on Freerange Records and Wolfskuil Records. For this EP he takes an unusual straight-forward approach; ‘Chained’ is a driving dub track with beautiful chords, while ‘Nearing’ leans towards the deeper side of the techno spectrum. With both tracks being very suitable for the dancefloor, the b-side finds label boss Roger Gerressen changing pace, delivering a remix for the early hours.

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RAWAX welcomes Flabaire to the artist family! We are very happy to present you his debut on our sublabel HOUSEWAX!
Housemusic at it's best from the DK.O label boss!

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HEY,

after receiving so many requests as to whether the Tulpa Ovi releases could also be released on vinyl, we decided to just put ALMOST everything out on record. There will also be an exclusive song called LOSS BREDA FEAT. LYSANN ZANDER, and a damn brilliant edit by KAPOX GRAPÉN by JIMI JULES.

!!!! ALTER ALERT !!!!

Tulpa Ovi Records Bio:

My music and I in the spirit of the times? But not before and neither behind? More like in between somewhere? A side street maybe; I like these better than the busy main streets anyways, as you can still discover things. That’s exactly where I want to be.

Robag Wruhme

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Javier Jiménez Rolo surprises with Saint Malo, a project that explores the intersections of neoclassicism, folk, ambient and electronic textures. That Saint-Malo is a town in Brittany is the least of it. Even the fact that it exists is unimportant. Javier has never been there. Similarly, his album takes us to remote or not so remote places without moving from where we are. Javier composed these twelve songs between 2019 and 2021 from his room: "One of the problems with recording at home rather than in a studio is that when you move, your recording space changes too. In the case of this album, I was involved in three moves during its whole process. Trying to see the positive side of this situation, I realised that, as well as a collection of songs, it was a testimonial to the different places where I had lived during those years and their respective views: 'Promenade' is an imagined walk from an interior flat; 'Picture In A Frame' is a sunny afternoon in a park in Ciudad Lineal, Madrid, and 'Bells Of Nowhere' is a stroll through the neighbourhood that was once my grandparents' and is now mine." It's an eminently evocative album but also powerfully narrative, which moves through different emotional states. Along the way, references as heterogeneous as Javier's own tastes come up. From the inevitable Arvo Pärt, Max Richter and Steve Reich to the more unsuspected Thom Yorke, Burial, Caribou, Vulfpeck or even Dua Lipa. Stéphane Grappelli, Andrew Bird, Nils Frahm, Olafur Arnalds or Rene Aubry are other names Javier mentions when he talks about something similar to influences. The journey, during which the songs miraculously fit with magical precision to the landscapes we are travelling through, begins with the promising 'Beware Of The Dogs' and 'Maltravieso'. It is followed by the obsessive arpeggios of 'Le Havre' that give way to the luminous 'Fields Of Gold', the emotion of 'Cais do Sodré' and the passionate 'Le pont roulant', reminiscent of a restrained Alexandre Desplat. Along the way, dogs will bark, rain will fall on the 'Promenade' and the sun will come out with the perfectly playful 'Dolce Far Niente' ("a mix between elevator music and a song announcing the arrival of summer" according to Javier) in which echoes of Isao Tomita and Raymond Scott resound. The result of this captivating, unexpected and suggestive mixture is Saint Malo, Javier Jiménez's first album and the empirical demonstration that he does not have, despite his classical training, any red lines. "I've always flirted with jazz, with swing... Then I moved on to messing around with loops, to doing more ambient and experimental things. I also had my folkie phase with the klezmer group Barrunto Bellota Band..." In Saint Malo the melodies grow, become small, return and intertwine with loops and improbable aromas, to form an album that describes a journey through emotions. From melancholy to joy and the surprise of first discoveries.

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Size L

Underground Resistance 'Workers' T-Shirt
Tan with Orange print on Gildan Ultra Cotton Shirt

Available in X-Small, Small, Medium, Large and X-Large


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Say hello to a new series of hand-stamped Aniara 12" releases that will be an outlet for some more stripped down atmospheric cuts on the Aniara frequency. Mattias El Mansouri & Dorisburg start it all off on the A-side with the colorful minimalism of "Galapagos", while the B-side brings a singular techno trip from Anthony Linell, fellow Swede and founder of the excellent Northern Electronics.

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Tracklisting
A1 Calibre - Thrubbin
A2 Calibre - Breather
B1 Calibre - Heat
B2 Calibre - Chantilly
C1 Calibre - Wirly
C2 Calibre - I Don't Care What U Say
D1 Calibre - No Sense
D2 Calibre - I Can't Change You
E1 Calibre - Fade
E2 Calibre - Wall Away
F1 Calibre - Well Being
F2 Calibre - Don’t Wonder

Sales Note
The eight instalment in Calibre's archival series: Shelflife. Spanning productions from the last 20 years, many of the tracks have only ever been heard in Calibre's own DJ sets.

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‘Threads’ was my 1st album as Om Unit and this 10-year re-mastered anniversary edition comes around at what feels like a similar time for me of experimentation and finding new ways to connect sounds. Something of a full circle of sorts but then again I am marking time with this re-issue at a time where I can look back and feel very proud of the work still sounding so convincing. Now even better thanks to Subvert Central’s Robert Macchiochi!

Reflecting on the past 10 years since this record came out, I can say it’s been an incredibly fruitful journey, with the most striking element of it all being the opportunity to travel and meet so many people from so many different backgrounds with different world views and stories. I found that ‘Threads’ for many was their first insight into my music, and for some people was something of a milestone in their journey of exploring music itself with tracks like ‘The silence’ and ‘Governor’s Bay’ having been mentioned over the years as amongst favourites alongside some of the work released on Cosmic Bridge and Civil

I want to take a moment to give my Love and gratitude to all the featured vocalists. Thanks to Simon Jinadu for his angelic voice on ‘The Silence’, to Charlie Dark MBE for his reflective words on ‘The Road’ and to Alex ‘Bogues’ Rendall aka MC Jabu (of Jabu) for his intense delivery on ‘Patients’ as well as Jneiro Jarel for his self-reflective narration on “just sayin’” All 4 are still outliers in their own field and upstanding creative forces to boot. I feel blessed to have been able to capture them on this project.

Threads was made in a bedroom of 2a Station Rise in Tulse Hill, a flat I shared with journalist and writer Laurent Fintoni, in a space that had such a great sound to it that I’ll always miss that room. I hope that you feel the warmth that I felt then whilst making it. It’s been an adventure since and whilst I’ve moved on from a lot of the tropes intrinsic to the album, it will always remain a body of work that is dear to my heart.


Enjoy!
<3

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Next up on this new hand-stamped series, incognito DJ Marathon takes us into uncharted territory with a trippy techno cut that will go the distance. On the flip side, Ebende returns with another dubbed out groove on the dreamy yet crystal clear Aniara frequency.

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Tenth installment of the Irenic Special series. MOOR takes the helm for a deep and minimal release.
Parallel 9 is in charge of the remix, and it’s a gritty one.

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