One of the longest-serving and most consistently intriguing artists within the fold of Phantasy, U returns to the label with another two-track trip of sonic mystery and erratic magic, ‘Parade/Watchers’.

Presented on limited-pressing 12” vinyl with a sleeve riso printed by U with London's Error Press.

With the texture and earthy promise of a psychedelic mulch, ‘Parade’ presents a glorious timelapse of acid-inflected minimalism. Unfolding defiantly at nearly fifteen minutes, U’s driving but subtle composition transports from guttural, electronic uncertainty to a wide-eyed denouement in one illusionary transition.

With inverse effect but no less power, ‘Watchers’ unexpectedly drops listeners into a rough wash of digital hardcore, spinning it’s initial warehouse chords into a collage of decay and regrowth, a nephilim-scaled journey and arguably U’s most ambitious production to date.

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Repress!
For their 7” debut on Where To Now? U mines the considerable depths of his MPC hard drive to present 3 snapshots of an artist shaking off their formative influences and commencing the journey to unexplored realms of the sampler’s universe.

'Junkies' has classical string stabs (that would later become a focal point on the sound of “Vienna Orchestra” (WTNLP05)) driven forth by dark, jazzy double bass licks, all shrouded in vinyl crackle and forced forward by a 2-step feel on the drums. It would have the essence of an early 2000s instrumental hip-hop track were it not for those drums shuffling off on a different tangent.

'Too Good For Me' toys more with the sampled nature of the music, throwing abrupt rewinds and record manipulation into a melange of rumbling industrial sounds led by a pulsing high-pitched melody. This is underpinned by a Bossa-styled beat that further unsettles the murky atmosphere of the track.

Finally 'Almost Man'’s exotic plucked strings and booming bass-heavy beat roll into snares in a marching rhythm that could reflect the march into the future for this unparalleled producer taking the lonely road to the outer edges of modern composition and electronic production.

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An infrequent but invigorating contributor to Phantasy, U returns with a beguiling new single entitled ‘Ecstasy’. Initially available as a limited pressing with a sleeve designed and printed by U themselves, this haunting return promises to draw the curious into two divine rhythms, transferring unknowable forces and mysterious energies. The first side of the artefact portrays ‘Ecstasy’, a wide-eyed and spectral incantation rich in intimacy, whispering voices and earthy psychedelia. Somewhere between machine funk and folk canticle, a sonic gift perhaps for a field in England bathed in moonlight, else a dire basement dripping in energy, ‘Ecstasy’ leaves the system almost spiritually. On the contrary, ‘Morpheus’ presents a tougher meditation, a creeping jam with an analogue consciousness, ghostly rave echoes and a conundrum at its heart. The dream seems so real, but what if you can’t wake from it after all?

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U is a producer and DJ currently living in London. Previous records for Man Make Music have proven suitable for the club as well as home listening, while a collaboration with Babe, Terror as BTU for Erol Alkan’s Phantasy label was varyingly described as “pleasure with a sense of dread” (The Line of Best Fit) and “akin to having five songs playing simultaneously on your computer” (The Guardian). 2014 saw U’s debut ‘Haven In A Heartfelt World’ EP described as "giddy electronic fuzz that packs the subtlest of punches descends into dense glitch noise then returns triumphant gritty and melodic” (Crack Magazine) and “distorted dreamstates” (Ransom Note). After the deranged chamber­edits of 'Vienna' for Where To Now?, U returns to the well­trodden path between flattery and irreverence in dance music with a special edition 2-­track 12" for Phantasy Sound. 'Friendly Ghost' enters with a splay of combat­bongos, a thin synthetic aura draws over the fluctuating rhythms before a strangely negative bassline sets the pace in nu­wave perpetual motion, inevitably spiraling back on itself into a clattering reversal. On the flip 'Ascension Hymn' rushes headlong into a mechanical shunter, abruptly dragged back by a frail and singular voice reciting an uncertain mantra of self­fulfilment over this blunted hardcore epic spanning 13 minutes.

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Little is known about the London-based producer and DJ who goes by the name of U, but that hasn’t quelled praise from bedroom heads, industry tastemakers and big name press alike. Audio arbiter George FitzGerald originally met U on a holiday in Greece and immediately commissioned a handful of 12”s, each brimming with trademark mechanical bliss, like pleasure tinged with menace. U has since gone on to release for Erol Alkan’s Phantasy Sounds (both as a solo artist and in collaboration with Babe, Terror as BTU), being given the nod by The Guardian, Mixmag and The Line of Best Fit. ThIs newest effort, an EP to be released on Technicolour this summer, takes that same flavour and concentrates it. In a past life, U was turned away from a prestigious Berlin club with the words “this is our place, we decide who comes in.” Spinning this dismissal into the release and leading track titles, U traverses different tempos and sonic swatches: the cavernous thump of techno lament“Our Place,” a hollowed orchestra of bric-a-brac on “Oma,” the tail-end of euphoria gently glowing on “Easy Prayer,” and a slow descent into the comedown as “Arcane Fantasy” fades out. Unlike picky doormen, We Decide Who Comes In ushers you straight through the door.

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U is a producer and DJ currently living in London. Previous records for Man Make Music have proven suitable for the club as well as home listening, while a collaboration with Babe, Terror as BTU for Erol Alkan’s Phantasy label was varyingly described as “pleasure with a sense of dread” (The Line of Best Fit) and “akin to having five songs playing simultaneously on your computer” (The Guardian) Now Phantasy present ‘Haven In A Heartfelt World’, a new 4 track EP from U, defined in an early review by Mixmag as "mind-bendingly warped and beautifully distorted...9/10“

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Trikk fires up two floor-centric pieces of gritty house music for his third release on ManMakeMusic. Label friend Locked Grove rounds off the EP with an understated and hypnotic interpretation of Deviation 33.

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Berlin resident and general man-about-town, Asa 808 has run parties supporting underground house and techno all over the city for years whilst simultaneously learning his craft as a producer and DJ. 'Ignorance', 'Attachment' and 'Bad Karma' all beautifully capture the patience, melodic intricacy and raw functionality which characterises the finest dance music coming from this great city. It is with great pleasure we welcome him to the label.

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"Rob Glassett aka FOLD has been playing his trade of quality house music for over 10 years now. With a seemingly bottomless record bag, his varied and soulful sets at Panorama Bar and on NTS have seen him gain increasing recognition.His return to ManMakeMusic sums up what he's been perfecting over these last years: timeless house music. From the disco echoes of Mr W00d to the dubbed-out thump of Keif Chugwin, this is one versatile EP which we're proud to have on the imprint."

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LA resident Natan H returns to ManMakeMusic with the Glen Park EP. 3 slabs of rounded, undulating deep house that will be warming up sunrise & daytime dancefloors across both sides of the pond.

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Tokyo-based composer Phil Gerus gives Man Make Music a summer record par excellence, warping classic r'n'b and disco into five highly original and up-to-the minute tracks. The latest signing to the ManMakeMusic roster, from Moscow via Tokyo, is Phil Gerus. A classically trained pianist, Phil grew up heavily influenced by jazz music before progressing into electronic performance. Gerus is an avid listener of jazz legends such as Keith Jarrett, Bill Evans, Miles Davis, Herbie Hancock, Chick Corea & Brad Mehldau, as well as funk & boogie records of the 80s & 90s. Inevitably, these sounds translate directly and smoothly to his own production: sensual 80?s vibes with tunes that are brimming with rhythm and funk. Gerus' use of synthesizers, looping, and heavily filtered vocals on the E.P are distinctive and he's marking his own sound in what is becoming a very hazy genre of music. The Opposites Left Together EP will be released on limited edition 10" vinyl



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Shenoda follows up his debut EP on ManMakeMusic with another weighty dancefloor workout EP.


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“We've been incredibly lucky to put out Laszlo's first two stunning releases, and this third one is more of the thoroughbred house music we've come to expect. I love these guys so much I even did a remix for this release. Plimton is a huge slab of filter house, perfect for the high points of any set, whilst Zizzou takes things in a quirkier, more introverted direction. As for my remix, you can make your own minds up.“ - George FitzGerald


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This is the first full-EP from Denmark's Erosion Flow aka Henrik Koefed having made his first appearance on wax at the end of 2013 with his his spaced-out edit of Next's "Too Close". This record, ManMakeMusic's first release of 2014, pitches the breadth of Koefod's sound - running swinging, gritty house against grime-infused 4/4 and off-beat electronica. This EP shows the damage that Erosion Flow can do!

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Shenoda steps up to the plate for ManMakeMusic's final offering of 2013. Having already caught the attention of Matthew Dear, Mattias Tanzmann, Skream and Martyn for with his earlier outings on Defected, Hypercolour and Losing Suki, Shenoda gives us a superb 3 tracker of hefty, garage-infused house. The EP shows Shenoda's musical gifts alongside first-rate production skills and we predict that it will have many a winter dance shaking to the rafters.

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10 releases deep ManMakeMusic return to something from the label's co-founders, Love&Mercy. The London based duo have been working behind the scenes at ManMakeMusic for some time now bringing artists such as U and Natan H to the imprint. Their first outing on wax features 2 stripped-back, raw house grooves supported by remixes from label mate U and Quarion as part of his hardware-only QRN project

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Man Make Music Edit's series kicks off with a superb 3 track EP featuring reworks by U, Trikk & Erosion Flow.



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FOLD cut his production teeth as one-half of the much lauded London deep house outfit Homepark. His first solo release to date, this EP reflects FOLD’s extensive knowledge of house and feeling for the dancefloor. A-side Slime perfectly fuses driving staccato percussion with classic deep house warmth. Moving Patterns is a more laidback affair combining soaring vocals with an irresistible bassline that harks back to the early days of jungle. The EP is a given a special twist by an unforgettable technofied remix of Slime from fellow Londoner Ethyl.

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ManMakeMusic kick-off 2013 with their housiest offering to date from two new label artists, Natan H & Amy Jean. Natan H made his debut last year with Anton Zap’s Ethereal Sound and on this occasion collaborates with longtime creative partner for an EP of bumping, unconventional house music. Title track, “For Her”, is a beast of unrivalled warmth working a deep and steady groove to perfection. On the flip, “I Know” is a soulful disco-infused workout while “Rush” takes aim squarely at the late night raver with its enveloping pads and low-slung bass line.

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Man Make Music's second release is a collaboration between two talented Londoners, Jack Dixon and Rick Grant. Having already made waves with individual releases on labels such as Brownswood, Hypercolour and TAKE, these two good friends now offer up a pair of brilliantly off-kilter house tracks. 'Running Man' is a heady mix of skipping percussion and caressing Juno synth-lines, whilst, on the flip, 'Muted' takes a more understated, melancholic turn, counterbalancing the ecstatic nature of the A-side. Jack and Rick's contributions are also offset by Kevin McPhee's weird and wonderful slow-mo interpretation of 'Running Man'. The remix blends vocals drenched in reverb with creeping piano riffs and shows yet another musical side of a man garnering plaudits from all corners for his unique style.


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ManMakeMusic first made their name running a series of eponymous parties in London's East End which showcased the best of lowend heavy electronic music. Given that the collective contained within their ranks a number of budding producers, the step over to label territory was always on the cards. George FitzGerald, who heads up the label, was behind the crew's first mysterious release earlier this year, a refix of Groove Theory's 'Tell Me' that sold-out within a matter of days. ManMakeMusic are now back for more, beginning the label series in earnest with some original material from George that sums up what these guys have been about from the beginning: real-deal dance music that tracks the borderlines of house, garage and techno.
George's releases on Hotflush and Aus this year have consolidated his reputation as one of a small set of producers from London whose tracks translate in to dancefloor capital outside of British borders. This record travels deeper in to the territory of housedubstep cross-pollination than George's previous excursions. A-side 'Fernweh' is an intricate work of ecstatic synths tempered with a rock solid groove that betrays George's UK sensibilities. On the flip, 'Hearts' ramps up the energy levels with tough percussion and the trademark FitzGerald vocal wizardry.


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