Initially paying tribute to the analogue absurdity, sonic diversity and sheer imagination of the early 90s dance music landscape, Future Four returns after a hiatus of several years, pushing into new eras, machines and ideals with 'Connection'. Initially a solo project of Andy Meecham, the brains behind Emperor Machine, Chicken Lips, and Bizarre Inc., 'Connection' is the first Future Four release to feature the contribution of Erol Alkan as a permanent member, and is a coupled with a remix from I:Cube. A veritable powerhouse of synths, vintage drum machines and all man-ner of effects, 'Connection' unfolds with minimal tempo and maximum impact, as sequences of unexpected electronics gradually build from every direction, each landing with the razor sharp precision associated with their composers. Cascading synths overflow like fizzy drinks, pro-pelling the track along an electronic patchwork of FM synthesis and psy-chedelia. On the remix, I:Cube takes the unpredictable rhythm of 'Connection' and coaxes it’s versatile, multiple elements into a timeless slice of boogie house. Nurturing the outsider Casio feel of the track under a musical heat-lamp, the always forward-thinking Frenchman emerges with a cut that could easily soundtrack both sun deck and space station

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DJ W!ld’s history in music dates back to the tail end of the 80’s where his young and fascinated mind embraced the explosion of Graffiti culture, Disco, Funk and Hip-Hop in his hometown of Dijon. Later as the infectious sounds of Detroit Techno and Chicago House filtered through to Europe, and Laurent Garnier exposed them to Paris, W!ld’s interest was peaked and a move to the capital was made. He’s now at the forefront of electronic music culture, DJ’ing at some of the worlds leading nightclubs and boasting releases on OFF, Robsoul and Adult Only, as well as running his own Catwash and The W Label imprints. The release opens with ‘Rendez-Vous Love’, a dubbed out house number, employing sparse, organic drum programming, insistent low-end tones and subtly delayed guitar licks to take the lead. W!ld rides this groove out for the tracks eight and a half minute duration, while the focal stages introduce ethereal pads, emotive vocal snippets and whispering reverse effects to create a stunning, intricate record. Up next is ‘BCN’, taking on a different format entirely, with its brooding bass, dark, swirling synth stabs and heavily distorted kicks, showing a brilliantly contrasting side to the Frenchman’s productions, this time he delivers a raw, edgy cut full of grit, while the slow blooming structure truly does the elements justice as they intricately evolve throughout. On the flip side, first up is ‘Boys Don’t Cry’, staying on a moody tip, W!ld opts for minimalistic, swinging drums, alongside resonant acid lines and tension building pads, soaked in reverb, the result is a classy, afterhours number for those head-nodding moments. Then to close the release, title track ‘Feel Me’ is offered up, taking things in a deeper direction this time, as soft chords, bubbling background atmospherics and weighty drums lead the way, the latter stages see things stripped back to a celestial breakdown with glitchy electronic tonesand warm strings, alongside Latin vocal lines, adding a unique character to the record.


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As one of the most prolific and influential producers of the last thirty years, The Hacker’s imprint on electronic music already spans genres, eras and scene revolutions. And still, there’s more. In spirited collaboration with friend and fellow French journeyman Endrik Schroeder, the first release from The Hacker & Endrik Schroeder Project eschews EBM excess or gritty electro. Instead, two introductory tracks slip into the continuum of evergreen underground techno, influenced in equal part by the digital soul of Detroit, and the futurist experimentations of Sheffield. Quickly escalating from a classic beat to a hoover-rave ascent determined to fill the vacuum of any warehouse, ‘Puissance’ is an unapologetic anthem that doubles as an elegant and impactful introduction to the Hacker & Schroeder partnership. Hypnotising dancers with ever-more forceful acid oscillations, the pair masterfully stave off the pressure with a wide-eyed organ riff, played live and direct from rave heaven. ‘The Voyagers’ contrasts with a cosmic groove, certain to satisfy heads-down bleep purists, while dedicating time and space for the charisma and quirks of this machine-led dance to shine through, including emotional pads and whispering voices, par excellence.

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Roman Flügel returns to Phantasy with his second release of 2024 on Erol Alkan’s beloved London label, ‘No Solutions EP’. Following on from ‘Hotel Kathargo / Energies’, which garnered a summer of support from a typically diverse array of DJs including Gerd Janson, Jamie Jones and Saoirse, ‘No Solutions’ expands Flügel’s contributions to Phantasy into a triple track delight, another generous expression of his lifelong immersion in electronic music culture. Transporting the zeitgeist of future-facing, eighties pop production onto modern dance floors, the title track ‘No Solutions’ is a fizzy, escalating ode to some of Flügel’s very earliest musical influences. Playfully channeling the wide-eyed electronics pioneered by The Human League or Soft Cell, it accelerates into a contemporary funhouse of wild oscillations and dreamy melodies. ‘Sapphire’ shifts this sound palette forward, a steady acid-not-acid bubbler that maintains maximum intrigue and pressure, occasionally breaking through its hazy clouds with pillowy breakdowns and a sense of space-age whimsy. Flügel takes the same palette in a different, more exacting direction on ‘Dragged’, spinning a creeping, Krautrock-esque groove that pays homage to the steady, lifting pulse of German kosmische traditions. Lift off!

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UK-based DJ and producer Wallace debuts on Phantasy Sound with an irresistible double A-side single, ‘Cravings (ft. Love Letters) / Concourse.’ Bubbling with sensuality and euphoria, both tracks reinforce Wallace’s burgeoning reputation as one of electronic music’s most impressive new voices, a crowning moment on Erol Alkan’s long-running label following a stellar run of singles for imprints including Cooking With Palms Trax, Rhythm Section, and Moxie's much-loved On Loop. Led by a longing, inquisitive performance from vocalist and underground house music luminary, Love Letters, ‘Cravings’ builds from a simple throbbing bass line to an eruption of lyrical and musical joy. Exploring onset desire – risk, uncertainty, and ultimately, reward – Wallace’s deep and celebratory arrangement interweaves with Love Letters’ queer perspective to deliver universal satisfaction. While ‘Cravings’ looks inward to find release, ‘Concourse’ goes for the jugular with a darker, more epic sensibility than Wallace has previously indulged. His flawless production touch seamlessly gifts magic to a widescreen techno epic that might not sound out of place on the terrace at Circoloco or else a field near early-nineties Frankfurt, repeatedly working his acid-oriented machines into a lather and conjuring cosmic drama from eerie, choral voices beneath a powerful groove.

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One of electronic music’s most prolific and beloved figures, Roman Flügel checks in to Phantasy for his debut single on Erol Alkan’s equally storied London label, presenting ‘Hotel Karthago / Energies’, two contrasting dancefloor tracks that capture distinct shades of Flügel’s boundless creativity.

Arranged with energy front and centre, ‘Hotel Karthago’ promises to be an essential addition to Flügel’s peerless back catalogue of club classics. Bolting with the requisite tempo of contemporary dance floors, and accelerated by a joyous piano line, this particular property balances the elegance of vintage house with analogue machines operating at their most energetic.

In keen contrast. ‘Energies’ expertly pours a measure of melancholy, teasing out a twinkling melody that recalls the warmth and wistful moods of his classic LPs such as Fatty Folders and Happiness Is Happening. Illuminating and then unravelling with ease, ‘Energies’ concludes in underscoring the Frankfurt-to-Berlin producer’s skill as a composer, as well as a trusted rave alchemist.

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Having already forged a scene-shifting career as a DJ, producer, remixer and collaborator, it was only in 2013 that Erol Alkan released a debut EP, 'Illumination' on his label Phantasy. Its shimmering opener was 'A Hold On Love', the soaring, glossy chords that have remained a staple in Alkan's DJ sets in the decade since.

Upon its tenth anniversary, Alkan presents two subtle but hugely effective reworks that transport one of the London producer's most enduring tracks onto contrasting dance floors.

The '(dyna-mix)' finds canyons of heady dub and psychedelia among halcyon chords, first means tested on wide-eyed crowds at Houghton Festival and throughout Alkan's ongoing 'To The Rhythm' all-nighters. Meanwhile, the '(trip-mix)' subtly lifts the energy for a pacier take, rich in reverie yet without sacrificing the detail and musicality always at the centre of Alkan's still fertile blend of house, electro, techno and alternative sensibilities.

The two tracks are available pressed onto extremely limited edition vinyl featuring manually screen printed sleeves, hand numbered by Erol himself. 300 copies only.

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One of the longest-serving and most consistently intriguing artists within the fold of Phantasy, U returns to the label with another two-track trip of sonic mystery and erratic magic, ‘Parade/Watchers’.

Presented on limited-pressing 12” vinyl with a sleeve riso printed by U with London's Error Press.

With the texture and earthy promise of a psychedelic mulch, ‘Parade’ presents a glorious timelapse of acid-inflected minimalism. Unfolding defiantly at nearly fifteen minutes, U’s driving but subtle composition transports from guttural, electronic uncertainty to a wide-eyed denouement in one illusionary transition.

With inverse effect but no less power, ‘Watchers’ unexpectedly drops listeners into a rough wash of digital hardcore, spinning it’s initial warehouse chords into a collage of decay and regrowth, a nephilim-scaled journey and arguably U’s most ambitious production to date.

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Needing no introduction, The Chemical Brothers make a very special appearance on Phantasy with a limited-edition vinyl pressing of Erol Alkan’s triumphant remix of ‘Goodbye’, a highlight from their recent, Grammy-nominated album, ‘For That Beautiful Feeling’. Masterfully bridging soulful vocals and widescreen techno with their typical psychedelic edge, Alkan’s interpretation demonstrates his unique brotherhood with Tom Rowlands and Ed Simons. Across a near ten-minute journey, Alkan pushes the Brothers’ irresistible synth line further into dissonant analogue bliss, which coupled with celestial breakdowns, already counts as a personal favourite in the London DJ and producer’s diverse, enviable back catalogue of reworks. The other side of the record includes Alkan's previously unreleased instrumental.

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Terr’s debut LP 'Consciousness As A State Of Matter’ arrives on green and orange split double-vinyl, limited to a pressing of just 400 copies, housed in a sleeve of hallucinatory artwork from designer Sebastian Ofuszak. Across eleven tracks, Terr continues a long, fulfilling journey in electronic music with a visceral, vulnerable full-length statement inspired by tireless and timeless innovators in the history of electronic music such as Giorgio Moroder, Wendy Carlos and Phil Oakey. Achieving a delicate, wide-eyed chemistry between the catharsis of the dancefloor and the ever-renewing promise of pop, 'Consciousness As A State Of Matter’ includes and expands upon the vision of singles ‘Only For Tonight’, ‘Tale of Devotion’ and ‘Layers’.

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Red Axes return to Phantasy with a double A sided single that captures and expands on the creative relationship forged between the cult Israeli duo and Erol Alkan’s highly regarded London label. The single arrives in tandem with a new compilation ‘The Phantasy Collection (Part 1)’, collecting an enviable run of EPs between 2018 that have resulted in Niz Arzi and Dori Sadnovil’s deserved prominence in DJ sets spanning genres. Carving a hypnotic path against the maximalism currently au-fait in club culture, ‘The Phone Calr’ is as peculiar as it is powerfully effective, a stripped back groove serving as the backdrop to the Axes’ playful deconstruction of an obscure broadcast concerning telephone area codes. A lesser staple of club culture, Sardnovik and Azri transform archival public information into club disorder, stretching a short burst of dialogue to absurd limits before releasing the tension with vampish pianos. ‘Sound Text XoX’ meanwhile finds the pair delivering a surprising alternative take on the lead track from their 2019 EP, retaining its central escalating countdown but adding a powerful, dystopian acid line. The resulting track transforms an already beloved club tool into a frenetic powerhouse

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Returning to Phantasy for a triumphant fourth single, ahead of a debut album to be released later in 2023, Josh Caffe dons ‘Meine Lederjeans’ for a gloriously tight squeeze of electro-funk, accompanied by an unapologetically gritty, stroboscopic remix from Caffe’s frequent collaborators, Paranoid London. Dialing the tempo down from the frenetic club play of previous releases ‘According To Jacqueline’ and ‘Do You Want To Take Me Home?’, ‘Meine Lederjeans’ finds the British-Ugandan DJ and performer melting into a hedonistic slow jam of Prince-indebted grooves driven by drum machines oozing Chicago spirit with additional playing from Alex White of cult groups Fat White Family and Saint Leonard. Celebrating and subverting queer tropes in double measures, ‘Meine Lederjeans’ is an exquisite blend of soul and sexuality. Paranoid London, the duo of Gerardo Delgagdo and Quinn Whalley (Caffe’s principal studio partner, and producer of ‘Meine Lederjeans’) deliver a characteristically merciless remix of Caffe’s original, looping their vocalist into an acid-soaked stupor. Throbbing, insistent, maximal yet minimal, this is PL in particularly raw form.

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Already scoring huge support across a wide range of DJs and reaching #1 on the Beatport Indie Dance chart, Terr’s infectious ‘Only For Tonight’ gets appropriately physical on a once-and-done pressing of clear yellow vinyl. Featuring both the original track and a spacious, sensual dub, ‘Only For Tonight’ captures the chaos of contemporary hook-up culture with an instantly-recognisable bassline, rave sirens and Terr’s wicked narration.
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Having co-produced Duran Duran’s acclaimed fifteenth studio album, ‘FUTURE PAST’, Erol Alkan returns to recent single ‘ALL OF YOU’ to deliver a very special Extended Rework. Paying tribute to the band’s pioneering ‘Night Version’ remixes that tipped their earliest material towards the dance floor, this grandiose reimagining equally recalls Alkan’s beloved reworks from over the years. Recorded with founding members Simon Le Bon, Nick Rhodes, John Taylor and Roger Taylor, ‘All Of You’ also features lead guitar from Graham Coxon and backing vocals by Barli. Blessed with the raw material, Alkan distills each element into a glorious disco odyssey totalling nearly ten minutes, an epic but sensual dance floor trip that already ranks amongst his finest work. ? Phantasy is proud to release 'ALL OF YOU (Erol Alkan's Extended Rework)’ (backed with an instrumental version) on a limited run of 12” vinyl.

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Phantasy are delighted to introduce the first taste of an exciting new signing, Ruby Goon, debuting with a limited-edition 7”, ‘Cold Wind/Leech’. Led by singer-songwriter and multi-instrumentalist Ivan Solimani-Lezhnev, these two tracks emerge from the previously bustling and forward-thinking live circuit of Moscow, Russia, where Solimani-Lezhnev’s youthful but timeless songwriting and performances have helped define a flourishing alternative underground. Ruby Goon’s talents for melody and melancholy sweep in with rare assurance on ‘Cold Wind’, a plaintive and irresistible nugget of rock instrumentation, Solimani-Lezhnev’s guitar gently weeping, then subtly erupting alongside a yearning vocal and soaring brass. ‘Leech!’ embraces a distinct sensitivity at play within the collective, a sensual and lyrically speculative slice of contemporary blues that illustrates the talent and chemistry evident between Solimani-Lezhnev and his band. Recalling the softer avenues of seventies glam and soul, ‘Leech!’ seduces with a vulnerability that roots it firmly in the contemporary.

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Having been extensively road-tested this past year by DJs including Daniel Avery, HAAi and Gerd Janson, Highdive arrives with tangible anticipation. The work of less-than-shadowy figures Gramrcy and John Loveless, the pair have passed lockdown and beyond remixing artists such as WH Lung, Discovery Zone and Ghost Culture. Debuting their first original material, closely following Gramrcy’s recent appearance on Loveless’s own Hot Concept imprint, Highdive is a long-anticipated explosion of energy. Built around a sonic-boom breakdown, glossy rave chords and pounding post-punk drums, Highdive feels immediately at home on Phantasy. Having worked closely alongside founder Erol Alkan in recent years to shape the imprint's diverse output, Loveless' collaboration with the Peach Discs founder nods to the electro landscape of the label's earliest days. Having never left dance floors since, Gramrcy & John Loveless take a golden opportunity to plunge dancers into the sublime and the ridiculous. While a stripped-down ‘Beats Mix’ sees the pair adopt a less-maximal approach, leave it to Schacke to stretch Highdive into hardcore rave heaven. The already-influential Copenhagen artist underscores his refreshing funk in the ‘fast-techno’ scene through which he has risen, turning the screws and upping the tempo with intense but elastic results.

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Introducing Josh Caffe’s second single on Phantasy, ‘Do You Wanna Take Me Home?’ is a sensual yet gritty return, a keen document of just one of the many stories of desire always occurring in the shadows, just beyond the strobes. Produced in collaboration with Quinn Whalley, one half of Paranoid London, ‘Do You Wanna Take Me Home?’ also features a headsy interpretation from Steffi & Virginia, marking their first ever collaborative remix. Inspired by the rawest shades of early Chicago house music, ‘Do You Wanna Take Me Home?’ finds Caffe in thirsty pursuit of pleasure and recognition, eyes locked on an unidentified but all-too enticing individual in the club. Whereas previous single ‘According To Jacqueline’ turned the heads of dancers with it’s outrageous sexuality, Caffe’s follow-up finds him switched by a different strain of lust, head down in a blend of analogue jack and vocal vulnerability. Steffi & Virginia have long since established themselves as distinct individual forces in contemporary dance music. Here, reunited in the studio together in the first instance since 2019’s ‘Work A Change’ EP on Ostgut Ton, the duo transplant Caffe’s yearning invitation into a sensuous reverie that touches on the deeper, tripper ends of their house and techno heritage. Driven by creeping organ chords and a powerful shuffling bassline, the result is a sophisticated reimagining primed for the heat of the function.

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Following her 2021 debut, ‘Save My Day’, remixed by DJ Python, PYTKO returns to Phantasy with ‘Silent’, experimental and introspective electronic songwriting this time radically reworked by beloved pop-experimentalist, Bullion. On ‘Silent’, PYTKO invites listeners to lean in closer than before. Seemingly untangling the frustrations of a faltering love affair, it’s vulnerable lyrics arrive buried beneath a sophisticated arrangement that, with bit-crushed electronics and rumbling bass notes, seems to decay with haunting effect. In contrast, the austere ‘Orchids & Limes’ mines an equally original sound, a striking sort of cyber-balearica sculpted around PYTKO’s intricate guitar work, conjuring an even darker sense of romance. In radical contrast, Bullion proves a perfect fold to PYTKO’s vision with his positively high-spirited flip of ‘Silent’. The man behind DEEK Recordings and cult hits such as Blue Pedro keeps PYTKO’s perspective front-and-centre, while performing an alchemy of magic and melancholy that results in one the most memorable remixes in Phantasy’s fifteen-year history.

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