Huxley debuts on Rekids with the ‘MIND G%MES’ EP. UK DJ, producer, and Dumb Safari label head Huxley joins Radio Slave’s Rekids for the first time with the ‘MIND G%MES’ EP, dropping 25th July 2025. The first track, ‘M%ND’, kicks off with woozy and alluring pads swirling round a cuddly but kicking Deep House groove. Soulful vocals and delicate, cosmic melodies rise out of the mix to bring it to a close in style. 'CLUB SH%T' ups the ante with zippy synths injecting some texture to slamming drums that straddle the House and Techno divide, while wispy stabs and warm daubs of sound dance around the cowbells to make this an evaluated late-night tool. 'FEAR N%THING' is a new school cut, with fi ltered loops, sugary chords, and pent-up energy all surging through the dance fl oor. Last but not least is 'ANY1', a sleazy House pumper featuring moody spoken word, a big, rubbery bassline, and slinky, Garage-infl uenced percussion. Active in the underground music scene for two decades, former Rinse resident and sometime Aus, Shall Not Fade and Unknown To The Unknown artist has had one hell of a career. From huge breakthrough tracks like ‘Let it Go’ on Hypercolour and ‘Box Clever’ on 20:20 Vision to his 2014 ‘Blurred’ LP on Aus, he’s seen universal critical acclaim as well as massive support from DJs and dancefloors globally. In recent years, his Dumb Safari label, the online community R Trybe (co-founded by Ramin Rezaie/BAKKIS) and collaborations with Steve Bug are just a handful of his projects, while his ‘MIND G%MES’ EP for Rekids is already feeding the fi re with support from Jen Cardini, Cromby, I.Jordan, Jennifer Loveless and big room dons, Michael Bibi and Solomun.

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Huxley is fast becoming one of the brightest lights to emerge from an exciting nascent UK music scene, emerging from the underground clubs of London, Bristol, Leeds and Glasgow. Young producers are honing their talents to create new sounds influenced by the their exposure to house, techno, dubstep and garage music. When 2020Vision approached Huxley we specifically requested that he created a four track EP that truly reflected his skills. He responded superbly and produced the 'Out The Box' EP. On the first track 'Box Clever' Huxley gives us pure house music with rich chords, a killer piano line and a deeply felt female spoken word vocal. The flip side 'Atonement' delves into deep house with layers of subtly worked synths wrapped up around confident New York style garage beats. 'Out of my mind' showcases his love of diverse beats and leaves the four to the floor until late in the track enabling a far busier drum and bass workout with dubstep sentiments. The digitally exclusive 'Feel What You Want' sounds like a session from Secretsundaze with it's classic 90s influenced groove and vocal hooks.

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DMX Krew returns to Hypercolour with a new long player. ‘Spiral Dance’ comes stuffed with wonky and futuristic synth jams.

Having honed a style that has endured over an illustrious career, DMX Krew continues to immerse his productions in luscious analogue electronica, touching on the many bases of electro, Detroit techno, synthpop and dreamwave.

With previous albums for Rephlex, Permanent Vacation and Balkan Vinyl, amongst others, ‘Spiral Dance’ becomes the fifth album for Hypercolour, following on from 2021’s ‘Loose Gears’.

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Jamie Russell and Alex Jones set up theHypercolour imprint back in 2006 and the label continues to dish up genre bending bangers two decades down the line. For the label’s milestone 100th release, KiNKcues up a killer four track release with ‘For The People’.

One of house music’s most in demand producers and remixers, KiNK has delivered time and time again for labels such as Running Back, Royal Oak,Macro and his own Sofia Records label, and so it’s with great honour that the Bulgarian artist commemorates the label’s centenary with a kaleidoscopic bundle of hyperactive bangers!

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At the very coalface of the UK rave/breakbeat/techno/call it what you like scene since the 1990s, Jerome Hill is something of a hidden treasure amongst the plethora of DJs and producers to have dropped both bangers and bloopers over the ensuing three decades. With minimum of fuss and fanfare, Hill has steered record labels like Super Rhythm Trax, Don’t, Fat Hop and Hornsey Hardcore to revered acclaim, as well as firing out a consistent stream of releases for imprints such as Matthew Herbert’s Accidental Jr, Exalt Records, and I Love Acid, to name but a few. Surprisingly, ‘Flow Mechanics’ is Hill’s debut album after a production career that kicked off in 1998 as one half of Groove Asylum. And its collection of unabashed acid and rave bangers is a perfect fit for the Hypercolour label, whose personnel over the last few years has included Luke Vibert, DMX Krew, Shelley Parker and Gary Gritness. Tracks produced directly for club play; the album features 8 cuts destined to fit in cross-genre sets. With pumping electro cuts such as ‘Deafening Lull’ and ‘Knob Jitter’, four to the floor acid stompers like ‘Walk The Plank’, the mutant garage of ‘Brought Up Badly’ and the house groover ‘Stax Had The Funk’, ‘Flow Mechanics’ is a joyous romp through rave’s sound palette, replete with playful samples and skits (featured on the vinyl LP version), and a mischievous demeanour that affords the listener an lively album that doesn’t take itself too seriously. ‘Flow Mechanics’ by Jerome Hill is available from 3rd March 2023 on Hypercolour.

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Jack Hamill’s Space Dimension Controller project has delivered some of the most enduring electronic music in recent times. Via single and album releases for the likes of Ninja Tune, Royal Oak, Dekmantel and Aus Music, SDC has thrilled with a certain timeless sound that has embodied science fiction swirling tones, glitchy and granular beats and a nostalgia for electronic music that always sounds futuristic.

On the ‘Cro2ma’ EP, SDC serves up a trio of intoxicating productions for the Hypercolour label. Highly accessible, yet detailed and intricate in design, Space Dimension Controller soaks all three tracks with sanguine melodies and bass blippy frolics that make for an exemplary release from the seasoned producer.

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Danger! Danger! High Voltage! King of bad-ass electro-funk Gary Gritness returns to Hypercolour with an electrifying release of super slick, powered up, body poppin’ jams!

Plugging into the mainline, Gritness lets rip with four bustling joints on the ‘Power Charge’ EP. Frenetic drum machine patterns, feverish bass lines and quick fingered keyboard riffs are laced across every track here, all designed to blow the circuits of your mind!

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Deeply ingrained into the fabric of the British electronic music landscape, Luke Vibert shows no sign of slowing down, after an illustrious career spanning three decades (to date!). Vibert returns to Hypercolour after 2020’s hugely successful trilogy series (Amen Andrews/Modern Rave/Rave Hop) with his 18th album (not counting albums released under his other monikers Kerrier District, Plug, Wagon Christ et al). ‘GRIT.’ finds Vibert in playful mode (and, let’s face it, whenever isn’t he!), as twelve tracks of acidic and squelching drum machine tracks come rolling out to play. Bouncy and hypnotising 303 jams of the highest order are served up here, with rhythms pulled from the electro, garage and house pools, all delivered in Vibert’s inimitable style.

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Noted for his vast and psychedelic bass heavy productions, Brighton based producer Etch pulls out four killers for the ‘Sloppy Rhythm Trax’ EP on Hypercolour.

With a pedigree that has bestowed labels like IllianTape, Sneaker Social Club, LMD SunkWorks and TempOzone with exceptional singles and albums, the man like Etch fires on all cylinders for his Hypercolour debut.

Impenetrable and heady vibes are served up on ‘Lazyville’, whilst‘ Gaia’s Mainframe’ give us some of that aforementioned psychedelic bass in spades!‘

Pluto’s Groove’ tears into jungle and d‘n’b territories, rinsing out the acid breaks vibes, whilst ‘Belladonna & The Poppies’ throws down more sub bass frequencies in a dusty and decidedly chugging EP finale.

LAURENT GARNIER
"Hummm this is twisted and so damn good"

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Following acclaimed releases on Planet Mu, Sneaker Social Club and his own imprint Raw Basics, Anthoney Hart returns with three contemporary rhythm centred rollers under his Basic Rhythm alias.

Wonked out percussion and vocal accents undulate over distorted kicks, subtly building tension in the EP title track “Pepper”.

On the flip, “3am On The Corner” takes things down tempo with broken drums and moody pads accompanied with a haunting sax melody. This eclectic release concludes with “Moonlight Flit” bringing heavy hitting percussive UK Funky energy over a deep pitching sub.

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Very much at the forefront of the UK electronic scene, since 2001, Shelley Parker has innovated and thrilled with live performances, DJ sets, sound installations, and scores for contemporary dance. Parker's recorded output is just a small part of her musical orbit. That said, a debut album 'Spurn Point' in 2014 and various singles, remixes and EPs for Hessle Audio, One Little Indie, Honest Jon's, Houndstooth, Structure Recordings and OOH-sounds have whet the appetite for more. 'Wisteria' lands on Hypercolour, and succinctly encapsulates Parker's layered and dense production aesthetic, as a myriad of concrete rhythms, breakbeat science, inner city ambience and industrial strength bass unfurl over eight uncompromising compositions.

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Hypercolour backroom boy, Ste Roberts, surfaces to the top for a long-awaited new release on the label, serving up a trio of wonky and twisted grooves on ‘The Crescent’ EP.

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Having already made a big splash on labels like Rush Hour, Ghostly, Spectral Sound and Werkdiscs, the London based producer Moire´tees up his third full length player for Hypercolour. ‘Good Times’ goes someway to pulling back a positive energy to recent global events and finds Moire´collaborating with fellow artist Demigosh on a good chunk of the album cuts. Hazy agit house and drowsy beats anchor an album filled with smooth ambience and soulful sampling. Low frequencies and foggy tones make tracks like ‘Magdan’ and ‘Vertigo’ strike a chord between lo-fi electronica and abstract ambient noise, whilst the collaborations with Demigosh add an ethereal soulful touch that’s both stirring and emotive in equal measures. Exotic beat science is deployed on cuts like ‘R1’ and ‘Telefunk’, whilst the jazzy licks and lumpy rhythms of ‘Lost In Pacific’ seal off an extraordinary album that exemplifies the advancing maturity of Moire´’s sound and vision.

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Four brand new mind melters from the creative and imaginative Alphonse. Back on Hypercolour, following 2018’s ‘Better Weather’ single, the British beat scientist pulls together more future sounds on ‘The Dark Horse’ EP.
Always spacey and dubwise in his creations, Alphonse continues a run of releases that have taken in entries for Klasse Wrecks, Black Orpheus and Emotional Especial. Breakbeats and rave tropes fly past in a blizzard of hedonistic sounds and distinctly UK flavours.

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Self-styled ‘house husband, record producer’, DMX Krew, continues his effortless stretch of releases that date back to the early 90s, with a new album for Hypercolour. His deft melodies and mechanical, electro-tinged beats have made for some classic albums in his repertoire, from his incredible run of albums for Rephlex Records, up to 2020’s ’Ghost Bubbles’ long player for Terrestrial Funk. And so ‘Loose Gears’ marks DMX Krew’s fourth album for British stalwarts, Hypercolour, and fans will not be disappointed. Armed with an arsenal of hardware, and a head full of futuristic visions, ‘Loose Gears’ collects eleven tracks of the customary quality we have come to expect from DMX Krew. From the funk laden ‘Solar Transit’ to bleepy chugger ‘Dejected Ambient Twerp’, the vibrant synths and spongy rhythms of ‘Torpedo Tube’ to the beatless wiggle of ‘Xpansion 2’, there’s much in store to be savoured on ‘Loose Gears’, as DMX Krew serves up another fine selection of electronic goodies.

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Zodiac, a new collaboration between Brendon Moeller and Monty Luke, present a heady brew of sci-fi dub and deep rhythms on a full-length album, ‘Serengeti By Night’. With meditative roots music at the very heart of ‘Serengeti’, experimental ideas are excavated over ten tracks. Vivid atmospheres are conjured up, as tribal trance, voodoo dub and otherworldly electronics are deployed over rock steady rhythms. With influences that lie in the musical endeavours of African Headcharge to Rhythm & Sound, Public Image Limited to Cybotron, Zodiac keep the flame burning for exploratory dub-leanings, and deliver an album from the space station above that administers sophisticated braindance sounds that will command repeat listens...

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Who is Boelja? Who is Sebastian Mullaert? Who are they really? Are they the finite body and a collection of thoughts? And who are you? Are you your memories or perhaps your projections of the future? Or are you this present moment? What is silence? Is it solely the absence of sound? Or are all sounds springing out of silence and falls back into the same? And what is sound without context? Is it just nonsense? Or is there something more universal to it? Where did the second vinyl go? Is it sitting in an attic or warehouse somewhere waiting to be discovered? Is it being played as you are reading this? Is all of this just a game? Are YOU being played? Did someone make this music or did the music just happen? Where does the process of creation start? Where does it end? And who is the listener? How does the listener affect the music? Is there really any separation between the creator, listener and the music? Are they all one and the same? What is next? Where is all this going?Is there an end? Or are your actions just another event happening in this never-ending stream of consciousness? And to whom is it happening?

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Whether it’s 303 basslines or those pesky little tabs of lysergic, everyone loves a Taste Of Acid. FaltyDL, being one of the many believers, delivers four cuts of A C I D for Hypercolour. Tune In, Turn On Drop Out......

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The heavy industrial crunch and rubbery synths of FRAK’s trademark sounds come to Hypercolour with the four track ‘Berga Magic’ EP. The Swedish techno trio have been active since the late 1980s, issuing cassette tapes (and later, vinyl) filled with blueprint techno and electronica on their own Börft Records label. Following in the footsteps of Severed Heads, D.A.F. and Devo, FRAK have truly embraced performance art and experimental minimalism over the years, never compromising, always innovating. The ‘Berga Magic’ EP comes brimming with raw analogue explorations and delightfully incongruous noise.

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