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Cat-No:hypelp010
Release-Date:20.10.2017
Genre:Electro
Configuration:2LP Excl
Barcode:4012957251011
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Last in:19.10.2017
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backorder
Last in:19.10.2017
Cat-No:hypelp010
Release-Date:20.10.2017
Genre:Electro
Configuration:2LP Excl
Barcode:4012957251011
2LP sleeved in full picture spined jacket on reverse board
Includes download code for instant download of digital album

Tracklist 2LP:
A1. Go Back, A2. Inhale/ Exhale ft. Tanaya Harper, A3. Inti
B1. Peruvian Gold, B2. Forest Surge, B3. Antiexist
C1. A Blind Girl Drinks Ayawaska, C2. Skateboarding in the Jungle, C3. When We All Break Down ft. Joni
D1. Mirrors ft. Tanaya Harper, D2. Sepa Inca Delirium

Short info:
Having given us a taster of things to come back in September 2016, with the ‘Pressing Matters’ single, The
Cyclist returns to Hypercolour with a brand new, full length album. And as the title suggests, “Sapa Inca
Delirium” leans heavily on South American mysticism, not just musically, but in the visual imagery that the
eleven-track album paints so well across its various tempos and rhythms.
From the tropical burst of mood setting opener, “Go Back” to the steamy and pacey percussive flow of
“Inhale/Exhale” which features regular collaborator Tanaya Harper on vocals, The Cyclist’s fourth long
player is crammed full of intriguing atmospheres and soundscapes.
“Antiexist”, with its down-tempo rolling snare fills and ethereal Gregorian chanting segues effortlessly into “A
Blind Girl Drinks Ayawaska”, a suitably discordant and hallucinogenic skit that ensures the album flows into the
more rhythmic cuts like “Skateboarding In The Jungle” and “Mirrors” (the second album cut to feature Harper
on vocals).
Even the traditional jazzier vibes of “When We All Break Down” featuring Joni are kept rugged and boisterous,
with heavyweight bending bass, choppy breakbeats and FX’d ambience amongst the smooth jazzy chords and
sweet vocal delivery.
“Sapa Inca Delirium” is one of those albums that will reward on repeat listen, such is the diversity of style on
show here, and the detailed and wide eyed curiosity offered up across the long player’s fifty three minutes. More