Tracklist: (A1) Episode (B1) 7 Hours (Digital only track: Rust)
Info:
Irishman Brendan Gregory aka Chymera has become an integral part of the international club scene. This techno and house productions are based on his skilful way to incorporate different styles and genres such as minimal techno and even the trance, which leads to a very own and surpreme handwriting. Like his mentor and friend Funk D'Void or like his fellow Cocoon Recordings colleague Tim Green, Chymera appears to one of the few artists who can be assigned to a very own and recognizable sound. Especially today, in times where some kids manages it to release records produced with just one laptop and rough basic knowledge a very own style is no longer a given. Chymera is one of these hard to find artists that have worked on their own style and developed an acoustic trademark... and we love his style! "Episode" is a prime example of the above-described influences based on house, techno and trance. The great arpeggio bass-/synthline and the overall arrangement beams us back to the high days of Detroit techno. This is soulful and epic and it triggers just the right senses, it takes us on a journey. With "7 Hours" appears like a stripped down dub version of "Episode". Based on a similar arpeggio bassline but less epic "7 hours" incorporates the two musical corners of "Rust" and "Episode" in a very cool way. Chymera is a fine master of his craft and this release is another proof of his musical knowledge and taste! The bonus track "Rust" Chymera looks into the house corner and presents a nice counterpart to "Episode". The great Chicago-FM bassline is the leading element in "Rust". The analog space synths and the relaxed but cool oldskool drum programming are perfecting Chymeras deep house excursion.

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Tracklist: A1. Divided Self B1. Canavan Calling
Info:
Last spotted on Ovum just over a year ago with 'Moot Point', Irishman-in-Berlin Chymera returns with two more stately sonic workouts...
We ignite with "The Divided Self" is one of Chymera's personal favourite compositions from last year. Setting out with the simple mission to make a deep emotive track, it was one of those super-rare golden studio moments when everything came together in a matter of hours. Pensive and poignant, restrained and ruled by minor chords, the sense of melancholy makes even more sense when you understand the title: 'The Divided Self' is named after a groundbreaking book that discussed and explored mental illness in a way that, at the time, had never been done before.

Next up is "Canavan Calling", a track that's characterised by an incredible bassline that's so broad, rich and textured it's almost overwhelming. No surprises, then, that is created on an original Minimoog, an instrument Chymera fell in love with while he attended a Studio Stekker week alongside peers such as Mathew Jonson, Sebastian Mullaert and The Mole. Mutating, morphing and moving throughout, starlit synths soon enter the mix, soaring and thrusting further upwards to create a natural, rolling organic build up and pay off. Named after an obscure short horror story by Joseph Payne Brennan, the only thing horrific about this track is the price of an original Minimoog.

Both cuts taking their titles from literary inspirations, both cuts revealing wholly different sides to Chymera, both cuts warming us up to the very bottom of our souls this winter... Both cuts demand your attention
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UPC A Barcode: 678414002394
Releasedate: February 11, 2014
Chymera returns to Ovum with Tidal/Moot Point
It has been 7 years since Chymera's seminal Ovum release "Umbrella" and it only seems fitting that we kick of our 20th Anniversary celebration with a new release from the Irish producer. Since his debut on Ovum, Chymera aka Brendan Gregoriy has been busy releasing on lables such as NRK, Komplex De Deep, Cocoon, Kompakt, and more. Chymera kicks this two tracker off with "Tidal". A full on smash that sees Brendan take us on a throbbing journey, ebbing, flowing and bringing the floor to the boil. On the flip Brendan presents a sound that's more familiar to the fans of his previous Ovum outing. "Moot Point" at 11 mins 44 sec, is a thing of beauty. An epic Chymera trip that is set to soundtrack the rising sun, over many a dawn party. The emotion in his music reminds us of why we fell in love with Chymera seven years ago and why we feel it was only right that he kick off our 20th Anniversary celebrations.
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In June 2010 I moved to Berlin. I'd been in Barcelona for 3 years previous to that. Overall, as good as my social life and the experiences that I had there were, musically I was treading water. Constantly trying to not repeat myself, but invariably just backing myself into a corner and rarely coming up with anything good. It was a tough time for me musically. Indeed, I had thoughts of just packing it in which luckily some good friends talked me out of. Everything changed once I moved to Berlin. The different environment and way of life was exactly what I needed to get my creative juices flowing again. That same month I sent three tracks to Connaisseur, which would become the Ghosts EP. At that point the label asked me if I wanted to do an album for them. It wasn't something I had properly considered in quite some time, but I jumped at the prospect. I had self released my debut album back in 2005 which was a collection of tracks I made from 2002 until that point. I was so proud of that album, still am. Sonically it was flawed. Partially due to the limitations of the software I was producing on but mostly due to my own engineering inexperience. Something which I am gradually getting better at but I'm still hopelessly bad at at times. Anyway, that album sold a few copies around Ireland, but nowhere else. Once I started releasing internationally I was just stoked to be releasing EPs. I was all about them. I didn't listen to any electronic albums period. Only EPs and single tracks. I thought that the album was pointless in the electronic world. Luckily I came around from that point of view, and it coincided with Connaisseur asking me to do the album. So then I tried to decide what angle to take with the album. Should it be a bunch of tracks all written in a short period of time with a similar theme, or a collection of different tracks brought together under the umbrella of an album? Should I cater for the floor or for the home listening experience? So I racked my brains for a bit and thought, "what would I like to listen to from start to finish in an album?". I told the label that I thought the album should be organic, some tracks might work in deeper sets but the most important thing is that they could be listened to in a variety of environments and not sound out of place. And the label agreed with me. .
With that I started working in earnest on the album. I tended to work in quick bursts over two weeks, churning out many tracks in a similiar vein, then banging my head off the keyboard for months at a time until the next wave came, with invariably a slightly different evolution of my sound. However I had a particularly prolonged dry spell which would last from the end of that summer until January of the following year. Again I had written myself into a corner. Put too much pressure on myself to come up with the perfect album tracks, and just end up firing blanks. But luckily after a trip home to Ireland for Christmas and a harsh flu, I found myself in January with a new burst of Inspiration. One which lasted, on and off for the rest of the year. Already I had exceeded the initially proposed deadline of March 2011, so I simply pushed on. We agreed that what I had done so far was worthy of release but the album was not finished yet, so it was worth waiting. Along the way I had settled gradually into my life in Berlin. I was gigging more regularly than ever which gave me a nice sense of security. And I also met my fantastic girlfriend who became a sounding board for my new creations, letting me know her honest thoughts on the tracks ("It sucks", "Is that what you call music?", "So when does the beat come in?") Eventually by October 2011 I had it completed. Then began the tortuous process of mixing it down finally. During this period I also found out which tracks I really loved and which ones were grating on my nerves. So I also whittled it down, wrote new replacements and nipped and tucked everything until it was all fitting just right. The tracklist was even in flux as late as the week of mastering, a race to the finish line as such. Equal parts synthesis and sampling, but 100% organic, touching on various different genres. In a way it's return to my initial methods of music creation, but also an evolution from that. A listening experience from start to finish and constructed as such. It also marks the first time I've worked with vocalists, featuring contributions from Emilie Harsongkram, a friend of mine who also used to live in Barcelona and two English singers, Emma Greenfield and Moss Beynon Juckes, who fortuitously were singing acapella in a bar in Berlin about two weeks before the album was due to be mastered. It's been a long and complicated process, full of ups and downs. I can't say it was always easy. There were lots of heated arguments with the label about what constituted a good track or not, what artwork to use and what direction the album should go. I put my foot down many times, and equally came around to see their point of view after much stubborn procrastination. But I think that was instrumental in shaping the album for the better. Indeed the sessions towards the very end were some of my favourite and I'm already itching to start work on the follow up. So here you have it. Exactly one year and a half of my life on record. Encapsulated forever.
Tracklisting:
01: THE DROP
02: DROWNING 1
03: FATHOMS
04: AN ISLAND IN SPACE
05: WHO BENDS FIRST?
06: TRAPPED INAMBER
07: MY KARASS
08: THE CHASE
09: STRANGE THINGS ARE AFOOT
10: ALOOF
11: SWIM AWAY More

Genre: Deep House

Track list:

A1 That Rhythm
A2 Maceo
B Clive by Night

Release Info:

Clive From Accounts is finally back on Dirt Crew Recordings! After some excellent contributions and remixes for the highly acclaimed New York based “Razor-N-Tape” imprint, he graced us again with three new gems that show the great diversity in his productions. Since his first “Cooking the Books EP” in 2021 and the follow up “Pearls EP” in 2022 he has continued to build a strong following of fans, so we know for sure a lot of you have been waiting on new tracks by him.

The uplifting opener “That Rhythm” is a smooth deep house roller with chopped up dusty samples, inspired by the US and French masters but with a heavy UK sub bass added. Following up is the wonderfully crafted “Maceo”, a groovy instrumental jazz funk workout built around the genius of The JBs legends Fred Wesley and Maceo Parker.

Closing out this new EP is the acid laden and also title track “Clive by Night”, deep and lush house music that we love him for since his first release on our label, here he’s finding joy in deep evolving repetition, it’s an ode to the 303 and Xpander. Best played at night.

Get in these 3 new hitters from Clive now, we are looking forward to hear these played out in dark clubs and wide open fields this late summer and golden fall. Enjoy!

All tracks mastered by Salz Mastering in Cologne. Photography & Art by Break 3000.



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Genre: Deep House

Track list:
A1 Heel Goed
A2 Lift Adrift
B1 Fine Rise
B2 Asanti
B3 Expanding Signal

Release Info:
Our 20th celebration year continues with a very special comeback! It’s exactly ten years now since the last Ben La Desh release on our label, his sublime “Stellar Talk EP” hit big waves and together with the “Midnight Rendez-Vous EP” from 2012 he cemented himself in the lo-fi deep space house scene as an artist to look out for, no one produced deep house like he did back then. After a longer break from releasing music he is back and we think stronger as ever, with analogue gear and well curated sampling and live field recording we present you his “Fine Rise EP”.

The opener “Heel Goed” is an amazing track with that distinctive 909 beat and DX bass driven “La Desh” flavour and a truly wonderful vocal sample from a 90s TV commercial, hilariously funny and brilliant at the same time! We can’t wait to see the faces of people, especially on the Dutch dancefloors, when they try to figure out and discover what the ladies are talking about! Second A side track is the super funky “Lift Adrift” that flanges itself to outer space, etherical with chopped break beats and various percussive and rhythmic Pearl Syncussion layers running through effect pedals, Lift Adrift!

On the other side we start out with the deep title track “Fine Rise”. Here Ben treats us again to his trademark spaced out effects driven sound and on top a killer bass line and synth lead melody, reminiscent of the golden age of (good) trance music. Followed by the break beat gem that is “Asanti”, cautiously cut up breaks and layered machine drums with bubbly Syncussion sounds, rain drops falling down on different surfaces recorded in a garden in the French Drôme and processed African Kalimba. Did we already say Etherical? It is!
Closing out this great new record is the ambient piece “Expanding Signal”, an analogue tune that consists of field recordings and deep dubby chords, a building Juno pulse, swooshes and again a profound DX bassline, think of “Sun Electric” or “The Orb”.

Enjoy this one and play it loud on the dance floors or silently in your bedroom, it works everywhere as far as we are concerned!

All tracks mastered by Salz Mastering in Cologne. Photography & Art by Break 3000.

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Genre: Deep House / Electronica

Track list:
A1 How’s This for a Vague Song Title
A2 Lullaby 2.0
A3 Upside Down Melted Chair
B1 Why Does That Chord Play When I Bounce
B2 Sakura
B3 Your Face Melts

Release Info:
In our 20th celebration year we welcome back Loz Goddard! It’s been quite a while since we last saw him on our label. With his standout debut collab release with Harry Wolfman in 2016 he has developed a unique mix of electronica, deep soundscapes and lush organic Deep House on labels such as “Oath”, “Razor N Tape”, “Church”, “Outplay” and “Apparel Music”. Now he finally returns with a mini album that features beautiful crafted ambient and electronica cuts paired with three upbeat tracks that will for sure shake the dance floors in and outdoors this summer! Enjoy!

In his own words, here are some insights on the influences and production process of these six pieces:

The release is named after a night in the White Hotel in Salford watching Skee Mask. At the time I had a bunch of unfinished ambient ideas as a result of making “Balloon Tree Road” (out on Oath). There were a lot of ideas I still loved that didn’t get finished for that release, so I set about finishing them late 2022 & early 2023 with the view to releasing an EP or ‘mini album’ that was again angled a bit more towards home-listening.

The more upbeat tracks are newer jams that I created in 2023. I wanted to include a few club-ready tracks on the record as well, so the release appeals to DJ’s as well as home listeners. I approached the production much like my past two records on Oath, with lots of live drum elements, some sampling and a mixing approach which keeps everything sound warm and organic. It’s rough round the edges - as has been the case with my productions of late - and offers a nice contrast to my DJ sets and radio shows at the moment, in which I am playing mostly Deep/Progressive House, Breaks & Techno. There’s some influence on the title track from the Deep & Lo-Fi House sound of artists like Baltra & Mall Grab, and I have taken influence from all the breaks I’ve been playing in DJ sets for ‘How’s This for a Vague Song Title’.

All tracks mastered by Salz Mastering in Cologne. Photography & Art by Break 3000.

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Track list:

A1 Wild Feelings Ft. Nelson of the East
A2 It’s Happening Again
B1 Computer’s Creativity
B2 Luv Your Body

Release Info:

We have a very special new artist for you from Berlin. Dutch native Pete Bandit relocated to Berlin some years ago where we first met in 2018 when he was part of the “Times Are Ruff” collective. They contributed a track on Dirt Crew for our “Deep Love 2018” compilation.
Now recently going solo he developed his sound even more towards Detroit-ish house with dabs of techno and a bit of high tech jazz in there as well. This debut EP offers Loads of deep soulful grooves, spiritual “computer” music at it’s best!

The A-side “Wild Feelings” is such a beautiful opener to this record, with it’s lush spread out intro it paves the way with that perfect mood for what is to come, a mix of soul, funk and electronics and overall well crafted deepness. The keys on this one were contributed by the mysterious “Nelson of the East” topped with vocals by Pete himself. “It’s Happening Again” continues the story with soulful deep house textures and this one especially reminds us a lot of those early 90s Chicago/ New York House gems, the track is building towards a great breakdown key change and with its atmospheric strings and pads it’s a truly uplifting “Good Times” tune.

On the flip we have “Computer’s Creativity”. This track picks up the pace and is centered around a funky, almost slap like, bass line. Here again topped by a vocal add of Pete about “Computer’s Creativity” and with it’s cool break this one will also be a sure floor filler, guaranteed! The closing track on this record is the driving “Luv Your Body”, great percussion guides us through a loose set arrangement and make this one a perfect late hours or early mornings tune in any mix, it could go on forever!


All tracks have been mixed by Ariel Schlichter in Berlin and mastered by Salz Mastering in Cologne. Photography & Art by Break 3000.

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Track list:

A1 Love Attack
A2 Make Me Feel Ft. Tee Amara
B1 Next to You
B2 Love Attack (Lorenz Rhode Remix)

Release Info:

Back from a hot summer we are presenting you this great new release by Steve Mill who truly captures the sun and warmth in these new jams for us. The Greek born artist who lives between Berlin and Thessaloniki just released his “The Mistake EP” on Tensnake’s own True Romance label where we could already hear his soulful and groovey disco infused sound.

The opener “Love Attack” is a real “good times” tune with catchy vocal snips and a bad ass funky arpeggio bass line topped with spaced out strings and pads, this one reminds us a lot of Krystal Klear material and our own Lorenz Rhode. Saying that, we of course could not think of anyone better than him to take on this tune and drawing the inspiration to create his own super funked up version! As always all parts are played and recorded live in his Cologne studio with the same hot summer vibes on this one as well! You can find the vox version on vinyl and an instrumental as bonus digital track to get your party really started. On repeat!

“Make Me Feel” featuring the Berlin based vocalist Tee Amara has disco flavors all over it and is just an irresistible house tune, majestic and soulful. Followed by the slow and developing “Next to You” that’s steadily building towards a crescendo “heaven” gem, much in the tradition of disco edits from back in the 80’s. It reminded us a lot of our old Ben La Desh records we put out some good 10 years ago. Maybe this one is our personal fave, for sure a tune you could drop on any floor: disco, electro or house.

Get in the groove with Steve and Lorenz and let us surprise you with a truly funky, groovey and above all positive vibes only release to reminiscent the summer time. Enjoy!


All tracks have been mastered by Salz Mastering in Cologne. Photography & Art by Break 3000. More

Track list:
A1 Pearls feat. Jessica Roch
A2 4 Time
B1 Rough and Tough
B2 Gravitate (Vinyl Bonus)

Release Info:

Our man in London is back on the label! Exactly 1 year after his first release on Dirt Crew and two very successful records on
his own new imprint “Income Trax” and the New York based “Razor-N-Tape” label. Clive has been consistently growing his following this past year and refining his sound and production. So now we are truly excited to welcome him back, especially as this release will also be on a limited 12” vinyl.

The opener “Pearls” features the amazingly talented London based musician/ composer Jessica Roch on violin and vocals.
It’s an uplifting electronica meets deep house track that shines with positivity and beautiful melodies based on an analogue synth foundation by Clive himself. Truly a new addition to Clive’s musical language.

The A2 track “4 Time” is a swinging groover featuring a lush deep beat topped with piano and strings stabs and consisting of great funk all over. Followed be the super fun “Rough and Tough” as first track on then B side. Clive really gives us his new summer anthem here as far as we are concerned. Dance floor happiness guaranteed and we can’t wait to hear this one in an open field and on a big sound system!

As a treat for all fans, we decided to give “Gravitate” the well-deserved vinyl spot as the closing track to this great new record. This jam got massive support over the last months and is Clive’s best performing track on the digital platforms. Here we remastered it especially for vinyl and it sounds doper than ever! Enjoy!

All tracks have been mastered by Salz Mastering in Cologne. Art & Photography by Break 3000.
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Track list:
A1 Moon Desert
A2 Galaxy One Two Three
A3 Far from the Sun
B Lo Fi Hi (Ron Trent Remix)



Release Info:
After his strong debut on our label last year Idan Hana is back with a very special follow up! This spring, close after his release on Berlin’s “Aterral” label , he celebrates a deeper and more open, eclectic side of his sound. This EP consists of a wonderful journey into jazzy, electronic spheres. The opener Moon Desert is a floating piano house track with ever evolving rhythms and melodies, showcasing the vast creativity happening in Idan’s LA studio during many late night shifts.

Placed as a short break is the cinematic and joyful “Galaxy One Two Three” interlude, sustaining the mood and setting the tone for the last track on the A side called “Far from the Sun”. This break beat joint is reminiscent of classic trip hop combined with atmospheric deep house grooves, organs and synthesizer flutes, topped with a distinct vocal sample.

On the flip there is a very special extended remix of one of Idan’s debut EP tracks “Lo Fi Hi” by none other than Chicago’s finest Ron Trent.
He reworked the original in his unique style and arrangement and elevates it to new heights by adding beautiful strings, guitar and keys.
We couldn’t have dreamt of a better remix for this track and are so honoured to have him featured on our label and this new Idan Hana EP.

All tracks have been mastered by Salz Mastering in Cologne. Art & Photography by Break 3000.
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Track list:
A1 A21z
A2 Walk With Me
A3 Courage ft. Mona Vale
B1 Sly Contrast
B2 Fhloston Paradise
B3 Workit Shep

Release Info:
Harry Wolfman has been a staple member of the Dirt Crew family since his debut collaboration with Loz Goddard
in 2016. We’ve since seen considerable growth with EPs on Phonica’s “Karakul”, “Omena” and “Outplay” all
lending a hand to the development of his signature sound into its now established lo-fi style, delving into a range
of genres... ethereal ambience, electro and left-field rhythms, and of course deep, often break beat laden house
grooves.
This new EP is no exception, Harry drops some irresistible dance tunes with “Walk With Me” and the banging title
track “Sly Contrast” but also explores the boundaries of his palette with the vocal interludes “A21z” and the
majestic “Courage” featuring the voice of “Mona Vale”, dipping a toe into the floaty world of lo-fi pop.
We also find ambient and Jazz elements cleverly combined in “Fhloston Paradise”. And the closing drum break
joint “Wokit Shep” loops live drums, strings, piano and brass elements, twirling towards a majestic finale
reminiscing dusty jazzy Trip Hop and instrumental Hip Hop pieces.
This record offers hope for better times... we are really glad to have Harry back with these strong tunes and can’t
wait to hear these out again on a juicy sound system. Enjoy!
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Track list:
A1 Sandpaper ft. Jamie Lidell
A2 On the Nightshift
B1 Sandpaper ft. Jamie Lidell (Sound Support Remix)
B2 Sandpaper ft. Jamie Lidell (Instrumental Mix)

Release Info:
We are very pleased to finally present you a new Lorenz Rhode release, for the „Sandpaper EP“ Lorenz Rhode
and Jamie Lidell get together again. Their first collab „Any Kind of Pressure“ was followed by Lorenz joining
Jamie’s world tour and a remix of „Big Love“ for Warp Records. Jamie performs with an amazing energy, and his
soulful voice is carried by a warm and playful house backing: Minimoog bass, Rhodes piano and just some
sparkles of a very old Roland synth that Lorenz had just bought, and which is now broken.
The second new jam „On the Nightshift“ is a fun stabby tune based on a spiraling chord progression. It loops
every three-and-a-half bars, just to make life harder for DJs. A real nice warm groover.
The remix for „Sandpaper“ is a true family affair! Sound Support is the all new project by Lars Dales better known
as 1/2 of Detroit Swindle and Lorenz himself. They’ve just released their debut EP on Prins Thomas’ “Internasjonal”
label in October this year, here they take Jamie’s vocal into a more dramatic and electronic territory touching
electro grounds. To close things out we also added an instrumental on the vinyl and radio mix on the digital
version of this new EP. Enjoy as much as we did putting this together for you!
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Track list:
A1 Piano Lick
A2 - 8 -
B1 Glory
B2 Purple Winds
B3 Nan Madol

Release Info:
Our second release this year yet again explores the deep side genres of electronic music and deep house.
The man SMBD aka Simbad has been on our wish list for quite a while now and we are super delighted that
It finally worked out to welcome him for a full release on our label after his contribution to the first Dampé Ep
we did last year. After a string of releases on labels like Apron, Freerange and BBE there is not much introduction
needed for this house veteran.
These five tracks range from soulful house to darker break beat material and ambient soundscapes. Especially the
great title track “Purple Winds” is a beautiful emotional piece of music. The closing track “Man Madol” for us is
very reminiscent to early Detroit electronic music. “Piano Lick” and “Glory” are packed with soul, funk, disco and
basically just good times on the dancefloor while the moody and acid break beat excursion “ – 8 – “ is winding
deeper and deeper and deeper …
Not much more needed to be said here, we will let the music speak and let you enjoy these excellent tunes!

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Track list:
A1 A Way You Come Home to Me Ft. Christian Crow
A2 Step by Step

B1 Speaking Raman
B2 Always 3
B3 Green Trees


Release Info:
After his last release on Dirt Crew in 2017 we are more than delighted to bring back the talented Harry Wolfman.
With impressive records on labels like Phonica, Omena, Outplay and Toy Tonics in the last years he has drawn up a fine new selection of music that spans across many genres and moods. This is also the first release for us in the new year after a lil break and it continues to explore the more eclectic approach we are following for a while now since the outings of artists like Dampé, S3A and Dan Only.

Harry presents an exciting opener for his new EP, together with vocalist Christian Crow he has made the blissful and breaks laden “poppy” good feel tune “A Way You Come Home to Me” that shines a bright light in these darker months. Followed by the deeper club tune “Step by Step”, building around yet another vocal recording. This time it’s Harry sampling his own voice and looping it into a repetitive piece of good feel House music.

We are getting deeper on the B side with “Speaking Raman”, one of these signature Harry tunes, a playful dusty lo-fi piece of music build around a piano theme and embedded in deep bass and driving beats, his sound trademark on all of these more floor orientated tracks on the EP. To close out the record we added two of his cinematic, ambient electronica works that we personally love so much. The haunting “Always 3” is a deep sphere that sucks you in a meditational and soothing womb of sounds. Ending with the electroid cut “Green Trees”, it’s broken and fragile and gives this indie-tronica track a warm and gentle touch.

We hope you enjoy these tunes and that they may be your soundtrack to the upcoming warmer months.

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Vinyl 12” (Limited Full Sleeve)

Tracklist:

A1 A Basement, Ten Years Ago Ft. C_YS
A2 727 and Arp Breaks
A3 Sunday Night Machines

B1 Garden
B2 France
B3 727 and Arp Breaks (ASOK Remix)

Release Info:
It’s been a busy eight months since Dampé’s debut on Dirt Crew Recordings. That time has seen the producer hold down monthly slots on Rinse FM, contribute a downtempo electronica/jazz edit to the S3A ‘Pages Remixes” EP as well as open big rooms for the likes of Surgeon and Blawan.

The intervening months have also seen the producer set up camp in the Rhythm Section studio in South East London, and the result of new access to studio gear can be heard all across ‘Garden’. Compared to the debut ‘Peach Shuffle’ this is a far more machine-led and darker listening experience. Snatches of acoustic instruments and space remain, but it’s never long before the disembodied vocals and oversaturated classic drum kits return reminding you this is music best enjoyed in the club.

‘A Basement, 10 Years Ago’ started just there. A bass line dimly recalled from a long-lost 6am jam is sequenced on a weighty analogue keyboard, while syrupy R&B vocals dance around mbira and gangsa, all slowly building and building together. ‘727 and Arp Breaks’ is a love letter to two of the producer’s favourite instruments from the studio. A TR-727 and an Arp Odyssey collide across dubbed out stabs to form some very rolling breaks.
Sunday Night Machines’ sees Dampé tame the box-of-physics that is the Arp Odyssey again with a sprawling meditation on two repeating arpeggios.

‘Garden’ is the one for the dancers. Four variations play with the same melodic theme in distinct sections, with the second variation being the deepest and most floor-ready the whole record gets. ‘France’ is a warped dub-come-hip hop beat that manages to conjure both Lil Jon and Yusef Lateef. We approached Liverpool’s finest ASOK (Lobster Theremin, M>O>S Delsin) for remix duties and to close out the record with a twisted bang. He turned in a propelling weapon that brings a whole new texture to the track listing. It’s very 90’s, very ravey and very raw, in a true IDM style.

With this eclectic mix of sounds we are entering another chapter of the Dirt Crew story and we hope you dig it as much as we do!
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After S3A's "Pages" double album earlier this year we asked some of our friends to re-interpret and re-construct their favorite original track off the album and deliver these fine remixes. We aimed to have a nice variety in styles on this record and hope you enjoy these tunes as much as we do!

Track list:

A1 Clarence J. Boddicker (Lorenz Rhode Remix)
A2 Friends (Art Of Tones Southern Soul Remix)
A3 Fever (Dampé French Retouch)

B1 Friends (Nachtbraker Remix)
B2 Fever (Felix Leifur Flexi Leifs Remix)

Release Info:

After S3A's "Pages" double album earlier this year we asked some of our friends to re-interpret and re-construct their favorite original track off the album and deliver these fine remixes. We aimed to have a nice variety in styles on this record and hope you enjoy these tunes as much as we do!

Starting off with the live disco funk of "Lorenz Rhode" who sets the tone for a class dance floor EP and followed by the soulful deep house vibes of French master "Art Of Tones" aka "Llorca" who delivered 3 different mixes to this release. The main mix is on the vinyl and there are two bonus mixes added to the digital release, a "Beats" and a "Dub" version. Ending this brilliant first side is London's newcomer "Dampé" with that deep and jazzy electronica approach we got to love him for on his first debut Dirt Crew Recordings release.

On the flip we pick up the pace and present you the faster dancefloor tracks of Amsterdam's "Nachtbraker" with his freaky hallucinating sounds placed atop of one of these irresistible bass lines only he can come up with and leading towards an "end with a bang" in best Detroit ghetto house style by our own Icelandic fire "Felix Leifur".

Each artist perfectly transported his own unique styles into these tracks and we hope this release with its broad approach will serve any dance floor to its best!
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Vinyl 12” (Limited Full Sleeve)

Track list:
A1 Like an Ending
A2 Work Out Right
B1 We Have So Much We Can Gain
B2 Prizefighter

Release Info:
For our fourth installment of the “Roar Groove meets Dirt Crew” series we present you this new set of shimmering and dubbed out Revenge cuts. After the last episode Graeme has been very busy working his “live” studio setup to come up with a whole range of new jams of which we have selected the below four tracks. We think these best represent his unique style and once you hear these in a club you instantly know “That’s a Revenge Tune”, something we have always loved about his sound.

The opening “Like an Ending” is a trippy, melancholic-euphoric track driven by a Moog Voyager bass line and classic House keys and vibe. The original recording was an 11 minute live take that he has been able to capture the essence off and narrow it down to this thumping club jam.

The A2 is all about those good times and it reminds us a lot of early 90s “French Touch”, filtering House at it’s best, it keeps running around in your head and with it’s slower pace we are sure this one will do especially well on the early morning dance floors and high summer sun drenched beaches.

On the other side we enter darker and more dubbed out territories. Here is the first track in Graeme’s words “This one had been knocking around for a couple of years in various forms, but it wasn’t really until I stripped it all back and let the arpeggiated synth do it’s thing that it really seemed to gel. It’s really the rhythm of the whole thing, I ended up scrapping extra hi-hats and stuff that was just getting in the way.” And we have to mention that we personally love that marimba! This track is like a spaceship floating the skies and eventually touching down.

To close out this new work we have one of these typical stab-y Revenge chuggers, loose and floating, synth lines underlaid by a distinctive beat, it has kind of a breakbeat feel to it and with the improvising on those synths and melodies on top of it all it’s a true Dub House track.

Summer is here and this record sets the pace and tone! Enjoy!
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Vinyl 12” (Limited Full Sleeve)

Track list:
A1 Someday Ft. AHKI
A2 All That’s Left (Piano Dub Mix)
B1 Emulsion
B2 What I Want
B3 Breathe

Release Info:
We are super pleased to welcome back Dan Only with a brand new EP on Dirt Crew. Since last year’s debut record “The Wurly Chronicles” Dan has been super busy in the studio working on his sound, experimenting with many genres outside of House. This EP is the product of many late hours in the studio that translate into his unique touch on a wider spectrum of electronic music.

On The A-side you will find that deep and warm House sound we got to know Dan for when we first crossed paths. “Someday” is an exploration into the feeling of hopefulness and uncertainty that comes with looking towards a future state that is unknown. It’s steered by AHKI's bouncing bassline and the chord progression that it inspired. “All That’s Left (Piano Dub Mix)” has a driving groove with a slow reveal. This one carefully unmasks itself and shows its true colors towards the tail-end, leaving you with “All That’s Left”.

The B-side of this 12” is all about breaks, electro, and jungle inspired tunes. The opener “Emulsion” is a balance between light and dark, soft and hard, speeding up and slowing down. The rhythm section drives this one forward, but the melodic elements are slowly pulling back at it, leaving you somewhere in the middle. It's a musical attempt of trying to mix oil into water and having one float on top of the other. "An emulsion is a mixture of two or more liquids that are normally immiscible."

“What I Want” comes armed with an S950 and an MS20 – this one is a deep dive into the methods of making break-tinged music of the 90s. Brooding bass-lines and atmospheric melodies take you through the dark Canadian winter months when this was created. Closing with “Breathe”, expect waves of euphoria and gated mantras that'll pull you in and out until a state of bliss washes over you. Let the 909 and bubbling 101 carry you to shore. This one pairs well with deep breathing.

Enjoy this new excursion into the sonic worlds of Dan Only. More

Vinyl Album 2*12" (Limited Full Sleeve w/ Inlay)

Track list:

A1 Intro (Eva)
A2 Fever
A3 First Day With Lucien
B1 Greed
B2 Lockwood
B3 Interlude for Marc
C1 Clarence J. Boddicker
C2 Friends
C3 Joint No. 5
D1 Leaving 19th
D2 Obsession
D3 Eaux Troubles
D4 Outro (Bastien)

Release Info:

After S3A's "Deep Love" contribution last year we are stoked to present you this great collection of music! Coming from the French underground S3A aka Max Fader is absolutely no stranger to the scene. With releases on Local Talk, Quartet Series and his own "Sampling As An Art records" he is deeply rooted in House, Hip Hop, Disco, Soul and Funk serving residencies at Paris clubs "Concrete" and "REX" he has become a local favourite as well with his DJ and Live sets. We are more than excited to release this special debut album that showcases some older and recent work, with live acoustic songs from early 2017 recorded at the Paris "Red Bull Music" studios to new sample based House and Disco infused tracks in the signature "S3A" style we got to love so much in recent years.

"Fever", "Friends, "Joint No. 5" and "Greed" are all funk fuelled jams composed by Max, re-played and recorded again in several live jams with fellow musicians Nicolas Taite, Raphael Vallade and Pierre Vadon and edited in the studio by S3A afterwards, they breath this special Soul and Funk love Max got into by listening to "Masters at Work" and old Disco jams. The latter "Greed" has a special story, it is a cover of an early "Laurent Garnier" track that got reworked by "Avril" in the early 00's, here Max wanted to present his own Jazz and Funk perspective on that same track.

The club stompers "First Day With Lucien", "Lockwood", "Clarence J. Boddicker" and "Leaving 19th" are the true party business on this album and range from Deep House to more classic edit style Disco tracks with live improvisations played on top of them. This is what made us love the S3A sound from the start and it has that unique cut up sample work Max is best at.

"Interlude for Marc", "Obsession" and "Eaux Troubles" introduce a third vision of S3A's musical universe. Cinematic, emotional and with an much more old school "Trip Hop" approach to them, in some parts even referring to 80s "Italo / Cosmic" and early French funk. These are some of our personal favourites on the album, especially "Eaux Troubles" is a 6 minutes dramatic string filled trip that is just the perfect ending to a beautiful album journey.

As a vinyl only bonus Max also added a very personal Intro and outro that consists of field recordings from his trips abroad and kids Eva and Bastien accompanied by Rhodes and strings recorded during the above mentioned live sessions.

We hope you enjoy this album and it will become the soundtrack to your summer on travels, the beach, at home and of course at the clubs and House parties around the World!
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Vinyl 12” (Limited Full Sleeve)

Track list:
A1 Peach Shuffle
A2 St James' Road
A3 Move Me Ft. Laura Steel

B1 Peach Shuffle (Nebraska Remix)
B2 Carn Ft. SMBD
B3 Zongo Junction, At Night

Release Info:
We are very excited to present you this new signing and debut EP by Dampé. A studio and live project from South East London. Since moving to the city, Dampé has been intimately involved in its club culture – from running warehouse spaces and booking venues to DJing and performing in groups across the city and Europe, under a slew of different aliases.

The music is made on a boat on the Thames and is a combination of dusty analogue gear, live instrumentation, and samples. For Dampé, influential parties were “Co-Op, FWD>>” and “You're A Melody” and echoes of those dances can almost be felt in the sound. Across five original tracks, the EP explores weirder and worldlier ends of house music, all with a nod to undeniably UK sounds.

“Peach Shuffle” is a made-for-the-floor, broken beat work-out that has this great warped and chopped Persian vocal sample giving the track a unique and world-wide touch, followed by “St James’ Road”, a crunchy live Rhodes jam and ode to a favourite street south of the river. “Move Me” is all garage-infused vocal loops and singing bowls and acts as an experiment-come-DJ tool. “Carn” is a super-swung hip hop beat featuring “SMBD” aka “Simbad” providing additional keys. Closing out with “Zongo Junction, At Night”, a late night roller with material pieced together from saturated CR 78 samples and field recordings made when Dampé was recording sound for a film about witchcraft and the internet across rural Ghana.

To round up this exciting EP we ask a fellow SE London enthusiast “Nebraska” to make a remix of the title track “Peach Shuffle”. Cutting up the vocal of the original, adding some mean bass and pouring a smooth “dance floor” sauce over it. The delicious end result is something we are very proud off and we hope you will enjoy as much as we do!
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Track list:
A1. Stingray Nebula
A2. Undine
B1. Thales
B2. Inside
B3. Train Ride to Bratsk


Release Info:

The OUER guys just live down the road from us in Berlin and we have been crossing paths many times these past years so it is with great joy we can finally present a full EP with their unique approach to electronic music on Dirt Crew Recordings. Since their debut on “HEIST” in 2016 Xaver and Oliver have consistently pushed their sound and production, on their own OUER imprint they released four EP’s up till now and the latest called “E” is just a few weeks old as we speak.

The A side opens with the title track “Stingray Nebula”, a bliss composition of layered arpeggios underlined by a deep sub bass, building steadily towards etheric strings setting in and descending again with a break beat ending that builds perfect grounds for the following dance floor stomper “Undine”. That second A side track is a great mix of Deep House and Electronica and is what makes OUER’s music so special, almost entering trance territories here but keeping those Chicago and Detroit references alive.

When we head over to the B side we encounter some new tracks that really made us want to release this EP in the first place. The beautiful “Thales” contains live bass and percussive instrumentation and is a crossover indie-tronica gem. Following that is the deep “Inside” where an “emo” piano themed House jam meets clever vocal sampling and filtered synth stabs to produce a great going groove. Closing out we have some real ambience electronica for you in “Train Ride to Bratsk”, again played mostly live and using acoustic instruments recorded in their Berlin studio the OUER guys are crossing borders again and turned out this piece of goodness.

Enter the world of OUER, we hope you like it as much as we do!
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