Mark Du Mosch is a master of electronics. Gracing a glut of labels in a career spanning more than a decade, he arrives at Schrödinger’s Box with a very special release. Presence is a fiver tracker of enviable quality. Set in the canon of warm techno, Du Mosch focuses on melody and texture. “Studio M Uno” is bright and unassuming, “Koriander” both assured and fragile. The tracks on offer feel like the musical accompaniment to a Summer’s day, a time where cares are in the present and future worries do not exist. The unseen complexities of the everyday are an audio focus, the intertwined interplay of drum patterns in “Mrk I Utilities” and the mechanical dawn of the title piece throb with a human pulse. Always present, but never imposed, is the techno composition that brought this dutchman to the attention of so many. This is plain to hear in the diverse threads that are collected to produce the rich and varied closer, “Too Much.” More

Never underestimate the power of a good bassline. Mark du Mosch certainly doesn’t. This veteran from the harbor city of Rotterdam let’s his vicious bass line creep up on you from behind on 202 AC Ra. A dark and jacking club belter with clear Chicago roots. The five track EP The Heavens may be his debut on SoHaSo, Du Mosch has been releasing music for over fourteen years on a variety of respected underground labels, such as Moustache, Dekmantel and Royal Oak. His versatile style draws on sounds that evoke strong mental imagery and a sense of eternity, which clearly shows on the introspective Resonance Delay (She) on the B-side. In which a melancholic melody is supported by muffled slow motion beats. The beautiful artwork on The Heavens EP is by Joost Stokhof, an Amsterdam based graphic designer who is known for his love for detail. Which makes him perfectly suited for Du Mosch’ subtle and well crafted dance tunes. In a normal world you would open your EP with the title track. Du Mosch chooses to close with it. The Heavens stays true to it’s name. A harp like melody that washes ashore as foam from a greyblue Northsea that calmed down after the storm. Heaven indeed. More

New double 12" by NL's Mark Du Mosch (Moustache Records/ Tabernacle). Taking in a lot of styles on this one, and nailing it! Ltd Edition Vinyl, Pressed on 180 gr vinyl, In A Silkscreened sleeve. Tip! More

Astonishing album by Mark du Mosch, who delivers his first full length album on Syncom Data Records and it's quite simply overwhelming. In a true Detroit fashion Mark du Mosch rides that fine line between techno, house and disco. That line which guides you to the dancefloor as well as a higher musical and emotional level. With ''Salmiak'' Mark du Mosch shows he's not only a great DJ, but one of Hollands finest producers as well. Absolute techno house killer bomb. Don't sleep on it.

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The long awaited return of Syncom Data on their own label. Four excellent spaced out, dubby techno-electro hybrid tracks. Titletrack Supercell takes a halftempo shufflebeat as a grooving foundation for a constant changing, vibrating and pulsating dub-techno excursion. The Supercell Dub takes the original into a more though techno direction in the best The Hague tradition. On the b-side Syncom Data start with Lullaby: a soothing melody, a shuffled beat and some deep bass kicks create a seemingly sweet electro-dubby song. Final track Cruise To Sunflower is a beatless deep space synth trip of more than 8 minutes. Great comeback of these Dutch masters of spacetechno.

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Mobach drops his lush melodic debut album ''Cold Rain'' on Syncom Data Records. Four years after his ''Metrobots'' twelve inch Mobach delves deeper into his unique hybrid form of techno, house, electro, dub and downbeat experimental electronics. Ten tracks full of infectious melodies, clever beats and weird soundscaping that creates this typical Mobach audiosyncratic world, probably best reflected in the beautiful artwork, also from the hand of the artist. More

Strong techno debut by D-Ribeiro, one of Rotterdams finest talents, on Syncom Data Records. Four deep and grooving techno tracks with a hint of house and a strong Detroit feeling: wandering in the night through empty streets... More

100% techno jack banger. Louis Guilliaume returns on Syncom Data Records with On The Grid: three trax for stompin' dancefloor bliss. The title track takes it to the streets and delivers pure Chicago jack. The claps, the rim, the hihats, the sirens and the infectious bassline roll on until the trademark Guilliaume synth stabs kick in to lift everything to the next level. Private Escorts: the title says it all. It's a bit trashy, but in a good way. Teutonic robotfunk. On the b-side Guilliaume takes it a level deeper. Way Out creates a techno vision of funky machines moving along in a desolate landscape, fueled by Jamaican rum punch... Louis Guilliaume delivers with On The Grid his techno message: strongly rooted on the dancefloor, but with his eyes on a far away horizon.

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Astonishing album by Mark du Mosch, who delivers his first full length album on Syncom Data Records and it's quite simply overwhelming. In a true Detroit fashion Mark du Mosch rides that fine line between techno, house and disco. That line which guides you to the dancefloor as well as a higher musical and emotional level. With ''Salmiak'' Mark du Mosch shows he's not only a great DJ, but one of Hollands finest producers as well. Absolute techno house killer bomb. Don't sleep on it.

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Smashing dub-meets-techno burner from Tokyo. Meditation Stick by Japanese Mystica Tribe is a deep and spacey dubtrack, layered with catchy melodica vibes and warped out effects. SD Records label bosses Syncom Data got their hands on the track and made the Syncom Dub with the African toms at the core of a long and stripped down version. On the b-side is the Syncom Data Remix: a true dub-with-techno dancefloor smasher. The Hague style technobeats flowing with spacey melodicas and tripped out effects. One for dancing and spacing at the same time.


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