A1. Absolution A2. Quick Release B1.Phase Down B2. Find my Way
Tony Ollivierra's issued a generous number of singles and EPs under the Ibex moniker on Rushhour, Planet E, Yore, and his own Ibex Music, and now follows up his 2010 Yore release, Meltdown, with Absolution, though this time under his birth name. No matter: Ollivierra's music sounds great, whether issued under his real name or an alias, and Absolution is no exception. The infectious title cut gets things moving with a bass-powered blend of claps and funky rhythms before chunky house chords and silken synth figures add to the track's multi-layered splendour. A jazzier dimension rises to the surface of "Quick Release" when the tune's churning hi-hats are joined by royally swinging electric piano playing and luscious synth pads. "Phase Down" opts for a purer deep house sound in its focus on kick drums, claps, and futuristic synths, though the track proves that Ollivierra's naturally funky side can't help but emerge, here as it does elsewhere. Syncopated rhythms and electric pianos emerge one final time during the wide-screen "Find My Way" in such a way that a balance is struck between synth-heavy techno and jazz fusion.
Absolution is an unfussy clubcentric release that finds Ollivierra getting down to business with four body-moving cuts that liberally draw on house, jazz, and even Latin traditions.
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Tony Ollivierra's issued a generous number of singles and EPs under the Ibex moniker on Rushhour, Planet E, Yore, and his own Ibex Music, and now follows up his 2010 Yore release, Meltdown, with Absolution, though this time under his birth name. No matter: Ollivierra's music sounds great, whether issued under his real name or an alias, and Absolution is no exception. The infectious title cut gets things moving with a bass-powered blend of claps and funky rhythms before chunky house chords and silken synth figures add to the track's multi-layered splendour. A jazzier dimension rises to the surface of "Quick Release" when the tune's churning hi-hats are joined by royally swinging electric piano playing and luscious synth pads. "Phase Down" opts for a purer deep house sound in its focus on kick drums, claps, and futuristic synths, though the track proves that Ollivierra's naturally funky side can't help but emerge, here as it does elsewhere. Syncopated rhythms and electric pianos emerge one final time during the wide-screen "Find My Way" in such a way that a balance is struck between synth-heavy techno and jazz fusion.
Absolution is an unfussy clubcentric release that finds Ollivierra getting down to business with four body-moving cuts that liberally draw on house, jazz, and even Latin traditions.
More
More records from Yore
1
Rick Wade - Hustlers Lament (05:58)
2
Rick Wade - Shinjuku Strut (05:14)
3
Rick Wade - After Dark (05:55)
Genre: Deep House / Detroit House
strictly limited to 300 copies
Tracklist 12":
A1. Rick Wade - Hustlers Lament 05:58
B1. Rick Wade - Shinjuku Strut 05:14
B2. Rick Wade – After Dark 05:55
Official re-issue of Rick Wade's Hustler's Lullaby, which was originally released in 2013 on Japanese Label: "Unknown Season". The record goes for 130 - 200 Bucks on Discogs, so we decided to make this available again. Strictly limited to 300 copies and no repress. Best to secure your copy for a regular price now, as they will go real quick due to heavy demand.
More
strictly limited to 300 copies
Tracklist 12":
A1. Rick Wade - Hustlers Lament 05:58
B1. Rick Wade - Shinjuku Strut 05:14
B2. Rick Wade – After Dark 05:55
Official re-issue of Rick Wade's Hustler's Lullaby, which was originally released in 2013 on Japanese Label: "Unknown Season". The record goes for 130 - 200 Bucks on Discogs, so we decided to make this available again. Strictly limited to 300 copies and no repress. Best to secure your copy for a regular price now, as they will go real quick due to heavy demand.
More
1
Andy Vaz - Minimal Acid (07:10)
2
Andy Vaz - He Used To Be An Asian (07:24)
3
Andy Vaz - Imaginary Beings (07:19)
4
Andy Vaz - Still On Time (08:51)
strictly limited to 150 handstamped copies, no repress!
Genre: Acid House / Chicago House
Tracklist 12":
A1. Andy Vaz – Minimal Acid 07:10
A2. Andy Vaz - He Used To Be An Asian 07:24
B1. Andy Vaz - Imaginary Beings 07:19
B2. Andy Vaz – Still On Time 08:51
Official re-issue of Andy Vaz's 2012 “Imaginary Beings” EP originally released on Chiwax + Bonus track. Serge from Clone called this the best authentic Chicago Acid House heard in a long time – sounding like something Jack Frost (aka Adonis) would had made.
We don't have much to add to this. If you are looking for some real Chi-Style rough and raw acid house. THIS IS THE CLOSEST IT CAN GET. Comes as strictly 150 copies limited HANDSTAMPED EP.
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Genre: Acid House / Chicago House
Tracklist 12":
A1. Andy Vaz – Minimal Acid 07:10
A2. Andy Vaz - He Used To Be An Asian 07:24
B1. Andy Vaz - Imaginary Beings 07:19
B2. Andy Vaz – Still On Time 08:51
Official re-issue of Andy Vaz's 2012 “Imaginary Beings” EP originally released on Chiwax + Bonus track. Serge from Clone called this the best authentic Chicago Acid House heard in a long time – sounding like something Jack Frost (aka Adonis) would had made.
We don't have much to add to this. If you are looking for some real Chi-Style rough and raw acid house. THIS IS THE CLOSEST IT CAN GET. Comes as strictly 150 copies limited HANDSTAMPED EP.
More
1
Niko Marks - HERE IN PARADISE (Nile River Mix) 06:42
2
Niko Marks - MODEST INTELLECT 06:53
3
Niko Marks - ORGANIZED FUTURE 06:15
Genre: Detroit House, Soulful House, Deep House, Vocal House
Tracklist 12":
A1. Niko Marks - HERE IN PARADISE (Nile River Mix) 06:42
B1. Niko Marks - MODEST INTELLECT 06:53
B2. Niko Marks - ORGANIZED FUTURE 06:15
Detroit's Niko Marks with a Soulful Detroit House EP. Soulful,Jazzy, with vocals
so sweet, your soul's gonna hurt. Strictly limited to 250 copies, no repress.
More
Tracklist 12":
A1. Niko Marks - HERE IN PARADISE (Nile River Mix) 06:42
B1. Niko Marks - MODEST INTELLECT 06:53
B2. Niko Marks - ORGANIZED FUTURE 06:15
Detroit's Niko Marks with a Soulful Detroit House EP. Soulful,Jazzy, with vocals
so sweet, your soul's gonna hurt. Strictly limited to 250 copies, no repress.
More
1
P0lyrhythm - P0lyrhythm – Android Dreams 07:13
2
P0lyrhythm - First Contact 06:24
3
P0lyrhythm - Lake Michigan Breeze 05:49
4
Andy Vaz - Detroit In Me (P0lyrhythm Remix) 05:37
Detroit Techno / Deep Techno / Techno / Deep House
strictly limited to 250 copies, no repress!
Tracklist:
A1. P0lyrhythm – Android Dreams 07:13
A2. P0lyrhythm- First Contact 06:24
B1. P0lyrhyhm - Lake Michigan Breeze 05:49
B2. Andy Vaz – Detroit In Me (P0lyrhythm Remix) 05:37
P0lyrhythm returns with his outstanding Detroit Techno EP: Android Dreams, featuring a Remix of Andy Vaz's “Detroit in Me”, originally released in 2011 on his “Straight Vacationing” LP. If you are looking for early Detroit Techno influenced grooves, you're in the right place.
Strictly limited to 250 Copies worldwide (no repress). Grab yours while they last.
More
strictly limited to 250 copies, no repress!
Tracklist:
A1. P0lyrhythm – Android Dreams 07:13
A2. P0lyrhythm- First Contact 06:24
B1. P0lyrhyhm - Lake Michigan Breeze 05:49
B2. Andy Vaz – Detroit In Me (P0lyrhythm Remix) 05:37
P0lyrhythm returns with his outstanding Detroit Techno EP: Android Dreams, featuring a Remix of Andy Vaz's “Detroit in Me”, originally released in 2011 on his “Straight Vacationing” LP. If you are looking for early Detroit Techno influenced grooves, you're in the right place.
Strictly limited to 250 Copies worldwide (no repress). Grab yours while they last.
More
1
Kaidi Tatham - It never Stops (06:40)
2
Kaidi Tatham - One For The Brain (06:36)
2024 Repress
Genre: House, Jazz, Breaks, Electronic, Beatdown,
Tracklist 12":
A1. It never Stops 06:40
B1. One For The Brain 06:36
Release Info:
Imagine a held-up-in-traffic Wayne Shorter arriving late to a Weather Report studio session and Joe Zawinul, Victor Bailey, and Omar Hakim filling in the time by jamming on a grooving house cut. Had that happened, it might have sounded a little bit like “It Never Stops,” one of two ultra-fresh tracks on Kaidi Tatham's Yore debut. Jazz and house are obviously distinct genres, yet as this irresistible cut makes clear swing is common to both. The other track, the cerebrally titled “One for the Brain,” locates itself closer to house music proper but is no less appealing for doing so.
Given the jazzy vibe of “It Never Stops,” it's fitting that Benji B once deemed Tatham the "Herbie Hancock of the United Kingdom.” Regarded as one of the originators of the Broken Beat sound, the UK-based multi-instrumentalist has worked with many an artist, from Bugz In The Attic and The Herbaliser to DJ Jazzy Jeff, and his session work credits list Slum Village, Amy Winehouse, Soul II Soul, and others. His own discography includes EPs and releases for labels such as 2000 Black, First World Records, Theo Parrish's Sound Signature, Eglo Records, and now, of course, Yore.
“It Never Stops” rolls in on a wave of silky synthesizer textures and percolating precision with a tight, funky groove that instantly pulls you into its velvety world. Triangles, electric bass, and clavinet add collective radiance to the material as the tune struts its way into your psyche. As if to make the jazz connection even more explicit, Tatham works an acoustic piano solo into the cut's second half before shifting focus back to the groove for the coda. “One for the Brain,” by comparison, digs into its chugging house pulse with fervour whilst also sweetening the arrangement with painterly synth flourishes. This one charges with breathless determination and like “It Never Stops” nods in jazz's direction with the inclusion of a freewheeling piano solo. Every minute and second on this strictly limited 12“ release seem's meaningful.
More
Genre: House, Jazz, Breaks, Electronic, Beatdown,
Tracklist 12":
A1. It never Stops 06:40
B1. One For The Brain 06:36
Release Info:
Imagine a held-up-in-traffic Wayne Shorter arriving late to a Weather Report studio session and Joe Zawinul, Victor Bailey, and Omar Hakim filling in the time by jamming on a grooving house cut. Had that happened, it might have sounded a little bit like “It Never Stops,” one of two ultra-fresh tracks on Kaidi Tatham's Yore debut. Jazz and house are obviously distinct genres, yet as this irresistible cut makes clear swing is common to both. The other track, the cerebrally titled “One for the Brain,” locates itself closer to house music proper but is no less appealing for doing so.
Given the jazzy vibe of “It Never Stops,” it's fitting that Benji B once deemed Tatham the "Herbie Hancock of the United Kingdom.” Regarded as one of the originators of the Broken Beat sound, the UK-based multi-instrumentalist has worked with many an artist, from Bugz In The Attic and The Herbaliser to DJ Jazzy Jeff, and his session work credits list Slum Village, Amy Winehouse, Soul II Soul, and others. His own discography includes EPs and releases for labels such as 2000 Black, First World Records, Theo Parrish's Sound Signature, Eglo Records, and now, of course, Yore.
“It Never Stops” rolls in on a wave of silky synthesizer textures and percolating precision with a tight, funky groove that instantly pulls you into its velvety world. Triangles, electric bass, and clavinet add collective radiance to the material as the tune struts its way into your psyche. As if to make the jazz connection even more explicit, Tatham works an acoustic piano solo into the cut's second half before shifting focus back to the groove for the coda. “One for the Brain,” by comparison, digs into its chugging house pulse with fervour whilst also sweetening the arrangement with painterly synth flourishes. This one charges with breathless determination and like “It Never Stops” nods in jazz's direction with the inclusion of a freewheeling piano solo. Every minute and second on this strictly limited 12“ release seem's meaningful.
More
1
RekaB - Soulful Season 05:58
2
RekaB - My Future and My Past 06:14
3
RekaB - Raw Note 05:43
4
RekaB - Bad Nights Better Nights – 06:43
Deep Techno / Techno / Detroit Techno / Deep House
12", Strictly limited to 250 Copies worldwide (no repress). Grab yours while they last.
Tracklist:
A1. RekaB - Soulful Season 05:58
A2. RekaB – My Future and My Past 06:14
B1. RekaB – Raw Note 05:43
B2. RekaB – Bad Nights Better Nights – 06:43
Yore is on something like a roll at the moment. Think of Kaidi Tatham's "It never Stops EP", or the much acclaimed version of Frankie Knuckles Tears by Chicago's Elbert Philips & Andre Espeut or the recent series of classic Detroit Techno Ep's by our very own P0lyrhythm. A lot is to be expected with having had these under our belts. But as you'd expect, we draw out quick, faster than Lucky Luke's shadow - this time with a deep as its gets Techno EP by ReKaB.
It's easy to forget that, at its core, Techno hopes for a better future. This new four-track EP of connoisseur-grade repetitive beats from ReKaB (AKA James Baker) reminds us of this with a reverent nod to the past and a look forward to a human-centred tomorrow.
Tradition is a big part of the ReKaB sound. Classic timbres run through all the tracks, but what James does so well is how he deploys and contrasts the elements. Piano chords layer late-night soul over syncopated bass. Comforting strings and ethereal pads upgrade your consciousness while your body remains rooted by Techno City square waves. Call and response between acid lines and synth patterns feel like the machines interact, whilst the ever-present 909 thump adds the all-important dance floor framework.
Throughout the whole EP, ReKaB shows deep knowledge and respect for the art form, proving he is no less than a master of the craft.
Strictly limited to 250 Copies worldwide (no repress). Grab yours while they last.
More
12", Strictly limited to 250 Copies worldwide (no repress). Grab yours while they last.
Tracklist:
A1. RekaB - Soulful Season 05:58
A2. RekaB – My Future and My Past 06:14
B1. RekaB – Raw Note 05:43
B2. RekaB – Bad Nights Better Nights – 06:43
Yore is on something like a roll at the moment. Think of Kaidi Tatham's "It never Stops EP", or the much acclaimed version of Frankie Knuckles Tears by Chicago's Elbert Philips & Andre Espeut or the recent series of classic Detroit Techno Ep's by our very own P0lyrhythm. A lot is to be expected with having had these under our belts. But as you'd expect, we draw out quick, faster than Lucky Luke's shadow - this time with a deep as its gets Techno EP by ReKaB.
It's easy to forget that, at its core, Techno hopes for a better future. This new four-track EP of connoisseur-grade repetitive beats from ReKaB (AKA James Baker) reminds us of this with a reverent nod to the past and a look forward to a human-centred tomorrow.
Tradition is a big part of the ReKaB sound. Classic timbres run through all the tracks, but what James does so well is how he deploys and contrasts the elements. Piano chords layer late-night soul over syncopated bass. Comforting strings and ethereal pads upgrade your consciousness while your body remains rooted by Techno City square waves. Call and response between acid lines and synth patterns feel like the machines interact, whilst the ever-present 909 thump adds the all-important dance floor framework.
Throughout the whole EP, ReKaB shows deep knowledge and respect for the art form, proving he is no less than a master of the craft.
Strictly limited to 250 Copies worldwide (no repress). Grab yours while they last.
More
1
Elbert Philips & Andre Espeut - Tears (Acid Dub)
2
Elbert Philips & Andre Espeut - Tears (Sinsay Reprise)
3
Elbert Philips & Andre Espeut - Tears (Loving Tribute Instrumental)
4
Elbert Philips & Andre Espeut - Tears (Andrew Emil's Dreamix)
12", strictly limited to 300 copies, no repress!
Genre: Deep House / Soulfull House / Acid House / Vocal House / Chicago House
Tracklist:
A1. Tears (Acid Dub)
A2. Tears (Sinsay Reprise)
B1. Tears (Loving Tribute Instrumental)
B2. Tears (Andrew Emil's Dreamix)
More
Genre: Deep House / Soulfull House / Acid House / Vocal House / Chicago House
Tracklist:
A1. Tears (Acid Dub)
A2. Tears (Sinsay Reprise)
B1. Tears (Loving Tribute Instrumental)
B2. Tears (Andrew Emil's Dreamix)
More
1
Shaka - Cosmic Bossa 09:28
2
Shaka - Days of Life 07:22
3
Shaka - Our Instinct 06:20
Genre: Deep House / Soulful House / Bossanova / Detroit House
Tracklist 12":
A1. Cosmic Bossa 09:28
B1. Days of Life 07:22
B2. Our Instinct 06:20
Release Info:
Shaka of the Vibes and Grooves imprint with releases on Local Talk and forthcoming EP on Kai Alce's NDATL, debuts on Yore with a Bossa Nova Deep House masterpiece and classic soulful jazzy deep house on the flip. Not to be missed as this will sell out real quick as only very limited copies available. NO REPRESS.
More
Tracklist 12":
A1. Cosmic Bossa 09:28
B1. Days of Life 07:22
B2. Our Instinct 06:20
Release Info:
Shaka of the Vibes and Grooves imprint with releases on Local Talk and forthcoming EP on Kai Alce's NDATL, debuts on Yore with a Bossa Nova Deep House masterpiece and classic soulful jazzy deep house on the flip. Not to be missed as this will sell out real quick as only very limited copies available. NO REPRESS.
More
1
P0lyrhythm - 313 Hazy Days 06:55
2
P0lyrhythm - Shimmering Lights 07:27
3
P0lyrhythm - Motor City Dreams 07:41
4
P0lyrhythm - X-Ray Eyes 05:25
Genre: Detroit Techno, Techno, Soulful Techno
Tracklist 12":
A1. 313 Hazy Days 06:55
A2. Shimmering Lights 07:27
B1. Motor City Dreams 07:41
B2. X-Ray Eyes 05:25
More
Tracklist 12":
A1. 313 Hazy Days 06:55
A2. Shimmering Lights 07:27
B1. Motor City Dreams 07:41
B2. X-Ray Eyes 05:25
More
1
Artispure Feat. The Remedy - Chicago Underground (Andrew Emil Dreamix)
2
Change Request - Sunday's Best (Andrew Emil Dreamix)
3
Elbert Phillips, Andre Espeut - Sunlight (Andrew Emil Dreamix)
Genre: Chicago House, House, Deep House, Jazzy House
Tracklist 12":
A1. Artispure Feat. The Remedy - Chicago Underground (Andrew Emil Dreamix)
B1. Change Request - Sunday's Best (Andrew Emil Dreamix)
B2. Elbert Phillips, Andre Espeut - Sunlight (Andrew Emil Dreamix)
Release Info:
Chicago house producer Andrew Emil (aka Change Request) joins Andy Vaz's Yore label. House music that comes directly from the source – That is Chicago, IL.
The “Nite Dreams” release features remixes (called here Dreamixes) by Emil of one of his own Change Request productions and two by other artists.
The three lustrous Dreamixes on Emil's Nite Dreams are, put simply, irresistible. Chicago-based music collective Artispure (feat. The Remedy) opens the release with the enticingly swinging “Chicago Underground,” its dynamic house groove sprinkled with claps, chunky synth chords, slick hi-hat accents, and soulful vocal interjections. Made over by Emil, the tune's straight-up fabulous. The snappy Change Request production “Sunday's Best” glides breezily on a tropical wave of claps, a skipping house groove, and gentle melodic figures that give the music a nostalgic, even plaintive quality. The closing cut, Emil's soulful treatment of “Sunlight” by native Chicagoan Elbert Phillips and singer Andre Espeut, shows no drop-off. With a snare-popping groove driving the tune and Espeut laying a beautiful vocal across the percolating backdrop, “Sunlight” rivals the other two tracks for quality and appeal. Vaz keeps bringing them strong.
More
Tracklist 12":
A1. Artispure Feat. The Remedy - Chicago Underground (Andrew Emil Dreamix)
B1. Change Request - Sunday's Best (Andrew Emil Dreamix)
B2. Elbert Phillips, Andre Espeut - Sunlight (Andrew Emil Dreamix)
Release Info:
Chicago house producer Andrew Emil (aka Change Request) joins Andy Vaz's Yore label. House music that comes directly from the source – That is Chicago, IL.
The “Nite Dreams” release features remixes (called here Dreamixes) by Emil of one of his own Change Request productions and two by other artists.
The three lustrous Dreamixes on Emil's Nite Dreams are, put simply, irresistible. Chicago-based music collective Artispure (feat. The Remedy) opens the release with the enticingly swinging “Chicago Underground,” its dynamic house groove sprinkled with claps, chunky synth chords, slick hi-hat accents, and soulful vocal interjections. Made over by Emil, the tune's straight-up fabulous. The snappy Change Request production “Sunday's Best” glides breezily on a tropical wave of claps, a skipping house groove, and gentle melodic figures that give the music a nostalgic, even plaintive quality. The closing cut, Emil's soulful treatment of “Sunlight” by native Chicagoan Elbert Phillips and singer Andre Espeut, shows no drop-off. With a snare-popping groove driving the tune and Espeut laying a beautiful vocal across the percolating backdrop, “Sunlight” rivals the other two tracks for quality and appeal. Vaz keeps bringing them strong.
More
1
P0lyrhythm - 1. Starlink 07:07
2
P0lyrhythm - 2. Belleville Dawn 06:13
3
P0lyrhythm - 3. Spaceport Saturn 09:10
4
P0lyrhythm - 4. Techno Boulevard 06:15
Genre: Detroit Techno, Techno, Soulful Techno, Hightech Soul, Detroit
Tracklist 12":
1. Starlink 07:07
2. Belleville Dawn 06:13
3. Spaceport Saturn 09:10
4. Techno Boulevard 06:15
Classic Detroit Techno like they don't make it anymore.
One for all 313 fanatics.
More
Tracklist 12":
1. Starlink 07:07
2. Belleville Dawn 06:13
3. Spaceport Saturn 09:10
4. Techno Boulevard 06:15
Classic Detroit Techno like they don't make it anymore.
One for all 313 fanatics.
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1
Sebastian Gummersbach - Rough Edges (05:09)
2
Sebastian Gummersbach - Calming Solitude (05:50)
3
Sebastian Gummersbach - Eden (06:11)
4
Sebastian Gummersbach - Undisclosed Thoughts (04:54)
Genre: Deep House, House, Detroit House , Soulful House, Acid House, Garage House
Tracklist 12":
1. Rough Edges 05:09
2. Calming Solitude 05:50
3. Eden 06:11
4. Undisclosed Thoughts 04:54
Release Info:
Sebastian Gummersbach's Yore debut brings with it a further refinement of the material he's created for the German label Raw Soul. It specializes in material infusing modern house and techno grooves with flavourings of jazz, funk, and soul, the result a timeless take on house music. Anyone who's been keeping tabs on Andy Vaz's Yore releases will realize immediately that the same description could be applied to his imprint.
Given all that, it's easy to understand why Gummersbach, a producer hailing from Neuss, Germany, is such a natural fit for Yore. There's no small amount of artistry in play in the EP's four tracks, each one arguing strongly on behalf of his skills as an arranger and mood shaper. No cut better shows that than the opening “Rough Edges,” which is, frankly, anything but rough. He builds the arrangement methodically, starting with warm, billowing washes and then layering in step-by-step dub atmospherics, a strutting house pulse, congas, and synth ear-worms—a seductively smooth intro to the release.Gummersbach might have been listening to Hall and Oates's “I Can't Go for That (No Can Do)” prior to crafting “Calming Solitude” when the latter sounds so much like a clubby instrumental riff on the hit. Here too silky chords and synth textures merge with a rousing beat pattern to draw listeners to the dance floor.
On the flip side, “Eden” initially changes things up with a classic B-Boy beat and handclaps, but the tune gradually aligns itself to the character of the EP's other body-movers, even if acid-tinged synths become part of the mix. Closing out the release is the most techno-oriented of the four cuts, “Undisclosed Thoughts,” acid once again central to the track's identity and the chugging groove frothy. The word Eden naturally calls to mind the Biblical paradise, and consistent with that the tone of Gummersbach's EP, its A-side cuts especially, is generally smooth, serene, and harmonious; it's also, as stated, a seamless addition to the Yore catalogue.
More
Tracklist 12":
1. Rough Edges 05:09
2. Calming Solitude 05:50
3. Eden 06:11
4. Undisclosed Thoughts 04:54
Release Info:
Sebastian Gummersbach's Yore debut brings with it a further refinement of the material he's created for the German label Raw Soul. It specializes in material infusing modern house and techno grooves with flavourings of jazz, funk, and soul, the result a timeless take on house music. Anyone who's been keeping tabs on Andy Vaz's Yore releases will realize immediately that the same description could be applied to his imprint.
Given all that, it's easy to understand why Gummersbach, a producer hailing from Neuss, Germany, is such a natural fit for Yore. There's no small amount of artistry in play in the EP's four tracks, each one arguing strongly on behalf of his skills as an arranger and mood shaper. No cut better shows that than the opening “Rough Edges,” which is, frankly, anything but rough. He builds the arrangement methodically, starting with warm, billowing washes and then layering in step-by-step dub atmospherics, a strutting house pulse, congas, and synth ear-worms—a seductively smooth intro to the release.Gummersbach might have been listening to Hall and Oates's “I Can't Go for That (No Can Do)” prior to crafting “Calming Solitude” when the latter sounds so much like a clubby instrumental riff on the hit. Here too silky chords and synth textures merge with a rousing beat pattern to draw listeners to the dance floor.
On the flip side, “Eden” initially changes things up with a classic B-Boy beat and handclaps, but the tune gradually aligns itself to the character of the EP's other body-movers, even if acid-tinged synths become part of the mix. Closing out the release is the most techno-oriented of the four cuts, “Undisclosed Thoughts,” acid once again central to the track's identity and the chugging groove frothy. The word Eden naturally calls to mind the Biblical paradise, and consistent with that the tone of Gummersbach's EP, its A-side cuts especially, is generally smooth, serene, and harmonious; it's also, as stated, a seamless addition to the Yore catalogue.
More
1
DUBrazil - Untitled 1 (07:10)
2
DUBrazil - Untitled 2 (07:34)
3
Jordan Fields - Wanna Feel The Music (Piano Mix) (05:39)
4
Tracky Disco - Keep It Going (05:15)
5
Afrolectro - Needs Love 06:20
Genre: Chicago House, House, Deep House, Jazzy House, Disco-House
Tracklist 12":
A1. DUBrazil – Untitled 1 07:10
A2. DUBrazil – Untitled 2 07:34
B1. Jordan Fields – Wanna Feel The Music (Piano Mix) 05:39
B2. Tracky Disco – Keep It Going 05:15
B3. Afrolectro – Needs Love 06:20
More
Tracklist 12":
A1. DUBrazil – Untitled 1 07:10
A2. DUBrazil – Untitled 2 07:34
B1. Jordan Fields – Wanna Feel The Music (Piano Mix) 05:39
B2. Tracky Disco – Keep It Going 05:15
B3. Afrolectro – Needs Love 06:20
More
Genre: Deep House, House, Detroit House , Soulful House, Vocal House, Acid House, Garage House
Tracklist 12":
1. Better Daze 07:42
2. Your Time 05:51
3. Dance 07:28
4. Inner Monologue 07:35
Release Info:
We return with the second Glenn Davis” 12”, a year on from his last Yore twelve-inch “Soul On My Side”, Dublin-based DJ and producer Glenn Davis returns with its sequel, the as-stellar Better Daze. The EP's melodic, soulful sound. The dynamic title cut locks in instantly with a pumping kick drum and builds layer by layer thereafter. Percussion, hi-hats, electric piano chords, and synthesizers add to the thrust of the production as it grows ever more urgent. As the track advances, Davis drapes a jazzy keyboard solo across the booming base as the swing swells to a near-ecstatic level. “Your Time” rounds out the A-side with a cut that suggests pure energy at its outset before quickly morphing into a sleek house strut. With percussion included and late-night synth atmospherics folded in, the breezy tune starts to sound like something you'd hear banging out on the Dancefloor thats surrounding you.
On the flip, Davis brings the skipping house groove of "Inner Monologue” to a fever while. Moody chords, hand drums, and a snappy groove set the scene. The female vocalist's soulful delivery and vibes-like earworm that make the tune the standout it is. Think of a dark Room and a red light bulb & House Music forever and a day.
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Tracklist 12":
1. Better Daze 07:42
2. Your Time 05:51
3. Dance 07:28
4. Inner Monologue 07:35
Release Info:
We return with the second Glenn Davis” 12”, a year on from his last Yore twelve-inch “Soul On My Side”, Dublin-based DJ and producer Glenn Davis returns with its sequel, the as-stellar Better Daze. The EP's melodic, soulful sound. The dynamic title cut locks in instantly with a pumping kick drum and builds layer by layer thereafter. Percussion, hi-hats, electric piano chords, and synthesizers add to the thrust of the production as it grows ever more urgent. As the track advances, Davis drapes a jazzy keyboard solo across the booming base as the swing swells to a near-ecstatic level. “Your Time” rounds out the A-side with a cut that suggests pure energy at its outset before quickly morphing into a sleek house strut. With percussion included and late-night synth atmospherics folded in, the breezy tune starts to sound like something you'd hear banging out on the Dancefloor thats surrounding you.
On the flip, Davis brings the skipping house groove of "Inner Monologue” to a fever while. Moody chords, hand drums, and a snappy groove set the scene. The female vocalist's soulful delivery and vibes-like earworm that make the tune the standout it is. Think of a dark Room and a red light bulb & House Music forever and a day.
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L.D.F. & Javonntte - 1. How We Groove 05:48
2
L.D.F. & Javonntte - 2. From Day to Night 6:53
3
L.D.F. & Javonntte - 3. Believe 05:50
Genre: Deep House, House, Detroit House, Soulful House
Tracklist 12":
1. How We Groove 05:48
2. From Day to Night 6:53
3. Believe 05:50
Release Info:
With How We Groove, Lello Di Franco (L.D.F.) and Brian Garrett (Javonntte) pair up for a prototypical Yore release, a high-quality affair that's natural clubby yet also artful. Di Franco's an Italian DJ and producer who's based in Naples and whose career began in the early '90s; Garrett, on the other hand, hails from Detroit and has been creating material for almost as long. Their respective output locates itself solidly in house and techno but extends into soul, funk, and jazz areas too. Said gravitations aren't mere flirtations either; Garrett's interest in jazz began in high school, and when he was fifteen or so the aspiring musician even had a month's worth of lessons in the mid-'80s with-wait for it-Miles Davis (Garrett's mom apparently had connections). Associations with Aretha Franklin, Blake Baxter, and others surface in his history-but that's for another time.
All three tracks qualify as dance productions but satisfy equally well on pure listening grounds. While a strong '80s vibe initially oozes from "Believe" in the electronic drum fills that get it moving, the cut quickly settles into a light-speed groove that percolates with single-minded determination. The richly detailed arrangement shape-shifts rapidly: at one moment, syncopated piano chords give the track a classic house feel; at another synthesizer flourishes and bass pulses lend it a sleek, sci-fi quality as the material thrusts breathlessly forward. The less frenetic "From Day to Night" is earthier and funkier though no less artful. As a punchy bottom end establishes an infectious house vibe (with a bit of jazz swing also in the mix), see-sawing vocal elements and bubbly synthesizer touches elevate the track to a headier 'listening' realm. At first it seems as if the title track might venture into gospel territory, what with organ and piano dominating the intro, but soon enough the tune brands itself as a swaggering house cut, albeit one replete with funky drop-outs and trippy vocal effects. No matter how adventurous and experimental the material gets, pumping bass drums and swishing pulses ensure the tracks never lose their identity as floor-fillers.
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Tracklist 12":
1. How We Groove 05:48
2. From Day to Night 6:53
3. Believe 05:50
Release Info:
With How We Groove, Lello Di Franco (L.D.F.) and Brian Garrett (Javonntte) pair up for a prototypical Yore release, a high-quality affair that's natural clubby yet also artful. Di Franco's an Italian DJ and producer who's based in Naples and whose career began in the early '90s; Garrett, on the other hand, hails from Detroit and has been creating material for almost as long. Their respective output locates itself solidly in house and techno but extends into soul, funk, and jazz areas too. Said gravitations aren't mere flirtations either; Garrett's interest in jazz began in high school, and when he was fifteen or so the aspiring musician even had a month's worth of lessons in the mid-'80s with-wait for it-Miles Davis (Garrett's mom apparently had connections). Associations with Aretha Franklin, Blake Baxter, and others surface in his history-but that's for another time.
All three tracks qualify as dance productions but satisfy equally well on pure listening grounds. While a strong '80s vibe initially oozes from "Believe" in the electronic drum fills that get it moving, the cut quickly settles into a light-speed groove that percolates with single-minded determination. The richly detailed arrangement shape-shifts rapidly: at one moment, syncopated piano chords give the track a classic house feel; at another synthesizer flourishes and bass pulses lend it a sleek, sci-fi quality as the material thrusts breathlessly forward. The less frenetic "From Day to Night" is earthier and funkier though no less artful. As a punchy bottom end establishes an infectious house vibe (with a bit of jazz swing also in the mix), see-sawing vocal elements and bubbly synthesizer touches elevate the track to a headier 'listening' realm. At first it seems as if the title track might venture into gospel territory, what with organ and piano dominating the intro, but soon enough the tune brands itself as a swaggering house cut, albeit one replete with funky drop-outs and trippy vocal effects. No matter how adventurous and experimental the material gets, pumping bass drums and swishing pulses ensure the tracks never lose their identity as floor-fillers.
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1
DJ Compufunk - 1. Inner Vision 07:15
2
DJ Compufunk - 2. Abyss (06:03)
3
DJ Compufunk - 3. Midnight Sky (06:24)
4
DJ Compufunk - 4. Mind Power (6:04)
Genre: Deep House, House, Detroit Techno Detroit House, Techno
Tracklist 12":
1. Inner Vision 07:15
2. Abyss 06:03
3. Midnight Sky 06:24
4. Mind Power 6:04
Tracklist:
Inner Vision also features four cuts, these courtesy of DJ Compufunk, aka Nao from Osaka. He's the founder of Compufunk Records (the longest-running record shop for House and Techno in Japan) and, as the four solidly crafted tracks show, an experienced producer in his own right. The vertigo-inducing title track struts aggressively with a high-velocity swing peppered by tinkling synth accents and acidy squelches, after which “Abyss” cools the pace for a sexier House style (a swishing drum machine detail even gives the cut a rather Kraftwerk-like tinge). On the flip, “Midnight Sky” grooves as boldly, this time with a smattering of Garage worked into its swing and chiming synths brightening the mix, while “Mind Power” changes things up with a swirling bottom end that's so dizzying it's positively gyroscopic. Dj Compufunk sn't averse to packing his productions with layers of dizzying detail, and as a result the stimulation level remains high throughout. Strictly limited 250 copies.
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Tracklist 12":
1. Inner Vision 07:15
2. Abyss 06:03
3. Midnight Sky 06:24
4. Mind Power 6:04
Tracklist:
Inner Vision also features four cuts, these courtesy of DJ Compufunk, aka Nao from Osaka. He's the founder of Compufunk Records (the longest-running record shop for House and Techno in Japan) and, as the four solidly crafted tracks show, an experienced producer in his own right. The vertigo-inducing title track struts aggressively with a high-velocity swing peppered by tinkling synth accents and acidy squelches, after which “Abyss” cools the pace for a sexier House style (a swishing drum machine detail even gives the cut a rather Kraftwerk-like tinge). On the flip, “Midnight Sky” grooves as boldly, this time with a smattering of Garage worked into its swing and chiming synths brightening the mix, while “Mind Power” changes things up with a swirling bottom end that's so dizzying it's positively gyroscopic. Dj Compufunk sn't averse to packing his productions with layers of dizzying detail, and as a result the stimulation level remains high throughout. Strictly limited 250 copies.
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Niko Marks - 1. Reach Out
2
Niko Marks - 2. Against Violance
3
Niko Marks - 3. Good Bye
4
Niko Marks - 4. You will see the Light
Genre: Deep House, House, Detroit House , Soulful House, Vocal House, Acid House
1. Reach Out
2. Against Violance
3. Good Bye
4. You will see the Light
Release Info:
Detroit's Niko Marks brings the Heat as always. Here on Yore-039 he delivers 4 Soulful House Tracks, covering a wide range of styles. From Deep, Soulful to Acid-Inspired driving Vocal Tracks. It's all there. Strictly limited to 250 copies. Grab them while they last & File under: House music that only Detroit can do.
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1. Reach Out
2. Against Violance
3. Good Bye
4. You will see the Light
Release Info:
Detroit's Niko Marks brings the Heat as always. Here on Yore-039 he delivers 4 Soulful House Tracks, covering a wide range of styles. From Deep, Soulful to Acid-Inspired driving Vocal Tracks. It's all there. Strictly limited to 250 copies. Grab them while they last & File under: House music that only Detroit can do.
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GLENN DAVIS - 1. Soul On My Side
2
GLENN DAVIS - 2. Enter Slowly
3
GLENN DAVIS - 3. All Or Nothing
4
GLENN DAVIS - 4. Small Steps
Genre: Deep House, House, Disco, Nu-Disco, Detroit House
Tracklist 12":
1. Soul On My Side
2. Enter Slowly
3. All Or Nothing
4. Small Steps
Release Info:
Yore welcomes Glenn Davis to the Label, who delivers four various yet classic New York inspired Garage House tracks at it's best here – 4 Tracks that are so close to perfection, that this fine 12” will easily make It into all true Deep House Soldiers crates. Music that is so timeless, it can never go out of style. Get your copy while they last. No Represses on this strictly limited 250 copies release.
More
Tracklist 12":
1. Soul On My Side
2. Enter Slowly
3. All Or Nothing
4. Small Steps
Release Info:
Yore welcomes Glenn Davis to the Label, who delivers four various yet classic New York inspired Garage House tracks at it's best here – 4 Tracks that are so close to perfection, that this fine 12” will easily make It into all true Deep House Soldiers crates. Music that is so timeless, it can never go out of style. Get your copy while they last. No Represses on this strictly limited 250 copies release.
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Deep Invention Orchestra - Paradise (Dub Mix)
Repress!
Best dig out a bona fide gem from the early days of Italian house music - a one-shot hit from the masterful minds of Alex Neri and Marco Baroni that originally surfaced in 1992 on Adriatic Club. This sunkissed classic has everything a deep house cut should - smooth piano, a splash of diva vocals, and feel-good vibes oozing from every pore. For our money the "Deep Jungle Mix" is the one - a smouldering swinger that will draw you in and keep you warm at night, but whichever twist on the '90s styles you prefer this record has got you covered. More
Best dig out a bona fide gem from the early days of Italian house music - a one-shot hit from the masterful minds of Alex Neri and Marco Baroni that originally surfaced in 1992 on Adriatic Club. This sunkissed classic has everything a deep house cut should - smooth piano, a splash of diva vocals, and feel-good vibes oozing from every pore. For our money the "Deep Jungle Mix" is the one - a smouldering swinger that will draw you in and keep you warm at night, but whichever twist on the '90s styles you prefer this record has got you covered. More
1
M.A.D Productions Featuring Carroll Thom - Too Late (Deep Vocal Mix)
2
M.A.D Productions Featuring Carroll Thom - Too Late (Underground Dub)
Pure UKG gold from ’98, as the masterful M.A.D Productions aka M.J. Cole and Darryl 'B' joined forces with the queen Carroll Thompson to produce the highly sought after underground cut ‘Too Late’. With originals selling for £90+ it’s about time a remastered, reissue hit the racks.
Providing a snapshot into the explosion of UKG across the country in the late ‘90s, a melting pot that bubbled up so many classics in its heyday, ‘Too Late’ is straight up, soulful UKG perfection. The ‘Deep Vocal Mix’ lays Thompson’s slick, sensuous vocals over a skippy bumper of a beat, subby bassline and sublime pads. Peaktime, warm-up or warm-down this is an unquestionable garage groover.
Take to the flip for the ‘Underground Dub’. The duo chop up the vocals in trademark style, turn the swing and skip of those hats up to the max, whilst wobbling and weaving soulful stabs to create a 4x4 heater that is guaranteed to have hands drawing for wheel-ups left, right and centre. More
Providing a snapshot into the explosion of UKG across the country in the late ‘90s, a melting pot that bubbled up so many classics in its heyday, ‘Too Late’ is straight up, soulful UKG perfection. The ‘Deep Vocal Mix’ lays Thompson’s slick, sensuous vocals over a skippy bumper of a beat, subby bassline and sublime pads. Peaktime, warm-up or warm-down this is an unquestionable garage groover.
Take to the flip for the ‘Underground Dub’. The duo chop up the vocals in trademark style, turn the swing and skip of those hats up to the max, whilst wobbling and weaving soulful stabs to create a 4x4 heater that is guaranteed to have hands drawing for wheel-ups left, right and centre. More
UPC: 827170531260 Release : 30.04.2014
Tracklist: A1. Intrinsic A2. Flow Theory B1. Power
Yore returns with the first appearance on the label this year with the Edinburgh-based outfit 2DeepSoul, which counts Brad Peterson and Rai Scott as it’s members. You can find other music by 2DeepSoul on AMR, Minuendo, and Deep Explorer. The two bring a wealth of experience to the project: Peterson has been DJing and producing music since the early 90s. Since 2011 he has appeared on labels such as MacIntosh Music, Moods and Grooves, and more recently working with other labels such as Contrast Wax, 7th Sign, Hotmix and Monochromatic, as well as their own Inner Shift Music imprint. His musical influences include deep house, Detroit techno, UK techno / electronic music, as well as 60s – 70s jazz. Like Peterson, Scott established herself as a DJ before issuing her first release (under the Serendipity name) on Berlin’s Mixomat Recordings in 2008 and followed it up with music more recently on Ornate, Batti Batti, and their own Inner Shift Music imprint as well. She shares with Peterson a love for UK electronic music, Detroit techno as well as early Chicago and UK house. The opening cut Intrinsic‚ spotlights everything that makes 2DeepSoul’s sound so appealing – synth treatments that lend the music a dreamily atmospheric quality, and melodies that warble like some lazer beam in from a distant galaxy. Best of all, the cut draws together elements from a number of genres but does so in a way that feels seamless. A little more straightforward by comparison are Flow Theory, which derives its impetus from a chugging house groove and a organ solo; and Power, which brings the duo’s dreamier side to the forefront in the tune’s enveloping production and warm deep house vibe. All tracks are relatively straightforward, which makes them both dj-friendly and equally satisfying on listening grounds.
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Tracklist: A1. Intrinsic A2. Flow Theory B1. Power
Yore returns with the first appearance on the label this year with the Edinburgh-based outfit 2DeepSoul, which counts Brad Peterson and Rai Scott as it’s members. You can find other music by 2DeepSoul on AMR, Minuendo, and Deep Explorer. The two bring a wealth of experience to the project: Peterson has been DJing and producing music since the early 90s. Since 2011 he has appeared on labels such as MacIntosh Music, Moods and Grooves, and more recently working with other labels such as Contrast Wax, 7th Sign, Hotmix and Monochromatic, as well as their own Inner Shift Music imprint. His musical influences include deep house, Detroit techno, UK techno / electronic music, as well as 60s – 70s jazz. Like Peterson, Scott established herself as a DJ before issuing her first release (under the Serendipity name) on Berlin’s Mixomat Recordings in 2008 and followed it up with music more recently on Ornate, Batti Batti, and their own Inner Shift Music imprint as well. She shares with Peterson a love for UK electronic music, Detroit techno as well as early Chicago and UK house. The opening cut Intrinsic‚ spotlights everything that makes 2DeepSoul’s sound so appealing – synth treatments that lend the music a dreamily atmospheric quality, and melodies that warble like some lazer beam in from a distant galaxy. Best of all, the cut draws together elements from a number of genres but does so in a way that feels seamless. A little more straightforward by comparison are Flow Theory, which derives its impetus from a chugging house groove and a organ solo; and Power, which brings the duo’s dreamier side to the forefront in the tune’s enveloping production and warm deep house vibe. All tracks are relatively straightforward, which makes them both dj-friendly and equally satisfying on listening grounds.
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Detroit's Topher Horn joins the Yore-Family. Bringing 4 Deep-House / Beatdown Tracks which only Detroit can do!
Genre: Deep House, House, Disco, Nu-Disco, Detroit House
Tracklist 12":
A1. From the Stars (06:44)
A2. Fall in Love (06:56)
B1. Milos (06:35)
B2. Projections (06:43)
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Genre: Deep House, House, Disco, Nu-Disco, Detroit House
Tracklist 12":
A1. From the Stars (06:44)
A2. Fall in Love (06:56)
B1. Milos (06:35)
B2. Projections (06:43)
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1
the one o ones - Radio Cosmo 101 (Disco Version)
2
the one o ones - Vocal
3
the one o ones - Instrumental
Repress!
When The One ''O'' Ones originally released Radio Cosmo Disco back in 1977 it was confined to 7'', which is no place for such majestic cosmic groove exploration. Now Best Record are continuing their quest to repress every hidden gem of Italian dance music and beyond, and they're doing ''Radio Cosmo 101'' the right way. The full ''Disco Version'' of the track gets to stretch out on a full 12'' side, and does so in a dreamy haze of feel good funk. You can still hear the radio edit on the flip, and the original instrumental jam is included for those who want to drift away on those sumptuous tones of the backing track More
When The One ''O'' Ones originally released Radio Cosmo Disco back in 1977 it was confined to 7'', which is no place for such majestic cosmic groove exploration. Now Best Record are continuing their quest to repress every hidden gem of Italian dance music and beyond, and they're doing ''Radio Cosmo 101'' the right way. The full ''Disco Version'' of the track gets to stretch out on a full 12'' side, and does so in a dreamy haze of feel good funk. You can still hear the radio edit on the flip, and the original instrumental jam is included for those who want to drift away on those sumptuous tones of the backing track More
1
Ilija Rudman - Anas Theme
2
Ilija Rudman - River Can't Wash My Tears Down
3
Ilija Rudman - In The End (Intermezzo Theme)
4
Ilija Rudman - Heroinas Atom Heart
5
Ilija Rudman - Dreams (Part I)
6
Ilija Rudman - Dreams (Part II)
180 Gram vinyl
Temples of Jura is proud to present ‘The Great Beyond’, the ninth studio album from Ilija Rudman. The concept of the album is the afterlife with words from Nikola Tesla, Slavoj Zizek, Jim Morrison, JF Kennedy, Charles De Gaulle, WH Auden, Azar Nafisi and Eleanor Roosevelt woven together to tell the story of ‘The Great Beyond’ and what may lie ahead for us all. The voice itself was created by Ai (let’s call him ERIC) and is set beautifully to music that has a timeless cinematic quality. Ilija only uses pure Analogue equipment in the creation of his music, resulting in a rich tapestry of basses, drums, chords and lead sounds. He’s been a prolific producer for over 20 years now with a discography that runs deep with more than 100 Vinyl EP releases and 8 studio albums, but we feel he’s reached the pinnacle with this concept album. We’ll leave the final word to ERIC “You gain strength, courage and confidence by every experience in which you really stop to look fear in the face.” More
Temples of Jura is proud to present ‘The Great Beyond’, the ninth studio album from Ilija Rudman. The concept of the album is the afterlife with words from Nikola Tesla, Slavoj Zizek, Jim Morrison, JF Kennedy, Charles De Gaulle, WH Auden, Azar Nafisi and Eleanor Roosevelt woven together to tell the story of ‘The Great Beyond’ and what may lie ahead for us all. The voice itself was created by Ai (let’s call him ERIC) and is set beautifully to music that has a timeless cinematic quality. Ilija only uses pure Analogue equipment in the creation of his music, resulting in a rich tapestry of basses, drums, chords and lead sounds. He’s been a prolific producer for over 20 years now with a discography that runs deep with more than 100 Vinyl EP releases and 8 studio albums, but we feel he’s reached the pinnacle with this concept album. We’ll leave the final word to ERIC “You gain strength, courage and confidence by every experience in which you really stop to look fear in the face.” More
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Dovie Cote' - My Desire
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Dovie Cote' - Change Lanes
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Dovie Cote' - My Desire (Quad In Blueblackness Change It)
4
Dovie Cote' - Change Lanes (Edit)
Alleviated Records is proud to present the Dovie Cote' EP as well as to present his first release with us. This collaboration has been years in the making & we hope you enjoy it as much as we enjoyed working on it. Right off the heels of "The Storm" EP, this two- track EP delivers soulful, funk feels with some surprise additional flavors. "My Desire "takes you on a deep atmospheric journey of yearning and delight with a soulful bubbling bed of jazzy & tribal undertones alongside Dovies' warm floating vocals. "Change Lanes" offers a urban-soul-funk style in the tradition of groups like Slave, Cameo or The Ohio Players. We hope you enjoy these selections at the club and at home for a long time to come. Musically Yours...
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Fascination - Out To Get You (Extended Version)
2
Fascination - Out To Get You (Massimo Berardi Edit)
3
Fascination - Out To Get You (Radio Version)
With the 12" vinyl reissue of Fascination made for Giancarlo Meo, the legendary producer of Easy Going, Vivien Vee, Capricorn, Amin-Peck, Steel Mind, Claudio Simonetti (aka Kasso) and many other artists, Best Record offers yet another excellent service for those who perhaps don't know they need it. Claudio Casalini 40 years ago was not only a record producer, but above all one of the most important DJ-clubs in Italy. He remembers well the cheering jet set audience in the elegant Roman lounges, with the dance floor packed with people vibrating to that fusion of disco, soul and funk sounds that characterized many Italo-Disco songs of those early Eighties. The three versions of "Out to Get You" contain all those sounds, but it is above all the version re-edited by the imaginative and passionate DJ Massimo Berardi that brings an important portion of musical restoration making it current, and therefore exciting and modern, absolutely suitable for dancing it again anywhere in the world.
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John Rocca - I Want it to Be Real (Late Nite Tuff Guy Edit)
2
John Rocca - I Want it to Be Real (Farley's Hot House Piano Mix)
An ‘80s dance classic from the legend John Rocca, gets a fresh new take from Aussie edit king Late Nite Tuff Guy alongside a remastered reissue of Chicago house royalty Farley 'Jackmaster' Funk’s 1987 Hot House Piano Remix.
The main man behind jazz funk favourites, Freeez, John Rocca took to the studio in ’84 and whipped up an electro-fied steamer in the form of ‘I Want It To Be Real’. Tantalizing synthwork, beefed up basslines, gated snares and pure ‘80s vocals, it’s a melting pot of influences with a catchiness that caused a serious stir.
This special double header of remixes kicks off with a brand new mix from Late Nite Tuff Guy. He builds up the brilliance with masterful effect, keeping the vocal in the back pocket till the final frontier whilst adding in some buttery new synth magic and deft filtering to the mix.
On the flip, Chicago house don Farley 'Jackmaster' Funk’s 1987 remix homes in on those blissful piano and vocal stabs for a dubbed out ‘Hot House Piano Mix’. Spiritual keys laid down with passion that will be sure to get any dancefloor hot under the collar. More
The main man behind jazz funk favourites, Freeez, John Rocca took to the studio in ’84 and whipped up an electro-fied steamer in the form of ‘I Want It To Be Real’. Tantalizing synthwork, beefed up basslines, gated snares and pure ‘80s vocals, it’s a melting pot of influences with a catchiness that caused a serious stir.
This special double header of remixes kicks off with a brand new mix from Late Nite Tuff Guy. He builds up the brilliance with masterful effect, keeping the vocal in the back pocket till the final frontier whilst adding in some buttery new synth magic and deft filtering to the mix.
On the flip, Chicago house don Farley 'Jackmaster' Funk’s 1987 remix homes in on those blissful piano and vocal stabs for a dubbed out ‘Hot House Piano Mix’. Spiritual keys laid down with passion that will be sure to get any dancefloor hot under the collar. More