Genre: Deep House / Detroit House

strictly limited to 300 copies

Tracklist 12":

A1. Rick Wade - Hustlers Lament 05:58

B1. Rick Wade - Shinjuku Strut 05:14
B2. Rick Wade – After Dark 05:55


Official re-issue of Rick Wade's Hustler's Lullaby, which was originally released in 2013 on Japanese Label: "Unknown Season". The record goes for 130 - 200 Bucks on Discogs, so we decided to make this available again. Strictly limited to 300 copies and no repress. Best to secure your copy for a regular price now, as they will go real quick due to heavy demand.
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strictly limited to 150 handstamped copies, no repress!

Genre: Acid House / Chicago House

Tracklist 12":
A1. Andy Vaz – Minimal Acid 07:10
A2. Andy Vaz - He Used To Be An Asian 07:24

B1. Andy Vaz - Imaginary Beings 07:19
B2. Andy Vaz – Still On Time 08:51

Official re-issue of Andy Vaz's 2012 “Imaginary Beings” EP originally released on Chiwax + Bonus track. Serge from Clone called this the best authentic Chicago Acid House heard in a long time – sounding like something Jack Frost (aka Adonis) would had made.

We don't have much to add to this. If you are looking for some real Chi-Style rough and raw acid house. THIS IS THE CLOSEST IT CAN GET. Comes as strictly 150 copies limited HANDSTAMPED EP.


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Genre: Detroit House, Soulful House, Deep House, Vocal House

Tracklist 12":

A1. Niko Marks - HERE IN PARADISE (Nile River Mix) 06:42

B1. Niko Marks - MODEST INTELLECT 06:53
B2. Niko Marks - ORGANIZED FUTURE 06:15

Detroit's Niko Marks with a Soulful Detroit House EP. Soulful,Jazzy, with vocals
so sweet, your soul's gonna hurt. Strictly limited to 250 copies, no repress.
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Detroit Techno / Deep Techno / Techno / Deep House

strictly limited to 250 copies, no repress!

Tracklist:
A1. P0lyrhythm – Android Dreams 07:13
A2. P0lyrhythm- First Contact 06:24

B1. P0lyrhyhm - Lake Michigan Breeze 05:49
B2. Andy Vaz – Detroit In Me (P0lyrhythm Remix) 05:37


P0lyrhythm returns with his outstanding Detroit Techno EP: Android Dreams, featuring a Remix of Andy Vaz's “Detroit in Me”, originally released in 2011 on his “Straight Vacationing” LP. If you are looking for early Detroit Techno influenced grooves, you're in the right place.

Strictly limited to 250 Copies worldwide (no repress). Grab yours while they last.
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Deep Techno / Techno / Detroit Techno / Deep House


12", Strictly limited to 250 Copies worldwide (no repress). Grab yours while they last.

Tracklist:
A1. RekaB - Soulful Season 05:58
A2. RekaB – My Future and My Past 06:14

B1. RekaB – Raw Note 05:43
B2. RekaB – Bad Nights Better Nights – 06:43


Yore is on something like a roll at the moment. Think of Kaidi Tatham's "It never Stops EP", or the much acclaimed version of Frankie Knuckles Tears by Chicago's Elbert Philips & Andre Espeut or the recent series of classic Detroit Techno Ep's by our very own P0lyrhythm. A lot is to be expected with having had these under our belts. But as you'd expect, we draw out quick, faster than Lucky Luke's shadow - this time with a deep as its gets Techno EP by ReKaB.

It's easy to forget that, at its core, Techno hopes for a better future. This new four-track EP of connoisseur-grade repetitive beats from ReKaB (AKA James Baker) reminds us of this with a reverent nod to the past and a look forward to a human-centred tomorrow.

Tradition is a big part of the ReKaB sound. Classic timbres run through all the tracks, but what James does so well is how he deploys and contrasts the elements. Piano chords layer late-night soul over syncopated bass. Comforting strings and ethereal pads upgrade your consciousness while your body remains rooted by Techno City square waves. Call and response between acid lines and synth patterns feel like the machines interact, whilst the ever-present 909 thump adds the all-important dance floor framework.

Throughout the whole EP, ReKaB shows deep knowledge and respect for the art form, proving he is no less than a master of the craft.
Strictly limited to 250 Copies worldwide (no repress). Grab yours while they last.

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12", strictly limited to 300 copies, no repress!

Genre: Deep House / Soulfull House / Acid House / Vocal House / Chicago House

Tracklist:

A1. Tears (Acid Dub)
A2. Tears (Sinsay Reprise)

B1. Tears (Loving Tribute Instrumental)
B2. Tears (Andrew Emil's Dreamix)

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Genre: Deep House / Soulful House / Bossanova / Detroit House

Tracklist 12":

A1. Cosmic Bossa 09:28
B1. Days of Life 07:22
B2. Our Instinct 06:20

Release Info:
Shaka of the Vibes and Grooves imprint with releases on Local Talk and forthcoming EP on Kai Alce's NDATL, debuts on Yore with a Bossa Nova Deep House masterpiece and classic soulful jazzy deep house on the flip. Not to be missed as this will sell out real quick as only very limited copies available. NO REPRESS.




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Genre: Detroit Techno, Techno, Soulful Techno

Tracklist 12":
A1. 313 Hazy Days 06:55
A2. Shimmering Lights 07:27

B1. Motor City Dreams 07:41
B2. X-Ray Eyes 05:25



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Genre: Chicago House, House, Deep House, Jazzy House

Tracklist 12":
A1. Artispure Feat. The Remedy - Chicago Underground (Andrew Emil Dreamix)

B1. Change Request - Sunday's Best (Andrew Emil Dreamix)
B2. Elbert Phillips, Andre Espeut - Sunlight (Andrew Emil Dreamix)

Release Info:
Chicago house producer Andrew Emil (aka Change Request) joins Andy Vaz's Yore label. House music that comes directly from the source – That is Chicago, IL.

The “Nite Dreams” release features remixes (called here Dreamixes) by Emil of one of his own Change Request productions and two by other artists.
The three lustrous Dreamixes on Emil's Nite Dreams are, put simply, irresistible. Chicago-based music collective Artispure (feat. The Remedy) opens the release with the enticingly swinging “Chicago Underground,” its dynamic house groove sprinkled with claps, chunky synth chords, slick hi-hat accents, and soulful vocal interjections. Made over by Emil, the tune's straight-up fabulous. The snappy Change Request production “Sunday's Best” glides breezily on a tropical wave of claps, a skipping house groove, and gentle melodic figures that give the music a nostalgic, even plaintive quality. The closing cut, Emil's soulful treatment of “Sunlight” by native Chicagoan Elbert Phillips and singer Andre Espeut, shows no drop-off. With a snare-popping groove driving the tune and Espeut laying a beautiful vocal across the percolating backdrop, “Sunlight” rivals the other two tracks for quality and appeal. Vaz keeps bringing them strong.




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Genre: Detroit Techno, Techno, Soulful Techno, Hightech Soul, Detroit

Tracklist 12":



1. Starlink 07:07
2. Belleville Dawn 06:13
3. Spaceport Saturn 09:10
4. Techno Boulevard 06:15



Classic Detroit Techno like they don't make it anymore.

One for all 313 fanatics.




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Genre: Deep House, House, Detroit House , Soulful House, Acid House, Garage House


Tracklist 12":

1. Rough Edges 05:09
2. Calming Solitude 05:50
3. Eden 06:11
4. Undisclosed Thoughts 04:54

Release Info:
Sebastian Gummersbach's Yore debut brings with it a further refinement of the material he's created for the German label Raw Soul. It specializes in material infusing modern house and techno grooves with flavourings of jazz, funk, and soul, the result a timeless take on house music. Anyone who's been keeping tabs on Andy Vaz's Yore releases will realize immediately that the same description could be applied to his imprint.

Given all that, it's easy to understand why Gummersbach, a producer hailing from Neuss, Germany, is such a natural fit for Yore. There's no small amount of artistry in play in the EP's four tracks, each one arguing strongly on behalf of his skills as an arranger and mood shaper. No cut better shows that than the opening “Rough Edges,” which is, frankly, anything but rough. He builds the arrangement methodically, starting with warm, billowing washes and then layering in step-by-step dub atmospherics, a strutting house pulse, congas, and synth ear-worms—a seductively smooth intro to the release.Gummersbach might have been listening to Hall and Oates's “I Can't Go for That (No Can Do)” prior to crafting “Calming Solitude” when the latter sounds so much like a clubby instrumental riff on the hit. Here too silky chords and synth textures merge with a rousing beat pattern to draw listeners to the dance floor.
On the flip side, “Eden” initially changes things up with a classic B-Boy beat and handclaps, but the tune gradually aligns itself to the character of the EP's other body-movers, even if acid-tinged synths become part of the mix. Closing out the release is the most techno-oriented of the four cuts, “Undisclosed Thoughts,” acid once again central to the track's identity and the chugging groove frothy. The word Eden naturally calls to mind the Biblical paradise, and consistent with that the tone of Gummersbach's EP, its A-side cuts especially, is generally smooth, serene, and harmonious; it's also, as stated, a seamless addition to the Yore catalogue.




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Genre: Chicago House, House, Deep House, Jazzy House, Disco-House

Tracklist 12":
A1. DUBrazil – Untitled 1 07:10
A2. DUBrazil – Untitled 2 07:34

B1. Jordan Fields – Wanna Feel The Music (Piano Mix) 05:39
B2. Tracky Disco – Keep It Going 05:15
B3. Afrolectro – Needs Love 06:20





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Genre: Deep House, House, Detroit House , Soulful House, Vocal House, Acid House, Garage House


Tracklist 12":
1. Better Daze 07:42
2. Your Time 05:51
3. Dance 07:28
4. Inner Monologue 07:35

Release Info:
We return with the second Glenn Davis” 12”, a year on from his last Yore twelve-inch “Soul On My Side”, Dublin-based DJ and producer Glenn Davis returns with its sequel, the as-stellar Better Daze. The EP's melodic, soulful sound. The dynamic title cut locks in instantly with a pumping kick drum and builds layer by layer thereafter. Percussion, hi-hats, electric piano chords, and synthesizers add to the thrust of the production as it grows ever more urgent. As the track advances, Davis drapes a jazzy keyboard solo across the booming base as the swing swells to a near-ecstatic level. “Your Time” rounds out the A-side with a cut that suggests pure energy at its outset before quickly morphing into a sleek house strut. With percussion included and late-night synth atmospherics folded in, the breezy tune starts to sound like something you'd hear banging out on the Dancefloor thats surrounding you.
On the flip, Davis brings the skipping house groove of "Inner Monologue” to a fever while. Moody chords, hand drums, and a snappy groove set the scene. The female vocalist's soulful delivery and vibes-like earworm that make the tune the standout it is. Think of a dark Room and a red light bulb & House Music forever and a day.






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Genre: Deep House, House, Detroit House, Soulful House

Tracklist 12":

1. How We Groove 05:48
2. From Day to Night 6:53
3. Believe 05:50

Release Info:
With How We Groove, Lello Di Franco (L.D.F.) and Brian Garrett (Javonntte) pair up for a prototypical Yore release, a high-quality affair that's natural clubby yet also artful. Di Franco's an Italian DJ and producer who's based in Naples and whose career began in the early '90s; Garrett, on the other hand, hails from Detroit and has been creating material for almost as long. Their respective output locates itself solidly in house and techno but extends into soul, funk, and jazz areas too. Said gravitations aren't mere flirtations either; Garrett's interest in jazz began in high school, and when he was fifteen or so the aspiring musician even had a month's worth of lessons in the mid-'80s with-wait for it-Miles Davis (Garrett's mom apparently had connections). Associations with Aretha Franklin, Blake Baxter, and others surface in his history-but that's for another time.
All three tracks qualify as dance productions but satisfy equally well on pure listening grounds. While a strong '80s vibe initially oozes from "Believe" in the electronic drum fills that get it moving, the cut quickly settles into a light-speed groove that percolates with single-minded determination. The richly detailed arrangement shape-shifts rapidly: at one moment, syncopated piano chords give the track a classic house feel; at another synthesizer flourishes and bass pulses lend it a sleek, sci-fi quality as the material thrusts breathlessly forward. The less frenetic "From Day to Night" is earthier and funkier though no less artful. As a punchy bottom end establishes an infectious house vibe (with a bit of jazz swing also in the mix), see-sawing vocal elements and bubbly synthesizer touches elevate the track to a headier 'listening' realm. At first it seems as if the title track might venture into gospel territory, what with organ and piano dominating the intro, but soon enough the tune brands itself as a swaggering house cut, albeit one replete with funky drop-outs and trippy vocal effects. No matter how adventurous and experimental the material gets, pumping bass drums and swishing pulses ensure the tracks never lose their identity as floor-fillers.




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Genre: Deep House, House, Detroit Techno Detroit House, Techno

Tracklist 12":
1. Inner Vision 07:15
2. Abyss 06:03
3. Midnight Sky 06:24
4. Mind Power 6:04

Tracklist:
Inner Vision also features four cuts, these courtesy of DJ Compufunk, aka Nao from Osaka. He's the founder of Compufunk Records (the longest-running record shop for House and Techno in Japan) and, as the four solidly crafted tracks show, an experienced producer in his own right. The vertigo-inducing title track struts aggressively with a high-velocity swing peppered by tinkling synth accents and acidy squelches, after which “Abyss” cools the pace for a sexier House style (a swishing drum machine detail even gives the cut a rather Kraftwerk-like tinge). On the flip, “Midnight Sky” grooves as boldly, this time with a smattering of Garage worked into its swing and chiming synths brightening the mix, while “Mind Power” changes things up with a swirling bottom end that's so dizzying it's positively gyroscopic. Dj Compufunk sn't averse to packing his productions with layers of dizzying detail, and as a result the stimulation level remains high throughout. Strictly limited 250 copies.



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Genre: Deep House, House, Detroit House , Soulful House, Vocal House, Acid House

1. Reach Out
2. Against Violance
3. Good Bye
4. You will see the Light

Release Info:

Detroit's Niko Marks brings the Heat as always. Here on Yore-039 he delivers 4 Soulful House Tracks, covering a wide range of styles. From Deep, Soulful to Acid-Inspired driving Vocal Tracks. It's all there. Strictly limited to 250 copies. Grab them while they last & File under: House music that only Detroit can do.





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Genre: Deep House, House, Disco, Nu-Disco, Detroit House

Tracklist 12":
1. Soul On My Side
2. Enter Slowly
3. All Or Nothing
4. Small Steps

Release Info:
Yore welcomes Glenn Davis to the Label, who delivers four various yet classic New York inspired Garage House tracks at it's best here – 4 Tracks that are so close to perfection, that this fine 12” will easily make It into all true Deep House Soldiers crates. Music that is so timeless, it can never go out of style. Get your copy while they last. No Represses on this strictly limited 250 copies release.


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Repress

Special Remarks: Limited 200 copies / chrystal clear transparent vinyl

Tracklist 12”:
A1. My Love is 4ever
A2. Gravity


Short info:

Limited Repress of a Deep House Classic. 12inch comes as clear transparent vinyl.

Yore stays on top of the game during this Pandemic, with another repress of one of the labels most sought-after 12 »ches : Librah’s « My Love is 4ever » brings you that Deep and yet playable Classic New York House Sound, which will sure find it’s way into your Bag. Be quick, as these will sell out in just about 2 minutes and 3 seconds.


Not much information is available about Librah aside from the fact that the outfit hails from Sweden and that they released the critically acclaimed deep house twelve-inch “2BWU” on Parkwest in 2012, that brought the Deep House EP of the year for those true Loft heads and lucky clouds. “Out of step”, “Timeless” music. Librah’s follow up release on Yore Records is a sure sign of quality, however, and, true enough, My Love is 4ever is what every House Set needs. The perfect balance between deepness and punch. The release splits two Deep House tracks across its twelve-inch, transparent-coloured vinyl sides (limited to 200 copies), and supplements them with a digital-only bonus mix of the title cut.

The material’s mood is largely one of joy and uplift. The silky smooth title track quickly locks into its snappy house groove at the outset, and then pulls back the curtains to let the sunlight pour in. A bright theme imbues the skipping pulse with flavour, and the track rolls along for seven quietly jubilant minutes, its carefree spirit bolstered by a dreamlike vocal refrain and luscious synthesizer textures.

Unspooling at a slightly slower BPM, the B-side’s “Gravity” opens with a sampled voiceover of grave character (When you live in a poor neighborhood, you’re living in an area where you have to have poor schools / When you have poor schools, you have poor teachers...) before fixating on the tunes insistently swinging and hypnotic instrumental design.

The digital mix of “My Love is 4ever” packs a punch, too, especially when it pounds a bit harder than the original and sweetens the deal with a funky bass part and a twinkly keyboard riff. Despite being obviously similar to the original, the bonus version offers an irresistibly funky and infectious riff on the original, so much so it’s easy to picture the dancefloor filling up in response to it.


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Tracklist
01 Let's Start Our Own Thing
02 JMAR
03 NOK
04 Same Format

Shortinfo:
Dar Embarks, the hardware-based collaboration of Chicagoans Dan Jugle and Ken Zawacki, share four precious recordings of bouncing, highly-acidic machine funk and industrial ambiance. This is a posthumous release for Dan Jugle, who departed in 2018.

Dan was a multi-instrumentalist and a pillar of Chicago's techno scene who left an indelible mark on it with his distinctive sound. His infatuation with electronic music began in the mid-90s when he found his way to Midwest raves as soon as he was old enough to drive to them. He began working with analog gear to create his own expression of the music he heard there. Jugle, Zawacki, and Mike Broers started experimenting with a thrifted Roland TR-707, figuring out the controls through trial and error. They performed together as Ghost Arcade in the early 2000s.

Years later, Jugle and Zawacki reunited creatively, forming Dar Embarks and building the foundation for their project. Jugle gained a reputation for crafting washed-out, saturated club tracks as Juzer, a project formed with Beau Wanzer. Dar Embarks' debut EP Fleer (released on CLEAR USA) and Juzer's Horseplay (on Anthony Parasole's label The Corner) were both released in 2014, both elevated by Dan Jugle's live-action knob-twisting and button-pushing composition inspired by sci-fi and comic books. Despite his early passing, Jugle's legacy lives on through his work and his passion for Midwest techno that his friends and fans still remember and carry.

Lovingly wrapped up and presented to Acid Camp by Ken, these heaters are finally set free to move asses and minds.

Artwork by Jeremiah Chiu
Layout by Danielle Davis
Mastered by Tim Xavier at Manmade Mastering
Distributed by wordandsound

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12"

TRACKLIST:

A1 Flowers
A2 Dream Factory

B1 Trust
B2 Ali e Nino
B3 Diana


SHORT INFO:
"The true narrative shall forever shroud itself in mystery to the outside world.
It is whispered that man never truly set foot on the moon, but merely touched it.
Just as the tale of this record unfolds, two souls from distant realms brushed ever so close, yet destiny denied them a lasting encounter, not even a fleeting union of Nino's and Ali's wings.
Perhaps, it was fated that the circle of a past life, woven with trust, blooming with flowers, and exchanged glances, must close in the cosmic pursuit of Venus, chasing the Crescent Moon, serenading love to its own Sun."






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Track list:
A1. The Last Time
A2. Come Back
B1. The Last Time (K-LONE 2-Step Mix)
B2. Come Back (Chloe´ Robinson & DJ ADHD Remix)

Dutch duo Dam Swindle appear on Aus Music's 200 series and two new house originals come with remixes from K-Lone and Chloe Robinson & DJ ADHD
Dam Swindle have been helping to define the underground house sound for a decade, not least with their Heist label. The pair deal in timeless, fad-free sounds that are rich with dance floor dynamics and hint at a love of everything from disco to tech and plenty in between. They are notorious crate diggers who have played the world's most cultured clubs, their recent track Allright (Just A Tribute) on Phonica’s 20 year celebration has received widespread love by DJ’s this summer on the festival circuit and now they offer up two more of their studio gems for their 3rd full release on Aus.
This EP is the second in a series of four releases from different artists to mark the 200th outing of Will Saul's influential Aus Music. It is an era-defining label that has platformed some of the scene's brightest stars way before they broke out. Since launching in 2006, the label has remained dedicated to releasing club-ready music with a cultured edge from deep and melodic house to the earliest bass- driven post-dubstep fusions.
This EP kicks off with 'The Last Time', a blissed-out deep house sound with impassioned vocal cries tugging at the heartstrings. Mellifluous synth daubs percolate through the mix to a captivating, feel- good effect. Next is 'Come Back,' an infectious house bubbler with gloopy synths and something of a garage shuffle in the kicks. It's fresh and packed with neon colour that brims with soul.
New school house and garage tastemaker and core Aus Music family member K-LONE steps up with a remix hot on the heels of his two-part EP series on the label. His version of 'The Last Time' is typically deft as soft focus chords swirl around prickly garage house beats. The distant vocal, the cavernous bass and the wistful feel all make it another classic.
Last but not least, Chloe´ Robinson & DJ ADHD are frequent collaborators on labels like Fabric Originals as well as Chloe´’s Pretty Weird imprint where they serve up potent, bass-heavy sounds. Their version of 'Come Back' is expertly stripped back. It teases and pleases with a blend of filthy low- end oscillations, slinky drums and tooting chord hooks that are effortlessly fun and effective.
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GENRE/S: techno, electro, breaks, idm, bass

TRACKLIST:
A1/01 - Candor
A2/02 - Crease
B1/ 03- Rusky Shan
B2/ 04 - SHD
B3/ 05 - Endless


SHORT INFO:
In what feels almost like an annual autumn tradition now, we’re mighty excited to announce the next release on our label, “Candor“ by Hett.

Working with friends has an especially rewarding quality which is why we’re particularly happy for Hett to join the AWK label family. Having known about his excellent production skills for a while, we were quite eager to unearth this hidden gem. It took a moment to put together but everyone’s patience paid off and we can proudly present you this beautiful 5 track record.

The Wearside raised and Berlin based artist provides the perfect formula for a club ready yet emotively aware package, making it hard to believe that this is only his debut EP. A work of music that embodies the refreshing candor of a forward thinking attitude whilst also giving a respectful nod to the past.

AWK 006, “Candor“ by Hett will be out on October 24th 2024. We hope you enjoy it as much as we do!

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Format : Vinyl 12” (180 gr., Limited Full Cover)

Track list:

A1 I Can Tell You What You Want
A2 A Taste of the 90s
B1 Dirty Jazz
B2 You Know What I Mean?

Release Info:

DJ Sneak returns to his roots on his Synesthesia EP on Heist Recordings.

Last year, when DJ Sneak visited our studio during ADE, we spoke for a long time about his newly found joy in house music, producing music in the current landscape, and letting go of all the things that made him uneasy with the scene for a long time. At one point, he grabbed a bunch of his hard drives, fired up our Dave Smith & Pioneer Toraiz sampler (the one we used for our live shows and the workstation he swears by for producing and arranging all his music), and showed us what must be one of the most impressive collections of demos we’ve ever seen. He talked us through his ideas for a new record on Heist with the enthusiasm of a producer who had just bought his first MPC60 back in the 80s. His ‘Back to love’ EP was still due to release and we already knew the follow-up would be equally amazing.

Fast forward about a year and after amazing feedback on his Heist debut from platforms like XLR8R, DJ Mag, Faith fanzine and plenty of radio coverage, along with DJ support from the likes of Joy Anonymous, Louie Vega, Jamie Jones, Honey Dijon, TSHA, Dj Seinfeld, Jennifer Cardini, Carista, he drops a new record on Heist recordings; The Synesthesia EP is another showcase of the raw talent of DJ Sneak, skillfully working his gear and churning out massive tunes full of classic Chicago house references, 90’s euphoria, and chunky synths.

The EP kicks off with ‘I can tell what you want’, a deep and bubbly groover where DJ Sneak takes some naughty chopped up R’n’B vocals and adds a pinch of the ghetto sound that he adopted in his formative years in Chicago. Sneak manages to take that influence and deliver something altogether contemporary with this track, ticking all the right boxes of catchy vocals, moody chords, a nasty bassline, and clever sampling.

If the first track embodies his Chicago spirit, then ‘A taste of the 90s’ embodies DJ Sneak’s New York spirit. With funky guitar and key licks, loopy horns, shuffling percussion and plenty of changeovers in the arrangement, he masterfully shows us the joy of classic house music. There’s always another element that gets added or taken away to build anticipation or release the energy with its chunky low end. It’s a true party starter with the energy of a young DJ Sneak spinning his first records way back when.

On the flip, we’ve got ‘Dirty jazz’. This delicious piece of Deep House is built around off-kilter drums with a syncopated bass line and quirky sample cuts. It’s got enough beef to keep the energy going, and the right amount of weirdness to grab your attention whenever this is played.

The closing track ‘You know what I mean’ adds another layer of weird-sounding vocals that will stick with you until long after the song is over. This track – and the whole EP for that matter – oozes the playful energy of a producer who’s completely comfortable with his musicality. It’s fun and playful, delivered with the class that only a hero of the underground like Sneak can do.

On the Synesthesia EP, DJ Sneak takes you deep on a trip through his musical roots and keeps you on the edge of your seat with 4 tracks bursting with personality.

Grab this record while you can and share the love,
Heist Recordings. More

Territories: World excl. UK

FORMAT 12" vinyl, generic sleeve, dl card

TRACKLIST
1. / A1 Dark Light 05:09
2. / A2 Fire Chant 04:30
3. / A3 Grátt Silfur 04:41
4. / B1 Green Light 05:11
5. / B2 Ráðabrugg 05:31
6. / DX1 Ruff Cut (Digi Bonus) 05:41
7. / DX2 Only One Way (Digi Bonus) 05:02
8. / DX3 Everyday (Digi Bonus) 04:59

Growing up on the north Atlantic island of Iceland bestows one with an unusual and often intense relationship with light and colour: Summers come with endless days, Winters with scant sunlight yet increased sightings of the Aurora Borealis; the mysterious and awe-inspiring glow across the sky. Channelling these energies, Exos
comes to Tresor with his Green Light EP, a five-track collection of the sort of spectrally rich techno synonymous with the Northman’s 27-year career.
Across the EP, the five tracks fizz and pulsate driving ever forward, making the release’s title a three-way play on words referencing the continuous travelling of photons, the verdant warping of the Northern Lights, and the universal colour for Go, for forward propulsion. Smart wordplay can also be found in titles like Grátt Silfur, a term in Íslenska (literally “grey sliver”) which signifies a tension between two parties, further extending the colour metaphor and dark/light dichotomy found elsewhere.
The digital release comes with three extra tracks that continue the dynamic energy, pushed along by the same shifting, mutating force where the music often feels like voices calling out from the darkness or the shimmer of light as the sun rises across the horizon.
Green Light EP continues this year’s blazing return from an artist who, similar to his output, is never stagnant: ever changing form yet ever moving forward.
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No sales to Japan!

LP: 180g vinyl, half speed mastered, heavy sleeve, obi, gold ink
Genre: Jazz, Fusion, Funk

Tracklisting LP
A1. Shrimp Dance
A2. Kuro To Shiro
B1. Walk Tall
B2. Cat
B3. Romance


Info

We Release Jazz is ecstatic (purrrr!) to announce the official reissue of Hiroshi Suzuki's glorious jazz-fusion-funk Holy Grail Cat (originally released in 1976), sourced from the original masters and available on limited edition 180 gram vinyl mastered at half speed for full audiophile sound, as well as on digipack CD. Both versions come with liner notes by Teruo Isono.
Cat was recorded in October 1975 at at Nippon Columbia Studio, while Hiroshi Suzuki was visiting his home country of Japan after moving to Las Vegas in 1971 to play with Buddy Rich and perfect his craft. Back on his old stomping grounds, the man known as Neko (Cat) immediately reunited with his dear friends for an epic two day session of groove magic. The chemistry was still intact. The skills and style had grown.
The result, Cat, is a smooth masterpiece, a deep and soulful affair where stunning trombone solos by Hiroshi Suzuki flirt with Takeru Muraoka's heavenly saxophone and the sensual rhythm section of Hiromasa Suzuki (keyboards), Kunimitsu Inaba (bass), and Akira Ishikawa (drums).
Celebrated in jazz collectors circles, in the lofi beat scene, and among music diggers around the world, Cat has become one of the most sought-after Japanese jazz albums of all time and, much like Ryo Fukui's Scenery, has fascinated old and young generations alike.

Points of interests

- For fans of jazz, fusion, funk, trombone, Japanese jazz, smooth rides, cats, allure.

- Official reissue of the glorious jazz-fusion album by Japanese trombonist extraordinaire Hiroshi "Neko" Suzuki.

- 10th release from We Release Jazz, following Ryo Fukui's Scenery, Mellow Dream, A Letter from Slowboat, and Ryo Fukui in New York, the soundtrack of Le Cercle Rouge by Eric Demarsan, Stuff Combe 5 + Percussion, Marc Moulin's Placebo Live 1971 and Boillat Thérace Quintet albums. We Release Jazz is the sister-label of Geneva-based WRWTFWW Records (Midori Takada's Through The Looking Glass and Lunar Cruise with Masahiko Sato, Pierre Barouh's Le Pollen, Jun Fuka-machi's Nicole, Grauzone's discography, …)
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Format: 3xLP coloured vinyl

Tracklist:

A1. DJ Oyster – Ricci One (Gerd Janson Remix)
A2. Lauer x Johannes Albert – Mokka Paradise
B1. Cinthie – Set Me Free
B2. Wolfram - Macho
B3. Lui Hill – With You
C1. Phonk D – Medusa
C2. Levitation Venue – Calippo (Super Mix)
D1. Sound Support – Subway Location
D2. Accent Circonflexe – Manipulation? Non!
E1. Lukas Lehmann – Pull Up The Blinds
E2. Move D – Dance On
F1. Terry Lee Brown Junior – Mono Mono Mono
F2. Retina Dreams - Strachelrochen

Info:
Since ten years Galerie Kurzweil enriches the electronic club scene and has made a name for itself worldwide, not least thanks to excellent bookings and its impressive sound system. To celebrate its anniversary, Galerie Kurzweil releases a 3 x color vinyl compilation with beautiful artwork by Jofeca and exclusive tracks by renowned artists Gerd Janson (aka DJ Oyster), Cinthie, Lauer x Johannes Albert, Sound Support, Wolfram, Move D and its residents Thomas Hammann (aka Retina Dreams), Terry Lee Brown Junior, Lui Hill, Phonk D, Lukas Lehmann, Levitation Venue and Accent Circonflexe. If you want to get hold of this sexy collector's item, you should pre-order directly – the compilation is limited to 400 copies.





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Tracklist:
A1. 1984 Re-Edited (4:56)
A2. 1984 Retrospective Dub (4:26)
A3. 1984 GJ Bonus Beats (4:07)
B1. 2024 Retrospective Dub (5:05)
B2. 2024 Introspective Dub (5:28)

Greg Wilson returns to Running Back with another special project.
Forty years on from the release of the groundbreaking ‘Street Sounds UK Electro’ LP, ‘Real Time’ (two versions of which opened the separate sides of the album), finally gets a 12” release. Despite its prominence on ‘UK Electro’, it was the only inclusion not to be issued on 12” back in 1984.
Zer-o, like Syncbeat and Forevereaction, were the same trio – Manchester musicians, Martin Jackson and Andy Connell, and DJ Greg Wilson, making his first foray into record production. They also teamed up with rappers, Kermit and Fiddz, for the Broken Glass
track, ‘Style Of The Street’, one of the early UK hip hop releases. Fictional production and songwriting credits were added by Street Sounds to suggest a thriving British electro scene, the music having blown-up in New York during ‘82/’83, with the ‘Street Sounds Electro’
series, launched in October ’83, documenting these developments and unlocking a significant youth market who’d religiously collect these compilations.
Featured here is a Greg Wilson edit of ‘Real Time’, the ‘retrospective dub’ (the ‘UK Electro opener, which was in fact the original demo version of the track), and a Gerd Janson bonus beats edit. Flip it over and you’ll find a pair of 2024 reworks – the retrospective
dub, and the more downtempo introspective dub – courtesy of Greg and Ché Wilson, whose recent collaborations have included remixes for Gabriels and Confidence Man.
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Territory: Germany, Austria, Switzerland only

Format: LP, obi-strip
Genre: Post-Rock, Alternative

Tracklist

A1 The Flesh of Lost Summers
A2 A Happy Death
A3 The Light in the End

B1 Partings
B2 A Collapse of Horses
B3 The Mountains are a Dream that calls to me


Forgetting You Is Like Breathing Water, the self-titled debut from the duo of trumpeter Will Evans and guitarist, synthesist, producer and multi-instrumentalist Theo Trump, arrives like a vault revelation. It feels like a decades-old yet newly unearthed masterwork of gorgeous ambient improvisation, the sort of thing scholars live to research and shepherd into deluxe reissue.

The patient, crystalline chords that swell and resonate like a series of confessions; the textured brass murmurs that suggest a ’60s or ’70s Fire Music master at their most poignant. Provocative found-sound experiments threading arcane religious recordings through dystopian soundscapes. Ear-shattering free-noise tumult. Where and when did this music come from? Who are these voices?

As it turns out, Forgetting You Is Like Breathing Water springs from an engrossing human story, though it isn’t necessarily the one you’d expect. This work of stunning maturity is in fact an entrance by two little-known explorers in their early 20s, who grew up together in Virginia, in the shadow of the Blue Ridge Mountains. It documents one of those perfect, sparkling moments in post-adolescence when big decisions and responsibilities are right around the corner, but for a spell, two young artists are able to create among the comforts and nostalgia of their shared past.

It also represents a reunion of sorts, as Evans and Trump connected as toddlers, became inseparable as boys, then pursued independent lives and creative paths as young adults. “Theo is my oldest friend,” Evans says, “and I feel like that’s what this band is — us meeting right in the middle of our interests.”

Now, having conjured this magic, they’ve detached once again: Evans, whose other works include the indie/avant-jazz unit Angelica X, is currently based in New York City. Trump recently moved to England, where he’d participated in his family’s theatre company, to go to school and further his solo ambient project. “This album didn’t start out as something super ambitious,” Evans explains. “It was more just an excuse to spend time together again and make music.”

***

In conversation, Evans and Trump are a delight, especially for cynics who might think that Gen-Z is only capable of doomscrolling. They come across as kindly young intellectuals who grew up using the internet as it was intended, for exposure to ideas and art across genres and generations. Trump points to indie-folk and the oracular post-rock of late Talk Talk, Bark Psychosis and Gastr del Sol. Pressed for his guitar heroes, he cites Bill Orcutt, Mary Halvorson and Marc Ribot, and mentions his devotion to alt-country. Heyday electro-industrial stuff like Skinny Puppy and Nine Inch Nails also meant a lot to him.

Evans is equally intrepid, though his background has a greater jazz focus. Ambrose Akinmusire, among today’s most thoughtfully commanding trumpeters, is a favorite. As for the soulful murmur he offers throughout Forgetting You, Pharoah Sanders’ wistful and lyrical contributions to Floating Points’ work is a touchstone.

The two grew up down the street from each other in the northern Piedmont town of Batesville, Virginia. Their families were friends, holidays were celebrated together and they became the most loyal of pals. As children they had a pretend band.

Then life unfolded, they attended different schools and their paths diverged. Evans discovered John Coltrane and became a jazz obsessive, as Trump found punk and hardcore and later began making ambient music. As a dedicated jazz trumpeter, Evans studied formally and widely; Trump was an autodidact, teaching himself guitar and absorbing synthesis and production techniques. The late teens and very early 20s brought moves away from home and back to home, as well as plenty of listening and learning. The Covid pandemic meant an opportunity to reconnect on long walks. Through it all, together and apart, they remained reverent of each other.

By early 2023, they found themselves living again among the Blue Ridge Mountains. In the evening, after giving trumpet lessons in Charlottesville, Evans would make the eerily beautiful trek “over the mountain” to Trump’s home in Staunton, Virginia. They’d talk and eat and begin to improvise, deep into the night. Evans played trumpet and sometimes drums. (Given the wee-hours recording schedule, the neighbors didn’t appreciate the latter.) Trump plugged a rickety, junk-store Telecaster-style guitar into a cheap solid-state amp and explored open tunings; he also layered on lap steel, electric bass, synths and electronics.

They locked in and relished each other’s gifts. In Trump, those include patience and intentionality and sonic decision-making; for Evans, a distinctive trumpet sound that both musicians think of as a singer’s voice. “Will’s playing is so thoughtful and well placed,” Trump says. “My goal from a producer’s mindset is that the trumpet will occupy the space that vocals would take.”

Often, they got lost in the best way. “The thing I look for most when I’m playing is that feeling of disappearing into what you’re doing,” Evans says. “Usually when that happens, the music is good.”



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Genre: Techno


Tracklist 12":
A1 Ecilo – Georgia Dream
A2 Ecilo – Atomic Distant
B1 Ecilo – Millions Of Eyes
B2 Ecilo – Time Lapse




Short Info:


Four dubby, raw and fastpaced techno cuts from Ecilo

Mastering & lacquer cut by Kassian Troyer at Dubplates & Mastering Berlin
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House, French House, Nu Disco, Edits

Vinyl Only!

Ever had goosebumps in your brain? If yes, you might want to see a doctor. Or you just been exposed to the chubby chops of Touché #1 - a spiralling collection of three french touched edits that know no other home than the dancefloor. Cooler than the other side of the pillow. Get your hands on these now and thank us later!

A1 Party Contract
A2 Deeper Love
B1 Star Voyager More