London-based DJ and producer 1991 has emerged as one of the most exciting artists in dance music. Since starting the project back in 2016, within a year he'd won the 'Best Newcomer' award at the 2017 Drum & Bass Awards. He has held down a steady release schedule of hits, collaborating with the likes of Sub Focus and Netsky, and remixed Axwell, Chase & Status, Claptone and Basement Jaxx. His touring schedule has seen him travel across the globe, with sell out tours across Europe, North America, Japan and Australia & New Zealand.

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Brookside Records is back at it again, this time digging in the Sony vaults and coming up with a pair of Odyssey remixes by NYC Mixmaster Mike Maurro.

The A-side features an Extended version of the ultra-classic ‘Native New Yorker’ given a simple Maurro treatment it needed with a long extended intro, break and extended instrumental sections.

Switch to the B to find ‘Use It Up and Wear It Out’, a #1 track in U.K. back in the day, also gets a re-work with bangin’ loud drums and more subtle changes that give it a reworked feel without taking away from the original.

Mastered in Philadelphia by Sigma Sounds own Mike Tarsia, with custom retro artwork it is a must for any collector.

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Fellow Native New Yorker’s Odyssey & John Morales collaborate once more and for Ism Records it’s a dream combination. ‘Weekend’ the Leroy Burgess & James Calloway disco anthem reworked by Odyssey & Yam Who? from the bands brand new forthcoming album. Ultra hot for the summer, all the remixes commissioned here are by some of most established in the industry. John Morales & Sergio Munzibai one of most prolific production teams to come out of New York of all time, and from the late 70’s onwards were constantly in demand on both sides of the atlantic. Back in the limelight since re-releasing the M + M compilations for BBE over the past couple of years, we’ve gone full circle again as M + M remixed many of the biggest Odyssey hits from back in day including Native New Yorker, Use It Up & Wear It Out, Going Back To My Roots & Inside Out. Ism Records hooked up with Morales in 2011 and starting discussing working on production for the band. This version of ‘Weekend’ is balanced in tempo and styles, very close to the Patrick Adams Phreek version whilst also touching on the Arthur Baker’s Class Action remake from 1983. One of the scenes most talented producers and one of Ism’s favourite remixers Ashley Beedle turns up the pressure with his second remix for Odyssey in the form of his ‘Big Apple Uptown Story’ series. Slightly tougher and more electronic than the M + M remixes but instantly a dancefloor smash, this has been getting road tested and tweaked for the best part of 2012 and is quite literally the sound of ‘heavy disco’. A name familiar to all the heads who were at the forefront of the mid 90’s London ‘Nu Disco’ scene is Crispin J Glover. Crispin always hanging out at all the recent the Ism parties asked for the parts for ‘Inside Out’ and of course we had to oblige. The track which has been already remixed by a list of producers from 2011 but little did we know what was to be submitted. This is what you call a ‘labour of love’ and again a lesson in taking your time and working the mix to max! The 3 serious remixes and anthems, all in one package! Enjoy!

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
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Germany
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Fellow Native New Yorker’s Odyssey & John Morales collaborate once more and for Ism Records it’s a dream combination. ‘Weekend’ the Leroy Burgess & James Calloway disco anthem reworked by Odyssey & Yam Who? from the bands brand new forthcoming album. Ultra hot for the summer, all the remixes commissioned here are by some of most established in the industry. John Morales & Sergio Munzibai one of most prolific production teams to come out of New York of all time, and from the late 70’s onwards were constantly in demand on both sides of the atlantic. Back in the limelight since re-releasing the M + M compilations for BBE over the past couple of years, we’ve gone full circle again as M + M remixed many of the biggest Odyssey hits from back in day including Native New Yorker, Use It Up & Wear It Out, Going Back To My Roots & Inside Out. Ism Records hooked up with Morales in 2011 and starting discussing working on production for the band. This version of ‘Weekend’ is balanced in tempo and styles, very close to the Patrick Adams Phreek version whilst also touching on the Arthur Baker’s Class Action remake from 1983. One of the scenes most talented producers and one of Ism’s favourite remixers Ashley Beedle turns up the pressure with his second remix for Odyssey in the form of his ‘Big Apple Uptown Story’ series. Slightly tougher and more electronic than the M + M remixes but instantly a dancefloor smash, this has been getting road tested and tweaked for the best part of 2012 and is quite literally the sound of ‘heavy disco’. A name familiar to all the heads who were at the forefront of the mid 90’s London ‘Nu Disco’ scene is Crispin J Glover. Crispin always hanging out at all the recent the Ism parties asked for the parts for ‘Inside Out’ and of course we had to oblige. The track which has been already remixed by a list of producers from 2011 but little did we know what was to be submitted. This is what you call a ‘labour of love’ and again a lesson in taking your time and working the mix to max! The 3 serious remixes and anthems, all in one package! Enjoy!

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ISM Records drop this tasty 12" sampler of what to expect from their forthcoming Midnight Riot compilation that showcases the finest slo mo cuts, boogie joints and late night takes. The four tracks included here represent the DJ friendly contributions with Drop Out Orchestra, Ajello, The Legendary 1979 Orchestra and Mr Chicago present. The latter steps up first with "Bad Dub" which expertly submerges a mid 90s US rock n roll classic in all manner of echo and delay, whilst fellow Scandinavians Drop Out Orchestra provide an equally inventive electro groove rendition of a Sylvester standard with "Get Up". Dinner City Sound contributor The Legendary 1979 Orchestra brings some effervescent disco vibes to the B Side with "The Living" notable for its rough drum programming as much as the slick sample looping. Little needs to be said about Italians Ajello other than they know how to construct a disco groove that combines classic and contemporary touches and "That Groove Again" is a perfect example of this talent.



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Croatian's finest purveyor of disco and boogie returns with a delish four track EP on Yam Who's ISM imprint. The four tracks have all the delicious trappings of Rudman; dramatic strings, ample helpings of cowbell and vintage synth stabs. The A-Side consists of the sleazy squelch of "Crazy With You" in both original and remixed by Yam Who form, with the latter, more uptempo version just shading it. The flipside consists of the sultry boogie bap of "Let This Dream Be Real", with the original bringing to mind a glacially paced version of Rockers Revenge classic "Walking on Sunshine", while the Disco Dirtbox tweak bumps and grinds in all the right places - totally primed for club play!

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London based label ISM serves up a massive EP with three tracks from Russian disco producer Volta Cab, all of which offer some seriously downtempo grooves. "Play On" and "Magic In Your Eyes" nail the classic sub 110BPM disco sound with its lush live instrumentation. However it's the shining 80s feel of "He's A Bad Mutha" that is the most impressive, melding a sleazy vocal with a heart-rending combination of synths and horns. Label bosses Yam Who? offer two remixes, with their version of "Play On" a cosmic uptempo version of the original, with an ascending synth bass that elevates the original vocal to new heights. Their remix of "He's a Bad Mutha" adds a similar amount of extra dancefloor kick, removing the original's yearning melody for something a little more forceful.

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