Label:new kanada
Cat-No:nk31
Release-Date:09.12.2011
Genre:Techno
Configuration:12"
Barcode:
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Last in:07.10.2014
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Last in:07.10.2014
Label:new kanada
Cat-No:nk31
Release-Date:09.12.2011
Genre:Techno
Configuration:12"
Barcode:
1
The Mole, - Dog River
2
The Mole, - Gameface
New Kanada welcomes The Mole back into the fold with a heavy image two-tracker from deep in the forest. The slo-mo A-side "Dog River" is heavy and raw and dripping with calcified disco echoes. Tweaking distant bass, tugging percussion and psyched vocal loops.... a serious main-floor builder. On the B-side, Colin gets tougher and darker and crafts a potential blackout bomb. Grinding pads mix with a morphing bassline to form a dubbed out late-night track - made for the mix.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from the mole
Label:Circus Company
Cat-No:ccs134
Release-Date:22.11.2024
Genre:Electronic
Configuration:LP Excl
Barcode:4251804144889
in stock
Last in:11.10.2024
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in stock
Last in:11.10.2024
Label:Circus Company
Cat-No:ccs134
Release-Date:22.11.2024
Genre:Electronic
Configuration:LP Excl
Barcode:4251804144889
1
The Mole - Sing a Storm
2
The Mole - Que Rico
3
The Mole - Heart of a Canary
4
The Mole - Deeper Filth
5
The Mole - Just Another Kid
6
The Mole - Arp on a Table
7
The Mole - Boulevard
8
The Mole - Vessel Plans
9
The Mole - JP Ate Culture
10
The Mole - Mountain Range
11
The Mole - nEw fAme
12
The Mole - That Old Fuck
13
The Mole - Burger Time
14
The Mole - Umpah Band
15
The Mole - Don’t Wake Me Up Bro
16
The Mole - Not Lost
17
The Mole - GoinF4er
Genre: Beats, Ambient, Electronica
Tracklist LP:
A1. Sing a Storm - A2. Que Rico - A3. Heart of a Canary - A4. Deeper Filth - A5. Just Another Kid - A6. Arp on a Table -
B1. Boulevard - B2. Vessel Plans - B3. JP Ate Culture - B4. Mountain Range - B5. nEw fAme - B6. That Old Fuck - B7. Burger Time - B8. Umpah Band - B9. Don’t Wake Me Up Bro - B10. Not Lost - B11. GoinF4er
Short Info:
High Hopes - New album from the Mole.
High Hopes is 17 songs across 40 minutes on one slice of wax that, as advertised, sounds nothing like last month’s Ep, High Dreams. Here, rather than the long form dance form, is a continuation of the
beat tape pacing from the last album, a collection of moments posing as ideas posing as a narrative stuffed with oddities and surprises that reward the close listen.
What’s heard on High Hopes is the Mole’s exploration of a love letter, from one person to a family, from the northern Pacific to the southern Atlantic, from a boy to a painted bird. Vancouver Island to
Manantiales. The songs range from ambient sound bath and hip hop sludge, up to micro boogie and almost House before tumbling back down and forth again. Bubbling synths, MPCs swung out, samples
chopped and chewed, bass and violins from Rick and Sophie, field recordings of birds and frogs and beaches, friends and family and fiestas. Did we mention the love ?! This album has got it all! Original
collages from Antonio Carrau envelope this wax: jacket, sleeve and cookie.
Antonio’s work is typified by playful combinations and bold statements about living in a embrace of analog and digital health. His collages marry the corporeal world with an updated, digitalized age of
reproduction, inducing feelings of gratitude for the simple everyday scenes we sometimes lose touch with when we forget to slow down. Good living, like breathing, requires inhaling as well as exhaling.
We can’t always produce content, make art, we must also pause, and listen. And enjoy. The Mole is joined by friends and colleagues on several songs included on High Hopes. Rick May plays bass on both Que Rico and album stand out GoinF4er. Sophie Trudeau (Godspeed You Black Emperor) plays and arranges violins on GoinF4er and Danuel Tate (Cobblestone Jazz) and Julz Chaz
(Wagon Repair) both play Vibes and Emaxx throughout the album. Working with these incredible talents not only enriched this album, but fulfilled a long standing goal of the Mole’s; to work again with
the musicians from whom he learned so much. People who helped inform the shape of Mole to come.
The Mole who was As High As The Sky. The Mole has been ‘recognized’ by the ‘global underground’ since his critically celebrated premiere album, As High As The Sky, but his earlier Eps (Wagon Repair, Philpot, Musique Risquee) got the attention of Top DJs, clubs, and festivals around the world first. His sound remains unique, fresh and deep: enjoying plays in a wide variety of spaces and places.
High Hopes is the Mole’s 5th solo album and his 2nd album for Circus Company (The River Widens) who have also proudly released two eps of Mole magic (Little Sunshine, High Dreams).
*Isn’t that too much time for one record? Short answer - No. Long answer - depends on the material. Due to the many quiet passages in the album, the groove spacing can be modulated and the needle
can slow it’s progress towards the center/end resulting in longer sides with continued high gain and low distortion.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist LP:
A1. Sing a Storm - A2. Que Rico - A3. Heart of a Canary - A4. Deeper Filth - A5. Just Another Kid - A6. Arp on a Table -
B1. Boulevard - B2. Vessel Plans - B3. JP Ate Culture - B4. Mountain Range - B5. nEw fAme - B6. That Old Fuck - B7. Burger Time - B8. Umpah Band - B9. Don’t Wake Me Up Bro - B10. Not Lost - B11. GoinF4er
Short Info:
High Hopes - New album from the Mole.
High Hopes is 17 songs across 40 minutes on one slice of wax that, as advertised, sounds nothing like last month’s Ep, High Dreams. Here, rather than the long form dance form, is a continuation of the
beat tape pacing from the last album, a collection of moments posing as ideas posing as a narrative stuffed with oddities and surprises that reward the close listen.
What’s heard on High Hopes is the Mole’s exploration of a love letter, from one person to a family, from the northern Pacific to the southern Atlantic, from a boy to a painted bird. Vancouver Island to
Manantiales. The songs range from ambient sound bath and hip hop sludge, up to micro boogie and almost House before tumbling back down and forth again. Bubbling synths, MPCs swung out, samples
chopped and chewed, bass and violins from Rick and Sophie, field recordings of birds and frogs and beaches, friends and family and fiestas. Did we mention the love ?! This album has got it all! Original
collages from Antonio Carrau envelope this wax: jacket, sleeve and cookie.
Antonio’s work is typified by playful combinations and bold statements about living in a embrace of analog and digital health. His collages marry the corporeal world with an updated, digitalized age of
reproduction, inducing feelings of gratitude for the simple everyday scenes we sometimes lose touch with when we forget to slow down. Good living, like breathing, requires inhaling as well as exhaling.
We can’t always produce content, make art, we must also pause, and listen. And enjoy. The Mole is joined by friends and colleagues on several songs included on High Hopes. Rick May plays bass on both Que Rico and album stand out GoinF4er. Sophie Trudeau (Godspeed You Black Emperor) plays and arranges violins on GoinF4er and Danuel Tate (Cobblestone Jazz) and Julz Chaz
(Wagon Repair) both play Vibes and Emaxx throughout the album. Working with these incredible talents not only enriched this album, but fulfilled a long standing goal of the Mole’s; to work again with
the musicians from whom he learned so much. People who helped inform the shape of Mole to come.
The Mole who was As High As The Sky. The Mole has been ‘recognized’ by the ‘global underground’ since his critically celebrated premiere album, As High As The Sky, but his earlier Eps (Wagon Repair, Philpot, Musique Risquee) got the attention of Top DJs, clubs, and festivals around the world first. His sound remains unique, fresh and deep: enjoying plays in a wide variety of spaces and places.
High Hopes is the Mole’s 5th solo album and his 2nd album for Circus Company (The River Widens) who have also proudly released two eps of Mole magic (Little Sunshine, High Dreams).
*Isn’t that too much time for one record? Short answer - No. Long answer - depends on the material. Due to the many quiet passages in the album, the groove spacing can be modulated and the needle
can slow it’s progress towards the center/end resulting in longer sides with continued high gain and low distortion.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Circus Company
Cat-No:cck7002
Release-Date:22.11.2024
Genre:Electronic
Configuration:TAPE Excl
Barcode:4251804183550
in stock
Last in:07.11.2024
+ Show full info- Close
in stock
Last in:07.11.2024
Label:Circus Company
Cat-No:cck7002
Release-Date:22.11.2024
Genre:Electronic
Configuration:TAPE Excl
Barcode:4251804183550
1
The Mole - Sing a Storm
2
The Mole - Que Rico
3
The Mole - Heart of a Canary
4
The Mole - Deeper Filth
5
The Mole - Just Another Kid
6
The Mole - Arp on a Table
7
The Mole - Time Changes (Bonus Track)
8
The Mole - Boulevard
9
The Mole - Vessel Plans
10
The Mole - JP Ate Culture
11
The Mole - Mountain Range
12
The Mole - nEw fAme
13
The Mole - That Old Fuck
14
The Mole - Burger Time
15
The Mole - Umpah Band
16
The Mole - Don’t Wake Me Up Bro
17
The Mole - Not Lost
18
The Mole - GoinF4er
Genre: Beats, Ambient, Electronica
Tracklist Cassette:
SIDE A
01. Sing a Storm - 02. Que Rico - 03. Heart of a Canary - 04. Deeper Filth - 05. Just Another Kid -06. Arp on a Table - 07. Time Changes (Bonus Track)
SIDE B
01. Boulevard - 02. Vessel Plans - 03. JP Ate Culture - 04. Mountain Range - 05. nEw fAme - 06.That Old Fuck - 07. Burger Time - 08. Umpah Band - 09. Don’t Wake Me Up Bro - 10. Not Lost -
11. GoinF4er
Short Info:
High Hopes - New album from the Mole.
High Hopes is 17 songs across 40 minutes on one slice of wax that, as advertised, sounds nothing like last month’s Ep, High Dreams. Here, rather than the long form dance form, is a continuation of the
beat tape pacing from the last album, a collection of moments posing as ideas posing as a narrative stuffed with oddities and surprises that reward the close listen.
What’s heard on High Hopes is the Mole’s exploration of a love letter, from one person to a family, from the northern Pacific to the southern Atlantic, from a boy to a painted bird. Vancouver Island to
Manantiales. The songs range from ambient sound bath and hip hop sludge, up to micro boogie and almost House before tumbling back down and forth again. Bubbling synths, MPCs swung out, samples
chopped and chewed, bass and violins from Rick and Sophie, field recordings of birds and frogs and beaches, friends and family and fiestas. Did we mention the love ?! This album has got it all! Original
collages from Antonio Carrau envelope this wax: jacket, sleeve and cookie.
Antonio’s work is typified by playful combinations and bold statements about living in a embrace of analog and digital health. His collages marry the corporeal world with an updated, digitalized age of
reproduction, inducing feelings of gratitude for the simple everyday scenes we sometimes lose touch with when we forget to slow down. Good living, like breathing, requires inhaling as well as exhaling.
We can’t always produce content, make art, we must also pause, and listen. And enjoy. The Mole is joined by friends and colleagues on several songs included on High Hopes. Rick May plays bass on both Que Rico and album stand out GoinF4er. Sophie Trudeau (Godspeed You Black Emperor) plays and arranges violins on GoinF4er and Danuel Tate (Cobblestone Jazz) and Julz Chaz (Wagon Repair) both play Vibes and Emaxx throughout the album. Working with these incredible talents not only enriched this album, but fulfilled a long standing goal of the Mole’s; to work again with the musicians from whom he learned so much. People who helped inform the shape of Mole to come.
The Mole who was As High As The Sky. The Mole has been ‘recognized’ by the ‘global underground’ since his critically celebrated premiere album, As High As The Sky, but his earlier Eps (Wagon Repair, Philpot, Musique Risquee) got the attention of Top DJs, clubs, and festivals around the world first. His sound remains unique, fresh and deep: enjoying plays in a wide variety of spaces and places.
High Hopes is the Mole’s 5th solo album and his 2nd album for Circus Company (The River Widens) who have also proudly released two eps of Mole magic (Little Sunshine, High Dreams).
*Isn’t that too much time for one record? Short answer - No. Long answer - depends on the material. Due to the many quiet passages in the album, the groove spacing can be modulated and the needle
can slow it’s progress towards the center/end resulting in longer sides with continued high gain and low distortion.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist Cassette:
SIDE A
01. Sing a Storm - 02. Que Rico - 03. Heart of a Canary - 04. Deeper Filth - 05. Just Another Kid -06. Arp on a Table - 07. Time Changes (Bonus Track)
SIDE B
01. Boulevard - 02. Vessel Plans - 03. JP Ate Culture - 04. Mountain Range - 05. nEw fAme - 06.That Old Fuck - 07. Burger Time - 08. Umpah Band - 09. Don’t Wake Me Up Bro - 10. Not Lost -
11. GoinF4er
Short Info:
High Hopes - New album from the Mole.
High Hopes is 17 songs across 40 minutes on one slice of wax that, as advertised, sounds nothing like last month’s Ep, High Dreams. Here, rather than the long form dance form, is a continuation of the
beat tape pacing from the last album, a collection of moments posing as ideas posing as a narrative stuffed with oddities and surprises that reward the close listen.
What’s heard on High Hopes is the Mole’s exploration of a love letter, from one person to a family, from the northern Pacific to the southern Atlantic, from a boy to a painted bird. Vancouver Island to
Manantiales. The songs range from ambient sound bath and hip hop sludge, up to micro boogie and almost House before tumbling back down and forth again. Bubbling synths, MPCs swung out, samples
chopped and chewed, bass and violins from Rick and Sophie, field recordings of birds and frogs and beaches, friends and family and fiestas. Did we mention the love ?! This album has got it all! Original
collages from Antonio Carrau envelope this wax: jacket, sleeve and cookie.
Antonio’s work is typified by playful combinations and bold statements about living in a embrace of analog and digital health. His collages marry the corporeal world with an updated, digitalized age of
reproduction, inducing feelings of gratitude for the simple everyday scenes we sometimes lose touch with when we forget to slow down. Good living, like breathing, requires inhaling as well as exhaling.
We can’t always produce content, make art, we must also pause, and listen. And enjoy. The Mole is joined by friends and colleagues on several songs included on High Hopes. Rick May plays bass on both Que Rico and album stand out GoinF4er. Sophie Trudeau (Godspeed You Black Emperor) plays and arranges violins on GoinF4er and Danuel Tate (Cobblestone Jazz) and Julz Chaz (Wagon Repair) both play Vibes and Emaxx throughout the album. Working with these incredible talents not only enriched this album, but fulfilled a long standing goal of the Mole’s; to work again with the musicians from whom he learned so much. People who helped inform the shape of Mole to come.
The Mole who was As High As The Sky. The Mole has been ‘recognized’ by the ‘global underground’ since his critically celebrated premiere album, As High As The Sky, but his earlier Eps (Wagon Repair, Philpot, Musique Risquee) got the attention of Top DJs, clubs, and festivals around the world first. His sound remains unique, fresh and deep: enjoying plays in a wide variety of spaces and places.
High Hopes is the Mole’s 5th solo album and his 2nd album for Circus Company (The River Widens) who have also proudly released two eps of Mole magic (Little Sunshine, High Dreams).
*Isn’t that too much time for one record? Short answer - No. Long answer - depends on the material. Due to the many quiet passages in the album, the groove spacing can be modulated and the needle
can slow it’s progress towards the center/end resulting in longer sides with continued high gain and low distortion.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Circus Company
Cat-No:ccs133
Release-Date:11.10.2024
Genre:House
Configuration:12" Excl
Barcode:4251804144872
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Last in:17.09.2024
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Last in:17.09.2024
Label:Circus Company
Cat-No:ccs133
Release-Date:11.10.2024
Genre:House
Configuration:12" Excl
Barcode:4251804144872
1
The Mole - Losing Track
2
The Mole - Climbers Pit (Feat. Joli B & Danuel Tate)
3
The Mole - Losing Track (Dave Aju Remix)
4
The Mole - Youandthekitten
Genre: House
Tracklist:
A1. Losing Track
A2. Climbers Pit (Feat. Joli B & Danuel Tate)
B1. Losing Track (Dave Aju Remix)
B2. Youandthekitten
Short Info:
New music by The Mole. High Dreams contains four tracks, three originals and one remix from Circus Company favourite Dave Aju. The Mole savours dreaming and welcomes the mystical landscapes of
the mind with High Dreams, a collection of uptempo dance pieces inhabited by ghosts and welcoming creatures from the deeps. This unpretentious collection cuts straight with the rhythms, and carries long
with the arrangements. Dancefloor sizzle. Subsonic rumble. Ghosts! Your body moving requisites lie within this simple plate of wax. Turn up your amps and bathe in it.
The Mole is known for his “hits” (Baby You’re The One, Hippy Speedball, In My Song, Lockdown Party) and his “work” with many Top labels (Perlon, Kompakt, Wagon Repair, Maybe Tomorrow, Ostgut Ton)
is played by many Top DJs. Only his third release with Circus Company (Little Sunshine, The River Widens), this Ep is a reminder that the Mole is still at it, and a warning. There’s a new album upcoming.
And it sounds nothing like this…
With his 19th release with the label since 2003, Dave Aju is one of the pillars of modern Circus Company. Aju amplifies Losing Track, adding percussion and fresh, modern programming, giving the remix a whole
new purpose while maintaining the erie cries, calling out, desperate - don’t leave me hang ’n … of the original. A certain go to for the Deep Heads.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist:
A1. Losing Track
A2. Climbers Pit (Feat. Joli B & Danuel Tate)
B1. Losing Track (Dave Aju Remix)
B2. Youandthekitten
Short Info:
New music by The Mole. High Dreams contains four tracks, three originals and one remix from Circus Company favourite Dave Aju. The Mole savours dreaming and welcomes the mystical landscapes of
the mind with High Dreams, a collection of uptempo dance pieces inhabited by ghosts and welcoming creatures from the deeps. This unpretentious collection cuts straight with the rhythms, and carries long
with the arrangements. Dancefloor sizzle. Subsonic rumble. Ghosts! Your body moving requisites lie within this simple plate of wax. Turn up your amps and bathe in it.
The Mole is known for his “hits” (Baby You’re The One, Hippy Speedball, In My Song, Lockdown Party) and his “work” with many Top labels (Perlon, Kompakt, Wagon Repair, Maybe Tomorrow, Ostgut Ton)
is played by many Top DJs. Only his third release with Circus Company (Little Sunshine, The River Widens), this Ep is a reminder that the Mole is still at it, and a warning. There’s a new album upcoming.
And it sounds nothing like this…
With his 19th release with the label since 2003, Dave Aju is one of the pillars of modern Circus Company. Aju amplifies Losing Track, adding percussion and fresh, modern programming, giving the remix a whole
new purpose while maintaining the erie cries, calling out, desperate - don’t leave me hang ’n … of the original. A certain go to for the Deep Heads.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Circus Company
Cat-No:cck7001
Release-Date:20.01.2023
Genre:Electronic
Configuration:TAPE Excl
Barcode:4251804140102
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Last in:09.01.2023
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Last in:09.01.2023
Label:Circus Company
Cat-No:cck7001
Release-Date:20.01.2023
Genre:Electronic
Configuration:TAPE Excl
Barcode:4251804140102
1
The Mole - X-pert Profat
2
The Mole - Break for Ma
3
The Mole - Drums 2002
4
The Mole - Ducklings 2
5
The Mole - #ew_horseplay
6
The Mole - Jo Barker
7
The Mole - AR Day
8
The Mole - New Family
9
The Mole - Repepepater (feat. Joli B)
10
The Mole - Clean Father
11
The Mole - Ambient Jams 3
12
The Mole - July 11 Creepy (feat. Ted Pilsner)
13
The Mole - Brain Bed
14
The Mole - Roxy Dancer
15
The Mole - Summer Storm
16
The Mole - They Work for Mr. O
17
The Mole - Tricky Dees Dumm Dumm
18
The Mole - Ufos Over Egypt (feat. Cristobal)
19
The Mole - Weak Stranger
20
The Mole - XMods in the Living Room
21
The Mole - Being a Total Warm Up
cassette
Genre: Beats, Ambient, Electronica
Tracklist Cassette:
A1. X-pert Profat - A2. Break for Ma - A3. Drums 2002 - A4. Ducklings 2 - A5. #ew_horseplay -
A6. Jo Barker - A7. AR Day - A8. New Family - A9. Repepepater (feat. Joli B) - A10. Clean Father -
A11. Ambient Jams 3 - B1. July 11 Creepy (feat. Ted Pilsner) - B2. Brain Bed - B3. Roxy Dancer -
B4. Summer Storm - B5. They Work for Mr. O - B6. Tricky Dees Dumm Dumm -
B7. Ufos Over Egypt (feat. Cristobal) - B8. Weak Stranger - B9. XMods in the Living Room - B10. Being a Total Warm Up
Short Info:
One of our all-time favourite artists and extended Circus Company member The Mole returns to the
label for a proper presentation of his album The River Widens. Originally a limited, cassette-only
release via fellow Canadian Eddie C’s Red Motorbike, we are proud to offer this album in its full glory
for the first time on all formats.
Never one to shy away from synth deep dives, or raw sample flip collaging, this collection of 21 works
checks all the boxes. Ambient trippers to straight up neck-snapping instrumental beats. Not forgetting
tastes of the more uptempo, highly-assured and hypnotic dance floor feels the world has come to love
The Mole for. Moments of casual chillin are interspersed with effortless, emotive angles, some evoking
the charm of his Little Sunshine release for us in 2017.
X-pert Profat opens the set with sly statements that give way to relaxed and subtle keys over gentle,
midtempo rhythms. Things switch up nicely into easy, Northwest Coast boogie-meets-beatdown feels
inBreak For Ma, followed by a solid array of almost Jaylib-schooled boom bap twists, like the aptly-titled
Drums 2002 and Jo Barker. Ambient cuts like AR Dayand New Family offer a refreshing tap of the
brakes, setting the scene for the gorgeous, Jarre-esque Weak Stranger. We also get treated
to Repepepater’s nod to Detroit house, urban-mode Balearic feels on They Work For Mr. O, and sneak
attack lo-fi future funk in the form of UFOs Over Egypt, with Montreal co-pilot Cristobal on a wild
shisha-lit vox narrative, earlier versions of which have blessed many of our label comrades’ DJ sets,
from Dave Aju to Vincent Lemieux.
The River Widens expands beautifully on the breadth of unique musical directions The Mole is capable
of taking us in, now spread across fresh 2x12” vinyl and available digitally for the first time, along with
another limited edition cassette run - we hope you enjoy the ride as much as we do!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Genre: Beats, Ambient, Electronica
Tracklist Cassette:
A1. X-pert Profat - A2. Break for Ma - A3. Drums 2002 - A4. Ducklings 2 - A5. #ew_horseplay -
A6. Jo Barker - A7. AR Day - A8. New Family - A9. Repepepater (feat. Joli B) - A10. Clean Father -
A11. Ambient Jams 3 - B1. July 11 Creepy (feat. Ted Pilsner) - B2. Brain Bed - B3. Roxy Dancer -
B4. Summer Storm - B5. They Work for Mr. O - B6. Tricky Dees Dumm Dumm -
B7. Ufos Over Egypt (feat. Cristobal) - B8. Weak Stranger - B9. XMods in the Living Room - B10. Being a Total Warm Up
Short Info:
One of our all-time favourite artists and extended Circus Company member The Mole returns to the
label for a proper presentation of his album The River Widens. Originally a limited, cassette-only
release via fellow Canadian Eddie C’s Red Motorbike, we are proud to offer this album in its full glory
for the first time on all formats.
Never one to shy away from synth deep dives, or raw sample flip collaging, this collection of 21 works
checks all the boxes. Ambient trippers to straight up neck-snapping instrumental beats. Not forgetting
tastes of the more uptempo, highly-assured and hypnotic dance floor feels the world has come to love
The Mole for. Moments of casual chillin are interspersed with effortless, emotive angles, some evoking
the charm of his Little Sunshine release for us in 2017.
X-pert Profat opens the set with sly statements that give way to relaxed and subtle keys over gentle,
midtempo rhythms. Things switch up nicely into easy, Northwest Coast boogie-meets-beatdown feels
inBreak For Ma, followed by a solid array of almost Jaylib-schooled boom bap twists, like the aptly-titled
Drums 2002 and Jo Barker. Ambient cuts like AR Dayand New Family offer a refreshing tap of the
brakes, setting the scene for the gorgeous, Jarre-esque Weak Stranger. We also get treated
to Repepepater’s nod to Detroit house, urban-mode Balearic feels on They Work For Mr. O, and sneak
attack lo-fi future funk in the form of UFOs Over Egypt, with Montreal co-pilot Cristobal on a wild
shisha-lit vox narrative, earlier versions of which have blessed many of our label comrades’ DJ sets,
from Dave Aju to Vincent Lemieux.
The River Widens expands beautifully on the breadth of unique musical directions The Mole is capable
of taking us in, now spread across fresh 2x12” vinyl and available digitally for the first time, along with
another limited edition cassette run - we hope you enjoy the ride as much as we do!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Circus Company
Cat-No:ccs124
Release-Date:20.01.2023
Genre:Electronic
Configuration:2LP Excl
Barcode:4251804129169
in stock
Last in:18.11.2022
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in stock
Last in:18.11.2022
Label:Circus Company
Cat-No:ccs124
Release-Date:20.01.2023
Genre:Electronic
Configuration:2LP Excl
Barcode:4251804129169
1
The Mole - X-pert Profat
2
The Mole - Break for Ma
3
The Mole - Drums 2002
4
The Mole - Ducklings 2
5
The Mole - #ew_horseplay
6
The Mole - Jo Barker
7
The Mole - AR Day
8
The Mole - New Family
9
The Mole - Repepepater (feat. Joli B)
10
The Mole - Clean Father
11
The Mole - Ambient Jams 3
12
The Mole - July 11 Creepy (feat. Ted Pilsner)
13
The Mole - Brain Bed
14
The Mole - Roxy Dancer
15
The Mole - Summer Storm
16
The Mole - They Work for Mr. O
17
The Mole - Tricky Dees Dumm Dumm
18
The Mole - Ufos Over Egypt (feat. Cristobal)
19
The Mole - Weak Stranger
20
The Mole - XMods in the Living Room
21
The Mole - Being a Total Warm Up
Double LP (incl. download code)
Genre: Beats, Ambient, Electronica
Tracklist LP:
A1. X-pert Profat - A2. Break for Ma - A3. Drums 2002 - A4. Ducklings 2 - A5. #ew_horseplay -
A6. Jo Barker - A7. AR Day - B1. New Family - B2. Repepepater (feat. Joli B) - B3. Clean Father -
B4. Ambient Jams 3 - C1. July 11 Creepy (feat. Ted Pilsner) - C2. Brain Bed - C3. Roxy Dancer -
C4. Summer Storm - C5. They Work for Mr. O - C6. Tricky Dees Dumm Dumm -
C7. Ufos Over Egypt (feat. Cristobal) - D1. Weak Stranger - D2. XMods in the Living Room - D3. Being a Total Warm Up
Short Info:
One of our all-time favourite artists and extended Circus Company member The Mole returns to the
label for a proper presentation of his album The River Widens. Originally a limited, cassette-only
release via fellow Canadian Eddie C’s Red Motorbike, we are proud to offer this album in its full glory
for the first time on all formats.
Never one to shy away from synth deep dives, or raw sample flip collaging, this collection of 21 works
checks all the boxes. Ambient trippers to straight up neck-snapping instrumental beats. Not forgetting
tastes of the more uptempo, highly-assured and hypnotic dance floor feels the world has come to love
The Mole for. Moments of casual chillin are interspersed with effortless, emotive angles, some evoking
the charm of his Little Sunshine release for us in 2017.
X-pert Profat opens the set with sly statements that give way to relaxed and subtle keys over gentle,
midtempo rhythms. Things switch up nicely into easy, Northwest Coast boogie-meets-beatdown feels
inBreak For Ma, followed by a solid array of almost Jaylib-schooled boom bap twists, like the aptly-titled
Drums 2002 and Jo Barker. Ambient cuts like AR Dayand New Family offer a refreshing tap of the
brakes, setting the scene for the gorgeous, Jarre-esque Weak Stranger. We also get treated
to Repepepater’s nod to Detroit house, urban-mode Balearic feels on They Work For Mr. O, and sneak
attack lo-fi future funk in the form of UFOs Over Egypt, with Montreal co-pilot Cristobal on a wild
shisha-lit vox narrative, earlier versions of which have blessed many of our label comrades’ DJ sets,
from Dave Aju to Vincent Lemieux.
The River Widens expands beautifully on the breadth of unique musical directions The Mole is capable
of taking us in, now spread across fresh 2x12” vinyl and available digitally for the first time, along with
another limited edition cassette run - we hope you enjoy the ride as much as we do!
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Genre: Beats, Ambient, Electronica
Tracklist LP:
A1. X-pert Profat - A2. Break for Ma - A3. Drums 2002 - A4. Ducklings 2 - A5. #ew_horseplay -
A6. Jo Barker - A7. AR Day - B1. New Family - B2. Repepepater (feat. Joli B) - B3. Clean Father -
B4. Ambient Jams 3 - C1. July 11 Creepy (feat. Ted Pilsner) - C2. Brain Bed - C3. Roxy Dancer -
C4. Summer Storm - C5. They Work for Mr. O - C6. Tricky Dees Dumm Dumm -
C7. Ufos Over Egypt (feat. Cristobal) - D1. Weak Stranger - D2. XMods in the Living Room - D3. Being a Total Warm Up
Short Info:
One of our all-time favourite artists and extended Circus Company member The Mole returns to the
label for a proper presentation of his album The River Widens. Originally a limited, cassette-only
release via fellow Canadian Eddie C’s Red Motorbike, we are proud to offer this album in its full glory
for the first time on all formats.
Never one to shy away from synth deep dives, or raw sample flip collaging, this collection of 21 works
checks all the boxes. Ambient trippers to straight up neck-snapping instrumental beats. Not forgetting
tastes of the more uptempo, highly-assured and hypnotic dance floor feels the world has come to love
The Mole for. Moments of casual chillin are interspersed with effortless, emotive angles, some evoking
the charm of his Little Sunshine release for us in 2017.
X-pert Profat opens the set with sly statements that give way to relaxed and subtle keys over gentle,
midtempo rhythms. Things switch up nicely into easy, Northwest Coast boogie-meets-beatdown feels
inBreak For Ma, followed by a solid array of almost Jaylib-schooled boom bap twists, like the aptly-titled
Drums 2002 and Jo Barker. Ambient cuts like AR Dayand New Family offer a refreshing tap of the
brakes, setting the scene for the gorgeous, Jarre-esque Weak Stranger. We also get treated
to Repepepater’s nod to Detroit house, urban-mode Balearic feels on They Work For Mr. O, and sneak
attack lo-fi future funk in the form of UFOs Over Egypt, with Montreal co-pilot Cristobal on a wild
shisha-lit vox narrative, earlier versions of which have blessed many of our label comrades’ DJ sets,
from Dave Aju to Vincent Lemieux.
The River Widens expands beautifully on the breadth of unique musical directions The Mole is capable
of taking us in, now spread across fresh 2x12” vinyl and available digitally for the first time, along with
another limited edition cassette run - we hope you enjoy the ride as much as we do!
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:Perlon
Cat-No:perlon94
Release-Date:19.11.2021
Genre:House
Configuration:12" Excl
Barcode:827170502468
2021 Repress
UPC A Barcode: 827170502468
A1: HISTORY OF DATES A2: LOCKDOWN PARTY B: LOCKDOWN PARTY (SPRINKLES' CROSSFADERAMA)
2 original versions plus a remix by Terre Thaemlitz a.k.a. Dj Sprinkles.
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UPC A Barcode: 827170502468
A1: HISTORY OF DATES A2: LOCKDOWN PARTY B: LOCKDOWN PARTY (SPRINKLES' CROSSFADERAMA)
2 original versions plus a remix by Terre Thaemlitz a.k.a. Dj Sprinkles.
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Contact: [email protected]More
Label:Sound Of Vast
Cat-No:SOV017
Release-Date:05.11.2021
Genre:House
Configuration:12"
Barcode:
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Genre:House
Configuration:12"
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1
The Mole - Vetafit
2
The Mole - That Is Nice
3
The Mole - 17 Day Parade
Sound Of Vast welcomes the return of The Mole this November with his 'That Is Nice' EP, comprised of three typically twisted cuts from the Canadian-born Berliner.
Over the course of the past two decades Colin De La Plante, better know to most as The Mole, has unveiled numerous EP's, singles and albums via the likes of Perlon, Ostgut Ton, Slices Of Life and of course Sound Of Vast where he returns here following output in recent years from the likes of DJ Sodeyama as The People In Fog, Cinthie, Com Sin aka Cosmin TRG, Shinichiro Yokota and Akiko Kiyama from the Japanese imprint.
Opening the EP is 'Vetafit', laid out across seven a half minutes with bubbling metallic chimes, bumpy bass notes, crunchy drums and an amalgamation of intertwining plucked synth stabs. Title-track 'That Is Nice' follows, shifting focus to cut up funk licks, a walking bass line and tension building strings atop a dynamic, organic drum groove.
On the flip is '17 Day Parade' to conclude the EP, stripping things pack to punchy, modulating drums a wandering sub bass pulsations and warbling, intricately processed horns and stabs, once again we're treated to more weird and wonderful material from The Mole.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Over the course of the past two decades Colin De La Plante, better know to most as The Mole, has unveiled numerous EP's, singles and albums via the likes of Perlon, Ostgut Ton, Slices Of Life and of course Sound Of Vast where he returns here following output in recent years from the likes of DJ Sodeyama as The People In Fog, Cinthie, Com Sin aka Cosmin TRG, Shinichiro Yokota and Akiko Kiyama from the Japanese imprint.
Opening the EP is 'Vetafit', laid out across seven a half minutes with bubbling metallic chimes, bumpy bass notes, crunchy drums and an amalgamation of intertwining plucked synth stabs. Title-track 'That Is Nice' follows, shifting focus to cut up funk licks, a walking bass line and tension building strings atop a dynamic, organic drum groove.
On the flip is '17 Day Parade' to conclude the EP, stripping things pack to punchy, modulating drums a wandering sub bass pulsations and warbling, intricately processed horns and stabs, once again we're treated to more weird and wonderful material from The Mole.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Label:Meander Music
Cat-No:meander023
Release-Date:27.07.2018
Genre:House
Configuration:12" Excl
Barcode:4260544825316
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Label:Meander Music
Cat-No:meander023
Release-Date:27.07.2018
Genre:House
Configuration:12" Excl
Barcode:4260544825316
1
The Mole - Set You Free
2
The Mole - Set You Free (Amorf Interpretation)
3
Valerie Temple Boyd - Comb Over
4
The Mole - Untitled Title X
***180gram vinyl. First 200 copies come with limited hand-made screen printed sleeves, all further copies with full cover artwork.***
Lovely The Mole debut on Meander. Sun-infused, jacking and swinging house cuts with a very intuitive flow.
In the past few years the Canadian born, Berlin based producer released a string of exceptional releases
for labels like Slices Of Life, Perlon, Musique Risquee, Wagon Repair and his own Maybe Tomorrow.
Includes a remix from Romanian genre-bending project Amorf (Vlad Caia, Mischa Blanos and Cristi Cons).
In 2017 Amorf released their acclaimed debut album on Understand, the label from Cezar Lazar.
A1: The Mole - Set You Free
A2: The Mole - Set You Free (Amorf Interpretation)
B1: Valerie Temple Boyd - Comb Over
B2: The Mole . Untitled Title X
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Lovely The Mole debut on Meander. Sun-infused, jacking and swinging house cuts with a very intuitive flow.
In the past few years the Canadian born, Berlin based producer released a string of exceptional releases
for labels like Slices Of Life, Perlon, Musique Risquee, Wagon Repair and his own Maybe Tomorrow.
Includes a remix from Romanian genre-bending project Amorf (Vlad Caia, Mischa Blanos and Cristi Cons).
In 2017 Amorf released their acclaimed debut album on Understand, the label from Cezar Lazar.
A1: The Mole - Set You Free
A2: The Mole - Set You Free (Amorf Interpretation)
B1: Valerie Temple Boyd - Comb Over
B2: The Mole . Untitled Title X
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
12" Excl
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Label:Circus Company
Cat-No:ccs107
Release-Date:22.09.2017
Genre:House
Configuration:12" Excl
Barcode:4260038311295
in stock
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Label:Circus Company
Cat-No:ccs107
Release-Date:22.09.2017
Genre:House
Configuration:12" Excl
Barcode:4260038311295
Tracklist:
A1 The Mole - Little Sunshine A2 The Mole - Discotheque Airplane B1 The Mole & Tom Trago - Down the Hallway (Aardvarck Remix) B2 The Mole & Tom Trago - Down The Hallway (Original mix)
Short info:
Circus Company and The Mole have long been making eyes at each other across the same crowded dancefloor. Colin de la Plante?s primary project is synonymous with the off-kilter corner of house music we like to spend our time dancing in, and the labels he releases on are close cousins of the Circus troupe. From Wagon Repair to Philpot, Musique Risquee to Perlon, it?s a wonder that we haven?t worked together previously, but finally that?s been put right with Little Sunshine.Stripped back, understated disco grooves have always been the bread and butter of The Mole?s sound, while infectious, cyclical melodic patterns are equally important in making his unique version of house music. On the title track, those elements are presented with full force, but in between the driving rhythms linger the most gorgeous keys, bringing a mellow introspection to the track as a neat counterpoint to the energy of the drums and arpeggios. Compared to the clean lines and peppy tempo of ?Little Sunshine?, ?Discotheque Airplane? is an audacious swerve into low and slow territory, where dusty samples rule the day and the bass swells in and out of earshot with a truly mesmerizing effect. It?s a moody affair loaded with tension, mystery and funk in abundance. As if that wasn?t enough proof of the variety in The Mole?s repertoire, on his collaboration with Dutch hero Tom Trago for ?Down The Hallway? we find the pair exploring lean, focused techno, where the simplest of rhythms propel a haunting, distant vocal lick. It?s the drum sounds that make this a special cut, championing warm, natural percussion instead of the methodical drum machine hits found in most contemporary techno.
Rounding the EP off in a beautifully mysterious style is Aardvarck, whose remix of ?Down The Hallway? takes the subtle foundations of the original and builds delicate, lilting melodies on top. With creative distortion and masterful layering of the many synth parts, it?s a captivating, emotionally-loaded slice of inward-looking music that adds to the intriguing, alternative vision of dance music proposed on every track of this 12?.
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Germany
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A1 The Mole - Little Sunshine A2 The Mole - Discotheque Airplane B1 The Mole & Tom Trago - Down the Hallway (Aardvarck Remix) B2 The Mole & Tom Trago - Down The Hallway (Original mix)
Short info:
Circus Company and The Mole have long been making eyes at each other across the same crowded dancefloor. Colin de la Plante?s primary project is synonymous with the off-kilter corner of house music we like to spend our time dancing in, and the labels he releases on are close cousins of the Circus troupe. From Wagon Repair to Philpot, Musique Risquee to Perlon, it?s a wonder that we haven?t worked together previously, but finally that?s been put right with Little Sunshine.Stripped back, understated disco grooves have always been the bread and butter of The Mole?s sound, while infectious, cyclical melodic patterns are equally important in making his unique version of house music. On the title track, those elements are presented with full force, but in between the driving rhythms linger the most gorgeous keys, bringing a mellow introspection to the track as a neat counterpoint to the energy of the drums and arpeggios. Compared to the clean lines and peppy tempo of ?Little Sunshine?, ?Discotheque Airplane? is an audacious swerve into low and slow territory, where dusty samples rule the day and the bass swells in and out of earshot with a truly mesmerizing effect. It?s a moody affair loaded with tension, mystery and funk in abundance. As if that wasn?t enough proof of the variety in The Mole?s repertoire, on his collaboration with Dutch hero Tom Trago for ?Down The Hallway? we find the pair exploring lean, focused techno, where the simplest of rhythms propel a haunting, distant vocal lick. It?s the drum sounds that make this a special cut, championing warm, natural percussion instead of the methodical drum machine hits found in most contemporary techno.
Rounding the EP off in a beautifully mysterious style is Aardvarck, whose remix of ?Down The Hallway? takes the subtle foundations of the original and builds delicate, lilting melodies on top. With creative distortion and masterful layering of the many synth parts, it?s a captivating, emotionally-loaded slice of inward-looking music that adds to the intriguing, alternative vision of dance music proposed on every track of this 12?.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Sound of vast
Cat-No:sov012
Release-Date:08.09.2017
Genre:House
Configuration:12"
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Label:Sound of vast
Cat-No:sov012
Release-Date:08.09.2017
Genre:House
Configuration:12"
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1
the mole - No Title
2
the mole - No Title
3
the mole - No Title
4
the mole - No Title
SOV is glad to welcome aboard the new family member for itâ??s 12th cat. The Mole is a Canadian artist known for his music boutique interpreting elements of disco, jazz, hip hop and funk. Since this kind of game is also the core of our soul, we are happy to present 4 special tracks from him.
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Label:maybe tomorrow
Cat-No:mt008t
Release-Date:30.06.2017
Configuration:12"
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Release-Date:30.06.2017
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1
the mole - spicy noodle man
2
the mole - spicy noodle man (drum mix)
3
the mole - gelb grun blau
4
the mole - back in the studio game
The snooze fest is over and we’re back in the saddle with the first output from Colin La Plante aka The Mole aka half owner of this imprint. He’s been touring up a storm and playing out a lot of new music we’re excited to share with you this year. Spicy noodles are something Colin thinks everyone can love…not one at a time…but by the bowl. This four tracker definitely shows off “new directions” for The Mole – nothing too outlandish mind you, but the path he chose with the title and crowd favourite “gelb grun blau” definitely has these tracks leaning towards the centre of a DJ sets vs. beginning or end…spiralling kick drums with a fine grind blend of digital synths, analog synths, drum machines and the occasional samples here. Vape-house anyone? The closer “back in the studio game” is a beatless one created just for the sunrises of your life.
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Label:slices of life
Cat-No:sol7
Release-Date:31.03.2015
Configuration:12"
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Label:slices of life
Cat-No:sol7
Release-Date:31.03.2015
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1
the mole - Inhuman
2
the mole - Another One Of Those Nights
3
the mole - Hot Tea Dog Man
THE MOLE is back on Slices Of Life with 3 new tracks and 3 different views on the house music of these days. Two years after "Hang In There Fry Guy" (SOL4) Colin de la Plante continues his collaboration with Slices Of Life. The Canadian producer and DJ is very well-known for his love for a wide range of music, which is reflected in his inspiring DJ and live sets. Though his favour for soulful music always shines through in all his productions, it is most evident in the edits of his "7 Inches of Love" series as well as in the trippy excursions on his own imprint "Maybe Tomorrow". Accordingly, the 3 new tracks for Slices Of Life offers an exciting insight into various musical worlds of Colin de la Plante. "Inhuman" surprises with a higher bpm rate than you might expect from The Mole, but the 8-minute track breathes a warm and humorous funk and at the same time twinkles mischievous from the dancefloor. Almost in contradiction to the A side, "Another One of Those Nights" offers a deep and almost melancholic view on the night and its various side effects. And finally, "Hot Tea Dog Man" links perfectly to "Now I Understand" from SOL4: A hypnotic beat that concentrates on the essentials and a few well set elements that carry the track wonderfully and endlessly. But experience the words of the master himself: "I did hear recently that there were 12 million pigs in Holland, compared to 17 million humans .. That's a lot of pigs... and pig meat is in everything... like some wines ... in the production of wine, gelatine can be used as a clarifying agent. The gelatine reacts with the tannins and bitter substances and absorbs cloudy elements that can then be separated from the drink... but pigs didn't really have much to do with this record... "
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More records from new kanada
Label:new kanada
Cat-No:nk55
Release-Date:17.03.2015
Genre:techhouse
Configuration:12"
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Cat-No:nk55
Release-Date:17.03.2015
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1
moonstarr - A1) The Metropolitan
2
moonstarr - B1) Jump Steady
3
moonstarr - B2) Highs and Lows
The Standard of Moonstarr is a Toronto artifact excavated from what had been the Royal Cemetery in the ancient intersection of Dupont. It's approximately 4,500 years old and was probably constructed in the form of a hollow wooden tones with flourishes of jungle and techno represented on each side through elaborately inlaid programming. Although interpreted as a standard by its discoverer, its original purpose remains enigmatic. It was found in a royal tomb in Toronto in the 1920s next to the skeleton of a ritually sacrificed man who may have been its bearer. It is now available, in a reconstructed form, on New Kanada. The "Metropolitan" had survived in only a fragmentary condition. The ravages of time over more than four thousand years had caused the decay of the wooden house frame and bitumen glue which had cemented the baselines in place. The weight of the tracks crushed the object, fragmenting them and breaking the end frequencies. This meant that excavating the tracks were a challenging task. New Kanada excavators had been told to look for hollows in the ground created by decayed samples - and to fill them with bruk breaks, or wax to record the shape of the objects that had once filled them, rather like the famous parties of Columbus, Ohio and the entire Midwest. When the tracks of the Standard were discovered by the excavation crew, they found that the referential pieces had kept their form in the vinyl pressings while their digital frame had disintegrated. The present form of the "Jump Steady" is a reconstruction of this time, presenting a best guess of its original sound and aesthetic. It has been interpreted as a hollow funk break measuring 21.59 kHz, inlaid with a mosaic of 90's era jungle, red house painters and techno bravado. The track has an irregular shape with end pieces in the shape of truncated acid symbols, making it wider at the bottom than at the top, along the lines of the dark period of Reinforced. Inlaid tonal panels cover each long side of the "Highs and Lows". Each presents a series of scenes displayed in three registers, upper, middle and bottom frequencies. The two isolated EQ's have been dubbed "Highs" and "Lows" for their subject matter, respectively a representation of a morning feeling, and scenes from a deserted campfire.
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Label:new kanada
Cat-No:nk52
Release-Date:30.10.2014
Genre:Techno
Configuration:12"
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Release-Date:30.10.2014
Genre:Techno
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1
maaskant - Eyo Olokun
2
maaskant - Your Memories Are Not Invited
3
maaskant - This Language
The Maaskant polychoral style was a type of music of the late modern electronics and early indie eras which involved spatially separate voices singing in alternation. It represented a major stylistic shift from the prevailing polyphonic writing of the early electronic generation, and was one of the major stylistic developments of the 90's which led directly to the formation of what we now know as the pure modern style. A commonly encountered term for the separated analog choirs is cori analogici spezzati — literally, phased choirs. The A-side, featuring Eyo Olokun, signifies unfathomable deep grooves. That is, the instinct that there is something worth knowing, perhaps more than can ever be learned, especially this bassline that most people spend a lifetime pondering.
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Label:new kanada
Cat-No:nk51
Release-Date:26.06.2014
Genre:Techno
Configuration:12"
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Label:new kanada
Cat-No:nk51
Release-Date:26.06.2014
Genre:Techno
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This holographic release was inspired by black hole thermodynamics. In the case of Omni, the insight was that the sound content of all fallen objects might be contained in surface fluctuations of the event horizon. Siren To Siren is microscopically random, like a hot gas. A known configuration of classic tape sounds has zero entropy: there is nothing random about binary configurations. If one throws a hot gas with entropy into the G Count, the entropy would disappear - producing aggressive bandwidths, and ragga baselines
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Label:new kanada
Cat-No:nk50
Release-Date:28.05.2014
Genre:techhouse
Configuration:12"
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1
adam marshall - A1. "Jasper" - Adam Marshall
2
adam marshall - B1. "Throwing Shade" - Crushfield
3
adam marshall - 03
For New Kanada, thermo acoustics is the area of sound that seeks to reconcile the laws of sinuous audio strands with the existence of black hole event horizons. Much as the study of the statistical mechanics of body radiation led to the experience of quantum sub dynamics, the effort to understand the statistical mechanics of bass has had a deep impact upon the understanding of holographic principle, leading to the formulation of these tracks.
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Label:new kanada
Cat-No:nk49
Release-Date:13.03.2014
Genre:Techno
Configuration:12"
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1
graze - mwaepon
2
graze - scrap
GRAZE minerals possess a superlative lustre, which is most notably seen in diamond. Such frequencies are transparent or translucent in nature, and have a high refractive index . Tones with a true adamantine lustre are uncommon, with examples being cerussite and zircon. MWeapon minerals display luminous bass bands, which appear to move as the specimen is rotated. Such frequencies are composed of parallel fibers, which reflect sound into a direction perpendicular to their orientation, thus forming narrow bands of light. The most famous examples are FM and subtractive, but the effect may also occur in other sound banding - such aquamarine, moonstone and tourmaline. Scrap minerals consist of thin transparent co-planar sheets. Light reflecting from these layers give them a lustre reminiscent of pearls. Such minerals possess perfect cleavage, with examples including muscovite and moss opal.
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Label:new kanada
Cat-No:nk45
Release-Date:24.01.2014
Genre:Techno
Configuration:12"
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These track's magnitude and direction is best understood when the dislocation-bearing crystal structure is first visualized without the dislocation. In this release structure, once the encompassing track is drawn, the dislocation can be introduced. This dislocation will have the effect of deforming, not only the perfect crystal structure, but the track as well. The direction of the vector depends on the plane of dislocation, which is usually on the closest-packed unit of a low-frequency cell.
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Label:new kanada
Cat-No:nk44
Release-Date:20.09.2013
Genre:techhouse
Configuration:12"
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Exposed within the interior of these tracks are a variety of intrusive and extrusive igneous structures. They include the extensive hydrothermal alteration of rhyolites and gabbros and a central megabreccia created by hydrothermal dissolution and collapse. The siliceous megabreccia is at least 40m thick in its center - to only a few meters thick along its edges. The breccia consists of fragments of white to dark gray cherty material, quartz-rich bass, diagenetic clap nodules, and stromatolitic snares. It is intensively silicified.
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Label:new kanada
Cat-No:nk43
Release-Date:27.06.2013
Genre:Techno
Configuration:12"
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Cat-No:nk43
Release-Date:27.06.2013
Genre:Techno
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Label:new kanada
Cat-No:nk41
Release-Date:14.03.2013
Genre:House
Configuration:12"
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Release-Date:14.03.2013
Genre:House
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1
Adam Marshall, - Memphis (featuring Maaskant on MG-1)
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Adam Marshall, - Chaos
'Chaos' is a tough, NY-house jam with 909 trim. First 3 minutes for the mix, then ending up just north of hypnotic bell house. Strictly for the floor.
'Memphis' is a broken shell of a sampled break; worked and loaded under Matt Maaskant's emotive freestyling on a Concertmate MG-1. 'Trace' is the wandering groove of an excited arpeggiator, after the drum machine has left the building.
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'Memphis' is a broken shell of a sampled break; worked and loaded under Matt Maaskant's emotive freestyling on a Concertmate MG-1. 'Trace' is the wandering groove of an excited arpeggiator, after the drum machine has left the building.
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Label:new kanada
Cat-No:nk38
Release-Date:07.12.2012
Genre:Techno
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1
Diva, - Paris Stabbing
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Diva, - But I've Never…
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Diva, - Paris Stabbing
Diva is a project which explores the outer regions of techno's psyche - combining the trippy sensuality of Chris & Cosey with the brutalist analogue aesthetic of the likes of Robert Hood or Liasons Dangereuses. Inspired by the vocal histrionics of strobe lit sirens such as Loleatta Holloway and Jocelyn Brown, Diva calls on the protean roots of basement club music. Lead track 'Paris Stabbing' is a stunning excursion into motor city madness, abstracted disco vocals clash with a broken digi-arpeggio and hooverish bass break down, whilst the flip side 'But I've Never' imposes a detuned synth siren over an industrial bass sequence and sp1200 piano stabs to eerie effect. Also included is the 'Paris Stabbing (Beats)' which pares down the original, adding detuned melodic percussion into a minimalist after hours tool.
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Label:new kanada
Cat-No:nk36
Release-Date:31.10.2012
Genre:Techno
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1
"Black & Medley
 - Roll The Dice featuring Rosina
2
"Black & Medley
 - Roll The Dice featuring Rosina
New Kanada enters the Fall 2012 season with some dark angular acidic house.Black and Medley's "Roll The Dice" - featuring the voice of Rosina – is an old-school blend of disco, NY house and classic Toronto warehouse vibes. Slightly acidic, with it's bubbling Juno bassline – and slightly techno with the driving, repetitive beat – this house track should rock the deepest of dancefloors. File somewhere between Henry Street and early Adonis. 5am - no earlier. For the flipside, Adam Marshall sits down at the controls for a clinical, tight, stripped-down scrubbing; turning the original into a late-night fear edit. Broken, diffused drums and lots of black empty space in this one. "The Lights Go Out – Blackout".
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Label:new kanada
Cat-No:nk35
Release-Date:22.06.2012
Genre:Techno
Configuration:12"
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Cat-No:nk35
Release-Date:22.06.2012
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New Kanada enters the third season with two white hot electronic tracks."White Mouse" is an acidic stormer which winds it's way from old-school house - into serious dark club territory. With a shifting, swinging bassline, tough metallic toms and some killer drops - this one is a weapon in the mix. Sounds like Tevo Howard meets Luke Slater. Kind of. "Spectrum"'s deep, digital radio dub floats freely - somewhere between Baby Ford and a broken FM receiver. Drifting melodies, haunted white noise and serious house beat. A track for late night driving, and early morning warmth.
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Label:new kanada
Cat-No:nk34
Release-Date:18.05.2012
Genre:Techno
Configuration:12"
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Release-Date:18.05.2012
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New Kanada enters the summer season with a hot three-tracker from Toronto's XI (Orca, Hotflush). Fusing techno, house and "what-ever that sound is coming out of London" these days, Christian Anderson (aka XI) brings the futuristic party to the shaking subs of the nation. "Joy / Fear" is a monster bass killer dropping somewhere between Sheffield and Chicago. Aggressive, powerful drops, splintering swing, and a melody that will stick in your head until the early morning. "Nitelif" is the gentle bass jewel sweating in the corner of the room. Delicate, rushed and heavy - this one breathes space and suffocates the bins. The closing cut, "Antikythera", pulses with night moves and summer heat. Tricky, twisting basslines give way to blacked out campfire anthem. Pure tension.
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Label:new kanada
Cat-No:nk33
Release-Date:20.04.2012
Genre:Techno
Configuration:12"
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Powerful track excursions from Adam Marshall. "Bass Tracking" is a raw, throbbing techno bounce with jamming claps and a grizzled analog bassline that will tear out the speakers. "Holding Down", and the alt "Beatless" version are trusted mixing weapons for early mornings or dark, heavy nights.
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Label:new kanada
Cat-No:nk32
Release-Date:09.12.2011
Genre:Techno
Configuration:12"
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Release-Date:09.12.2011
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1
Tazz, - Wanderer
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Tazz, Bacanito, - Cosmic Sex
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Tazz, - Mermen and Mermaids
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Tazz, - Wanderer
Montreal-native Tazz delivers New Kanada three jacking and psychotic beat trax for an aggressive entry into 2012.Tazz and Bacanito unravel the threads of aggression in the lead cut "Cosmic Sex". Metallic heavy machine funk for those winter nights. "Wanderer" is a late night ode to Model 500, with waves of synths burrowing into the ground to produce a dark wave classic. Cold, pure and supple."Mermaids and Mermen" is is the tough club killer in the package. A deep tricky dub transforms into an underwater symphony of rusted hooks and FM pads... A serious "lights out, head down" burner.+ all tracks mixed and spiced by Anton Makdah
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12"
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Label:new kanada
Cat-No:nk30
Release-Date:27.10.2011
Genre:Techno
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1
West Norwood Cassette Library, - Say What?
2
West Norwood Cassette Library, - Flashlight
3
West Norwood Cassette Library, - Flashlight
New Kanada welcomes London's Bob Bhamra into the chamber, with this two-track breaker from his West Norwood Cassette Library (WNCL) guise. "Say What?" is a broken sub workout, with a strong nod to the hardcore continuum. Distant alarms, aggressive drums, and deep bass drops make this a floor-killer for all sound camps. "Flashlight" is an aqueous solution of damp funk that will resonate the head and drop the lights. Gaseous and moody.
On the flip is a slow burner remix of "Flashlight" by Adam Marshall - sitting somewhere between tired breaks and acid reggae. 11 minutes of Moog.
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On the flip is a slow burner remix of "Flashlight" by Adam Marshall - sitting somewhere between tired breaks and acid reggae. 11 minutes of Moog.
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Label:new kanada
Cat-No:nk28
Release-Date:17.06.2011
Genre:Techno
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1
Murr, Rosina, - My Best Dress
2
Murr, Rosina, - My Best Dress
New Kanada wades deep into the white waters of bass for this black summerdub."My Best Dress" is a tough, confident jacker with awesome, mystic
vocals by Rosina of LAL. 808 thumps, Moog whispers, and a serious CR78 swing – Nicholas Murray (aka Murr) really massages the mixing board on
this one, and the resulting production shimmers with unexpected aggression. Adam's remix extends the raw groove into a 12-minute journey that beats the wooden floorboards into pleasant submission. Disco hats, B52 bass lines and Suburban Base drops – the new feel for the old style. New Kanada goes blue
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vocals by Rosina of LAL. 808 thumps, Moog whispers, and a serious CR78 swing – Nicholas Murray (aka Murr) really massages the mixing board on
this one, and the resulting production shimmers with unexpected aggression. Adam's remix extends the raw groove into a 12-minute journey that beats the wooden floorboards into pleasant submission. Disco hats, B52 bass lines and Suburban Base drops – the new feel for the old style. New Kanada goes blue
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Label:new kanada
Cat-No:nk27
Release-Date:11.03.2011
Genre:Techno
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New Kanada enters the emerging spring season with two cuts of hope and despair. On the A-side, Adam Marshall drops 'Vamp' - a 12-minute modal jazz monster that winds its way from a bass heavy dub to an swirling psychedelic quilt of sound. Dripping modular sequences for girls in white. On the flip, NK presents a cut from Toronto-based Matt Maaskant. 'Outside The Cave' was recorded in his father's grain silo in northern Ontario and evokes smokey post-club memories . Murr's delicate, gorgeous mix-down freezes the track into an example of fragile beauty - complete with fuzz clicks, choir ensemble and a deep 808 kick. Burial meets Bon Iver. We're really feeling this one. Music to fall out of love to.
LTD 250 copies - clear red vinyl edition
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LTD 250 copies - clear red vinyl edition
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