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Dinky, - Teka
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Dinky, - This Is Your Heart
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Dinky, - Time To Lose It
Dinky, the Chilean-born, Berlin based DJ and producer makes her Visionquest debut with a superb three track EP of mesmerizing beauty and elegance.
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More records from dinky
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Dinky - A1. I Am Away
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Dinky - B1. Porkchops
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Dinky - B2. Do What U Say
Tracklist
A1. I Am Away
B1. Porkchops
B2. Do What U Say
Shortinfo:
After a 10 year absence Horizontal is back. 3 songs that revolve around Dinky’s pure musical dogma, arpeggiated basses bounce with the beautiful and contorted voices that play within this psychedelic party. Bathing in blue skies and a deep warm acid glow, this is music to capture your body and soul, made with love whilst dreaming of a brave new world within these innocent melodies.
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A1. I Am Away
B1. Porkchops
B2. Do What U Say
Shortinfo:
After a 10 year absence Horizontal is back. 3 songs that revolve around Dinky’s pure musical dogma, arpeggiated basses bounce with the beautiful and contorted voices that play within this psychedelic party. Bathing in blue skies and a deep warm acid glow, this is music to capture your body and soul, made with love whilst dreaming of a brave new world within these innocent melodies.
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dinky - Slowly
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dinky - Slowly (Matthew Styles Remix)
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dinky - Slowly (Radio Slave Remix Version 1)
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dinky - Slowly (Radio Slave Remix Version 2)
Closely following the release of her critically acclaimed album ‘Valor’, trained musician Dinky releases the second single from the album on Crosstown Rebels. The stunning ‘Slowly’ also gets the remix treatment from fellow Panorama Bar favorites and Berliners Matthew Styles and Radio Slave. ‘Slowly’, like most of the tracks on the album is centered around Dinky’s illustrious vocals. Resident Advisor said of the vocals “[I can see that I'm losing you slowly] is as poignant as the song's fragile piano” Matthew Styles is a highly respected DJ and producer who as the first label manager of Crosstown Rebels has since made his way as a producer in his own right releasing on the likes of Ostgut Ton and his own Running Back that he runs with Gerd Janson. His remix takes the song to euphoric heights with it’s infectious bassline and impressive disposition. Dinky reveals that “Matthew knew the song and its meaning so well that he captured its spirit perfectly.” Matt Edwards aka Radio Slave is also back on the label since his highly celebrated remix of Aphrohead last year. Owner of Rekids, Matt recently released ‘Vision’, which celebrated ten years of the label. Here for his first remix he delivers a pulsating beast, intricate in its ethereal chords and vocals. For his second remix he conjures a stripped down, minimalistic version with broken percussion and fervid synths for a beautiful and compelling effect.
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dinky - Casa
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dinky - Shooting Bodies (Acid)
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dinky - Lackers
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dinky - Milk
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dinky - Wait
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dinky - Slowly
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dinky - Valentino
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dinky - Wakame
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dinky - Cut
Released on Damian Lazarus highly acclaimed Crosstown Rebels imprint ‘Valor’ tells a deeply personal narrative for Chilean born and Berlin based producer / DJ Dinky, her sixth album acts as a pinnacle to her steadfast and illustrious career and brought on a momentous change to her personal journey. Esteemed for her work on labels such as Cocoon, Ostgut Ton ,Traum, Wagon Repair, Horizontal and Visionquest, and DJ residency at Berlin’s infamous Panorama Bar for over a decade, Dinky AKA Alejandra Iglesias is a trained classical guitarist, singer and keyboard player. Her voice is an anchor to ‘Valor’, it’s crisp definition loaded with intensity. Tracks such as the driving single ‘Casa’ called out by US giants NPR for its “gorgeously layered vocals” and the fragile layers of guitar and synths on cuts like ‘Milk’ make bold unions between sublime house and techno electronics and Dinky’s live instrumentation.
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dinky - Casa
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dinky - Casa (Satori Remix)
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dinky - Casa (Axel Boman Dub Mix)
Chilean born and Berlin based Dinky has forged a solid and illustrious career over the past decade. ‘Casa’ announces her new album set for release on Damian Lazarus’s Crosstown Rebels this Autumn, with remixes from Axel Boman and Satori. A trained classical guitarist, singer and keyboard player that has held a DJ residency at Berlin’s infamous Panorama Bar since 2004, Dinky’s sixth album, also titled ‘Casa’ will be the first since the birth of her two children.’ Dinky’s delicate vocal on ‘Casa’ is both up-tempo and spacious, with infusions of acid, leftfield and electronica in its veins. Axel Boman delivers a stunning, emotive and epic nine and a half minute dub version, overlaid with spoken word samples referring to lost experiences. The Swedish born producer is much-lauded for his releases on DJ Koze’s Pampa, Permanent Vacation and his own imprint, Studio Barnhus, formed with Kornel Kovacs and Petter of Border Community. While the hedonistic take from Satori takes ‘Casa’ up beyond the horizon. A future Crosstown Rebels artist, Satori has released on 8Bit, Under Your Skin and Bla Bla records. Casa’ sees a return to form for Dinky and a welcome return to the Crosstown imprint, after previously releasing a single and a mix album for the pioneering label.
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Visionquest's resident electronic songstress Dinky is back on the label with the third single from last year's impeccable 'Dimension D' album. The seductively soporific and texturally nuanced 'Xanex' weaves another enticing tale with Dinky's voice floating atop a soundbed of grinding digital bass and shimmering guitar. Surging new life into the original are a pair of top drawer remixers - Tuff City Kids (aka Gerd Janson and Philip Lauer) take 'Xanex' on an dancefloor acid trip while Roman Flügel channels a more stripped back, spaced out approach. Dinky came to Berlin a decade ago where she quickly became a dominant force in dance music, making her mark through releases on Carpark, Cocoon, Ostgut, and the critically acclaimed ´Anemik´ album in 2009 on Mathew Jonson´s Wagon Repair. Her fifth studio album, 'Dimension D' was released in June 2013 on Visionquest and saw her evolution into singer-songwriter and performer with a new musical direction. Based just outside of Frankfurt Tuff City Kids is the alias for production duo Gerd Janson, boss of Running Back and long time DJ and Arto Mwambe member Philip Lauer. Besides their far-reaching and esteemed solo careers, Tuff City Kids have provided remixes for high-profile artists such as Azari & III, Tensnake and Ali Love and released original EPs on Delsin and Osgut Ton sub-label Unterton. One of the most heavyweight artists in the German electronic music scene, Roman Flügel has been active since the 1990s and a production chameleon with styles ranging from ambient/IDM to house, techno, electro and leftfield. Working solo under various aliases or with long-time partner Jorn Elling Wuttke, they are also co-founders of the Ongaku/Klang/Playhouse labels.
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Esteemed and revered Chilean born, Berlin based producer, musician, singer and DJ, Dinky AKA Alejandra Iglesias releases her fifth and most accomplished album to date on Visionquest this June. 'Dimension D' witnesses Dinky producing a exquisite album full of songs and melodies which owe as much to indie band's like Cocteau Twins and Mazzy Star as to her underground electronic techno and house roots. After releasing the highly acclaimed 'Anemik' album on Wagon Repair in 2009, Dinky has spent the past three year honing her song writing skills to produce this truly remarkable and beguiling album. The unique combination of Dinky's production, song writing skills and musicianship combined with her husband Matthew Styles mixing the album has succeeded in producing her strongest album to date
TRACKLISTING Vinyl:
1. I Saw
2. Measures
3. Xanex
4. Dimension D
5. Falling Angel
6. Witches
7. Blind
8. Almonds
9. Heathrow
10. Dust
11. La Noche
12. Blayo
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TRACKLISTING Vinyl:
1. I Saw
2. Measures
3. Xanex
4. Dimension D
5. Falling Angel
6. Witches
7. Blind
8. Almonds
9. Heathrow
10. Dust
11. La Noche
12. Blayo
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Dinky makes her evolution from inaugural DJ to singer songwriter and front stage performer with new album ‘Dimension D’ out in June on Visionquest. Single ‘Falling Angel’ is first to drop with remixes from two elite producers, Matthew Styles, who coproduced the album, and Pépé Bradock. Both heighten Dinky’s layered ethereal vocals and mesmerising melodies with their own movement and elements of dark and light. Her sister named Alejandra Del Pilar Iglesias Rivera Dinky at birth. Born and raised in Santiago, Chile, as a child she studied Ballet and the Suzuki method of piano before relocating to New York to become a contemporary dancer. Her drive to make music brought her to Berlin a decade ago where she quickly became a dominant force in dance music, making her mark through releases on Carpark, Cocoon, Ostgut, and the critically acclaimed ‘Anemik’ album in 2009 on Mathew Jonson´s Wagon Repair. Her fifth studio album, ‘Dimension D’ sees her evolve into singer-songwriter and performer and take on a new musical direction. Long term friends with the Visionquest collective from their hedonistic days residing in Berlin, Dinky’s fresh approach fits within their ethereal and otherworldly style and follows the Footprintz album earlier this year. Consistently on point DJ and musician Matthew Styles coproduced and mixed ‘Dimension D’ and will perform the album live in a series of dates this summer. French DJ/Producer and prolific remixer Pépé Bradock has been an enigmatic figure on the scene since the early 90s always essential listening for anyone into deep house with a magic off kilter touch.
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Dinky, - Sealed
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Dinky, - Eeled
rosstown Rebels retain their untouchable high standard as they divulge into the blissfully advanced musical world of Dinky. The ‘Sealed EP’ is a two-track treasure through driving deep house and effortlessly smooth techno, embodying that special touch only Dinky can deliver. Title track ‘Sealed’ showcases an intricate weave of percussion and electronic stabs straddled across a rounded warping bass that dominates the depths of this delicious cut of driving tech-house. A Balearic tinged vocal, sung by the stunningly talented producer herself develops and steers the track along a new avenue, while an undulating LFO in sealed below the rhythm engages and disengages by going in and out of time, causing a stir in the rhythmic dynamic and securing this track as one of true class and complexity. B-side ‘Eeled’ steams in with a seriously powerful bass and clap that drives the housier of the two tracks, while pacey and at times erratic electronic keys creep in to provide a prominent element to this dance floor treat. The surging energy and illustrious sound quality riding throughout both tracks showcase Dinky at her absolute best and prove why Crosstown Rebels are proud to have has as part of the family.
Chilean producer and lady of the moment, Alejandra Iglesias aka Dinky has been riding at the forefront of her game for considerable time now and each move she makes seems to elevate her further and further from the pack, with her latest venture on Crosstown Rebels proving to be no exception. Dinky has been maximizing her already sky high status reeling out a string of releases that ooze her musically influenced background and passion for sound. The future in Dinky Land shines only brighter with focus on highly anticipated production project with Matthew Styles. More
Chilean producer and lady of the moment, Alejandra Iglesias aka Dinky has been riding at the forefront of her game for considerable time now and each move she makes seems to elevate her further and further from the pack, with her latest venture on Crosstown Rebels proving to be no exception. Dinky has been maximizing her already sky high status reeling out a string of releases that ooze her musically influenced background and passion for sound. The future in Dinky Land shines only brighter with focus on highly anticipated production project with Matthew Styles. More
Following up on her unanimously acclaimed third album ' May Be Later' (Vakant), Chilean artist and Berlin transplant Alejandra Iglesias conceived 'Anemik' entirely for the Wagon Repair label after being approached by label head Mathew Jonson. A musing on femininity and the fine line between romance and delirium, 'Anemik' transcends borders in its range of influence and reflects consciousness in the fluidity and tangibly live origins of its creation. Recorded using analog equipment and acoustic instruments with a strong emphasis on voice, there is a wisdom and maturity to this work that suggests an artist in the prime of her life. Opener 'Childish' builds from meditative beginnings with looped synth, wandering pads and wildfire percussive cycles that concoct a deep and dreamy landscape. 'Romaniks' creates space between electronic and acoustic spheres with Latin soaked beats encircling a subdued kick. Mantric vocal chants inject a mystical dimension to the affair, its psychedelic overtones continuing into 'Westoid', where Dinky's vocal lament is complimented by the baritone accents of Los Updates enigmatic Jorge Gonzales. 'Gold Fishes' bubbles into being with processed choral scales, while 'Rain Fallic' is a mid tempo trip of lazy legato harmonies and epic Telecaster drones. Title track 'Anemik' is a restless electronic frenzy, with melodic and percussive elements feuding amidst staccato vocals, effervescent machine transmissions and a penetrating central kick. 'Glacial' opens with an aquatic brew of reverberant vocals and deep percussion that swims through murky pads and delayed keys to close. 'Ceramik' weaves a tight beat, with warm Rhodes accompaniment, live percussion and ramped vocal passages concocting a mesmeric floor worker for the early hours. A perfect example of the fluid, jam infused
tone of the album as a whole. Thumbed melodic patterns and sonorous key stabs characterize 'Glassic', while 'Skyped' intertwines grandiose processed chorals, deep metallic percussion and leveling pads in a hypnotic malaise of storm and sweat. The infectious arpeggiated melodies of 'Epilepsia' are invigorated by live Latin percussion and intermittently cooled by warm pad progressions in a contemplative ascent to close. 'Fadik' grips as a wonky love song set to cascading beats, strummed guitar and electronic emissions, while closing track 'Nocturnal' unsettles with moribund ambient shivers to complete the kaleidoscopic range of flavors and emotions offered by this most remarkable of records. At times dreamy, at times nightmarish, at times romantic, at times befuddled, 'Anemik' is always quintessentially Dinky. More
tone of the album as a whole. Thumbed melodic patterns and sonorous key stabs characterize 'Glassic', while 'Skyped' intertwines grandiose processed chorals, deep metallic percussion and leveling pads in a hypnotic malaise of storm and sweat. The infectious arpeggiated melodies of 'Epilepsia' are invigorated by live Latin percussion and intermittently cooled by warm pad progressions in a contemplative ascent to close. 'Fadik' grips as a wonky love song set to cascading beats, strummed guitar and electronic emissions, while closing track 'Nocturnal' unsettles with moribund ambient shivers to complete the kaleidoscopic range of flavors and emotions offered by this most remarkable of records. At times dreamy, at times nightmarish, at times romantic, at times befuddled, 'Anemik' is always quintessentially Dinky. More
Dinky's 'May Be Later' album is a lush and unpredictable hour of understated funk, future-vintage deep house, and analog explorations — all shot through with the oddball sonics characteristic of fellow Chileans Ricardo Villalobos and Luciano. - EARPLUG.CC
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More records from visionquest
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N/UM, Wareika - Foundation
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N/UM, Wareika - Fragments Of Five
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N/UM, Wareika - Kaizen
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N/UM, Wareika - Embrace
Visionquest returns in 2024 with a true meeting of the minds! Combining the superpowers of two world-renowned trios and resulting in a masterclass in musicality, patience, texture, and psychedelia…
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Theoretical Speed - Take Me To Bed And Mix Me Forever
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Theoretical Speed - Dusty Rugs Feat. John Camp
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Theoretical Speed - Dusty Rugs Feat. John Camp (Silverlining Swung Dub)
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Theoretical Speed - Dusty Rugs Feat. John Camp (H Foundation Remix)
Label boss and international mainstay Ryan Crosson returns for Visionquest 088 under his Theoretical Speed alias. For over two decades Crosson has been lighting up dance floors with his sets and productions, from his native Detroit to Berlin and back again.
The EP starts off hot with the aptly titled “Take Me to Bed and Mix Me Forever”. Tough analog drums break into a trademark VQ vocal with deep moving sub bass. Step and Swing is the name of the game. After an overdrive odyssey midway through, the track is polished off with beautiful, murky, submersed synths drifting in and out.
Next up is the title track, “Dusty Rugs” featuring the inimitable John Camp on keys. Lovely melodic pianos cascade into a sick bass line that perfectly bumps and swings with the percussion. As the piano irons itself out the bass twists into a new groove with a punctuating vocal stab. It perfectly serves up Detroit/Berlin magic clearly influenced by the likes of Thomas Melchior.
On the flip, the B side starts out with Silverlining’s “Swung Dub”. The UK underground veteran delivers a dope dubbed out version of the original. In this offering, the drums notch up the swing and consistency while the keys shimmer in and out of the foreground. A masterclass in restraint and depth.
H-Foundation, a duo that needs no introduction, put their signature stamp on another “Dusty Rugs” remix to round out the EP. File under infectious classic grooving dubby house. Shuffling drums bounce with underwater synth stabs in perfect syncopation, giving us a fantastic completion to another great cut of VQ wax. More
The EP starts off hot with the aptly titled “Take Me to Bed and Mix Me Forever”. Tough analog drums break into a trademark VQ vocal with deep moving sub bass. Step and Swing is the name of the game. After an overdrive odyssey midway through, the track is polished off with beautiful, murky, submersed synths drifting in and out.
Next up is the title track, “Dusty Rugs” featuring the inimitable John Camp on keys. Lovely melodic pianos cascade into a sick bass line that perfectly bumps and swings with the percussion. As the piano irons itself out the bass twists into a new groove with a punctuating vocal stab. It perfectly serves up Detroit/Berlin magic clearly influenced by the likes of Thomas Melchior.
On the flip, the B side starts out with Silverlining’s “Swung Dub”. The UK underground veteran delivers a dope dubbed out version of the original. In this offering, the drums notch up the swing and consistency while the keys shimmer in and out of the foreground. A masterclass in restraint and depth.
H-Foundation, a duo that needs no introduction, put their signature stamp on another “Dusty Rugs” remix to round out the EP. File under infectious classic grooving dubby house. Shuffling drums bounce with underwater synth stabs in perfect syncopation, giving us a fantastic completion to another great cut of VQ wax. More
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Deadbeat - The Serpent and The Jaguar
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Triptease & Yonatan Levi - Amniotic Jive
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Tuccillo - Outer Space
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Wareika - When Will We Meet Again?
Visionquest is back for VQ X EP III their third installment of the epic acclaimed various artist anniversary series.
It kicks off with the sublime “The Serpent and the Jaguar” from a master producer who is constantly on the forefront of electronic music, Deadbeat. Perfect dubby bounce intertwines with wooden synth delays and murky deep low end to bring the listener the aural bliss he’s so well known for.
For A2, Berlin supergroup Triptease team up with frequent collaborator and highly regarded bass player Yonathan Levi on the track “Amniotic”. Robust upright bass leads the listener into a dreamy soundscape punctuated by crisp analog percussion. As the track picks up, icy keys and rolling pads move with beautiful walking bass that conjure up memories of classics like Bitches Brew.
The pace picks up on the B side with world renown house maestro Tuccillo. A long time label friend, collaborator and Ibiza stalwart. Tuccillo has been synonymous with quality for the past 20 years. Tucci comes in hot with a bumping house tune which may have come from “Outer Space”. The drums dip in and out of a breaks feel, oozing with subtle sophistication.
Rounding out the EP is the lovely “When Will We Meet Again” from the fantastic
Visionquest mainstay Wareika. Beautiful jazz steeped percussion and guitars segue into more clubby low end bringing the listener closer to the dancefloor but somehow remaining mysterious in form.
VQ087 is an amazing continuation of the boundary pushing series on a label that’s constantly moving on the cusp of modern electronic music. More
It kicks off with the sublime “The Serpent and the Jaguar” from a master producer who is constantly on the forefront of electronic music, Deadbeat. Perfect dubby bounce intertwines with wooden synth delays and murky deep low end to bring the listener the aural bliss he’s so well known for.
For A2, Berlin supergroup Triptease team up with frequent collaborator and highly regarded bass player Yonathan Levi on the track “Amniotic”. Robust upright bass leads the listener into a dreamy soundscape punctuated by crisp analog percussion. As the track picks up, icy keys and rolling pads move with beautiful walking bass that conjure up memories of classics like Bitches Brew.
The pace picks up on the B side with world renown house maestro Tuccillo. A long time label friend, collaborator and Ibiza stalwart. Tuccillo has been synonymous with quality for the past 20 years. Tucci comes in hot with a bumping house tune which may have come from “Outer Space”. The drums dip in and out of a breaks feel, oozing with subtle sophistication.
Rounding out the EP is the lovely “When Will We Meet Again” from the fantastic
Visionquest mainstay Wareika. Beautiful jazz steeped percussion and guitars segue into more clubby low end bringing the listener closer to the dancefloor but somehow remaining mysterious in form.
VQ087 is an amazing continuation of the boundary pushing series on a label that’s constantly moving on the cusp of modern electronic music. More
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Gianluca Pegoiani - One Room
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Gianluca Pegoiani - One Room (Hubble Remix)
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Gianluca Pegoiani - The Key
May 2020 sees Gianluca Pegoiani drop his Visionquest debut in the form of the "Fifth Room EP". Pegoiani has been collecting records, analog machines and hitting the clubs since the mid 90's, taking inspiration from the greats like Ricardo Villalobos, Richie Hawtin and Derrick May. He has lived all over the world and has worked as a promoter at Mazoom / Le Plaisir, Vice and Blok in Brescia, Italy. In addition to collaborating with duo Polydrum for Skream's "Of Unsound Mind" label he has also produced releases for NGtrax and Rebirth Records. The Fifth Room EP comes in hot with the fast paced A1, "One Room". Filling the space with rising and falling rhythmic sounds secured by a fat kick. Ethereal, almost choral pads emerge that give way to a skittery, chopped up vocal. In the second half of the track, the gate on the vocal opens up and the sound fills up with even more drenched pads. For the A2, Berlin staple and fellow Italian DJ and producer Hubble checks in with his take on "One Room". The remix enters with methodical kicks and shifting bass tones, as seemingly 'found sound' percussion scrapes through the dense bass. The vocal peers in from a distance as the back half of the track undulates between bass tones, vocal and metallic percussion. On the B2, "One Key", begins with reversed strings where u can almost hear the bow sliding back and forth. An indistinguishable vocal loop brings the listener back into the kick/snare and ricocheting percussion hits that bounce around the spectrum. New reversed strings jump in giving a nostalgia drenched Mediterranean vibe that somehow brings a tense energy. The tension continues to build until the end, leaving the listener excited and in anticipation for the the artists next offering. TRACK LISTING: A. One Room,, A2. One Room (Hubble Remix), B. The Key
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Triptease - Drumses III
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Triptease - Bobby Peru
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Triptease - Tony Little Something
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Triptease - Pseudomartyrs
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Triptease - Duodular
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Triptease - Lo Siento
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Triptease - Song with No Name
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Triptease - Teide featuring Greg Paulus
Triptease have steadfastly become a staple of the ever impressive Berlin electronic music scene. Comprised of four multitalented musicians, (Topper, Francesco , Jacopo and Hugo), they have become known for their marathon live performances that can sometimes reach 8 hrs in length and incorporate special guest musicians from around the world. Their home bases are the infamous Club der Visionaire and Hoppetosse, where they have honed their craft by bringing almost the entirety of their studio onto the dance floor for long range jams that contain a mixture of some prepared material and a hefty amount of total free form improvisation. Using guitars, synthesizers, drum machines, samplers and a vast array of efx pedals they create a soundscape completely fresh while retaining the signature sound of the city they call home. Their first full length LP and debut on the mighty Visionquest label perfectly displays a sound that they have crafted in diverse locations across the globe, including a week of recording in Tenerife, right under the Teide Volcano, the secret mountain of Guanche Mythology. The album title Mescaleros is, in their words, "a concept we like to use to indicate an approach to making music and art in general, inspired by spaghetti western aesthetics and 60’s lysergic emancipation put through the lens of modern technology and science fiction. We translate that approach into long improvisational jams where we try to feel music as something alive that can and must change from time to time and also within the same performance. A1. Drumses III, A2. Bobby Peru, B1. Tony Little Something, B2. Pseudomartyrs, C1. Duodular, C2. Lo Siento, D1. Song with No Name, D2. Teide featuring Greg Paulus
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DeWalta & Shannon - Artificial Turf
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DeWalta & Shannon - Courtside
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DeWalta & Shannon - Playing Field
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DeWalta & Shannon - 22.22.4.1
Growing up in Southern Germany, DeWalta began playing french horn and taking cues from his grandfather's jazz record collection at an early age. He eventually transitioned to the saxophone and joined the esteemed Musikhachschule Hanns Eisler conservatory in Berlin. Soon after he immersed himself in electronic music, creating music for Vakant, Cynosure and his own label, Meander. Since then he has traveled the globe playing everywhere from Resolute in New York to Sunwaves in Romania. Mike Shannon hails from Ontario, but resides in Berlin and has established himself as a true pillar of the scene. A highly respected DJ and producer, he has released music on plus 8, Wagon Repair, Cynosure and a host of other top notch labels, including his own imprint, Haunt Music. Mike's impeccable DJ skills are only complimented by his ability to A&R and introduce the world to new artists. Upon meeting, the duo quickly forged a seminal production team and live act based in Berlin, which led to releasing multiple EP's. This record has that perfect Berlin bounce. That classy, sexy swing that keeps people dancing for hours.
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Lee Curtiss & Steingold - Dream Adjacent
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Lee Curtiss & Steingold - Dream Adjacent (Doc Martin's Sublevel Live Remix)
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Lee Curtiss & Steingold - Talk
Lee Curtiss has been in the game since your mother bought her first techno record. An undeniable fixture of the scene, with a vast career that has brought him from Detroit to Berlin to LA, Curtiss has played the best festivals and clubs the world over and released on countless top labels such as Spectral, Get Physical, Wolf + Lamb, Classic Music Company and of course the label he co-runs, Visionquest. As part of that all-star crew he has released classic remixes for Tracey Thorn, David Lynch and the epic "Good Voodoo" by Kiki. Steingold grew up in Detroit listening to The Wizard, Jeff Mills on the radio and began honing his dj skills at Detroit fixtures like Alvin's, The Shelter and Motor. He moved to LA in the early 2000's, and formed Hard & Soul, during which he connected with Peanut Butter Wolf and toured with Common and Lupe Fiasco. Hard & Soul remixed Mayer Hawthorne's Tuxedo project for Stones Throw and Steingold went on to work with SPNCR and Curtiss thereafter, resulting in releases on Repopulate Mars and Soul Clap Records respectively. He currently tours all over the world with Mike D of The Beastie Boys, playing festivals ranging from Boston Calling to Primavera Festival in Barcelona. The duo start off the EP with "Dream Adjacent", which pops right in with snappy, sexy percussion and that lovely Roland descending airplane sound. The future 80's type sound is foreshadowed by a synth that sounds like it jumped out a certain old video game involving two cave men. When the synth comes back in full time it's perfectly complimented by a fat bassline and a dashing arpeggiated figure that dances around the spectrum. Add some synth strings to the mix and you've got a jam! Next up, full on legend Doc Martin turns in a remix of "Dream Adjacent". Staying true to the core base of the song, Martin jacks up the percussion, adding swirls, beeps, acid arps, a string pad and a sultry vocal that feeds into the breakdown. The EP finishes with "Talk", a bumpin' jam with a nasty bassline and a reverb and delay drenched vocal. There's plenty of space in the track, and that perfectly allows one to sop up as much of that bassline as you can get. Some reversed hats slide back and forth amongst the crispy forward pattern. A subtle, reverbed saw bass pops around the back half of the track, giving just the right amount of lift when it coincides with whooshing noise. It's a standout EP that rightly brings that future funk we all love so much
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bodj & roksi - Weird Science
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bodj & roksi - Otis
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bodj & roksi - Flowtec
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bodj & roksi - Tomodachi
For his sophomore effort with the Visionquest family, Bodj teams up with fellow Greek native and audio engineer, Roksi, to create the Weird Science EP. The four track EP starts with title track "Weird Science". The slow burner emerges with etherial pads, tight percussion and warm sub bass, as toms and a reverb drenched vocal emerges. Atonal synths pop in and squelch as the track drives forward, keeping the uptempo momentum high. A2, "Otis AX", keeps the tempo poppin', with beautiful chords dropping in, supported by a nice, round bass that bumps the pads along as synths enter and sprinkle away. The track stays bouncy with chopped arpeggiated synths, tactfully dipping their toe in the water. The B1, "Flowtec", indulges the listener in the dirtier, late night club vibe that we all enjoy so much, while minimal textures, murky vox and bleeps and synths stab in and out. Minor chord rhodes stabs pop in and out until deep pads fill out the sound in a luxurious way to finish out the track, without losing any of the steam it started with. "Tomodachi" rounds out the EP, keeping the vibes high and quick with another dope bassline. This offering stays true to the bassline and delayed chord stabs, and acts more as a bumping dj tool for the release, sure to keep the vibe going. One things for sure this standout release won't be putting anyone to bed!
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deadbeat - Boom Jack
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deadbeat - Keep On Dancing (Shaun Reeves Remix)
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deadbeat - Keep on Dancing
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deadbeat - VQ Infinity Dub
This June will see the release of Deadbeat's "Jacks and Slow Dances" EP on Visionquest Records. The EP kicks off with massive bass, big toms and cascading synths and effects that build with the "Boom Jack" vocal, until diving into a driving kick. The patient tension continues and the repeated synths rise and fall as the rhythm of the vocal becomes more frequent and more manic, sure to excite the dance floor. For the A2 Shaun Reeves' remix of "Keep On Dancing" drops a 4/4 kick on the track and adds a classic Berlin low slung bass line that bumps along with some added sub bass, while delayed keys drift across the top. It's perfect for summer sessions at Club Der Visionaire, which is a frequent haunt for both artists. The B side kicks off with the original mix of "Keep On Dancing", and sounds as though the listener is dropped into some remote jungle in the middle of the night. Monteith's beautiful and casual vocal arrives drenched in reverb while the minimal percussion accompanies his thoughts along the way. The song continues through the night as an arpeggiated bass synth leads the listener toward the 4/4 kick and the delightfully swung hi-hats that follow. The EP is rounded out by "VQ Infinity Dub, an uptempo jam that starts with his mature building of percussion and cascading synths and vocals that drive and pulsate the track forward. Foregoing the typical use of the big clap/snare, Montieth instead relies on the kick and shakers to keep the track moving and it just goes to show how effective his unique and unconventional his style can truly be.
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ryan crosson - ITYC
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ryan crosson - Janet
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ryan crosson - Favogo
Many moons and stars have passed since VisionQuest co-founder Ryan Crosson last took to the controls on his own label for a full solo trip... ‘I Hope You Will’, his first EP on the label since 2015’s ‘On The Rise’ We’d say he was making up for lost time. Except the time was never lost in the first place. Ryan’s renowned for his creatively prolific output as a DJ and producer. Continually touring and working under a variety of aliases and collaborations, and releasing on the likes of Leftroom, Nervmusic and Number 19, Ryan refuses to sit still.... Just like his music. Forever in momentum and progression. This EP sums up where he’s at and where we can potentially be. Molten grooves with open dynamic agendas where anything can happen. Each track a transition from one place to another as Crosson introduces different elements, tones and grooves. ‘ITYC’ writhes with that sexy Detroit lucidity that makes eight minutes feel like 20 seconds thanks to its strong physical hypnosis, ‘Janet’ plays the ultimate switch up as we’re suddenly jacked from heads down tunnelling foggy, grainy techno to deep breathing, rolling house music at the flick of a snare while ‘Favogo’ provides the final bubbling adieu. Primed with drums so smooth and liquified they’re almost silky, iced with lingering melodic elements so atmospheric they feel like vapours, it’s the perfect way to bring another stark, singular and personal EP to a conclusion. Rest assured he’ll be back again. Who knows how many moons will pass meanwhile...
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floog - Suprapus
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floog - Staring at the Sun
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floog - Premiza
A new year, a new VisionQuest excursion: rising Romanian Floog is our navigator for this mission and he’s coordinated a precision interstellar trip to ease us into a new season. The timing couldn’t be better. Momentum made via his debuts on the likes of Crossed Grooves and Atipic, ‘Suprapus’ is Floog’s boldest, furthest reaching EP to date as he continues to map his own name around the cosmos. ‘Suprapus’ takes the lead. Romanian for superimpose, it lives up to its title as layers weave with natural ebb and flow. The sense of timelessness is another strong superimposed weave as we’re immersed in a haze of foundation elements and a strong rolling funk while driven by future focused beatcraft and production. This theme is continued on ‘Staring At The Sun’. Another wistful piece that stares up with hope but runs with such groove hypnosis you lose any temporal senses, it’s both heads-down and shades-down as Floog rolls out into the centre of solar system. Finally ‘Premiza’ brings us back home. Darker, gruffer, trippier and relentlessly driving. There’s some serious noir magic at play on the tweaked drums, creepy arpeggios and overall sense of tension. Transition in 2019 complete, but don’t get too comfortable... Another VisionQuest excursion is awaiting imminently.
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shaun reeves & tuccillo - Shade
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shaun reeves & tuccillo - Cavernous
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shaun reeves & tuccillo - Superstitions
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shaun reeves & tuccillo - Tessera
Visionquest embark on a brand-new voyage as founding member Shaun Reeves takes the mantle once again. Reuniting with kindred spirit Tuccillo for another no-rules, boundary-blurring session, it’s their most explorative collab EP to date. Picking up where previous collaborations such as ‘Seclusions’ and ‘Smile’ left us, the lead track ‘Shade’ reminds us of the duo’s innate ability to lure you deep into their groove unwittingly. Misty, and pensive, this one’s deep coded with unmistakable Visionquest atmospherics as each element gradually unfolds. Elsewhere amid the ageless shadows we have the stark, sensual stripped-back struts of ‘Cavernous’, an uplifting piece where a restrained-yet-bumping groove is laced with garage style vocals and a sublime synth twist midway. Deeper again we strike more mystic noir…. ‘Superstitions’ rolls out over a stately 8+ minutes, building gradually with percussive hypnosis and the dark art of subtlety while ‘Tessera’ brings the EP to a close with strong levels of funk and feel good. A reference to their own collaborative project Shantu, it’s a devilish fusion of velvet android bass, evocative humanised textures and beat that draws you in but leaves more than enough room on this voyage to take in each perfectly considered and sculpted element. Enjoy the view…
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more than material - Intimate
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more than material - Godsa
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more than material - Doctor High
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more than material - Doctor High (Archie Hamilton Remix)
Fresh names to Visionquest, but certainly not new to the game; More Than Material is the promising new project between two bonafide French selector statesmen who collectively boast decades of dancefloor and studio science: Jedsa Soundorom and Gauthier DM. Launching their new alias earlier this year on Zingiber Audio, their signature has been tangible from the off; deep weighted grooves, warm dynamics and total immersion. ‘Intimate’ says it all; realising its title’s close connotations with a dubby, physical groove and a rollcall of soul rolling elements, it’s the sound of a crowd locking in en- mass. Low ceiling, heads down, lights low. ‘Godsa’ follows with similar moody momentum and another hypnotic weave. This time over much more of a stately techno noir soundscape as its persistent jack is laced with subtle acid details. Next, we hit ‘Doctor High’, an ageless deep house groove peppered with nuances of uplift, trippiness and a drum arrangement that taps deep into the foundations. Once again, the track relives its title’s implications. Finally, we sign out with a precision revision from Fuse resident Archie Hamilton who refixes the pace and density of ‘Doctor High’ with more of a driving peaktime aesthetic that remains fully respectful of the original’s weight and clarity. More Than Material by nature, spirit and name.
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merveille & crosson - ARP (Luciano Sous le Sol Remix)
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merveille & crosson - Asleep At The Wheel (Moffa x Troxler 357 Mix)
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merveille & crosson - Even Tides (Bruno Pronsato Remix)
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merveille & crosson - Nordic Bummers (Clovis Remix)
2017 saw Cesar Merveille & Ryan Crosson deliver their second long player in the shape of ‘Cerulean’, drawing on their modern classical, jazz, ambient and abstract influences to create yet another unique listen featuring collaborations with a classical pianist, trumpet, guitar and double bass players. Here we see those original parts eschewed into something entirely fresh from friends and close associates of the duo. Leading on the release is Cadenza boss Luciano’s ‘Sous Le Sol’ interpretation of ‘ARP’, which twists and turns through the hypnotic chimes and emotive piano chords of the original whilst stirring in Lucien’s signature modulating and intricately evolving rhythmic style. Following is a collaborative rework from New York’s Phil Moffa and Seth Troxler which employs ethereal synth drones and stuttering vocal cuts alongside a bumpy percussive drive and pulsating subs. Perlon’s Bruno Pronsato steps up next to remix ‘Even Tides’, delivering his typically raw and emotive style via glitched out, mind-bending percussion, elongated bass drones and cleverly reshaped cuts of the original’s cinematic elements. L.A’s Clovis then closes the package with his remix of ‘Nordic Bummers’, employing shuffled hats, lumpy subs and crunchy claps at it’s core whilst horn swells and aiy atmospherics ebb and flow throughout.
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creatures of shaun - Mind Over Matters
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creatures of shaun - Blink
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creatures of shaun - Out of Orbit
Berlin based co-founder of Visionquest Shaun Reeves has gradually carved out his unique take of raw, minimalistic house music over the years via releases on Dorian Paic’s Raum...musik, One Records, his new Shantu label alongside Tuccillo and of course his own Visionquest. Here we see him pairing up with Canadian duo Maher Daniel and Amir Javasoul who together as Creatures Of Habit have been picking up attention from the likes of Ricardo Villalobos, Zip, Raresh and Apollonia amongst others. Here marking the debut of their collaborative ‘Creatures Of Shaun’ guise the duo offer up their ‘Mind Over Matters’ EP, the title-track leads and lays down mind bending, modulating percussion and synth swirls alongside bumpy bass grooves and hypnotic atmospherics whilst stirring in a tripped-out spoken word vocal sample to further fuel the psychedelic house feel. ‘Blink’ follows and tips the focus over to resonant subs, stripped-back organic percussion and murky vocal swells, again resulting in something mesmerizing and groove-led before ‘Out Of Orbit’ reduces things even further to refined shuffled hats, minute rhythmic modulations and snaking bass flutters.
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ataxia - VHS
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ataxia - Kodak Moment
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ataxia - Kodak Moment (Reeves & Crosson Edit)
Detroit duo Ataxia offer up their ‘Kodak Moment’ EP via Visionquest this March, accompanied by an edit from label co-founders Shaun Reeves and Ryan Crosson. Eric Ricker and Ted Krisko aka Ataxia have been at the forefront of the contemporary house and techno scene for some time, racking up releases on some of the leading labels across the globe such as Leftroom, Nervous, Culprit and Play It Say It, making the duo one of Detroit’s finest exports in recent years. Here we see them making their debut on Visionquest, the label of fellow Detroit natives Ryan Crosson, Shaun Reeves and Lee Curtiss. ‘VHS’ leads the package with murky synth swells, resonant synth sweeps and fluttering square wave bass tones at it’s core as shuffled drums carry the ever-evolving hypnotic groove along. The original mix of ‘Kodak Moment’ follows, shifting the focus over to snaking bass lines, mind-bending, modulating synth whirrs and dynamic, choppy percussion throughout. Reeves & Crosson’s ‘Edit’ of ‘Kodak Moment’ then rounds out the release, stripping things back to ethereal atmospherics and shuffled drums whilst subtly stirring in the original’s hooky bass groove as the interpretation unfolds.
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merveille & crosson - Intro (AlmostRaw)
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merveille & crosson - AcidPal
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merveille & crosson - Even Tides
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merveille & crosson - Quadra
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merveille & crosson - ARP
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merveille & crosson - Asleep At The Wheel
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merveille & crosson - Nordic Bummers
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merveille & crosson - MCYH
Merveille & Crosson return to Visionquest this October with their second long player, entitled ‘Cerulean’ and featuring nine original compositions from the duo.
2012 saw the release of Cesar Merveille & Ryan Crosson’s critically acclaimed inaugural long player ‘DRM’, seeing the pair veer their output into abstract realms and embrace a more eclectic left on centre production style. Here five years later the pair return with their second album ‘Cerulean’, again tipping the focus over to a modern classical, jazz, ambient and abstract aesthetic, featuring collaborations with Juliard trained classical pianist Julien Quinten, No Regular Play’s Greg Paulus on trumpet, Wareika’s Henrik Raabe on guitar, Yonathan Levi on double bass, Moritz Baumgartner adding additional drum work and Berlin’s Signum Saxophone Quartet.
Across the ‘Cerulean’ project Merveille, Crosson and all involved offer up an amalgamation of sounds and styles from the freeform jazz odyssey styles of ‘Even Tides’ and ‘Nordic Bummers’ to the ethereal ambience of ‘Intro (Almost Raw)’ and ‘MCYH’ whilst subtly nodding towards their minimal roots with ‘Acid Pal’ and ‘Qaudra’. The pair also radiantly display their love for the New Age modular synth style with ‘ARP’ and ‘Life In The 80’s’ with intricately programmed, dynamic melodies throughout, all in all resulting in a truly unique and forward thinking project from an array of talents. More
2012 saw the release of Cesar Merveille & Ryan Crosson’s critically acclaimed inaugural long player ‘DRM’, seeing the pair veer their output into abstract realms and embrace a more eclectic left on centre production style. Here five years later the pair return with their second album ‘Cerulean’, again tipping the focus over to a modern classical, jazz, ambient and abstract aesthetic, featuring collaborations with Juliard trained classical pianist Julien Quinten, No Regular Play’s Greg Paulus on trumpet, Wareika’s Henrik Raabe on guitar, Yonathan Levi on double bass, Moritz Baumgartner adding additional drum work and Berlin’s Signum Saxophone Quartet.
Across the ‘Cerulean’ project Merveille, Crosson and all involved offer up an amalgamation of sounds and styles from the freeform jazz odyssey styles of ‘Even Tides’ and ‘Nordic Bummers’ to the ethereal ambience of ‘Intro (Almost Raw)’ and ‘MCYH’ whilst subtly nodding towards their minimal roots with ‘Acid Pal’ and ‘Qaudra’. The pair also radiantly display their love for the New Age modular synth style with ‘ARP’ and ‘Life In The 80’s’ with intricately programmed, dynamic melodies throughout, all in all resulting in a truly unique and forward thinking project from an array of talents. More
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alexi delano - Water Colors
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alexi delano - Alexi Delano - Water Colors (The Persuader Remix)
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alexi delano - Communicate
This September will see Visionquest return with Alexi Delano’s ‘Water Colors’ EP, accompanied by a remix from the Persuader aka Jesper Dahlba¨ck. Chilean born, Swedish raised, New York adopted and Amsterdam based producer and DJ Alexi Delano has an impressive back catalogue dating back over two decades and featuring releases on labels such as Laurent Garnier’s F Communications, Richie Hawtin & John Acquaviva’s Plus 8, Ghostly International’s Spectral Sound and M_Nus as well as Visionquest where he returns to here following his collaborative ‘The Breeze’ EP alongside label co-founder Shaun Reeves in 2013. Title-track ‘Water Colors’ opens the release, a smooth and gradually unfolding composition fuelled by an amalgamation deftly programmed multi-layered melodies which ebb and flow throughout the sturdy rhythmic foundation. Following is The Persuader’s take on ‘Water Colors’ which dubs things out to create a murky submerged feel in contrast, utilizing the original’s hypnotic melodies whilst subtly working in a rugged 303 line throughout. ‘Communicate’ then rounds out the package with a groove-led feel, bringing a squelching acid bass, hooky vocal chop and modulating synth flutters into the limelight as the shuffled dynamic drum machine workout carries things along.
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