1
Deadbeat - The Serpent and The Jaguar
2
Triptease & Yonatan Levi - Amniotic Jive
3
Tuccillo - Outer Space
4
Wareika - When Will We Meet Again?
Visionquest is back for VQ X EP III their third installment of the epic acclaimed various artist anniversary series.
It kicks off with the sublime “The Serpent and the Jaguar” from a master producer who is constantly on the forefront of electronic music, Deadbeat. Perfect dubby bounce intertwines with wooden synth delays and murky deep low end to bring the listener the aural bliss he’s so well known for.
For A2, Berlin supergroup Triptease team up with frequent collaborator and highly regarded bass player Yonathan Levi on the track “Amniotic”. Robust upright bass leads the listener into a dreamy soundscape punctuated by crisp analog percussion. As the track picks up, icy keys and rolling pads move with beautiful walking bass that conjure up memories of classics like Bitches Brew.
The pace picks up on the B side with world renown house maestro Tuccillo. A long time label friend, collaborator and Ibiza stalwart. Tuccillo has been synonymous with quality for the past 20 years. Tucci comes in hot with a bumping house tune which may have come from “Outer Space”. The drums dip in and out of a breaks feel, oozing with subtle sophistication.
Rounding out the EP is the lovely “When Will We Meet Again” from the fantastic
Visionquest mainstay Wareika. Beautiful jazz steeped percussion and guitars segue into more clubby low end bringing the listener closer to the dancefloor but somehow remaining mysterious in form.
VQ087 is an amazing continuation of the boundary pushing series on a label that’s constantly moving on the cusp of modern electronic music. More
It kicks off with the sublime “The Serpent and the Jaguar” from a master producer who is constantly on the forefront of electronic music, Deadbeat. Perfect dubby bounce intertwines with wooden synth delays and murky deep low end to bring the listener the aural bliss he’s so well known for.
For A2, Berlin supergroup Triptease team up with frequent collaborator and highly regarded bass player Yonathan Levi on the track “Amniotic”. Robust upright bass leads the listener into a dreamy soundscape punctuated by crisp analog percussion. As the track picks up, icy keys and rolling pads move with beautiful walking bass that conjure up memories of classics like Bitches Brew.
The pace picks up on the B side with world renown house maestro Tuccillo. A long time label friend, collaborator and Ibiza stalwart. Tuccillo has been synonymous with quality for the past 20 years. Tucci comes in hot with a bumping house tune which may have come from “Outer Space”. The drums dip in and out of a breaks feel, oozing with subtle sophistication.
Rounding out the EP is the lovely “When Will We Meet Again” from the fantastic
Visionquest mainstay Wareika. Beautiful jazz steeped percussion and guitars segue into more clubby low end bringing the listener closer to the dancefloor but somehow remaining mysterious in form.
VQ087 is an amazing continuation of the boundary pushing series on a label that’s constantly moving on the cusp of modern electronic music. More
More records from Deadbeat
1
Deadbeat - No Title
2
Deadbeat - No Title
3
Deadbeat - No Title
4
Deadbeat - No Title
5
Deadbeat - No Title
6
Deadbeat - No Title
7
Deadbeat - No Title
8
Deadbeat - No Title
Territory: World except France and Belgium
GENRE/S: Electronic / Techno / Dub
TRACKLISTS: CD
GENRE/S:
Electronic / Techno / Dub
TRACKLISTS:
CD
1.
THE DOUBLE BONG CLOUD (DENIAL I)
Deadbeat
07:29
2.
STRAIGHT NO CHASER (DENIAL II)
Deadbeat
07:31
3.
TOUGH LOVE (ANGER I)
Deadbeat
07:22
4.
BRICK STICK BLICK BLADE (ANGER II)
Deadbeat
07:35
5.
HUEY LEWIS VOTERS DUB (NEGOTIATION)
Deadbeat
07:29
6.
THINGS FALL APART (DEPRESSION)
Deadbeat
08:00
7.
WITH GRAND TREPIDITION (ACCEPTANCE I)
Deadbeat
07:24
8.
MOUNTAINS FROM MOLE HILLS (ACCEPTANCE II)
Deadbeat
07:30
4. SHORT INFO:
Over the past 24 years, Scott Monteith's Deadbeat project has spanned a dizzying array of musical references and genres, exploring everything from left-field reggae to downbeat experiments, purifying drone excursions and ambient noise, extranational percussion workouts, and hypnotic techno and house.
5. VITAL SALES POINTS:
In the last 24 years Scott Monteith's Deadbeat project has covered a dizzying array of musical references and genres, exploring everything from from left field reggae and downbeat experiments, purifying drone and ambient noise excursions, outer-national percussion work outs, and hypnotic techno and house.
On his first solo album in 5 years, Monteith offers up what is perhaps the most powerful, tightly dance floor focused album of his storied carrier, and a soul cleansing, poignant sound track to the fears and hardships of a world gone mad, entitled Kübler-Ross Soliloquies.
The Kübler-Ross model describes the five stages of grief: denial, anger, bargaining, depression and acceptance. A soliloquy is defined as an act of speaking one's thoughts aloud alone by oneself or regardless of any hearers.
Over the album's 8 tracks, Monteith explores each of these stages with a clear eyed focus and confidence that are a testament to his dual role as a kind, smiling musical selector and monkish technological nerd ball of the highest order.
More
GENRE/S: Electronic / Techno / Dub
TRACKLISTS: CD
GENRE/S:
Electronic / Techno / Dub
TRACKLISTS:
CD
1.
THE DOUBLE BONG CLOUD (DENIAL I)
Deadbeat
07:29
2.
STRAIGHT NO CHASER (DENIAL II)
Deadbeat
07:31
3.
TOUGH LOVE (ANGER I)
Deadbeat
07:22
4.
BRICK STICK BLICK BLADE (ANGER II)
Deadbeat
07:35
5.
HUEY LEWIS VOTERS DUB (NEGOTIATION)
Deadbeat
07:29
6.
THINGS FALL APART (DEPRESSION)
Deadbeat
08:00
7.
WITH GRAND TREPIDITION (ACCEPTANCE I)
Deadbeat
07:24
8.
MOUNTAINS FROM MOLE HILLS (ACCEPTANCE II)
Deadbeat
07:30
4. SHORT INFO:
Over the past 24 years, Scott Monteith's Deadbeat project has spanned a dizzying array of musical references and genres, exploring everything from left-field reggae to downbeat experiments, purifying drone excursions and ambient noise, extranational percussion workouts, and hypnotic techno and house.
5. VITAL SALES POINTS:
In the last 24 years Scott Monteith's Deadbeat project has covered a dizzying array of musical references and genres, exploring everything from from left field reggae and downbeat experiments, purifying drone and ambient noise excursions, outer-national percussion work outs, and hypnotic techno and house.
On his first solo album in 5 years, Monteith offers up what is perhaps the most powerful, tightly dance floor focused album of his storied carrier, and a soul cleansing, poignant sound track to the fears and hardships of a world gone mad, entitled Kübler-Ross Soliloquies.
The Kübler-Ross model describes the five stages of grief: denial, anger, bargaining, depression and acceptance. A soliloquy is defined as an act of speaking one's thoughts aloud alone by oneself or regardless of any hearers.
Over the album's 8 tracks, Monteith explores each of these stages with a clear eyed focus and confidence that are a testament to his dual role as a kind, smiling musical selector and monkish technological nerd ball of the highest order.
More
1
Deadbeat - THE DOUBLE BONG CLOUD (DENIAL I)
2
Deadbeat - STRAIGHT NO CHASER (DENIAL II)
3
Deadbeat - TOUGH LOVE (ANGER I)
4
Deadbeat - BRICK STICK BLICK BLADE (ANGER II)
5
Deadbeat - HUEY LEWIS VOTERS DUB (NEGOTIATION)
6
Deadbeat - THINGS FALL APART (DEPRESSION)
7
Deadbeat - WITH GRAND TREPIDITION (ACCEPTANCE I)
8
Deadbeat - MOUNTAINS FROM MOLE HILLS (ACCEPTANCE II)
Territory: World except France and Belgium
GENRE/S: Electronic / Techno / Dub
TRACKLISTS: 2 x LP
1
FACE A
1.
THE DOUBLE BONG CLOUD (DENIAL I)
07:29
2.
STRAIGHT NO CHASER (DENIAL II)
07:31
FACE B
1.
TOUGH LOVE (ANGER I)
07:22
2.
BRICK STICK BLICK BLADE (ANGER II)
07:35
2
FACE C
1.
HUEY LEWIS VOTERS DUB (NEGOTIATION)
07:29
2.
THINGS FALL APART (DEPRESSION)
08:00
FACE D
1.
WITH GRAND TREPIDITION (ACCEPTANCE I)
07:24
2.
MOUNTAINS FROM MOLE HILLS (ACCEPTANCE II)
07:30
SHORT INFO:
Over the past 24 years, Scott Monteith's Deadbeat project has spanned a dizzying array of musical references and genres, exploring everything from left-field reggae to downbeat experiments, purifying drone excursions and ambient noise, extranational percussion workouts, and hypnotic techno and house.
VITAL SALES POINTS:
In the last 24 years Scott Monteith's Deadbeat project has covered a dizzying array of musical references and genres, exploring everything from from left field reggae and downbeat experiments, purifying drone and ambient noise excursions, outer-national percussion work outs, and hypnotic techno and house.
On his first solo album in 5 years, Monteith offers up what is perhaps the most powerful, tightly dance floor focused album of his storied carrier, and a soul cleansing, poignant sound track to the fears and hardships of a world gone mad, entitled Kübler-Ross Soliloquies.
The Kübler-Ross model describes the five stages of grief: denial, anger, bargaining, depression and acceptance. A soliloquy is defined as an act of speaking one's thoughts aloud alone by oneself or regardless of any hearers.
Over the album's 8 tracks, Monteith explores each of these stages with a clear eyed focus and confidence that are a testament to his dual role as a kind, smiling musical selector and monkish technological nerd ball of the highest order.
More
GENRE/S: Electronic / Techno / Dub
TRACKLISTS: 2 x LP
1
FACE A
1.
THE DOUBLE BONG CLOUD (DENIAL I)
07:29
2.
STRAIGHT NO CHASER (DENIAL II)
07:31
FACE B
1.
TOUGH LOVE (ANGER I)
07:22
2.
BRICK STICK BLICK BLADE (ANGER II)
07:35
2
FACE C
1.
HUEY LEWIS VOTERS DUB (NEGOTIATION)
07:29
2.
THINGS FALL APART (DEPRESSION)
08:00
FACE D
1.
WITH GRAND TREPIDITION (ACCEPTANCE I)
07:24
2.
MOUNTAINS FROM MOLE HILLS (ACCEPTANCE II)
07:30
SHORT INFO:
Over the past 24 years, Scott Monteith's Deadbeat project has spanned a dizzying array of musical references and genres, exploring everything from left-field reggae to downbeat experiments, purifying drone excursions and ambient noise, extranational percussion workouts, and hypnotic techno and house.
VITAL SALES POINTS:
In the last 24 years Scott Monteith's Deadbeat project has covered a dizzying array of musical references and genres, exploring everything from from left field reggae and downbeat experiments, purifying drone and ambient noise excursions, outer-national percussion work outs, and hypnotic techno and house.
On his first solo album in 5 years, Monteith offers up what is perhaps the most powerful, tightly dance floor focused album of his storied carrier, and a soul cleansing, poignant sound track to the fears and hardships of a world gone mad, entitled Kübler-Ross Soliloquies.
The Kübler-Ross model describes the five stages of grief: denial, anger, bargaining, depression and acceptance. A soliloquy is defined as an act of speaking one's thoughts aloud alone by oneself or regardless of any hearers.
Over the album's 8 tracks, Monteith explores each of these stages with a clear eyed focus and confidence that are a testament to his dual role as a kind, smiling musical selector and monkish technological nerd ball of the highest order.
More
1
Deadbeat - Ark Welders Dub
2
Deadbeat - This Bitter Dub
1
DeadBeat - Things Fall Apart
2
DeadBeat - Adieu Chez Cherie
After releasing Undefined, Kazufumi Kodama and Babe Roots, the 4th release from a Japanese experimental dub label newdubhall welcomes the ever-evolving pioneer of minimal dub and dub techno Deadbeat, a solo project of Scott Monteith hailing from Canada. Side A 'Things Fall Apart' will feature a beatless dub ambient which shares a perspective of free jazz and 'Adieu Chez Cherie,’ an absolute knockdown four on the floor dub techno on the flip side. Though simple, both sides are layered with complexity, let yourself experience the profundity of newdubhall with this masterpiece.
More
1
deadbeat - Boom Jack
2
deadbeat - Keep On Dancing (Shaun Reeves Remix)
3
deadbeat - Keep on Dancing
4
deadbeat - VQ Infinity Dub
This June will see the release of Deadbeat's "Jacks and Slow Dances" EP on Visionquest Records. The EP kicks off with massive bass, big toms and cascading synths and effects that build with the "Boom Jack" vocal, until diving into a driving kick. The patient tension continues and the repeated synths rise and fall as the rhythm of the vocal becomes more frequent and more manic, sure to excite the dance floor. For the A2 Shaun Reeves' remix of "Keep On Dancing" drops a 4/4 kick on the track and adds a classic Berlin low slung bass line that bumps along with some added sub bass, while delayed keys drift across the top. It's perfect for summer sessions at Club Der Visionaire, which is a frequent haunt for both artists. The B side kicks off with the original mix of "Keep On Dancing", and sounds as though the listener is dropped into some remote jungle in the middle of the night. Monteith's beautiful and casual vocal arrives drenched in reverb while the minimal percussion accompanies his thoughts along the way. The song continues through the night as an arpeggiated bass synth leads the listener toward the 4/4 kick and the delightfully swung hi-hats that follow. The EP is rounded out by "VQ Infinity Dub, an uptempo jam that starts with his mature building of percussion and cascading synths and vocals that drive and pulsate the track forward. Foregoing the typical use of the big clap/snare, Montieth instead relies on the kick and shakers to keep the track moving and it just goes to show how effective his unique and unconventional his style can truly be.
More
1
deadbeat - Waking Dub
2
deadbeat - A New Sense of Purpose
3
deadbeat - Midnight in the Garden
4
deadbeat - A Thousand Shining Stars
5
deadbeat - Revelations in Dust
6
deadbeat - A Last Swim
Expertly made dub techno for the dance floor.
More
The album began with the simple idea of asking friends from across the globe for messages of hope. No musical input was provided before hand, and each participant was free to interpret the request as they saw fit. Though some of the names involved will be familiar to electronic music listeners (Gudrun Gut, Thomas Fehlmann, Mike Shannon), the common thread linking all of them is their friendship with Monteith and the many hours he has spent enjoying their company over the years. As so often happens when good conversation is shared among good friends, the results are as surprising as they are inspiring, spanning original prose, dialectic word games, and timeless quotations in six languages. Each song on the album was then composed around the content received, and named after the people who did the speaking. Ranging from the overtly political to the tenderly inspirational and many points in between, Wax Poetic For This Our Great Resolve provides verbal expressions of hope as diverse and rich as the experiences of the people who so generously delivered them.
More
More
1
deadbeat - Babylon Correction Dub
2
deadbeat - Interferenze Dub
Next up on Craig Richard’s Tuppence imprint following Convextion’s superb ‘New Road’ 7”, comes the two slices of heavy dub pressure: ‘Babylon Correction Dub’ from esteemed Canadian producer Deadbeat. Please note these are limited 7” only releases. Watch out for other forthcoming releases on Tuppence from Howie B and Shaun Ryder.
More
1
deadbeat - Put On Your Red Shoes And Trance
2
deadbeat - Just Jackin Around Man
We are very proud to welcome back one of our greatest artists and good friends Scott Monteith aka Deadbeat. Scott original comes from Canada but now lives in Berlin for some years. Scott is mostly known for his own BLKRTZ label, but have been releasing on many other labels over the years. The track “Put On Your Red Shoes And Trance” is a peak time bomb, dubby, deep, powerfull and melodic track. The B-side, “Just Jackin Around” is Techno bomb full of dubby chords and build-up-madness. 300 limited marbeld vinyls. When the coloured edition is sold out we only have black vinyl left.
More
1
deadbeat - Ain't no More Flowers
2
deadbeat - I Get Low
3
deadbeat - Rage Against the Light
4
deadbeat - Tired People Get Up
5
deadbeat - Stekker Forever!
6
deadbeat - Keep on Pushing
7
deadbeat - Got to Carry On
8
deadbeat - Lights for Lele
Scott Monteith's 10th Deadbeat album, Walls & Dimensions,is now available through his own BLKRTZ label. Comprising 8 tracks and featuring vocal contributions from a diverse range of Berlin based artists, as well as for the first time Deadbeat himself, this 10th outing sees Monteith elegantly showcasing his wide ranging musical interests with a striking new sense of gravity and cutting lyricism not seen in his previous works.
More
1
deadbeat - Walls & Dimensions II A
2
deadbeat - Walls & Dimensions II B
Deadbeat presents the second vinyl only release leading up to his forth coming album, Walls and Dimensions. While the first installment featured a lucious extended ambient drone piece over 2 sides, part 2 features extended dubs of 2 of the albums dance floor cuts filled to the brim with the space age dub effects, mournful melodies and rumbling bass lines Deadbeat fans have come to expect. Another exciting indication of things to come with the soon to be released 10th Deadbeat album.
More
1
deadbeat - Walls & Dimensions I A
2
deadbeat - Walls & Dimensions I B
First in a 3 part series of vinyl only releases leading up to the 10th Deadbeat album in late 2015 – First ambient Deadbeat material running time of 40 minutes – Comes on clear vinyl with clear PVC sleeve
More
More records from Wareika
1
Wareika - Tizinabi Part I (23:02 min) (Side A - Preview 1)
2
Wareika - Tizinabi Part I (23:02 min) (Side A - Preview 2)
3
Wareika - Tizinabi Part I (23:02 min) (Side A - Preview 3)
4
Wareika - Tizinabi Part I (23:02 min) (Side A - Preview 4)
5
Wareika - Tizinabi Part II (22:38 min) (Side B - Preview 1)
6
Wareika - Tizinabi Part II (22:38 min) (Side B - Preview 2)
7
Wareika - Tizinabi Part II (22:38 min) (Side B - Preview 3)
8
Wareika - Tizinabi Part II (22:38 min) (Side B - Preview 4)
Special Remarks: clear marbled 180g vinyl + stamped sleeve
Tracklist:
A - Tizinabi Part I (23:02 min)
B - Tizinabi Part II (22:38 min)
Short info:
Ornaments presents the latest LP 'Tizinabi' from the skilled trio Wareika, a 45-minute cohesive album
that effortlessly blends electronic and organic sounds. Despite its roots in dub and house music, the
album offers a unique experience by including classical instruments such as guitar and piano
flawlessly integrated. The result is a captivating and harmonious sonic landscape that stands on its
own.
Each part flows into the next, creating a dynamic that holds the listener's attention from start to finish.
Throughout the LP, Wareika masterfully combines intricate layers of sound, weaving together hypnotic
melodies and smooth percussion to create a tapestry of sound that is both complex and accessible.
For fans of deeper electronic music with funk and soul, "Tizinabi" is a must-hear that showcases
Wareika's dedication to pushing boundaries in the genre. With previous releases on esteemed labels
such as Perlon and Mule Musiq, Wareika's distinctive style and musical character are fully showcased
on this album. So sit back, relax, and let the beautiful sounds of "Tizinabi" transport you to new and
exciting places.
More
Tracklist:
A - Tizinabi Part I (23:02 min)
B - Tizinabi Part II (22:38 min)
Short info:
Ornaments presents the latest LP 'Tizinabi' from the skilled trio Wareika, a 45-minute cohesive album
that effortlessly blends electronic and organic sounds. Despite its roots in dub and house music, the
album offers a unique experience by including classical instruments such as guitar and piano
flawlessly integrated. The result is a captivating and harmonious sonic landscape that stands on its
own.
Each part flows into the next, creating a dynamic that holds the listener's attention from start to finish.
Throughout the LP, Wareika masterfully combines intricate layers of sound, weaving together hypnotic
melodies and smooth percussion to create a tapestry of sound that is both complex and accessible.
For fans of deeper electronic music with funk and soul, "Tizinabi" is a must-hear that showcases
Wareika's dedication to pushing boundaries in the genre. With previous releases on esteemed labels
such as Perlon and Mule Musiq, Wareika's distinctive style and musical character are fully showcased
on this album. So sit back, relax, and let the beautiful sounds of "Tizinabi" transport you to new and
exciting places.
More
2x12"
Wareika invite us to their „Harmonie Park“, a place created by the love of improvisation. At the park, poles have shifted already! Florian Schirmacher, Jakob Seidensticker and Henrik Raabe, all full-time musicians, tuned their instruments to introduce us to this parallel universe. It.s about the various possible perceptions of one single moment. Loops and sequences, subjected to virtual tempo changes, without leaving the Bpm scale. In the park, everything is always in the flow. Jazz / Techno / Funk / House, all elements that appear / dissapear throughout the composition. Wareika manage to bring all this together effortlessly, without even thinking in those categories. The deeper you get into the park, the more you get absorbed by the dynamics of interlaced, polyrhythmic modulations. Luckily the groove acts like the park ranger, showing you around while
taking care no one gets lost in hypnotic structures waiting on the way. At the end, this pulsating soundcluster leads into the great river named bassline, leaving us quite harmonized..... !! This release comes in a special format !! We made „Harmonie Park“ available in 4 parts on 2x12“ Vinyl. More
Wareika invite us to their „Harmonie Park“, a place created by the love of improvisation. At the park, poles have shifted already! Florian Schirmacher, Jakob Seidensticker and Henrik Raabe, all full-time musicians, tuned their instruments to introduce us to this parallel universe. It.s about the various possible perceptions of one single moment. Loops and sequences, subjected to virtual tempo changes, without leaving the Bpm scale. In the park, everything is always in the flow. Jazz / Techno / Funk / House, all elements that appear / dissapear throughout the composition. Wareika manage to bring all this together effortlessly, without even thinking in those categories. The deeper you get into the park, the more you get absorbed by the dynamics of interlaced, polyrhythmic modulations. Luckily the groove acts like the park ranger, showing you around while
taking care no one gets lost in hypnotic structures waiting on the way. At the end, this pulsating soundcluster leads into the great river named bassline, leaving us quite harmonized..... !! This release comes in a special format !! We made „Harmonie Park“ available in 4 parts on 2x12“ Vinyl. More
1
Wareika - GRAPEFRUIT ALL OVER ME (ORIGINAL MIX)
2
Wareika - JAGUAR (ORIGINAL MIX)
3
Wareika - GRAPEFRUIT ALL OVER ME (LUCCA TAN & CHARLES EDDY REMIX)
4
Wareika - JAGUAR (ARCHIE HAMILTON REMIX)
Melbourne based record label Tanny Records is dropping its debut release in style showcasing a whopping lineup featuring Perlon's Wareika, FUSE label boss Archie Hamilton, vinyl don Charles Eddy and renowned Australian selector Lucca Tan.
The A-side showcases Wareika's tough but melodic minimal dance floor churner "Grapefruit all over me" (Original Mix) as well as his tripped-out experimental minimal groover "Jaguar" (Original Remix).
On the flip side Archie Hamilton delivers his take on "Jaguar" featuring his signature sound, and Label owner Lucca Tan and collaborator Charles Eddy give their twist on the already summer classic "Grapefruit All Over Me".
Written and produced by Wareika, Remixes by Archie Hamilton, Lucca Tan, Charles Eddy
Mastered by Decode Studio
Distribution by Word And Sound
Tanny Records 2022
TRACKLISTS:
1. WAREIKA - GRAPEFRUIT ALL OVER ME (ORIGINAL MIX)
2. WAREIKA - JAGUAR (ORIGINAL MIX)
3. WAREIKA - JAGUAR (ARCHIE HAMILTON REMIX)
4. WAREIKA - GRAPEFRUIT ALL OVER ME (LUCCA TAN & CHARLES EDDY REMIX)
More
The A-side showcases Wareika's tough but melodic minimal dance floor churner "Grapefruit all over me" (Original Mix) as well as his tripped-out experimental minimal groover "Jaguar" (Original Remix).
On the flip side Archie Hamilton delivers his take on "Jaguar" featuring his signature sound, and Label owner Lucca Tan and collaborator Charles Eddy give their twist on the already summer classic "Grapefruit All Over Me".
Written and produced by Wareika, Remixes by Archie Hamilton, Lucca Tan, Charles Eddy
Mastered by Decode Studio
Distribution by Word And Sound
Tanny Records 2022
TRACKLISTS:
1. WAREIKA - GRAPEFRUIT ALL OVER ME (ORIGINAL MIX)
2. WAREIKA - JAGUAR (ORIGINAL MIX)
3. WAREIKA - JAGUAR (ARCHIE HAMILTON REMIX)
4. WAREIKA - GRAPEFRUIT ALL OVER ME (LUCCA TAN & CHARLES EDDY REMIX)
More
1
Timo Maas, Basti Grub, Eric Volta - The Inner Spartacus (Alternative Version)
2
Timo Maas, Basti Grub, Eric Volta - The Inner Spartacus (SIS Remix)
Tracklisting:
A1 The Inner Spartacus
B1 The Inner Spartacus (SIS Remix)
Short Info
Formed in 2007 by Jakob Seidensticker, Florian Schirmacher and Henrik Raabe, Wareika was accidentally gathered on stage for the first time at Hamburg’s mythical Mojo Club. Since then, the german trio has built a very singular sound signature after a decade of playing together. Revealing the diverse influences and musical educations from all three individuals, the band’s discography has been built over a solid live experience. Being academically trained in Jazz and Classical but also self taught through electronic music, Jakob, Florian and Henrik are able to sing, play guitars, drum machines, pianos, synthesizers, bass, percussions and way more. Concocting their stylistic blend with meditative Jazz, hypnotic Dub, meticulous Techno and subtle House, it leaves no surprise as you think about the high level of versatility of Wareika’s musical spirit. Calling from King Tubby, Sun Ra or afrobeat master Fela Kuti, they develop a dazzling kaleidoscope of melodies and polyrhythmic patterns over four to the floor beats that is entirely unique in the electronic music scene.
When it comes down to live gigs Wareika is putting a stress on quality and delivers an outstanding sound. As a trio of singular performers the band jumps on stage without computers, setting up an improvised dialog based on their original material but always handing over a unique piece taking form in the moment. Jakob Seidensticker on MPC arrangements, drum machine sequencing and mixing, Florian Schirmacher on vocals, synthesizer, percussions and Henrik Raabe on guitar, synthesizer and percussions, the trio holds the mastery of enhancing a crowd with a multitude of tools and elements, sometimes for more than four hours. Also occasionally rendering live versions of their own full-length releases, they always cross borders of their studio work to unfold their creations into a whole new level. The shape of their sound, bolded with low ends, is fusing Techno and Jazz into an electric jam outlined by magical madness and improvisation.
When back in studios, Wareika has a sturdy work ethos that has brought them to release on many respected labels, as diverse as Visionquest, Tartlet, Eskimo, Circus Company, Future Classic among many others… After having put out their first release “Men Village” on Connaisseur Recordings following up their unexpected meeting on stage in Hamburg, they unwrapped around twenty EPs and four full length albums, including the critically and publicly acclaimed “Harmonie Park” on Perlon in 2010. Strong from this recording success, they achieved a stable touring career that brought them over the world from London to Moscow, Sao Paulo to Beijing and New York to Oslo. Even if considered by many as festival and open-air parties favorites they also love to play in clubs as Club Der Visionaere, Robert Johnson or Fabric. Any place they are asked to show up they will take the opportunity to display their unique talent to impassion the crowds through their musical gifts… In the end, Wareika are natural born performers
More
A1 The Inner Spartacus
B1 The Inner Spartacus (SIS Remix)
Short Info
Formed in 2007 by Jakob Seidensticker, Florian Schirmacher and Henrik Raabe, Wareika was accidentally gathered on stage for the first time at Hamburg’s mythical Mojo Club. Since then, the german trio has built a very singular sound signature after a decade of playing together. Revealing the diverse influences and musical educations from all three individuals, the band’s discography has been built over a solid live experience. Being academically trained in Jazz and Classical but also self taught through electronic music, Jakob, Florian and Henrik are able to sing, play guitars, drum machines, pianos, synthesizers, bass, percussions and way more. Concocting their stylistic blend with meditative Jazz, hypnotic Dub, meticulous Techno and subtle House, it leaves no surprise as you think about the high level of versatility of Wareika’s musical spirit. Calling from King Tubby, Sun Ra or afrobeat master Fela Kuti, they develop a dazzling kaleidoscope of melodies and polyrhythmic patterns over four to the floor beats that is entirely unique in the electronic music scene.
When it comes down to live gigs Wareika is putting a stress on quality and delivers an outstanding sound. As a trio of singular performers the band jumps on stage without computers, setting up an improvised dialog based on their original material but always handing over a unique piece taking form in the moment. Jakob Seidensticker on MPC arrangements, drum machine sequencing and mixing, Florian Schirmacher on vocals, synthesizer, percussions and Henrik Raabe on guitar, synthesizer and percussions, the trio holds the mastery of enhancing a crowd with a multitude of tools and elements, sometimes for more than four hours. Also occasionally rendering live versions of their own full-length releases, they always cross borders of their studio work to unfold their creations into a whole new level. The shape of their sound, bolded with low ends, is fusing Techno and Jazz into an electric jam outlined by magical madness and improvisation.
When back in studios, Wareika has a sturdy work ethos that has brought them to release on many respected labels, as diverse as Visionquest, Tartlet, Eskimo, Circus Company, Future Classic among many others… After having put out their first release “Men Village” on Connaisseur Recordings following up their unexpected meeting on stage in Hamburg, they unwrapped around twenty EPs and four full length albums, including the critically and publicly acclaimed “Harmonie Park” on Perlon in 2010. Strong from this recording success, they achieved a stable touring career that brought them over the world from London to Moscow, Sao Paulo to Beijing and New York to Oslo. Even if considered by many as festival and open-air parties favorites they also love to play in clubs as Club Der Visionaere, Robert Johnson or Fabric. Any place they are asked to show up they will take the opportunity to display their unique talent to impassion the crowds through their musical gifts… In the end, Wareika are natural born performers
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wareika - Water
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wareika - Sky
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wareika - Sun
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wareika - Wood
“music is the silence between the notes.” the french composer claude debussy once said. the german trio wareika, consisting of florian schirmacher, henrik raabe and jakob seidensticker, love the silence between their notes, even if their music is often fully loaded with many detailed sounds, rhythms, melodies and intercultural sound links. since 2007 they spread their passion for repetitive club grooves in the minimal house spheres that love to swing in the epic way. with four albums on labels like perlon or visionquest as well as eps for labels like eskimo, tartelet, circus company or bar 25 under their wings, the trio proofed their craftsmanship for multi-layered dance music already arrestingly deep on numerous releases and during tours around the globe that brought them also to japan. now they deliver a new one hour long sonic journey on the tokyo based mule musiq, the label on which wareika member florian schirmacher already released as part of the glowing glisses project in 2008. also wareika itself are not new to the japanese imprint, as they previously dropped a remix for mule for the mysterious project jemmy in late 2015. and now “water, sky, sun, wood” – an ambitious one-track (on vinyl separated into four parts) love letter that kicks you deep into meditation – assumed you surrender yourself to their complex sounding and grooving story-arc.
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“music is the silence between the notes.” the french composer claude debussy once said. the german trio wareika, consisting of florian schirmacher, henrik raabe and jakob seidensticker, love the silence between their notes, even if their music is often fully loaded with many detailed sounds, rhythms, melodies and intercultural sound links. since 2007 they spread their passion for repetitive club grooves in the minimal house spheres that love to swing in the epic way. with four albums on labels like perlon or visionquest as well as eps for labels like eskimo, tartelet, circus company or bar 25 under their wings, the trio proofed their craftsmanship for multi-layered dance music already arrestingly deep on numerous releases and during tours around the globe that brought them also to japan. now they deliver a new one hour long sonic journey on the tokyo based mule musiq, the label on which wareika member florian schirmacher already released as part of the glowing glisses project in 2008. also wareika itself are not new to the japanese imprint, as they previously dropped a remix for mule for the mysterious project jemmy in late 2015. and now “water, sky, sun, wood” – an ambitious one-track (on vinyl separated into four parts) love letter that kicks you deep into meditation – assumed you surrender yourself to their complex sounding and grooving story-arc.
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wareika - Bolero
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wareika - Bolero (Vlad Caia Remix)
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wareika - Bolero (Egal 3 Reinterpretation Mix)
German collective Wareika return to Visionquest with the ‘Bolero’ EP this June, comprising the trio’s original and four remixes from Vlad Caia, Egal 3, Boronas and Nihko.
Florian Schirmacher, Henrik Raabe and Jakob Seidensticker have firmly established themselves as one of the major driving forces within electronic music in recent times with their distinctive and dynamic sound making its way to labels likes Zip’s illustrious Perlon imprint and Tartelet Records amongst many more. Having released their third long player on the Visionquest back in March, the trio return with their ‘Bolero’ EP and are joined in esteemed company as the psychedelic rework of Ravel’s Bolero undergoes it’s own remixes.
Wareika’s original opens up the EP with its impressive arrangement of crisp drums and hypnotic sweeps before Vlad Caia offers up the first remix, stripping back the original and layering driving kicks, lo-fi glitches and subtle nuances over the originals vibrant pads. Next up, Egal 3 brings forth a weighty, dubbed out groove, whilst filtered hats and evolving tones work their way around the tracks heady rhythm. Wareika ‘Bolero’ EP is out on Visionquest 15th June on vinyl, with a digital release following 1st July. More
Florian Schirmacher, Henrik Raabe and Jakob Seidensticker have firmly established themselves as one of the major driving forces within electronic music in recent times with their distinctive and dynamic sound making its way to labels likes Zip’s illustrious Perlon imprint and Tartelet Records amongst many more. Having released their third long player on the Visionquest back in March, the trio return with their ‘Bolero’ EP and are joined in esteemed company as the psychedelic rework of Ravel’s Bolero undergoes it’s own remixes.
Wareika’s original opens up the EP with its impressive arrangement of crisp drums and hypnotic sweeps before Vlad Caia offers up the first remix, stripping back the original and layering driving kicks, lo-fi glitches and subtle nuances over the originals vibrant pads. Next up, Egal 3 brings forth a weighty, dubbed out groove, whilst filtered hats and evolving tones work their way around the tracks heady rhythm. Wareika ‘Bolero’ EP is out on Visionquest 15th June on vinyl, with a digital release following 1st July. More
TRACKLISTING:
1. Wareika - The Magic Number (Part 1)
2. Wareika - Planet Of Jason
3. Wareika - Song Of Wareika
4. Wareika - Bolero
5. Wareika - My Guitar
6. Wareika & Miajica - Keen To Rebel
7. Wareika - Finding Essence
8. Wareika - Protect Me From What I Want
9. Wareika - The Magic Number (Part 2)
OVERVIEW:
Mid March will see Wareika release 'The Magic Number' LP via Visionquest, comprising nine original compositions from the trio.
Across 'The Magic Number' LP Wareika carve out a coherent yet meandrous collection of tracks to form the project, all encompassing the trio's unique and forward thinking style. Title track's 'The Magic Number' part one and two radiantly display the groups musicality and production prowess via melodious piano progression's and jazz-tinged bass, while psychedelia infused cuts like 'Song Of Wareika', 'Bolero' and 'My Guitar' show a further distinctive charm in their output.
Things do look to the dance floor across the album as well with compositions like 'Finding Essence', 'Protect Me From What I Want' and 'Planet Jason' laying down intricately programmed 4/4 rhythms, hypnotic synth works and rumbling bass drones throughout, brilliantly showcasing Wareika's diverse and beguiling production style.
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1. Wareika - The Magic Number (Part 1)
2. Wareika - Planet Of Jason
3. Wareika - Song Of Wareika
4. Wareika - Bolero
5. Wareika - My Guitar
6. Wareika & Miajica - Keen To Rebel
7. Wareika - Finding Essence
8. Wareika - Protect Me From What I Want
9. Wareika - The Magic Number (Part 2)
OVERVIEW:
Mid March will see Wareika release 'The Magic Number' LP via Visionquest, comprising nine original compositions from the trio.
Across 'The Magic Number' LP Wareika carve out a coherent yet meandrous collection of tracks to form the project, all encompassing the trio's unique and forward thinking style. Title track's 'The Magic Number' part one and two radiantly display the groups musicality and production prowess via melodious piano progression's and jazz-tinged bass, while psychedelia infused cuts like 'Song Of Wareika', 'Bolero' and 'My Guitar' show a further distinctive charm in their output.
Things do look to the dance floor across the album as well with compositions like 'Finding Essence', 'Protect Me From What I Want' and 'Planet Jason' laying down intricately programmed 4/4 rhythms, hypnotic synth works and rumbling bass drones throughout, brilliantly showcasing Wareika's diverse and beguiling production style.
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Next up on Visionquest is the second single from Wareika's righteous and raw 'Wternal' album. 'All Little Things', here in its 'Club Mix' incarnation, is another example of the trio's hefty musicianship and unbridled eccentric energy, where jazzy textures and pulsating grooves build up with a rising melody to the powerful vocal drop. On the first remix Visionquest & Nikko Gibler develop expansive piano melodies alongside an elasticated bassline and vocal snippets. Fred P reigns over the B-side with his raw, deep hypnotic 'Reshape' and warmed up 'Spirit Dub'. This is a distinctly diverse remix package from a rich artistic source. Hamburg trio Wareika started as a project in 2007 with a collection of shining releases on prestigious labels such as Connaisseur, Eskimo, Future Classic and Circus Company, and three studio albums on Perlon, liebe*detail and Tartelet Records, Wareika's style ranges from Balearic to deep Techno, jazzy House sounds and from Balkan-Jazz to dubby riddims but always retains the smart intellect, depth and dynamism in composition Wareika is known for. Their thrilling jazz-marries-techno live shows has now been captured on vinyl and CD with fourth full-length album 'Wternal' recorded in one 65min take and out now on Visionquest. After remixes for David Lynch and Benoit & Sergio in the past couple of years, Visionquest, the artists, here join forces with Nikko Gibler - a multi instrumentalist and composer based in Hollywood, who's also released records on Culprit and Leftroom. Fred P aka Black Jazz Consortium is one of the godfathers of the New York house movement and a true master of that often overused accolade 'deep'. Fred P runs Soul People Music and has appeared on Jus-Ed's imprint Underground Quality.
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Tracklist: A1 - Burnin (Original) A2- Burnin (Wareika's One on One Remix) B1- Burnin (Brendon Moeller mix) B2- AlexFlatner & LOPAZZ_Dinosaurs (WareikaRemix) REL DATE 15.10.2012
It is gonna be a huuge package out on FormResonance with this “Burnin” release by Wareika: The original track, now timeless on vinyl, comes alongside with their own “One on one mix”, which tend towards summer breaks and festivals including their unique quality of flying melodies. Back into the club, Brendon Moeller spends his interpretation by focussing on his beloved dub techniques including an acid feeling on his stunning bassline. The vocals are perfectly balanced with his subtle shuffles and grooves - you definitely get one of his prerogatives here. Brendons second mix, his “beat pharmacy flaming dub” catches on: more focussed and more clean he let the essence of the original come through. Their vision of electronic music can be heard in the Alex Flatner & LOPAZZ „Dinosaurs“ remix. Wareika does include modern production techniques as fluent as the feeling for an organic approach. Their instruments do become a spokesman by creating odd rhythms flowing together...creating a new step. More
It is gonna be a huuge package out on FormResonance with this “Burnin” release by Wareika: The original track, now timeless on vinyl, comes alongside with their own “One on one mix”, which tend towards summer breaks and festivals including their unique quality of flying melodies. Back into the club, Brendon Moeller spends his interpretation by focussing on his beloved dub techniques including an acid feeling on his stunning bassline. The vocals are perfectly balanced with his subtle shuffles and grooves - you definitely get one of his prerogatives here. Brendons second mix, his “beat pharmacy flaming dub” catches on: more focussed and more clean he let the essence of the original come through. Their vision of electronic music can be heard in the Alex Flatner & LOPAZZ „Dinosaurs“ remix. Wareika does include modern production techniques as fluent as the feeling for an organic approach. Their instruments do become a spokesman by creating odd rhythms flowing together...creating a new step. More
The album title, as you might know, means “through hardships to the stars”, and that is precisely Wareika’s motto. You could say, that the trio from Hamburg is the hardest working bunch in the music business. Only last year, they released two albums straight: “Formation” on the Danish boutique label Tartelet Records, and “Harmony Park” on worldwide respected Perlon Records. The enormous output by the trio is reminiscent of jazz musicians of the 60ties.
Wareika have released several singles and have done some astonishing remix work within the past three years. Therefore, their collection of ten remixes, or better, reworked and interpreted songs, will give you a fine impression of how Wareika have elaborated their unique sound over the past four years.
To involve Alex Flitsch of Connaisseur Recordings was self-evident for the band. They started out on his label, made several remixes for it, and contributed tracks to the Grand Cru compilation. This also made it a matter of course to feature the exclusive remix of Connaisseur-act Kollektiv Turmstrasse’s “Tristesse” on this album. In order to give it even more of a proper album feel, Wareika have delivered an intro and outro, making this collection sound more balanced and harmonious.
Please enjoy this almost 80 minute long journey to the stars with Wareika
Tracklisting:
01: WAREIKA – AD ASTRA (INTRO)
02: AUFGANG – BAROCK (WAREIKA REMIX)
03: GUS GUS – THIN ICE (WAREIKA REMIX)
04: DANIEL NITSCH – ROOM TO ROOM (WAREIKA REMIX)
05: MATHIAS KADEN – STATE OF STASIS (WAREIKA REMIX)
06: ALEX FLATNER & LOPAZZ – DINOSAURS (WAREIKA REMIX)
07: PATRICK CHARDRONNET – EVE BY DAY (WAREIKA REMIX)
08: KASPER BJÖRKE & HIS FRIENDLY GHOST – GO AWAY GONG (WAREIKA’S INCANDESCENCE RESISTANCE)
09: SOUKIE & WINDISCH – SUNDROP (WAREIKA REMIX)
10: KOLLEKTIV TURMSTRASSE – TRISTESSE (WAREIKA REMIX) – EXCL.
11: MANOLO – COMMANDO (WAREIKA’S CRAZY SET MIX)
12: WAREIKA – PER ASPERA (OUTRO)
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Wareika have released several singles and have done some astonishing remix work within the past three years. Therefore, their collection of ten remixes, or better, reworked and interpreted songs, will give you a fine impression of how Wareika have elaborated their unique sound over the past four years.
To involve Alex Flitsch of Connaisseur Recordings was self-evident for the band. They started out on his label, made several remixes for it, and contributed tracks to the Grand Cru compilation. This also made it a matter of course to feature the exclusive remix of Connaisseur-act Kollektiv Turmstrasse’s “Tristesse” on this album. In order to give it even more of a proper album feel, Wareika have delivered an intro and outro, making this collection sound more balanced and harmonious.
Please enjoy this almost 80 minute long journey to the stars with Wareika
Tracklisting:
01: WAREIKA – AD ASTRA (INTRO)
02: AUFGANG – BAROCK (WAREIKA REMIX)
03: GUS GUS – THIN ICE (WAREIKA REMIX)
04: DANIEL NITSCH – ROOM TO ROOM (WAREIKA REMIX)
05: MATHIAS KADEN – STATE OF STASIS (WAREIKA REMIX)
06: ALEX FLATNER & LOPAZZ – DINOSAURS (WAREIKA REMIX)
07: PATRICK CHARDRONNET – EVE BY DAY (WAREIKA REMIX)
08: KASPER BJÖRKE & HIS FRIENDLY GHOST – GO AWAY GONG (WAREIKA’S INCANDESCENCE RESISTANCE)
09: SOUKIE & WINDISCH – SUNDROP (WAREIKA REMIX)
10: KOLLEKTIV TURMSTRASSE – TRISTESSE (WAREIKA REMIX) – EXCL.
11: MANOLO – COMMANDO (WAREIKA’S CRAZY SET MIX)
12: WAREIKA – PER ASPERA (OUTRO)
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More records from Visionquest
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N/UM, Wareika - Foundation
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N/UM, Wareika - Fragments Of Five
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N/UM, Wareika - Kaizen
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N/UM, Wareika - Embrace
Visionquest returns in 2024 with a true meeting of the minds! Combining the superpowers of two world-renowned trios and resulting in a masterclass in musicality, patience, texture, and psychedelia…
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Theoretical Speed - Take Me To Bed And Mix Me Forever
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Theoretical Speed - Dusty Rugs Feat. John Camp
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Theoretical Speed - Dusty Rugs Feat. John Camp (Silverlining Swung Dub)
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Theoretical Speed - Dusty Rugs Feat. John Camp (H Foundation Remix)
Label boss and international mainstay Ryan Crosson returns for Visionquest 088 under his Theoretical Speed alias. For over two decades Crosson has been lighting up dance floors with his sets and productions, from his native Detroit to Berlin and back again.
The EP starts off hot with the aptly titled “Take Me to Bed and Mix Me Forever”. Tough analog drums break into a trademark VQ vocal with deep moving sub bass. Step and Swing is the name of the game. After an overdrive odyssey midway through, the track is polished off with beautiful, murky, submersed synths drifting in and out.
Next up is the title track, “Dusty Rugs” featuring the inimitable John Camp on keys. Lovely melodic pianos cascade into a sick bass line that perfectly bumps and swings with the percussion. As the piano irons itself out the bass twists into a new groove with a punctuating vocal stab. It perfectly serves up Detroit/Berlin magic clearly influenced by the likes of Thomas Melchior.
On the flip, the B side starts out with Silverlining’s “Swung Dub”. The UK underground veteran delivers a dope dubbed out version of the original. In this offering, the drums notch up the swing and consistency while the keys shimmer in and out of the foreground. A masterclass in restraint and depth.
H-Foundation, a duo that needs no introduction, put their signature stamp on another “Dusty Rugs” remix to round out the EP. File under infectious classic grooving dubby house. Shuffling drums bounce with underwater synth stabs in perfect syncopation, giving us a fantastic completion to another great cut of VQ wax. More
The EP starts off hot with the aptly titled “Take Me to Bed and Mix Me Forever”. Tough analog drums break into a trademark VQ vocal with deep moving sub bass. Step and Swing is the name of the game. After an overdrive odyssey midway through, the track is polished off with beautiful, murky, submersed synths drifting in and out.
Next up is the title track, “Dusty Rugs” featuring the inimitable John Camp on keys. Lovely melodic pianos cascade into a sick bass line that perfectly bumps and swings with the percussion. As the piano irons itself out the bass twists into a new groove with a punctuating vocal stab. It perfectly serves up Detroit/Berlin magic clearly influenced by the likes of Thomas Melchior.
On the flip, the B side starts out with Silverlining’s “Swung Dub”. The UK underground veteran delivers a dope dubbed out version of the original. In this offering, the drums notch up the swing and consistency while the keys shimmer in and out of the foreground. A masterclass in restraint and depth.
H-Foundation, a duo that needs no introduction, put their signature stamp on another “Dusty Rugs” remix to round out the EP. File under infectious classic grooving dubby house. Shuffling drums bounce with underwater synth stabs in perfect syncopation, giving us a fantastic completion to another great cut of VQ wax. More
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Gianluca Pegoiani - One Room
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Gianluca Pegoiani - One Room (Hubble Remix)
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Gianluca Pegoiani - The Key
May 2020 sees Gianluca Pegoiani drop his Visionquest debut in the form of the "Fifth Room EP". Pegoiani has been collecting records, analog machines and hitting the clubs since the mid 90's, taking inspiration from the greats like Ricardo Villalobos, Richie Hawtin and Derrick May. He has lived all over the world and has worked as a promoter at Mazoom / Le Plaisir, Vice and Blok in Brescia, Italy. In addition to collaborating with duo Polydrum for Skream's "Of Unsound Mind" label he has also produced releases for NGtrax and Rebirth Records. The Fifth Room EP comes in hot with the fast paced A1, "One Room". Filling the space with rising and falling rhythmic sounds secured by a fat kick. Ethereal, almost choral pads emerge that give way to a skittery, chopped up vocal. In the second half of the track, the gate on the vocal opens up and the sound fills up with even more drenched pads. For the A2, Berlin staple and fellow Italian DJ and producer Hubble checks in with his take on "One Room". The remix enters with methodical kicks and shifting bass tones, as seemingly 'found sound' percussion scrapes through the dense bass. The vocal peers in from a distance as the back half of the track undulates between bass tones, vocal and metallic percussion. On the B2, "One Key", begins with reversed strings where u can almost hear the bow sliding back and forth. An indistinguishable vocal loop brings the listener back into the kick/snare and ricocheting percussion hits that bounce around the spectrum. New reversed strings jump in giving a nostalgia drenched Mediterranean vibe that somehow brings a tense energy. The tension continues to build until the end, leaving the listener excited and in anticipation for the the artists next offering. TRACK LISTING: A. One Room,, A2. One Room (Hubble Remix), B. The Key
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Triptease - Drumses III
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Triptease - Bobby Peru
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Triptease - Tony Little Something
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Triptease - Pseudomartyrs
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Triptease - Duodular
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Triptease - Lo Siento
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Triptease - Song with No Name
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Triptease - Teide featuring Greg Paulus
Triptease have steadfastly become a staple of the ever impressive Berlin electronic music scene. Comprised of four multitalented musicians, (Topper, Francesco , Jacopo and Hugo), they have become known for their marathon live performances that can sometimes reach 8 hrs in length and incorporate special guest musicians from around the world. Their home bases are the infamous Club der Visionaire and Hoppetosse, where they have honed their craft by bringing almost the entirety of their studio onto the dance floor for long range jams that contain a mixture of some prepared material and a hefty amount of total free form improvisation. Using guitars, synthesizers, drum machines, samplers and a vast array of efx pedals they create a soundscape completely fresh while retaining the signature sound of the city they call home. Their first full length LP and debut on the mighty Visionquest label perfectly displays a sound that they have crafted in diverse locations across the globe, including a week of recording in Tenerife, right under the Teide Volcano, the secret mountain of Guanche Mythology. The album title Mescaleros is, in their words, "a concept we like to use to indicate an approach to making music and art in general, inspired by spaghetti western aesthetics and 60’s lysergic emancipation put through the lens of modern technology and science fiction. We translate that approach into long improvisational jams where we try to feel music as something alive that can and must change from time to time and also within the same performance. A1. Drumses III, A2. Bobby Peru, B1. Tony Little Something, B2. Pseudomartyrs, C1. Duodular, C2. Lo Siento, D1. Song with No Name, D2. Teide featuring Greg Paulus
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DeWalta & Shannon - Artificial Turf
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DeWalta & Shannon - Courtside
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DeWalta & Shannon - Playing Field
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DeWalta & Shannon - 22.22.4.1
Growing up in Southern Germany, DeWalta began playing french horn and taking cues from his grandfather's jazz record collection at an early age. He eventually transitioned to the saxophone and joined the esteemed Musikhachschule Hanns Eisler conservatory in Berlin. Soon after he immersed himself in electronic music, creating music for Vakant, Cynosure and his own label, Meander. Since then he has traveled the globe playing everywhere from Resolute in New York to Sunwaves in Romania. Mike Shannon hails from Ontario, but resides in Berlin and has established himself as a true pillar of the scene. A highly respected DJ and producer, he has released music on plus 8, Wagon Repair, Cynosure and a host of other top notch labels, including his own imprint, Haunt Music. Mike's impeccable DJ skills are only complimented by his ability to A&R and introduce the world to new artists. Upon meeting, the duo quickly forged a seminal production team and live act based in Berlin, which led to releasing multiple EP's. This record has that perfect Berlin bounce. That classy, sexy swing that keeps people dancing for hours.
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Lee Curtiss & Steingold - Dream Adjacent
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Lee Curtiss & Steingold - Dream Adjacent (Doc Martin's Sublevel Live Remix)
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Lee Curtiss & Steingold - Talk
Lee Curtiss has been in the game since your mother bought her first techno record. An undeniable fixture of the scene, with a vast career that has brought him from Detroit to Berlin to LA, Curtiss has played the best festivals and clubs the world over and released on countless top labels such as Spectral, Get Physical, Wolf + Lamb, Classic Music Company and of course the label he co-runs, Visionquest. As part of that all-star crew he has released classic remixes for Tracey Thorn, David Lynch and the epic "Good Voodoo" by Kiki. Steingold grew up in Detroit listening to The Wizard, Jeff Mills on the radio and began honing his dj skills at Detroit fixtures like Alvin's, The Shelter and Motor. He moved to LA in the early 2000's, and formed Hard & Soul, during which he connected with Peanut Butter Wolf and toured with Common and Lupe Fiasco. Hard & Soul remixed Mayer Hawthorne's Tuxedo project for Stones Throw and Steingold went on to work with SPNCR and Curtiss thereafter, resulting in releases on Repopulate Mars and Soul Clap Records respectively. He currently tours all over the world with Mike D of The Beastie Boys, playing festivals ranging from Boston Calling to Primavera Festival in Barcelona. The duo start off the EP with "Dream Adjacent", which pops right in with snappy, sexy percussion and that lovely Roland descending airplane sound. The future 80's type sound is foreshadowed by a synth that sounds like it jumped out a certain old video game involving two cave men. When the synth comes back in full time it's perfectly complimented by a fat bassline and a dashing arpeggiated figure that dances around the spectrum. Add some synth strings to the mix and you've got a jam! Next up, full on legend Doc Martin turns in a remix of "Dream Adjacent". Staying true to the core base of the song, Martin jacks up the percussion, adding swirls, beeps, acid arps, a string pad and a sultry vocal that feeds into the breakdown. The EP finishes with "Talk", a bumpin' jam with a nasty bassline and a reverb and delay drenched vocal. There's plenty of space in the track, and that perfectly allows one to sop up as much of that bassline as you can get. Some reversed hats slide back and forth amongst the crispy forward pattern. A subtle, reverbed saw bass pops around the back half of the track, giving just the right amount of lift when it coincides with whooshing noise. It's a standout EP that rightly brings that future funk we all love so much
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bodj & roksi - Weird Science
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bodj & roksi - Otis
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bodj & roksi - Flowtec
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bodj & roksi - Tomodachi
For his sophomore effort with the Visionquest family, Bodj teams up with fellow Greek native and audio engineer, Roksi, to create the Weird Science EP. The four track EP starts with title track "Weird Science". The slow burner emerges with etherial pads, tight percussion and warm sub bass, as toms and a reverb drenched vocal emerges. Atonal synths pop in and squelch as the track drives forward, keeping the uptempo momentum high. A2, "Otis AX", keeps the tempo poppin', with beautiful chords dropping in, supported by a nice, round bass that bumps the pads along as synths enter and sprinkle away. The track stays bouncy with chopped arpeggiated synths, tactfully dipping their toe in the water. The B1, "Flowtec", indulges the listener in the dirtier, late night club vibe that we all enjoy so much, while minimal textures, murky vox and bleeps and synths stab in and out. Minor chord rhodes stabs pop in and out until deep pads fill out the sound in a luxurious way to finish out the track, without losing any of the steam it started with. "Tomodachi" rounds out the EP, keeping the vibes high and quick with another dope bassline. This offering stays true to the bassline and delayed chord stabs, and acts more as a bumping dj tool for the release, sure to keep the vibe going. One things for sure this standout release won't be putting anyone to bed!
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deadbeat - Boom Jack
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deadbeat - Keep On Dancing (Shaun Reeves Remix)
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deadbeat - Keep on Dancing
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deadbeat - VQ Infinity Dub
This June will see the release of Deadbeat's "Jacks and Slow Dances" EP on Visionquest Records. The EP kicks off with massive bass, big toms and cascading synths and effects that build with the "Boom Jack" vocal, until diving into a driving kick. The patient tension continues and the repeated synths rise and fall as the rhythm of the vocal becomes more frequent and more manic, sure to excite the dance floor. For the A2 Shaun Reeves' remix of "Keep On Dancing" drops a 4/4 kick on the track and adds a classic Berlin low slung bass line that bumps along with some added sub bass, while delayed keys drift across the top. It's perfect for summer sessions at Club Der Visionaire, which is a frequent haunt for both artists. The B side kicks off with the original mix of "Keep On Dancing", and sounds as though the listener is dropped into some remote jungle in the middle of the night. Monteith's beautiful and casual vocal arrives drenched in reverb while the minimal percussion accompanies his thoughts along the way. The song continues through the night as an arpeggiated bass synth leads the listener toward the 4/4 kick and the delightfully swung hi-hats that follow. The EP is rounded out by "VQ Infinity Dub, an uptempo jam that starts with his mature building of percussion and cascading synths and vocals that drive and pulsate the track forward. Foregoing the typical use of the big clap/snare, Montieth instead relies on the kick and shakers to keep the track moving and it just goes to show how effective his unique and unconventional his style can truly be.
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ryan crosson - ITYC
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ryan crosson - Janet
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ryan crosson - Favogo
Many moons and stars have passed since VisionQuest co-founder Ryan Crosson last took to the controls on his own label for a full solo trip... ‘I Hope You Will’, his first EP on the label since 2015’s ‘On The Rise’ We’d say he was making up for lost time. Except the time was never lost in the first place. Ryan’s renowned for his creatively prolific output as a DJ and producer. Continually touring and working under a variety of aliases and collaborations, and releasing on the likes of Leftroom, Nervmusic and Number 19, Ryan refuses to sit still.... Just like his music. Forever in momentum and progression. This EP sums up where he’s at and where we can potentially be. Molten grooves with open dynamic agendas where anything can happen. Each track a transition from one place to another as Crosson introduces different elements, tones and grooves. ‘ITYC’ writhes with that sexy Detroit lucidity that makes eight minutes feel like 20 seconds thanks to its strong physical hypnosis, ‘Janet’ plays the ultimate switch up as we’re suddenly jacked from heads down tunnelling foggy, grainy techno to deep breathing, rolling house music at the flick of a snare while ‘Favogo’ provides the final bubbling adieu. Primed with drums so smooth and liquified they’re almost silky, iced with lingering melodic elements so atmospheric they feel like vapours, it’s the perfect way to bring another stark, singular and personal EP to a conclusion. Rest assured he’ll be back again. Who knows how many moons will pass meanwhile...
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floog - Suprapus
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floog - Staring at the Sun
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floog - Premiza
A new year, a new VisionQuest excursion: rising Romanian Floog is our navigator for this mission and he’s coordinated a precision interstellar trip to ease us into a new season. The timing couldn’t be better. Momentum made via his debuts on the likes of Crossed Grooves and Atipic, ‘Suprapus’ is Floog’s boldest, furthest reaching EP to date as he continues to map his own name around the cosmos. ‘Suprapus’ takes the lead. Romanian for superimpose, it lives up to its title as layers weave with natural ebb and flow. The sense of timelessness is another strong superimposed weave as we’re immersed in a haze of foundation elements and a strong rolling funk while driven by future focused beatcraft and production. This theme is continued on ‘Staring At The Sun’. Another wistful piece that stares up with hope but runs with such groove hypnosis you lose any temporal senses, it’s both heads-down and shades-down as Floog rolls out into the centre of solar system. Finally ‘Premiza’ brings us back home. Darker, gruffer, trippier and relentlessly driving. There’s some serious noir magic at play on the tweaked drums, creepy arpeggios and overall sense of tension. Transition in 2019 complete, but don’t get too comfortable... Another VisionQuest excursion is awaiting imminently.
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shaun reeves & tuccillo - Shade
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shaun reeves & tuccillo - Cavernous
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shaun reeves & tuccillo - Superstitions
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shaun reeves & tuccillo - Tessera
Visionquest embark on a brand-new voyage as founding member Shaun Reeves takes the mantle once again. Reuniting with kindred spirit Tuccillo for another no-rules, boundary-blurring session, it’s their most explorative collab EP to date. Picking up where previous collaborations such as ‘Seclusions’ and ‘Smile’ left us, the lead track ‘Shade’ reminds us of the duo’s innate ability to lure you deep into their groove unwittingly. Misty, and pensive, this one’s deep coded with unmistakable Visionquest atmospherics as each element gradually unfolds. Elsewhere amid the ageless shadows we have the stark, sensual stripped-back struts of ‘Cavernous’, an uplifting piece where a restrained-yet-bumping groove is laced with garage style vocals and a sublime synth twist midway. Deeper again we strike more mystic noir…. ‘Superstitions’ rolls out over a stately 8+ minutes, building gradually with percussive hypnosis and the dark art of subtlety while ‘Tessera’ brings the EP to a close with strong levels of funk and feel good. A reference to their own collaborative project Shantu, it’s a devilish fusion of velvet android bass, evocative humanised textures and beat that draws you in but leaves more than enough room on this voyage to take in each perfectly considered and sculpted element. Enjoy the view…
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more than material - Intimate
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more than material - Godsa
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more than material - Doctor High
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more than material - Doctor High (Archie Hamilton Remix)
Fresh names to Visionquest, but certainly not new to the game; More Than Material is the promising new project between two bonafide French selector statesmen who collectively boast decades of dancefloor and studio science: Jedsa Soundorom and Gauthier DM. Launching their new alias earlier this year on Zingiber Audio, their signature has been tangible from the off; deep weighted grooves, warm dynamics and total immersion. ‘Intimate’ says it all; realising its title’s close connotations with a dubby, physical groove and a rollcall of soul rolling elements, it’s the sound of a crowd locking in en- mass. Low ceiling, heads down, lights low. ‘Godsa’ follows with similar moody momentum and another hypnotic weave. This time over much more of a stately techno noir soundscape as its persistent jack is laced with subtle acid details. Next, we hit ‘Doctor High’, an ageless deep house groove peppered with nuances of uplift, trippiness and a drum arrangement that taps deep into the foundations. Once again, the track relives its title’s implications. Finally, we sign out with a precision revision from Fuse resident Archie Hamilton who refixes the pace and density of ‘Doctor High’ with more of a driving peaktime aesthetic that remains fully respectful of the original’s weight and clarity. More Than Material by nature, spirit and name.
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merveille & crosson - ARP (Luciano Sous le Sol Remix)
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merveille & crosson - Asleep At The Wheel (Moffa x Troxler 357 Mix)
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merveille & crosson - Even Tides (Bruno Pronsato Remix)
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merveille & crosson - Nordic Bummers (Clovis Remix)
2017 saw Cesar Merveille & Ryan Crosson deliver their second long player in the shape of ‘Cerulean’, drawing on their modern classical, jazz, ambient and abstract influences to create yet another unique listen featuring collaborations with a classical pianist, trumpet, guitar and double bass players. Here we see those original parts eschewed into something entirely fresh from friends and close associates of the duo. Leading on the release is Cadenza boss Luciano’s ‘Sous Le Sol’ interpretation of ‘ARP’, which twists and turns through the hypnotic chimes and emotive piano chords of the original whilst stirring in Lucien’s signature modulating and intricately evolving rhythmic style. Following is a collaborative rework from New York’s Phil Moffa and Seth Troxler which employs ethereal synth drones and stuttering vocal cuts alongside a bumpy percussive drive and pulsating subs. Perlon’s Bruno Pronsato steps up next to remix ‘Even Tides’, delivering his typically raw and emotive style via glitched out, mind-bending percussion, elongated bass drones and cleverly reshaped cuts of the original’s cinematic elements. L.A’s Clovis then closes the package with his remix of ‘Nordic Bummers’, employing shuffled hats, lumpy subs and crunchy claps at it’s core whilst horn swells and aiy atmospherics ebb and flow throughout.
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creatures of shaun - Mind Over Matters
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creatures of shaun - Blink
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creatures of shaun - Out of Orbit
Berlin based co-founder of Visionquest Shaun Reeves has gradually carved out his unique take of raw, minimalistic house music over the years via releases on Dorian Paic’s Raum...musik, One Records, his new Shantu label alongside Tuccillo and of course his own Visionquest. Here we see him pairing up with Canadian duo Maher Daniel and Amir Javasoul who together as Creatures Of Habit have been picking up attention from the likes of Ricardo Villalobos, Zip, Raresh and Apollonia amongst others. Here marking the debut of their collaborative ‘Creatures Of Shaun’ guise the duo offer up their ‘Mind Over Matters’ EP, the title-track leads and lays down mind bending, modulating percussion and synth swirls alongside bumpy bass grooves and hypnotic atmospherics whilst stirring in a tripped-out spoken word vocal sample to further fuel the psychedelic house feel. ‘Blink’ follows and tips the focus over to resonant subs, stripped-back organic percussion and murky vocal swells, again resulting in something mesmerizing and groove-led before ‘Out Of Orbit’ reduces things even further to refined shuffled hats, minute rhythmic modulations and snaking bass flutters.
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ataxia - VHS
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ataxia - Kodak Moment
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ataxia - Kodak Moment (Reeves & Crosson Edit)
Detroit duo Ataxia offer up their ‘Kodak Moment’ EP via Visionquest this March, accompanied by an edit from label co-founders Shaun Reeves and Ryan Crosson. Eric Ricker and Ted Krisko aka Ataxia have been at the forefront of the contemporary house and techno scene for some time, racking up releases on some of the leading labels across the globe such as Leftroom, Nervous, Culprit and Play It Say It, making the duo one of Detroit’s finest exports in recent years. Here we see them making their debut on Visionquest, the label of fellow Detroit natives Ryan Crosson, Shaun Reeves and Lee Curtiss. ‘VHS’ leads the package with murky synth swells, resonant synth sweeps and fluttering square wave bass tones at it’s core as shuffled drums carry the ever-evolving hypnotic groove along. The original mix of ‘Kodak Moment’ follows, shifting the focus over to snaking bass lines, mind-bending, modulating synth whirrs and dynamic, choppy percussion throughout. Reeves & Crosson’s ‘Edit’ of ‘Kodak Moment’ then rounds out the release, stripping things back to ethereal atmospherics and shuffled drums whilst subtly stirring in the original’s hooky bass groove as the interpretation unfolds.
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merveille & crosson - Intro (AlmostRaw)
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merveille & crosson - AcidPal
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merveille & crosson - Even Tides
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merveille & crosson - Quadra
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merveille & crosson - ARP
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merveille & crosson - Asleep At The Wheel
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merveille & crosson - Nordic Bummers
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merveille & crosson - MCYH
Merveille & Crosson return to Visionquest this October with their second long player, entitled ‘Cerulean’ and featuring nine original compositions from the duo.
2012 saw the release of Cesar Merveille & Ryan Crosson’s critically acclaimed inaugural long player ‘DRM’, seeing the pair veer their output into abstract realms and embrace a more eclectic left on centre production style. Here five years later the pair return with their second album ‘Cerulean’, again tipping the focus over to a modern classical, jazz, ambient and abstract aesthetic, featuring collaborations with Juliard trained classical pianist Julien Quinten, No Regular Play’s Greg Paulus on trumpet, Wareika’s Henrik Raabe on guitar, Yonathan Levi on double bass, Moritz Baumgartner adding additional drum work and Berlin’s Signum Saxophone Quartet.
Across the ‘Cerulean’ project Merveille, Crosson and all involved offer up an amalgamation of sounds and styles from the freeform jazz odyssey styles of ‘Even Tides’ and ‘Nordic Bummers’ to the ethereal ambience of ‘Intro (Almost Raw)’ and ‘MCYH’ whilst subtly nodding towards their minimal roots with ‘Acid Pal’ and ‘Qaudra’. The pair also radiantly display their love for the New Age modular synth style with ‘ARP’ and ‘Life In The 80’s’ with intricately programmed, dynamic melodies throughout, all in all resulting in a truly unique and forward thinking project from an array of talents. More
2012 saw the release of Cesar Merveille & Ryan Crosson’s critically acclaimed inaugural long player ‘DRM’, seeing the pair veer their output into abstract realms and embrace a more eclectic left on centre production style. Here five years later the pair return with their second album ‘Cerulean’, again tipping the focus over to a modern classical, jazz, ambient and abstract aesthetic, featuring collaborations with Juliard trained classical pianist Julien Quinten, No Regular Play’s Greg Paulus on trumpet, Wareika’s Henrik Raabe on guitar, Yonathan Levi on double bass, Moritz Baumgartner adding additional drum work and Berlin’s Signum Saxophone Quartet.
Across the ‘Cerulean’ project Merveille, Crosson and all involved offer up an amalgamation of sounds and styles from the freeform jazz odyssey styles of ‘Even Tides’ and ‘Nordic Bummers’ to the ethereal ambience of ‘Intro (Almost Raw)’ and ‘MCYH’ whilst subtly nodding towards their minimal roots with ‘Acid Pal’ and ‘Qaudra’. The pair also radiantly display their love for the New Age modular synth style with ‘ARP’ and ‘Life In The 80’s’ with intricately programmed, dynamic melodies throughout, all in all resulting in a truly unique and forward thinking project from an array of talents. More
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alexi delano - Water Colors
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alexi delano - Alexi Delano - Water Colors (The Persuader Remix)
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alexi delano - Communicate
This September will see Visionquest return with Alexi Delano’s ‘Water Colors’ EP, accompanied by a remix from the Persuader aka Jesper Dahlba¨ck. Chilean born, Swedish raised, New York adopted and Amsterdam based producer and DJ Alexi Delano has an impressive back catalogue dating back over two decades and featuring releases on labels such as Laurent Garnier’s F Communications, Richie Hawtin & John Acquaviva’s Plus 8, Ghostly International’s Spectral Sound and M_Nus as well as Visionquest where he returns to here following his collaborative ‘The Breeze’ EP alongside label co-founder Shaun Reeves in 2013. Title-track ‘Water Colors’ opens the release, a smooth and gradually unfolding composition fuelled by an amalgamation deftly programmed multi-layered melodies which ebb and flow throughout the sturdy rhythmic foundation. Following is The Persuader’s take on ‘Water Colors’ which dubs things out to create a murky submerged feel in contrast, utilizing the original’s hypnotic melodies whilst subtly working in a rugged 303 line throughout. ‘Communicate’ then rounds out the package with a groove-led feel, bringing a squelching acid bass, hooky vocal chop and modulating synth flutters into the limelight as the shuffled dynamic drum machine workout carries things along.
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merveille & crosson - Dream State
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merveille & crosson - Guns
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merveille & crosson - Time Constraints
Long time friends Cesar Merveille and Ryan Crosson return to Visionquest to reignite their ‘Merveille & Crosson’ project in late May with three fresh, intricately programmed cuts. Visionquest boss Ryan Crosson and Parisian Cesar Merveille need no introductions, with the duo’s back catalogues featuring material on the likes of revered imprints Cadenza, Desolat, Little Helpers and MDRNTY. 2011 welcomed the introduction of their ‘Merveille & Crosson’ project, with their debut album ‘DRM’ on Visionquest gaining plaudits from industry heavyweights including Ricardo Villalobos, and after a five years absence here we see the duo return once again to deliver ‘Dream State’, a three track EP that oozes quality from the off. The A side is home to title cut ‘Dream State’, a production that tumbles and twists smoothly around meandering synths, crisp percussion shots and a bumping low ends, typical of the duos free flowing and evolving production styles. On the flip, ‘Guns’ sets to work through pitched down vocal loops, sweeping sonics and rich textures all reinforced by a driving bassline that carries plenty of groove, before ‘Time Contraints’ slowly unveils itself with a series of off-kilter gliches and pops, delicate pads and sophisticated sound arrangement, concluding yet another fluent and immersive offering from Merveille & Crosson, and an excellent addition to the Visionquest catalogue.
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