More records from Ed Banger
1
THOMAS ROUSSEL - LATE METAL
2
THOMAS ROUSSEL - DEIFIED
3
THOMAS ROUSSEL - LEVEL
Limited edition Color Vinyl with Special Effect
Tracklist:
1/ LATE METAL
2/ DEIFIED
3/ LEVEL
Short info:
I met Thomas Roussel in 2017 at a Pigalle fashion show in Paris. As always with Stéphane Ashpool, the designer of Pigalle,
casting is perfect and the clothes are modern and groundbreaking. But my eyes and ears were intrigued by this retro-futuristic instrument
next to me, the Cristal Baschet. French composer and conductor Thomas Roussel wrote the soundtrack of the show.
He add this magnificent instrument in his "not very classical" orchestra, this is what I immediately loved with him!
He invited us into his world of classical music with a fresh twist, simplicity and audacity.
At the same time I was scratching my head to find something different to celebrate the 15th anniversary of Ed Banger records.
For a long time I had this idea of mixing both electronic and classical music together. Exactly like my heroes Metallica did in 1999 with
the Symphonic orchestra of San Francisco! Thomas Roussel seems the perfect man for this crazy idea. We did Ed Banger 15 together
and we became friends.
Thomas Roussel grew up in Dijon, spent his days at the conservatory and his nights at L’An-Fer, one of the most respected
Techno club in France. Probably the reason why he ended up working with Jeff Mills, on two projects mixing Jeff’s 909 and a classical
orchestra.
By experimenting new ways of using an orchestra, by creating state-of-the-art scenography and producing more ambitious music
he quickly became the man in charge of everything "classica". The list of his collaborations is too long and will ruin this little introduction.
It could sounds like this : Chanel, Apple, Cartier, Kenzo, Nike, Dior…
Performing from Paris to Macau, from Monte Carlo to Dubai and from New York to Beijing!
In 2017 Thomas Roussel released his first album as Prequell with Universal Music.
A successful collaboration that really allows Thomas Roussel to become an artist.
In 2022 Ed Banger records is proud to release Thomas Roussel "LATE METAL" a 3 tracks EP.
Where uplifting orchestration and electronic music composing collide. The perfect soundtrack of a block buster movie mixing
George Lucas & Christopher Nolan generations. It’s also a marker of our time, music boundaries are explosing. It’s time to hear
the London Symphony Orchestra’s strings battling with a Drum’n’Bass beat, a way to DEIFIED classical music.
It’s also a record for your eyes. Art director Andy Picci created an algorthym and gave life to a mercury abstract form. This collaboration
marks the need for Thomas Roussel to always push the boundaries and take his project to another LEVEL. More
Tracklist:
1/ LATE METAL
2/ DEIFIED
3/ LEVEL
Short info:
I met Thomas Roussel in 2017 at a Pigalle fashion show in Paris. As always with Stéphane Ashpool, the designer of Pigalle,
casting is perfect and the clothes are modern and groundbreaking. But my eyes and ears were intrigued by this retro-futuristic instrument
next to me, the Cristal Baschet. French composer and conductor Thomas Roussel wrote the soundtrack of the show.
He add this magnificent instrument in his "not very classical" orchestra, this is what I immediately loved with him!
He invited us into his world of classical music with a fresh twist, simplicity and audacity.
At the same time I was scratching my head to find something different to celebrate the 15th anniversary of Ed Banger records.
For a long time I had this idea of mixing both electronic and classical music together. Exactly like my heroes Metallica did in 1999 with
the Symphonic orchestra of San Francisco! Thomas Roussel seems the perfect man for this crazy idea. We did Ed Banger 15 together
and we became friends.
Thomas Roussel grew up in Dijon, spent his days at the conservatory and his nights at L’An-Fer, one of the most respected
Techno club in France. Probably the reason why he ended up working with Jeff Mills, on two projects mixing Jeff’s 909 and a classical
orchestra.
By experimenting new ways of using an orchestra, by creating state-of-the-art scenography and producing more ambitious music
he quickly became the man in charge of everything "classica". The list of his collaborations is too long and will ruin this little introduction.
It could sounds like this : Chanel, Apple, Cartier, Kenzo, Nike, Dior…
Performing from Paris to Macau, from Monte Carlo to Dubai and from New York to Beijing!
In 2017 Thomas Roussel released his first album as Prequell with Universal Music.
A successful collaboration that really allows Thomas Roussel to become an artist.
In 2022 Ed Banger records is proud to release Thomas Roussel "LATE METAL" a 3 tracks EP.
Where uplifting orchestration and electronic music composing collide. The perfect soundtrack of a block buster movie mixing
George Lucas & Christopher Nolan generations. It’s also a marker of our time, music boundaries are explosing. It’s time to hear
the London Symphony Orchestra’s strings battling with a Drum’n’Bass beat, a way to DEIFIED classical music.
It’s also a record for your eyes. Art director Andy Picci created an algorthym and gave life to a mercury abstract form. This collaboration
marks the need for Thomas Roussel to always push the boundaries and take his project to another LEVEL. More
Rights: World excluding France, UK & Eire
The first ever release of Ed Banger records, this is ED001
To celebrate its 18th anniversary, we're happy to announce a limited edition re-press of this 12'' May 28th 2021.
Very limited 12" - 1 run only - White 140 G 12'' vinyl. 4/4 printed sleeve.
Informations :
"Mr Flash "Radar Rider" / A Bass Day "F.I.S.T"
The first ever release of Ed Banger records, this is ED001
To celebrate its 18th anniversary, we're happy to announce a limited edition re-press of this 12'' May 28th 2021.
I'm not going to repeat the story of how I ended up launching a record label while Napster was scaring the whole music industry…
Now I realize Radar Rider sounds like the perfect soundtrack of a disaster movie, in which record stores are closing, distributors are disappearing, a world without music, without life!
We didn't want this! Of course we'll release music from French producers, newcomers and put all our hearts into this new adventure. By accident Ed Banger records was born, 18 years ago. Mr Flash stopped by the office to play me some his beats. He was the French El-P to me, an MPC 3000 genius! I was blow away immediately, his music was talking to me.
I wanted this sound to be the beginning of something I will create with my friends.
More
The first ever release of Ed Banger records, this is ED001
To celebrate its 18th anniversary, we're happy to announce a limited edition re-press of this 12'' May 28th 2021.
Very limited 12" - 1 run only - White 140 G 12'' vinyl. 4/4 printed sleeve.
Informations :
"Mr Flash "Radar Rider" / A Bass Day "F.I.S.T"
The first ever release of Ed Banger records, this is ED001
To celebrate its 18th anniversary, we're happy to announce a limited edition re-press of this 12'' May 28th 2021.
I'm not going to repeat the story of how I ended up launching a record label while Napster was scaring the whole music industry…
Now I realize Radar Rider sounds like the perfect soundtrack of a disaster movie, in which record stores are closing, distributors are disappearing, a world without music, without life!
We didn't want this! Of course we'll release music from French producers, newcomers and put all our hearts into this new adventure. By accident Ed Banger records was born, 18 years ago. Mr Flash stopped by the office to play me some his beats. He was the French El-P to me, an MPC 3000 genius! I was blow away immediately, his music was talking to me.
I wanted this sound to be the beginning of something I will create with my friends.
More
1
MYD - A1 The Sun
2
MYD - A2 All Inclusive
3
MYD - A3 Bingo
4
MYD - B1 Moodoid remix
5
MYD - B2 Cassius remix
6
MYD - B3 Canblaster remix
7
MYD - B4 Mooph's 8-bit cover
Territory: WW minus FRANCE
2020 Re Edition with Black Vinyl
Tracklist:
A1 The Sun
A2 All Inclusive
A3 Bingo
B1 Moodoid remix
B2 Cassius remix
B3 Canblaster remix
B4 Mooph's 8-bit cover
Short info:
Imagine Mac DeMarco on a boat with French touch legends Cassius,
Canblaster and new pop rising star Moodoid!
More
2020 Re Edition with Black Vinyl
Tracklist:
A1 The Sun
A2 All Inclusive
A3 Bingo
B1 Moodoid remix
B2 Cassius remix
B3 Canblaster remix
B4 Mooph's 8-bit cover
Short info:
Imagine Mac DeMarco on a boat with French touch legends Cassius,
Canblaster and new pop rising star Moodoid!
More
World ex France and UK
Tracklist :
A1/ SUPERDISCOTECA
B1/ THE BOUNCER
B2/ TALK TO ME
After exploring holidays with " ALL INCLUSIVE ", office life with " MUCHAS " Myd (Club Cheval) is back on Ed Banger Records with his favorite thing, nightclubbing!
" SUPERDISCOTECA " a three tracks EP to make you dance!
SUPERDISCOTECA with his contagious groove will become DJs' favorite weapon
THE BOUNCER more raw and tribal will fits after hours DJ sets
TALK TO ME hypnotic and melancholic but will definitely make you move
Street Marketing planned : Posters will be stick in front of and around records shop and main clubs in London, Paris, Berlin prior the release date
More
Tracklist :
A1/ SUPERDISCOTECA
B1/ THE BOUNCER
B2/ TALK TO ME
After exploring holidays with " ALL INCLUSIVE ", office life with " MUCHAS " Myd (Club Cheval) is back on Ed Banger Records with his favorite thing, nightclubbing!
" SUPERDISCOTECA " a three tracks EP to make you dance!
SUPERDISCOTECA with his contagious groove will become DJs' favorite weapon
THE BOUNCER more raw and tribal will fits after hours DJ sets
TALK TO ME hypnotic and melancholic but will definitely make you move
Street Marketing planned : Posters will be stick in front of and around records shop and main clubs in London, Paris, Berlin prior the release date
More
1
MYD - The Sun
2
MYD - All Inclusive
3
MYD - Bingo
4
MYD - Moodoid remix
5
MYD - Cassius remix
6
MYD - Canblaster remix
7
MYD - Mooph's 8-bit cover
Limited edition Blue Vinyl
Tracklist:
A1 The Sun
A2 All Inclusive
A3 Bingo
B1 Moodoid remix
B2 Cassius remix
B3 Canblaster remix
B4 Mooph's 8-bit cover
Short info:
Imagine Mac DeMarco on a boat with French touch legends Cassius,
Canblaster and new pop rising star Moodoid!
More
Tracklist:
A1 The Sun
A2 All Inclusive
A3 Bingo
B1 Moodoid remix
B2 Cassius remix
B3 Canblaster remix
B4 Mooph's 8-bit cover
Short info:
Imagine Mac DeMarco on a boat with French touch legends Cassius,
Canblaster and new pop rising star Moodoid!
More
1
SABRINA & SAMANTHA - Kheops
2
SABRINA & SAMANTHA - Oakisland
SABRINA & SAMANTHA is the newest Ed Banger records signature a brand new project born from the meeting of confirmed producers Julien Briffaz (Bot’ox) and Laurent Bardainne (Poni Hoax)
where mental and dancing techno collide, obviously influenced by tribal tones and the most radical grooves (be reassured! didgeridoo is prohibited)
Tracklist: 1/ Kheops
2/ Oakisland
More
where mental and dancing techno collide, obviously influenced by tribal tones and the most radical grooves (be reassured! didgeridoo is prohibited)
Tracklist: 1/ Kheops
2/ Oakisland
More
Territory: World Ex France & UK - "Busy P has recruited one of our favorite new producers for a remix of his new single, 'Genie', and the results are absolutely genius." FACT Magazine
Tracklist:
A1. Genie (feat. Mayer Hawthorne) , A2. Genie (feat. Mayer Hawthorne) [KDA remix] , A3. Genie (feat. Mayer Hawthorne) [FLOW MACHINES remix]
B1. Genie (feat. Mayer Hawthorne) [JOE GODDARD remix], B2. Genie (feat. Mayer Hawthorne) [RECKONWRONG remix]
Short info:
For its 6th release on Ed Banger records BUSY P asked his longtime friend from Los Angeles MAYER HAWTHORNE to write a love song. While the world is going crazy, the only answer is love. The song was recorded between Threesome Studio in Paris and Mayer's own in L.A.
To complete this EP, we've asked UK's finest producers. The mysterious KDA who's topping UK's charts, delivers an infectious remix with mental drums and funky twist. Hot Chip's main man JOE GODDARD has been one of my favorite producer ever. It was about time to have him on board! RECKONWRONG dropped the hottest EP of 2015 on Young Turks sublabel Whities. His remix is pure magic. Exotic beats with techno flavours. Last but not least, we went experimental on this one!
This is the first FLOW MACHINES remix. The goal of Flow Machines is to research and develop Artificial Intelligence systems able to generate music autonomously or in collaboration with human artists.
More
Tracklist:
A1. Genie (feat. Mayer Hawthorne) , A2. Genie (feat. Mayer Hawthorne) [KDA remix] , A3. Genie (feat. Mayer Hawthorne) [FLOW MACHINES remix]
B1. Genie (feat. Mayer Hawthorne) [JOE GODDARD remix], B2. Genie (feat. Mayer Hawthorne) [RECKONWRONG remix]
Short info:
For its 6th release on Ed Banger records BUSY P asked his longtime friend from Los Angeles MAYER HAWTHORNE to write a love song. While the world is going crazy, the only answer is love. The song was recorded between Threesome Studio in Paris and Mayer's own in L.A.
To complete this EP, we've asked UK's finest producers. The mysterious KDA who's topping UK's charts, delivers an infectious remix with mental drums and funky twist. Hot Chip's main man JOE GODDARD has been one of my favorite producer ever. It was about time to have him on board! RECKONWRONG dropped the hottest EP of 2015 on Young Turks sublabel Whities. His remix is pure magic. Exotic beats with techno flavours. Last but not least, we went experimental on this one!
This is the first FLOW MACHINES remix. The goal of Flow Machines is to research and develop Artificial Intelligence systems able to generate music autonomously or in collaboration with human artists.
More
Territory: World ex France & UK
2017 Reedition of yet another Cult Classic being out of print since 2008 - Tracklist: A1 ROSS ROSS ROSS A2 HEAD/OFF B WALKMAN
Original 2008 Info:
Erol Alkan lights the fire when he first played « ROSS ROSS ROSS » in his Essential mix. This track became a must have. It’s been almost 6 months… Since then, SEBASTIAN droped a dozen of remixes. Uffie, Kelis, Daft Punk, Mylo, Editors, Kavinsky and more got the SEBASTIAN treatment. Then he concentrated on his own productions to deliver 2 monsters. The dramatico-cut up beat « HEAD/OFF » & the club banger « WALKMAN ». Those tracks have already been tested by the whole Ed Rec crew. « WALKMAN » was the pick time of Ed Banger x Vice party at Sonar this year. SEBASTIAN will release his first album in 2007. More
2017 Reedition of yet another Cult Classic being out of print since 2008 - Tracklist: A1 ROSS ROSS ROSS A2 HEAD/OFF B WALKMAN
Original 2008 Info:
Erol Alkan lights the fire when he first played « ROSS ROSS ROSS » in his Essential mix. This track became a must have. It’s been almost 6 months… Since then, SEBASTIAN droped a dozen of remixes. Uffie, Kelis, Daft Punk, Mylo, Editors, Kavinsky and more got the SEBASTIAN treatment. Then he concentrated on his own productions to deliver 2 monsters. The dramatico-cut up beat « HEAD/OFF » & the club banger « WALKMAN ». Those tracks have already been tested by the whole Ed Rec crew. « WALKMAN » was the pick time of Ed Banger x Vice party at Sonar this year. SEBASTIAN will release his first album in 2007. More
WORLD EXCL. FR & UK Limited Anniversary Release- double vinyl, second vinyl collecting the best mixes from various 12'' of 2006 & 2007. CD inside is the original album (bonus are exclusive to vinyl)
DJ MEHDI (R.i.p.!!) ´s Classic from 2006, now in a neat 2017 Anniversary re editoon for Because Music /ed banger´s 10th anniversary + Original CD + Bonus LP (Vinyl Only!).
the 10th anniversary re issue : double vinyl, second vinyl collecting the best mixes from various 12'' of 2006 & 2007. CD inside is the original album (bonus are exclusive to vinyl)
Original LP/CD:
A1 – Busy Being Born , A2 – I Am Somebody , A3 – Signatune , A4 – Boggin’, A5 – Always Be An Angel, A6 – Pony Rocking
B1 – Saharian Break, B2 – Lucky Boy, B3 – Wee Bounce, B4 – Leave It Lone , B5 – Hot-O-Momo , B6 – Constellation , B7 – Love Bombing
Bonus LP:
C1 SIGNATUNE - THOMAS BANGALTER EDIT C2 POCKET PIANO- BRODINSKI REMIX D1 I AM SOMEBODY - KENNY DOPE REMIX D2 LUCKY BOY- OUTLINES REMIXES
More
DJ MEHDI (R.i.p.!!) ´s Classic from 2006, now in a neat 2017 Anniversary re editoon for Because Music /ed banger´s 10th anniversary + Original CD + Bonus LP (Vinyl Only!).
the 10th anniversary re issue : double vinyl, second vinyl collecting the best mixes from various 12'' of 2006 & 2007. CD inside is the original album (bonus are exclusive to vinyl)
Original LP/CD:
A1 – Busy Being Born , A2 – I Am Somebody , A3 – Signatune , A4 – Boggin’, A5 – Always Be An Angel, A6 – Pony Rocking
B1 – Saharian Break, B2 – Lucky Boy, B3 – Wee Bounce, B4 – Leave It Lone , B5 – Hot-O-Momo , B6 – Constellation , B7 – Love Bombing
Bonus LP:
C1 SIGNATUNE - THOMAS BANGALTER EDIT C2 POCKET PIANO- BRODINSKI REMIX D1 I AM SOMEBODY - KENNY DOPE REMIX D2 LUCKY BOY- OUTLINES REMIXES
More
Territory: WORLD EXCL. FR +UK
New Packaging 2017 Unique Re-edition : Gatefold, Double Vinyl, Poster 60x30, CD
Tracklist :
A-Side: 1/ Genesis 2/ Helix 3/ Phantom 4/ Civilization
B-Side: 1/ Canon 2/ D.A.N.C.E. 3/ Horsepower 4/ Newlands
C-Side: 1/ Stress 2/ Waters of Nazareth 3/ Audio Video Disco
D-Side: 1/ Encore 2/ On'n On 3/ Phantom II
Ten years ago, 'We Are Your Friends' reached our ears and pushed Justice to the front of the scene, a young French duo signed by Pedro Winter on the label he had just created: Ed Banger Records. The record that followed, †, was an album of condensed jerky electro, of disco reminiscences and heavy metal energy, with unstoppable tunes like 'D.A.N.C.E', 'Stress' and 'Phantom', and its videos, allowed Justice to follow the 90's French Touch and its filtered disco loop. Since the release of their debut album in 2007, Justice has been tirelessly touring the world by bus, road festival to festival and concerts all over throughout the planet. Since their first tour, the band developed a powerful stage design that they polished and magnified throughout the years and the gigs. The wall of vintage Marshall amps front of the stage, an imposing cross, impressive light shows, and the sound of Justice totally revisited for the live shows. More
New Packaging 2017 Unique Re-edition : Gatefold, Double Vinyl, Poster 60x30, CD
Tracklist :
A-Side: 1/ Genesis 2/ Helix 3/ Phantom 4/ Civilization
B-Side: 1/ Canon 2/ D.A.N.C.E. 3/ Horsepower 4/ Newlands
C-Side: 1/ Stress 2/ Waters of Nazareth 3/ Audio Video Disco
D-Side: 1/ Encore 2/ On'n On 3/ Phantom II
Ten years ago, 'We Are Your Friends' reached our ears and pushed Justice to the front of the scene, a young French duo signed by Pedro Winter on the label he had just created: Ed Banger Records. The record that followed, †, was an album of condensed jerky electro, of disco reminiscences and heavy metal energy, with unstoppable tunes like 'D.A.N.C.E', 'Stress' and 'Phantom', and its videos, allowed Justice to follow the 90's French Touch and its filtered disco loop. Since the release of their debut album in 2007, Justice has been tirelessly touring the world by bus, road festival to festival and concerts all over throughout the planet. Since their first tour, the band developed a powerful stage design that they polished and magnified throughout the years and the gigs. The wall of vintage Marshall amps front of the stage, an imposing cross, impressive light shows, and the sound of Justice totally revisited for the live shows. More
Territoiry: World except France & Uk. 1st time ever re issue of the cult 12'' !
Tracklist: A1 D.A.N.C.E - JACKSON REMIX DO THE J.A.H.C.B A2 : D.A.N.C.E- MSTRKRFT REMIX B1 D.A.N.C.E- LIVE VERSION B2 D.A.N.C.E - ALAN BRAXE & FRED FALKE REMIX
Jackson as a remixer was becoming very discreet, too discreet... Hopefully, "†" inspired him. On his 5 minutes remix, he assimilates at the same time Genesis, Waters of Nazareth, D.A.N.C.E., New Jack to deliver us his own vision of this album: G.L.O.R.I.O.U.S. Coevally devastated and structured, this song is the link between Jackson magnificent and messy environment and Justice Identity. Widely acknowledged as a dancefloor hit, the MSTRKRFT D.A.N.C.E. remix is now available on this 12''. On the B side, Justice, inspired by MSTRKRFT remix, interfered with this track, arranging the song & bringing it to their favourite playground. Alan Braxe & Fred Falke end this 12" with an aerial remix that will please the first hour techno fans... More
Tracklist: A1 D.A.N.C.E - JACKSON REMIX DO THE J.A.H.C.B A2 : D.A.N.C.E- MSTRKRFT REMIX B1 D.A.N.C.E- LIVE VERSION B2 D.A.N.C.E - ALAN BRAXE & FRED FALKE REMIX
Jackson as a remixer was becoming very discreet, too discreet... Hopefully, "†" inspired him. On his 5 minutes remix, he assimilates at the same time Genesis, Waters of Nazareth, D.A.N.C.E., New Jack to deliver us his own vision of this album: G.L.O.R.I.O.U.S. Coevally devastated and structured, this song is the link between Jackson magnificent and messy environment and Justice Identity. Widely acknowledged as a dancefloor hit, the MSTRKRFT D.A.N.C.E. remix is now available on this 12''. On the B side, Justice, inspired by MSTRKRFT remix, interfered with this track, arranging the song & bringing it to their favourite playground. Alan Braxe & Fred Falke end this 12" with an aerial remix that will please the first hour techno fans... More
Territory: World Ex France & UK
2017 Reedition of this Ultimate Breakbot Classic - A must have for any collection. ( if you have not gotten it back then) .
Tracklist: A1 BABY I'M YOURS A2 BABY I'M YOURS- SIRIUSMO REMIX B1 MAKE YOU MINE B2 BABY I'M YOURS- LA FUNK MOB REMIX
More
2017 Reedition of this Ultimate Breakbot Classic - A must have for any collection. ( if you have not gotten it back then) .
Tracklist: A1 BABY I'M YOURS A2 BABY I'M YOURS- SIRIUSMO REMIX B1 MAKE YOU MINE B2 BABY I'M YOURS- LA FUNK MOB REMIX
More
1
DJ Mehdi, - Lucky Girl
2
DJ Mehdi, - Lucky Boy
3
DJ Mehdi, - Signatune
4
DJ Mehdi, - Lucky Boy
Territory: World ex France & UK -
2017 10th Anniversary Re issue of this Classic !
Tracklist: A1 LUCKY GIRL A2 LUCKY BOY - OUTLINES REMIX B1 SIGNATUNE- THOMAS BANGALTER EDIT B2 LUCKY BOY - SURKIN REMIX
Dj Mehdi is back with a second single from his album « Lucky Boy ». To make things easy we choose to put out the track « Lucky Boy » as new single. An exclusive track, 2 remixes and one club edit is the perfect package we propose you, lucky you ! « Lucky Girl » is the follow up of « Lucky Boy », Fafi on the mic, could have been Gwen, but she was busy, and Fafi rocked it anyway. Two of the hottest french producers delivered the remixes.OUTLINES, the parisian duo signed on Jazzanova’s label Sonar Kollektiv droped a slice of 50’s boogie. SURKIN from Institubes label proposed us a trip between Baltimore and Chicago in 4 minutes ! THOMAS BANGALTERwas crazy about « Signatune ». We ask the chief to make a club friendly edit, HOW LUCKY YOU ARE! More
2017 10th Anniversary Re issue of this Classic !
Tracklist: A1 LUCKY GIRL A2 LUCKY BOY - OUTLINES REMIX B1 SIGNATUNE- THOMAS BANGALTER EDIT B2 LUCKY BOY - SURKIN REMIX
Dj Mehdi is back with a second single from his album « Lucky Boy ». To make things easy we choose to put out the track « Lucky Boy » as new single. An exclusive track, 2 remixes and one club edit is the perfect package we propose you, lucky you ! « Lucky Girl » is the follow up of « Lucky Boy », Fafi on the mic, could have been Gwen, but she was busy, and Fafi rocked it anyway. Two of the hottest french producers delivered the remixes.OUTLINES, the parisian duo signed on Jazzanova’s label Sonar Kollektiv droped a slice of 50’s boogie. SURKIN from Institubes label proposed us a trip between Baltimore and Chicago in 4 minutes ! THOMAS BANGALTERwas crazy about « Signatune ». We ask the chief to make a club friendly edit, HOW LUCKY YOU ARE! More
Territory: WORLD EXCLUDING FR & UK - First ever re issue of the classic Ed Banger 2007 compilation (all tracks were exclusive to the compilation)s)
14 track compilation ONLY contains Exclusive tracks (except MR FLASH Disco dynamite & JUSTICE Phantom) and once again, and as always, expect the dopest design around from SO:ME.
Traclist:
A1 –Mr. Oizo Intra , A2 –Uffie Dismissed , A3 –Justice Phantom
B1 –DJ Mehdi Stick It , B2 –Mr. Flash Disco Dynamite , B3 –Krazy Baldhead Strings Of Death, B4 –Feadz Edwrecker
C1 –Busy P 49ers, C2 –DJ Mehdi Lucky Girl , C3 –Busy P Rainbow Man, C4 –Mr. Flash Eagle Eyez
D1 –SebastiAn (6) Greel, D2 –Klaxons Golden Skans To Interzone (So Me Remix), D3 –Vicarious Bliss Limousine (Dub Version)
More
14 track compilation ONLY contains Exclusive tracks (except MR FLASH Disco dynamite & JUSTICE Phantom) and once again, and as always, expect the dopest design around from SO:ME.
Traclist:
A1 –Mr. Oizo Intra , A2 –Uffie Dismissed , A3 –Justice Phantom
B1 –DJ Mehdi Stick It , B2 –Mr. Flash Disco Dynamite , B3 –Krazy Baldhead Strings Of Death, B4 –Feadz Edwrecker
C1 –Busy P 49ers, C2 –DJ Mehdi Lucky Girl , C3 –Busy P Rainbow Man, C4 –Mr. Flash Eagle Eyez
D1 –SebastiAn (6) Greel, D2 –Klaxons Golden Skans To Interzone (So Me Remix), D3 –Vicarious Bliss Limousine (Dub Version)
More
Territory: World Ex France & UK
2017 10th Anniversary Reedition of PEDRO WINTER Classic, if we remember correct it was his first release ever.
Tracks: A1 RAINBOW MAN A2 CHOP SUEY B FANCY "WHAT'S YOUR NAME GAIN"- BUSY P REMIX More
2017 10th Anniversary Reedition of PEDRO WINTER Classic, if we remember correct it was his first release ever.
Tracks: A1 RAINBOW MAN A2 CHOP SUEY B FANCY "WHAT'S YOUR NAME GAIN"- BUSY P REMIX More
1
BORUSSIA - Kinda Love
2
BORUSSIA - Mabrouk
3
BORUSSIA - Reel Back
4
BORUSSIA - Watch (I Got This)
Rights : World excl. FR
Tracklist LP:
A1. Kinda Love
A2. Reel Back
B1. Watch (I Got This
B2. Mabrouk
Short info:
After a very encouraging reception of his first EP "SOUR STROKE" released in 2016 (supported by Laurent Garnier, Skream and Mr Oizo), the young Parisian producer is back on Ed Banger records in January 2017. Clearly set for clubs this second maxi "KINDA LOVE" makes you feel joy and love like the dancefloors we always keep in mind or these we dream of. Expect four generous pieces and a "handmade" clip that will be released a few days before Valentine's Day ?
More
Tracklist LP:
A1. Kinda Love
A2. Reel Back
B1. Watch (I Got This
B2. Mabrouk
Short info:
After a very encouraging reception of his first EP "SOUR STROKE" released in 2016 (supported by Laurent Garnier, Skream and Mr Oizo), the young Parisian producer is back on Ed Banger records in January 2017. Clearly set for clubs this second maxi "KINDA LOVE" makes you feel joy and love like the dancefloors we always keep in mind or these we dream of. Expect four generous pieces and a "handmade" clip that will be released a few days before Valentine's Day ?
More
Release 25.11.2015 - World excl. FR & UK
LP BEC5156617 UPC: 5060421566177 - Special remarks: 2 Black Vinyl LPs in gatefold sleeve with CD included
Tracklist LP
A1. OK Then / A2. Sea Horses (feat. Tetanos) / A3. Freezeing Out (feat. Peaches) / A4. Oiseaux
B1. Ruhe (feat. Boys Noize) / B2. No Tony (feat. Phra) / B3. TheEnd of the World (feat. Skrillex)
B4. The One You BuyTHE ONE YOU BUY
C1. All Wet (feat. Siriusmo) / C2. Chairs (feat. Mocky) / C3. Your Liver
D1. Hand in the Fire (feat. Charli XCX) / D2. Low Ink / D3. Goulag Drums / D4. Useless
The CD included in this vinyl edition features the 15 tracks in the same order
Short info:
Mr Oizo (aka Quentin Dupieux), the French producer and pioneer of modern electro alongside Daft Punk, Air and Cassius simply can't and won't stop working. Having released 5 studio albums, 4 OSTs, a multitude of EPs and directed 6 movies over the past 20 years, the 'Godfather' is back with a new album. And this time, he is not alone as the tracklist features an impressive selection of quality guests: Peaches, Boys Noize, Skrillex and Charli XCX among others. This new release will be a new occasion to further explore the mind of one of the most fantastically uncommon artist today. The double LPs + CD edition is a gatefold with yellow vinyl records
More
LP BEC5156617 UPC: 5060421566177 - Special remarks: 2 Black Vinyl LPs in gatefold sleeve with CD included
Tracklist LP
A1. OK Then / A2. Sea Horses (feat. Tetanos) / A3. Freezeing Out (feat. Peaches) / A4. Oiseaux
B1. Ruhe (feat. Boys Noize) / B2. No Tony (feat. Phra) / B3. TheEnd of the World (feat. Skrillex)
B4. The One You BuyTHE ONE YOU BUY
C1. All Wet (feat. Siriusmo) / C2. Chairs (feat. Mocky) / C3. Your Liver
D1. Hand in the Fire (feat. Charli XCX) / D2. Low Ink / D3. Goulag Drums / D4. Useless
The CD included in this vinyl edition features the 15 tracks in the same order
Short info:
Mr Oizo (aka Quentin Dupieux), the French producer and pioneer of modern electro alongside Daft Punk, Air and Cassius simply can't and won't stop working. Having released 5 studio albums, 4 OSTs, a multitude of EPs and directed 6 movies over the past 20 years, the 'Godfather' is back with a new album. And this time, he is not alone as the tracklist features an impressive selection of quality guests: Peaches, Boys Noize, Skrillex and Charli XCX among others. This new release will be a new occasion to further explore the mind of one of the most fantastically uncommon artist today. The double LPs + CD edition is a gatefold with yellow vinyl records
More
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Ebi - San
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Ebi - Tsuru
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Ebi - Sei
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2024 Repress!
No introduction needed here, the collectors version of 2 previously re-issued LPs on Transmigration no available as one double LP. Now complete with Obi strip and insert.
Susumu Yokota's vision of techno - house, lovingly collected in collaboration with Space Teddy and the Yokota family. Presented through linear notes in English and Japanese with archival photos from Uwe Reineke and Mijk Van Dijk. All tracks have been remastered by Steffen Müller.
Very limited quantities! More
No introduction needed here, the collectors version of 2 previously re-issued LPs on Transmigration no available as one double LP. Now complete with Obi strip and insert.
Susumu Yokota's vision of techno - house, lovingly collected in collaboration with Space Teddy and the Yokota family. Presented through linear notes in English and Japanese with archival photos from Uwe Reineke and Mijk Van Dijk. All tracks have been remastered by Steffen Müller.
Very limited quantities! More
1
ENERGY 52 - Café Del Mar (Nalin & Kane Remix)
2
ENERGY 52 - Café Del Mar (Deadmau5 Remix)
Vinyl only
GENRE/S:
Progressive House, Techno, Trance
TRACKLISTS:
A1. Café Del Mar (Nalin & Kane Remix)
B1. Café Del Mar (Deadmau5 Remix)
SHORT INFO:
Energy 52’s Café Del Mar has come to represent the most euphoric and hedonistic pleasures of dancefloors - in Ibiza and all around the world - and has been remixed by some of the biggest names in electronic music. Known for its infectious melody and its strong impact on dancefloors around the globe it charted multiple times around the world and won countless awards. Now, 30 years after its first original release, Superstition Records will be putting out a new series of releases, with brand new remixes as well as some of the many remixes from across the last three decades.
The second part in the series features two of the most recognizable interpretations, which fed into the hearts of millions: the remixes from 90ies Trance legends Nalin & Kane, originally released in 1998, which takes us on a deeper trance journey, raiding the senses with warm, calming pads before lush basses come through and ultimately that famous, instantly recognizable melody, alongside iconic Deadmau5 who delivered a remarkable housegrooving deep interpretation of the classic in 2008.
After about 15 years this cult classics are finally available again on vinyl in a new cutting.
More
GENRE/S:
Progressive House, Techno, Trance
TRACKLISTS:
A1. Café Del Mar (Nalin & Kane Remix)
B1. Café Del Mar (Deadmau5 Remix)
SHORT INFO:
Energy 52’s Café Del Mar has come to represent the most euphoric and hedonistic pleasures of dancefloors - in Ibiza and all around the world - and has been remixed by some of the biggest names in electronic music. Known for its infectious melody and its strong impact on dancefloors around the globe it charted multiple times around the world and won countless awards. Now, 30 years after its first original release, Superstition Records will be putting out a new series of releases, with brand new remixes as well as some of the many remixes from across the last three decades.
The second part in the series features two of the most recognizable interpretations, which fed into the hearts of millions: the remixes from 90ies Trance legends Nalin & Kane, originally released in 1998, which takes us on a deeper trance journey, raiding the senses with warm, calming pads before lush basses come through and ultimately that famous, instantly recognizable melody, alongside iconic Deadmau5 who delivered a remarkable housegrooving deep interpretation of the classic in 2008.
After about 15 years this cult classics are finally available again on vinyl in a new cutting.
More
1
letta mbulu - Sweet Juju
2
letta mbulu - Nomalizo
3
letta mbulu - Nkedama
4
letta mbulu - Hamba Nam We
5
letta mbulu - Vumani Makhos
6
letta mbulu - Down By The River
7
letta mbulu - The Village
2023 repress
Tracklist:
A1 Sweet Juju (4:45)
A2 Nomalizo (5:10)
A3 Nkedama (4:44)
A4 Hamba Nam We (4:36)
B1 Vumani Makhosi (4:57)
B2 Down By The River (5:09)
B3 The Village (4:25)
Release Notes
Originally released in South Africa in 1983, In The Music… The Village Never Ends is one of those holy grail African records that barely needs any introduction. Featuring the enormous “Nomalizo”, it’s a record that aficionados around the world have been waiting many years for. Now, Be With Records proudly presents the hugely anticipated vinyl reissue of this bona fide classic.
This release is officially licensed and has been lovingly mastered for vinyl by Simon Francis (Claremont 56 mastering engineer). It has been pressed on audiophile 180g vinyl for the first time and features the original, rarely seen artwork.
South African singer Letta Mbulu possesses one of the most beautiful voices the world has ever known. Her immaculate voice emits a sweetness that radiates from deep within, brimming with a joy of life and inspiring a spirit of hope and happiness. On this album, her voice soars over a strident musical force that veers between disco, soul and pop music of the most incredible kind. The gleaming guitars recall disco’s finest hours while the thump of the beats anticipate 80s British soul.
News of this reissue has already been causing a significant stir amongst those in the know so do not sleep on this - you have been warned! More
Tracklist:
A1 Sweet Juju (4:45)
A2 Nomalizo (5:10)
A3 Nkedama (4:44)
A4 Hamba Nam We (4:36)
B1 Vumani Makhosi (4:57)
B2 Down By The River (5:09)
B3 The Village (4:25)
Release Notes
Originally released in South Africa in 1983, In The Music… The Village Never Ends is one of those holy grail African records that barely needs any introduction. Featuring the enormous “Nomalizo”, it’s a record that aficionados around the world have been waiting many years for. Now, Be With Records proudly presents the hugely anticipated vinyl reissue of this bona fide classic.
This release is officially licensed and has been lovingly mastered for vinyl by Simon Francis (Claremont 56 mastering engineer). It has been pressed on audiophile 180g vinyl for the first time and features the original, rarely seen artwork.
South African singer Letta Mbulu possesses one of the most beautiful voices the world has ever known. Her immaculate voice emits a sweetness that radiates from deep within, brimming with a joy of life and inspiring a spirit of hope and happiness. On this album, her voice soars over a strident musical force that veers between disco, soul and pop music of the most incredible kind. The gleaming guitars recall disco’s finest hours while the thump of the beats anticipate 80s British soul.
News of this reissue has already been causing a significant stir amongst those in the know so do not sleep on this - you have been warned! More
1
Skyy - A1 : Here’s To You (5:21)
2
Skyy - B1 : You Got Me Up (5:07)
Track List:
A1 : Here’s To You (5:21)
B1 : You Got Me Up (5:07)
Release Notes:
The word masterpiece gets bandied about a lot. Not least by us. But here is a release that truly befits such a lofty title.
In 1980, Randy Muller’s Skyy dropped the monumental “Here’s To You”, comfortably one of the greatest dance singles of all time. Released on Salsoul, “Here’s To You” is now exceptionally hard to find in its original form. On this special Be With double-header, we present the sought-after 12" mix and back it up with the strutting “You Got Me Up”, which has never been on a 12" before.
Naturally, both are cut loud and bumping for devastating dance floor power.
A sure-fire classic of the NYC club scene and a true block party rocker, “Here’s To You” beautifully combines sweeping synth-strings, loose cymbal hits and swaggering lyrics delivered with enviable style. But the real hero is *that* bassline. Oh, wait, no, actually, it’s *that* synth refrain halfway through. Harnessing the Oberheim Matrix 12 to emulate a horn section has provided goosebumps on discerning dance floors ever since.
As Muller expressed in his 2007 Red Bull Music Academy lecture, “It’s a very special record, it’s positive and has that spontaneous, life-giving spirit in the groove. Everything locks, just pure chemistry.”
Like we said, it’s a masterpiece.
If that wasn’t enough, over on the B-side is “You Got Me Up”, a real hidden gem from Skyy’s Skyway LP. Also released in 1980, the track is a wonderful showcase of the group’s airtight rhythm section and Muller’s uncanny ear for a groove and a melody.
More
A1 : Here’s To You (5:21)
B1 : You Got Me Up (5:07)
Release Notes:
The word masterpiece gets bandied about a lot. Not least by us. But here is a release that truly befits such a lofty title.
In 1980, Randy Muller’s Skyy dropped the monumental “Here’s To You”, comfortably one of the greatest dance singles of all time. Released on Salsoul, “Here’s To You” is now exceptionally hard to find in its original form. On this special Be With double-header, we present the sought-after 12" mix and back it up with the strutting “You Got Me Up”, which has never been on a 12" before.
Naturally, both are cut loud and bumping for devastating dance floor power.
A sure-fire classic of the NYC club scene and a true block party rocker, “Here’s To You” beautifully combines sweeping synth-strings, loose cymbal hits and swaggering lyrics delivered with enviable style. But the real hero is *that* bassline. Oh, wait, no, actually, it’s *that* synth refrain halfway through. Harnessing the Oberheim Matrix 12 to emulate a horn section has provided goosebumps on discerning dance floors ever since.
As Muller expressed in his 2007 Red Bull Music Academy lecture, “It’s a very special record, it’s positive and has that spontaneous, life-giving spirit in the groove. Everything locks, just pure chemistry.”
Like we said, it’s a masterpiece.
If that wasn’t enough, over on the B-side is “You Got Me Up”, a real hidden gem from Skyy’s Skyway LP. Also released in 1980, the track is a wonderful showcase of the group’s airtight rhythm section and Muller’s uncanny ear for a groove and a melody.
More
RE-RELEASE! No one can say they didn’t see these two brats coming! Justice, who’s name the world (well at least that part of the world that loves to dance) chants with emotion and whose first album is awaited with bated breath ever since the French duo revolutionised dancefloors with two radically different hits. It comes as no surprise that «†», the first album by Justice, is a fantastic treat for the ears and for the feet. A kind of musical opera marked with religious and baroque symbols, where the melodies are ripped to shreds by the beats, where electro teaches rock a lesson and where pop gets a botox injection.
More
Rights : World excluding France, UK & US
2 x 140 G Black Vinyl . 5mm Spine Printed Sleeve, 2 x White Inner Sleeve. Marketing frontsticker.
DESCRIPTION / SHORT BIOG:
Cerrone, the legendary French King of Disco, is celebrating 45 years of career . All Cerrone’s greatest hits from 1976 – “Love in C minor” to now – “The Impact” for the first time on Vinyl and as Edit Versions (single edit) : Double Vinyl , 19 songs.
TRACKLIST:
A1__Supernature (Edit)
A2__Cerrone's Paradise (Edit)
A3__Look For Love (Edit)
A4__Love Is Here
A5__Je Suis Music (Edit)
B1__Give Me Love (Edit)
B2__Freak Connection (Edit)
B3__Music Of Life (Edit)
B4__2nd Chance (Feat. Tony Allen)
B5__The Impact (Edit)
C1__Love In C Minor (Edit)
C2__You Are The One (Edit)
C3__Midnight Lady (Edit)
C4__Hooked On You
D1__Therapy (Feat. James Hart)
D2__Rocket In The Pocket (Edit)
D3__Bodytalk
D4__Got To Have Loving (Edit)
D5__Club Underworld (Edit)
More
2 x 140 G Black Vinyl . 5mm Spine Printed Sleeve, 2 x White Inner Sleeve. Marketing frontsticker.
DESCRIPTION / SHORT BIOG:
Cerrone, the legendary French King of Disco, is celebrating 45 years of career . All Cerrone’s greatest hits from 1976 – “Love in C minor” to now – “The Impact” for the first time on Vinyl and as Edit Versions (single edit) : Double Vinyl , 19 songs.
TRACKLIST:
A1__Supernature (Edit)
A2__Cerrone's Paradise (Edit)
A3__Look For Love (Edit)
A4__Love Is Here
A5__Je Suis Music (Edit)
B1__Give Me Love (Edit)
B2__Freak Connection (Edit)
B3__Music Of Life (Edit)
B4__2nd Chance (Feat. Tony Allen)
B5__The Impact (Edit)
C1__Love In C Minor (Edit)
C2__You Are The One (Edit)
C3__Midnight Lady (Edit)
C4__Hooked On You
D1__Therapy (Feat. James Hart)
D2__Rocket In The Pocket (Edit)
D3__Bodytalk
D4__Got To Have Loving (Edit)
D5__Club Underworld (Edit)
More
1
Sass - A1 : Much Too Much (5:52)
2
Sass - B1 : Much Too Much - Instrumental (6:15)
Format Notes: 2020 re-issue, 140g vinyl, 45 RPM, audio from the original tapes, plain sleeve
Track List:
A1 : Much Too Much (5:52)
B1 : Much Too Much - Instrumental (6:15)
Release Notes:
Be With hereby presents aural perfection.
Don’t let the title mislead you, “Much Too Much” by Sass has just the right amount of everything, whether you’re talking about the vocal or the instrumental. And that’s as true now as it was when it was originally released back in 1982.
In 1981 The Jack Sass Band, as they were known, were still working the NYC club circuit. Along with the likes of Change, The BB & Q Band and High Fashion, they were part of the Little Macho Music phenomenon and that’s how they ended up in an 8 track studio on 7th Avenue near 20th Street, where Little Macho recorded demos.
Produced by the band’s vocalist Mic Murphy, who also wrote the track along with fellow band member LaForrest Cope, the band needed just one session to capture “Much Too Much”. The recording studio just so happened to be run by Silvio Tancredi and when the tracks were finished he offered to put them out on his 25 West record label. The vocal version and an instrumental mix were released as a 12" the following year. Mic tells us this meant Sass “were one of the few bands to have a record release while still playing on the club circuit. So the reaction exceeded our expectations at the time”.
According to Mic “Much Too Much” was something a little different from the band’s live sound at the time, “it was more R&B smoothed out than the more funk rock we usually leaned into”. Indeed, the track glides with grace, poise and patience. The elegant, easy tempo, combined with the magnificent melody and Mic’s signature sublime vocal conjures magic. The blend of deep boogie-funk power and heavenly sweetness is both infectious and goosebump-inducing.
Over on the flip-side, the instrumental slaps harder. Without Mic’s vocal it’s just pure groove, with nothing to stop you vibing all night - the bassline, the drums and the melody still connect. Hard. Pick your side, you won’t lose.
Working directly with Mic Murphy means that the audio for this re-issue of the classic 12" comes from the original tapes. Cut at 45 RPM and released in a plain sleeve, we’ve made sure this record is well up to the job of having a permanent place in every DJ’s bag. As far as we’re concerned, this is essential stuff.
Mic told us just how much it means to him to have “Much To Much” re-issued: “It’s an amazing feeling to have something you created almost 40 years ago still have relevance and even more amazing to be considered among the Northern Soul boogie anthems. And it’s especially important to me that we’re available again on vinyl”.
More
Track List:
A1 : Much Too Much (5:52)
B1 : Much Too Much - Instrumental (6:15)
Release Notes:
Be With hereby presents aural perfection.
Don’t let the title mislead you, “Much Too Much” by Sass has just the right amount of everything, whether you’re talking about the vocal or the instrumental. And that’s as true now as it was when it was originally released back in 1982.
In 1981 The Jack Sass Band, as they were known, were still working the NYC club circuit. Along with the likes of Change, The BB & Q Band and High Fashion, they were part of the Little Macho Music phenomenon and that’s how they ended up in an 8 track studio on 7th Avenue near 20th Street, where Little Macho recorded demos.
Produced by the band’s vocalist Mic Murphy, who also wrote the track along with fellow band member LaForrest Cope, the band needed just one session to capture “Much Too Much”. The recording studio just so happened to be run by Silvio Tancredi and when the tracks were finished he offered to put them out on his 25 West record label. The vocal version and an instrumental mix were released as a 12" the following year. Mic tells us this meant Sass “were one of the few bands to have a record release while still playing on the club circuit. So the reaction exceeded our expectations at the time”.
According to Mic “Much Too Much” was something a little different from the band’s live sound at the time, “it was more R&B smoothed out than the more funk rock we usually leaned into”. Indeed, the track glides with grace, poise and patience. The elegant, easy tempo, combined with the magnificent melody and Mic’s signature sublime vocal conjures magic. The blend of deep boogie-funk power and heavenly sweetness is both infectious and goosebump-inducing.
Over on the flip-side, the instrumental slaps harder. Without Mic’s vocal it’s just pure groove, with nothing to stop you vibing all night - the bassline, the drums and the melody still connect. Hard. Pick your side, you won’t lose.
Working directly with Mic Murphy means that the audio for this re-issue of the classic 12" comes from the original tapes. Cut at 45 RPM and released in a plain sleeve, we’ve made sure this record is well up to the job of having a permanent place in every DJ’s bag. As far as we’re concerned, this is essential stuff.
Mic told us just how much it means to him to have “Much To Much” re-issued: “It’s an amazing feeling to have something you created almost 40 years ago still have relevance and even more amazing to be considered among the Northern Soul boogie anthems. And it’s especially important to me that we’re available again on vinyl”.
More
1
Ian Carr’s Nucleus - A1 : Roots (9:24)
2
Ian Carr’s Nucleus - A2 : Images (4:55)
3
Ian Carr’s Nucleus - A3 : Caliban (4:35)
4
Ian Carr’s Nucleus - B1 : Whapatiti (3:22)
5
Ian Carr’s Nucleus - B2 : Capricorn (4:00)
6
Ian Carr’s Nucleus - B3 : Odokamona (3:24)
7
Ian Carr’s Nucleus - B4 : Southern Roots And Celebration (7:45)
Format Notes: 2024 repress, 140g vinyl, remastered from the original analogue tapes
Track List:
1 A1 : Roots (9:24)
2 A2 : Images (4:55)
3 A3 : Caliban (4:35)
4 B1 : Whapatiti (3:22)
5 B2 : Capricorn (4:00)
6 B3 : Odokamona (3:24)
7 B4 : Southern Roots And Celebration (7:45)
Release Notes:
What an unbelievable record. From the wild cover to the iconic breakbeats, Roots from Ian Carr’s Nucleus is one of the dopest albums we know. This is seriously thick, funky-prog jazz-rock heaven. Originally released on Vertigo in 1973, other than a couple of versions at the time for other territories, Roots was never re-pressed since so it’s gone on to become another one of those impossible to find records.
Maybe it was a little too out there for the time, but it’s aged very, very well indeed and this Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be back in press.
Genius trumpeter and visionary composer Ian Carr was one of the most respected British musicians of his era. He was a true pioneer and saw the potential in fusing the worlds of jazz with rock, just as Miles Davis and The Tony Williams Lifetime did in the US. In late 1969, following the demise of the Rendell-Carr quintet, and tiring of British jazz, Carr assembled the legendary Nucleus. Regarding music as a continuous process, Nucleus refused to “recognise rigid boundaries” and worked on delivering what they saw as a “total musical experience”. We can get behind that.
Under bandleader Carr, Nucleus existed as a fluid line-up of inventive, skilled musicians. This constant evolution and revolution was all part of the continuous musical exploration and discovery that took jazz to new levels.
Working together with producer Fritz Fryer and engineer Roger Wake, the seven compositions by Carr, Brian Smith and Dave MacRae that make up Roots flirt with perfection, and Nucleus at that time made up of the cream of 1970s UK jazz with Brian Smith on tenor saxophones and flutes, Dave MacRae on piano and electric piano, Jocelyn Pitchen on guitar, Roger Sutton on bass, both Clive Thacker and Aureo De Souza on drums and percussion, Joy Yates delivering the vocals and of course Carr on trumpet.
The spellbinding title track immediately renders the album indispensable. Riding the illest of loping breakbeats, “Roots” is low-slung, doped-out heist-funk. An absolute monster. If it sounds familiar then that’s likely down to it being sampled by Madlib for Lootpack and Quasimoto’s “Loop Digga”, as well as by a whole host of beat manipulators. “Roots” conjures prime instrumental hip-hop / beat music, only 20 years ahead of its time. Truly, these are the roots. Through sinuous bass, twinkling keys and a hypnotic guitar riff, a smoky brass motif weaves its way into a gloriously deep haze around Carr’s solos. “Roots” is over 9 minutes long, but there’s not a single wasted second, not surprising given that this is a condensed version of an originally 40 minute long commissioned composition.
The soothing vocal fusion delight of “Images” follows. Meticulously constructed, with gorgeous flute work from Brian Smith, with Joy Yates’ silky vocals and Dave MacRae’s Rhodes never sounding better. The cool, driving “Caliban” closes out the first side. Originally the third movement in a four part commission to celebrate Shakespeare’s birthday it stands up on its own, all robust rhythms and blended brass. Keyboard colour and Carr’s trumpet are splashed across the funk drums and basslines (and there’s even some bamboo flute). This really is fusion: the elements of jazz and rock coming together in beautifully synthesis.
Side two opens in riotous fashion with the short, thrilling samba of “Wapatiti”. Next up, “Capricorn” forms a smoothed-out, jazzy constellation. Mellow and dreamy, its twinkling percussion and languid horns slowly build the vibe before head-nod drums and a killer bassline enter the fray. With a distinct heaviness that Black Sabbath would’ve envied, “Odokamona” is a venomous slice of riff-soaked jazz metal (yes, you read that right), elevated by Carr’s wah-wah horns.
The album closes with MacRae’s exceptionally cosmic “Southern Roots and Celebration”. Very much in conversation with Weather Report, it opens as a languorous, spiritual jazz of chiming keys and serene guitar that turns slowly, gorgeously into a mid-paced, brass-laced banger. It’s another sure-fire party starter and the sound of the band having a righteous blast, building an ecstatic chaos that ends with Yates screaming.
And of course we need to talk about Keith Davis’ cover for Roots. Perhaps the coolest record cover of all time? Certainly one of the most bonkers. Just your run-of-the-mill high-gloss, acid-tinged airbrush dystopian/utopian living-room party scene. Consider this your chemical flashback trigger warning.
Front-and-centre the hip-to-death green robot holds court with their giant ball of yellow barbwire wool, hooked up to… something(?) being teased out from under the stairs (probably best not to ask). A thoroughly zoned-out, long-legged Pop Art party-goer lounges half-plugged in to the painting behind her as a pair of legs flail into shot from the the top of the stairs opposite. We won’t even begin to guess what the chap’s up to in the middle, but the view out of the windows is rather nice, and someone’s already got the hoover out ready to tidy up. All of the Nucleus sleeves are something special, but this particular one? Crikey.
This Be With edition of Roots has been re-mastered from the original Vertigo master tapes, Simon Francis’ mastering working together with Pete Norman’s cut to weave their usual magic with these wonderful recordings. The crazy cover has been restored at Be With HQ as the finishing touch to this long overdue re-issue.
More
Track List:
1 A1 : Roots (9:24)
2 A2 : Images (4:55)
3 A3 : Caliban (4:35)
4 B1 : Whapatiti (3:22)
5 B2 : Capricorn (4:00)
6 B3 : Odokamona (3:24)
7 B4 : Southern Roots And Celebration (7:45)
Release Notes:
What an unbelievable record. From the wild cover to the iconic breakbeats, Roots from Ian Carr’s Nucleus is one of the dopest albums we know. This is seriously thick, funky-prog jazz-rock heaven. Originally released on Vertigo in 1973, other than a couple of versions at the time for other territories, Roots was never re-pressed since so it’s gone on to become another one of those impossible to find records.
Maybe it was a little too out there for the time, but it’s aged very, very well indeed and this Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be back in press.
Genius trumpeter and visionary composer Ian Carr was one of the most respected British musicians of his era. He was a true pioneer and saw the potential in fusing the worlds of jazz with rock, just as Miles Davis and The Tony Williams Lifetime did in the US. In late 1969, following the demise of the Rendell-Carr quintet, and tiring of British jazz, Carr assembled the legendary Nucleus. Regarding music as a continuous process, Nucleus refused to “recognise rigid boundaries” and worked on delivering what they saw as a “total musical experience”. We can get behind that.
Under bandleader Carr, Nucleus existed as a fluid line-up of inventive, skilled musicians. This constant evolution and revolution was all part of the continuous musical exploration and discovery that took jazz to new levels.
Working together with producer Fritz Fryer and engineer Roger Wake, the seven compositions by Carr, Brian Smith and Dave MacRae that make up Roots flirt with perfection, and Nucleus at that time made up of the cream of 1970s UK jazz with Brian Smith on tenor saxophones and flutes, Dave MacRae on piano and electric piano, Jocelyn Pitchen on guitar, Roger Sutton on bass, both Clive Thacker and Aureo De Souza on drums and percussion, Joy Yates delivering the vocals and of course Carr on trumpet.
The spellbinding title track immediately renders the album indispensable. Riding the illest of loping breakbeats, “Roots” is low-slung, doped-out heist-funk. An absolute monster. If it sounds familiar then that’s likely down to it being sampled by Madlib for Lootpack and Quasimoto’s “Loop Digga”, as well as by a whole host of beat manipulators. “Roots” conjures prime instrumental hip-hop / beat music, only 20 years ahead of its time. Truly, these are the roots. Through sinuous bass, twinkling keys and a hypnotic guitar riff, a smoky brass motif weaves its way into a gloriously deep haze around Carr’s solos. “Roots” is over 9 minutes long, but there’s not a single wasted second, not surprising given that this is a condensed version of an originally 40 minute long commissioned composition.
The soothing vocal fusion delight of “Images” follows. Meticulously constructed, with gorgeous flute work from Brian Smith, with Joy Yates’ silky vocals and Dave MacRae’s Rhodes never sounding better. The cool, driving “Caliban” closes out the first side. Originally the third movement in a four part commission to celebrate Shakespeare’s birthday it stands up on its own, all robust rhythms and blended brass. Keyboard colour and Carr’s trumpet are splashed across the funk drums and basslines (and there’s even some bamboo flute). This really is fusion: the elements of jazz and rock coming together in beautifully synthesis.
Side two opens in riotous fashion with the short, thrilling samba of “Wapatiti”. Next up, “Capricorn” forms a smoothed-out, jazzy constellation. Mellow and dreamy, its twinkling percussion and languid horns slowly build the vibe before head-nod drums and a killer bassline enter the fray. With a distinct heaviness that Black Sabbath would’ve envied, “Odokamona” is a venomous slice of riff-soaked jazz metal (yes, you read that right), elevated by Carr’s wah-wah horns.
The album closes with MacRae’s exceptionally cosmic “Southern Roots and Celebration”. Very much in conversation with Weather Report, it opens as a languorous, spiritual jazz of chiming keys and serene guitar that turns slowly, gorgeously into a mid-paced, brass-laced banger. It’s another sure-fire party starter and the sound of the band having a righteous blast, building an ecstatic chaos that ends with Yates screaming.
And of course we need to talk about Keith Davis’ cover for Roots. Perhaps the coolest record cover of all time? Certainly one of the most bonkers. Just your run-of-the-mill high-gloss, acid-tinged airbrush dystopian/utopian living-room party scene. Consider this your chemical flashback trigger warning.
Front-and-centre the hip-to-death green robot holds court with their giant ball of yellow barbwire wool, hooked up to… something(?) being teased out from under the stairs (probably best not to ask). A thoroughly zoned-out, long-legged Pop Art party-goer lounges half-plugged in to the painting behind her as a pair of legs flail into shot from the the top of the stairs opposite. We won’t even begin to guess what the chap’s up to in the middle, but the view out of the windows is rather nice, and someone’s already got the hoover out ready to tidy up. All of the Nucleus sleeves are something special, but this particular one? Crikey.
This Be With edition of Roots has been re-mastered from the original Vertigo master tapes, Simon Francis’ mastering working together with Pete Norman’s cut to weave their usual magic with these wonderful recordings. The crazy cover has been restored at Be With HQ as the finishing touch to this long overdue re-issue.
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Label:Because Music
Cat-No:BEC5614225
Release-Date:13.09.2024
Genre:HipHop/Rap/Urban
Configuration:LP Excl
Label:Because Music
Cat-No:BEC5614225
Release-Date:13.09.2024
Genre:HipHop/Rap/Urban
Configuration:LP Excl
1
LSDXOXO - A2.4LUVN
2
LSDXOXO - B4.BLOODLUST
Rights: World excluding UK & France
Format: 1 x Crystal Clear Vinyl, 3 mm spine sleeve, black dust inner sleeve, marketing sticker
the Single Tracks A2.4LUVN and B4.BLOODLUST are available as prelisten.
TRACKLISTING
A1.REPEAT (INTERLUDE)
A2.4LUVN
A3.BRAND NEW
A4.GIRLS GIRLS GIRLS
A5.GHOST
A6.BLINDED FT. ROCHELLE JORDAN
-----
B1.WITCHING HOUR
B2.BLACK LIGHT
B3.WASTELAND
B4.BLOODLUST
B5.SUPERSTAR
SUMMER TOUR DATES
May 25th Parrhesia Parallel (DJ) Amsterdam - NL
June 7th Praga Centrum (DJ) Warzawa - PL
July 5th Roskilde Festival (Live) Roskilde - DK
July 19th Dour Festival (Live) Dour - BE
August 9th Øyafestivalen (Live) Oslo - NO
BIOG
The principles of pleasure radiate a knowing, carnal heat throughout the genre-fluid sound of LSDXOXO. His decade of dedication to the sensibility of underground club culture has brought forth club classics interwoven with pop music hooks and subversive, tongue-in-cheek lyrics.
After four years of what LSDXOXO, real name RJ Glasgow, calls a period of "healing and self-discovery," he is consolidating his multiplicitous sound with one compelling masterstroke: the debut album DOGMA, to be released on his own imprint F.A.G. DOGMA marks a complete paradigmatic shift: it is a poetic and fantastical performance, a route for deep escapism through an expanded musical palette including piano and guitar, and a deeply personal confessional through a fresh approach to songcrafting.
Within DOGMA, RJ meditates on the interlinked qualities of fame, infamy, lust and submission, as he rediscovers a pure, unadulterated approach to music-making, all the while adopting a futurist approach to pop music appreciation. RJ's unmistakable signatures-the smutty dancefloor caller, the maker of irresistible bangers, the latter-day electroclash and DnB nostalgist-take on even more shades and intricacies. Despite his widespread acclaim as a collaborator with and songwriter for other artists, RJ strips DOGMA down almost exclusively to himself, carving out intentional space as a chameleonic vocalist and performer. He breathes life into the album with private thoughts, external fears and a red thread through personal themes that crystallise the album's narrative from front to back.
The album's promo single "Bloodlust" offers angsty, intimate indie-tronica, and musings on the intoxicating nature of love and infatuation. The lead single "Ghost" reaches beyond RJ's Philadelphia origins to find itself in the deep south, in a sultry fever dream of coquettish R&B featuring backing vocals from close collaborator Kelela. Elsewhere on the album futuristic love, pensive pop earworms, evocative vintage dance styles and sleazy club tracks intermingle. While the DOGMA era will eventually explore remixes and reworks, the album is RJ's purest embrace of himself and his artistry.
RJ first garnered attention as LSDXOXO in New York City with his on-the-pulse Soundcloud edits and then as part of the cult GHE20GOTH1K collective. His DJ sets and productions quickly earned him acclaim across globally-linked underground scenes. His decision to shift from sampled vocals to picking up the pen and microphone pushed his reach out to the stratosphere; his association with XL Recordings via the Dedicated 2 Disrespect EP in 2021 was a turning point for the burgeoning superstar.
This multiplicity of the LSDXOXO sound has led to enviable co-signs. These include being selected as the opening DJ for Beyoncé's German Renaissance tour dates, remixing Lady Gaga, Pink Pantheress and Shygirl and producing five tracks for Kelela's highly acclaimed 2023 album for Warp Records, Raven. His fully-realised live show has also taken to the stage, serving fierce charisma to huge audiences at festivals including Primavera, Nuits Sonores and Rewire.
More
Format: 1 x Crystal Clear Vinyl, 3 mm spine sleeve, black dust inner sleeve, marketing sticker
the Single Tracks A2.4LUVN and B4.BLOODLUST are available as prelisten.
TRACKLISTING
A1.REPEAT (INTERLUDE)
A2.4LUVN
A3.BRAND NEW
A4.GIRLS GIRLS GIRLS
A5.GHOST
A6.BLINDED FT. ROCHELLE JORDAN
-----
B1.WITCHING HOUR
B2.BLACK LIGHT
B3.WASTELAND
B4.BLOODLUST
B5.SUPERSTAR
SUMMER TOUR DATES
May 25th Parrhesia Parallel (DJ) Amsterdam - NL
June 7th Praga Centrum (DJ) Warzawa - PL
July 5th Roskilde Festival (Live) Roskilde - DK
July 19th Dour Festival (Live) Dour - BE
August 9th Øyafestivalen (Live) Oslo - NO
BIOG
The principles of pleasure radiate a knowing, carnal heat throughout the genre-fluid sound of LSDXOXO. His decade of dedication to the sensibility of underground club culture has brought forth club classics interwoven with pop music hooks and subversive, tongue-in-cheek lyrics.
After four years of what LSDXOXO, real name RJ Glasgow, calls a period of "healing and self-discovery," he is consolidating his multiplicitous sound with one compelling masterstroke: the debut album DOGMA, to be released on his own imprint F.A.G. DOGMA marks a complete paradigmatic shift: it is a poetic and fantastical performance, a route for deep escapism through an expanded musical palette including piano and guitar, and a deeply personal confessional through a fresh approach to songcrafting.
Within DOGMA, RJ meditates on the interlinked qualities of fame, infamy, lust and submission, as he rediscovers a pure, unadulterated approach to music-making, all the while adopting a futurist approach to pop music appreciation. RJ's unmistakable signatures-the smutty dancefloor caller, the maker of irresistible bangers, the latter-day electroclash and DnB nostalgist-take on even more shades and intricacies. Despite his widespread acclaim as a collaborator with and songwriter for other artists, RJ strips DOGMA down almost exclusively to himself, carving out intentional space as a chameleonic vocalist and performer. He breathes life into the album with private thoughts, external fears and a red thread through personal themes that crystallise the album's narrative from front to back.
The album's promo single "Bloodlust" offers angsty, intimate indie-tronica, and musings on the intoxicating nature of love and infatuation. The lead single "Ghost" reaches beyond RJ's Philadelphia origins to find itself in the deep south, in a sultry fever dream of coquettish R&B featuring backing vocals from close collaborator Kelela. Elsewhere on the album futuristic love, pensive pop earworms, evocative vintage dance styles and sleazy club tracks intermingle. While the DOGMA era will eventually explore remixes and reworks, the album is RJ's purest embrace of himself and his artistry.
RJ first garnered attention as LSDXOXO in New York City with his on-the-pulse Soundcloud edits and then as part of the cult GHE20GOTH1K collective. His DJ sets and productions quickly earned him acclaim across globally-linked underground scenes. His decision to shift from sampled vocals to picking up the pen and microphone pushed his reach out to the stratosphere; his association with XL Recordings via the Dedicated 2 Disrespect EP in 2021 was a turning point for the burgeoning superstar.
This multiplicity of the LSDXOXO sound has led to enviable co-signs. These include being selected as the opening DJ for Beyoncé's German Renaissance tour dates, remixing Lady Gaga, Pink Pantheress and Shygirl and producing five tracks for Kelela's highly acclaimed 2023 album for Warp Records, Raven. His fully-realised live show has also taken to the stage, serving fierce charisma to huge audiences at festivals including Primavera, Nuits Sonores and Rewire.
More
1
The Tony Williams Lifetime
- Emergency (9:35)
2
The Tony Williams Lifetime
- Beyond Games (8:20)
3
The Tony Williams Lifetime
- Where (12:09)
4
The Tony Williams Lifetime
- Vashkar (4:58)
5
The Tony Williams Lifetime
- Via The Spectrum Road (7:50)
6
The Tony Williams Lifetime
- Spectrum (9:52)
7
The Tony Williams Lifetime
- Sangria For Three (13:08)
8
The Tony Williams Lifetime
- Something Spiritual (5:38)
Territories: Worldwide no restrictions
Format Notes: 2023 first time vinyl reissue, 140g double vinyl, remastered audio with restored artwork
Track List:
A1 Emergency 9:35
A2 Beyond Games 8:20
--
B1 Where 12:09
B2 Vashkar 4:58
--
C1 Via The Spectrum Road 7:50
C2 Spectrum 9:52
--
D1 Sangria For Three 13:08
D2 Something Spiritual 5:38
Release Notes:
Miles Davis: "I could definitely hear right away that this was going to be one of the baddest motherfuckers who had ever played a set of drums.”
The Tony Williams Lifetime's Emergency! is a furious, stunning, seminal album. In 1969, it's explosive sound divided critics in both jazz and rock but is now rightly regarded as groundbreaking. A musical statement so bold and irreverent that it was revolutionary, it's one of the most important records you will ever hear. With Emergency!, provocative percussionist Tony Williams unified the most vital sounds of the era and galvanised the creation of jazz fusion. A sprawling double LP that shattered the boundaries between jazz and rock, it forged fresh frontiers by unleashing dense, courageous and fantastically mysterious music.
The group was founded by Tony Williams, a member of Miles Davis’ radical 1960s quintet, out of his desire to fuse the influences of modern jazz and rock music. To effectively meld the scorching bop of Coltrane with the raging rock of Hendrix, in the process crafting, as Mojo put it, "jazz-rock's equivalent of Are You Experienced?". The album's urgent title was profoundly significant for Williams: “It was an emergency for me to leave Miles and put that band together (...) and I wanted to play an emerging music that was my own." The band he formed was one hell of a power trio, comprising nothing but raw virtuosity: Williams's colossal drumming, John McLaughlin's pioneering, aggressive guitar playing and Larry Young's freeform organ work.
The album's sound is incredibly fierce and inordinately intense. Indeed, the group were famed for playing “louder than rock’n’roll”, as Herbie Hancock said of going to hear them live in 1969: "This is something new...It was exciting and very arresting. It snatched you. It yanked you out of your seat.” Ian Carr, of Nucleus, was equally impressed: "The only other comparable band that existed ...They were incredibly loud, but we liked what they were doing. Fundamentally they had a different approach from ours, with some very highly arranged things that featured Larry Young's organ blending with the guitar, as well as intricate passages where Tony doubled the melody on the drums."
Like all the very best records, Emergency! takes multiple listens for your brain and body to decipher everything going on, to truly process and appreciate the details that our senses are throwing at us. It's a mesmerising, rough sound yet the intuitive interplay of all 3 musicians is super-tight. The tunes are strung out and jamming but retain a tight rhythmic focus.
The incendiary title track immediately presents jazz-rock’s chaotic birth. After Williams's ominous snare-roll signals the brewing storm, the snarling band blasts its way through the gate in truly breathtaking fashion, fuzzed-up wahed-out guitar riffs vying for prominence with gnarled, insistent organ. Thrillingly, Williams manages to both acrobatically crash over every element of his drum kit while keeping the whole groove undeniably funky. "Beyond Games" is a gloriously volatile freeform, featuring Williams' bugged out vocals, whilst the 12-minute "Where" is another deep, wild jam. It's disorientating and humid with weird rhythms, abrupt vibe shifts and semi-classical lines running between guitar and organ. It's like nothing else you've ever heard, absolutely vital.
With the buoyant “Vashkar”, we begin to experience jazz-rock's many angles; imaginative melodics, taut dynamics and as torrent of searing heat. Perhaps the most economical track on Emergency!, it's the most instant. In a recent retrospective review in Pitchfork, Emergency! received a monumental 9.0 ranking. The writer Hank Shteamer correctly gushed: "Driven by a tumbling Williams pulse, the trio dances through the complex stop-start theme, ending each iteration with a dramatic full-band rest. Then, in the middle of McLaughlin’s scrambling solo, Williams starts playing an embryonic version of an extreme-metal blastbeat, alternating snare and bass in rapid succession while rising precipitously in volume, as Young joins in with shuddering note clusters. During Young’s solo, the organist seems to incite Williams to repeat the move with his increasingly frenzied lines, and soon all three musicians are hurtling toward a supernova climax." WOW!
The laconic "Via the Spectrum Road", a brilliant pop-psych tune, was sampled by Showbiz & AG on their classic debut LP. It oscillates between a tranquil funk groove and strutting improv interludes. The pyrotechnic jam "Spectrum" wakes things up again with pure, molten jazz lava and crazy soloing from all involved. A breathtaking, kaleidoscopic 13-minute cycle through ferocious noise, "Sangria For Three" is a sublimely frenetic detonation of distilled (acid) jazz rock. To quote Shteamer again, "Don’t let the track’s breezy title fool you: As much as, say, “Sister Ray” the year before or “Fun House” the year after, this is punk before punk." Closer "Something Spiritual" finishes this jaw-dropping set with a driving, unrelenting heavy guitar and organ freakout, backed high in the mix by Williams's untamed funk before unsettled dissonance rides us out.
Listeners will be struck by the timelessness of Emergency!; dank, trance-inducing voodoo jazz that's intellectually challenging at the same time as viscerally thrilling. The blurred cover photo, whereby the convulsing vibrations of this sonic apocalypse ensure it looks exactly as the record sounds - out of focus - has been delicately restored at Be With HQ. Mastered for vinyl by Simon Francis and cut by Cicely Ralston for Alchemy at AIR Studios, the magnificent grit and spontaneity remains dizzyingly intact. If you're a jazz fusion fan and don't already have this, consider ownership of this record as an Emergency!
More
Format Notes: 2023 first time vinyl reissue, 140g double vinyl, remastered audio with restored artwork
Track List:
A1 Emergency 9:35
A2 Beyond Games 8:20
--
B1 Where 12:09
B2 Vashkar 4:58
--
C1 Via The Spectrum Road 7:50
C2 Spectrum 9:52
--
D1 Sangria For Three 13:08
D2 Something Spiritual 5:38
Release Notes:
Miles Davis: "I could definitely hear right away that this was going to be one of the baddest motherfuckers who had ever played a set of drums.”
The Tony Williams Lifetime's Emergency! is a furious, stunning, seminal album. In 1969, it's explosive sound divided critics in both jazz and rock but is now rightly regarded as groundbreaking. A musical statement so bold and irreverent that it was revolutionary, it's one of the most important records you will ever hear. With Emergency!, provocative percussionist Tony Williams unified the most vital sounds of the era and galvanised the creation of jazz fusion. A sprawling double LP that shattered the boundaries between jazz and rock, it forged fresh frontiers by unleashing dense, courageous and fantastically mysterious music.
The group was founded by Tony Williams, a member of Miles Davis’ radical 1960s quintet, out of his desire to fuse the influences of modern jazz and rock music. To effectively meld the scorching bop of Coltrane with the raging rock of Hendrix, in the process crafting, as Mojo put it, "jazz-rock's equivalent of Are You Experienced?". The album's urgent title was profoundly significant for Williams: “It was an emergency for me to leave Miles and put that band together (...) and I wanted to play an emerging music that was my own." The band he formed was one hell of a power trio, comprising nothing but raw virtuosity: Williams's colossal drumming, John McLaughlin's pioneering, aggressive guitar playing and Larry Young's freeform organ work.
The album's sound is incredibly fierce and inordinately intense. Indeed, the group were famed for playing “louder than rock’n’roll”, as Herbie Hancock said of going to hear them live in 1969: "This is something new...It was exciting and very arresting. It snatched you. It yanked you out of your seat.” Ian Carr, of Nucleus, was equally impressed: "The only other comparable band that existed ...They were incredibly loud, but we liked what they were doing. Fundamentally they had a different approach from ours, with some very highly arranged things that featured Larry Young's organ blending with the guitar, as well as intricate passages where Tony doubled the melody on the drums."
Like all the very best records, Emergency! takes multiple listens for your brain and body to decipher everything going on, to truly process and appreciate the details that our senses are throwing at us. It's a mesmerising, rough sound yet the intuitive interplay of all 3 musicians is super-tight. The tunes are strung out and jamming but retain a tight rhythmic focus.
The incendiary title track immediately presents jazz-rock’s chaotic birth. After Williams's ominous snare-roll signals the brewing storm, the snarling band blasts its way through the gate in truly breathtaking fashion, fuzzed-up wahed-out guitar riffs vying for prominence with gnarled, insistent organ. Thrillingly, Williams manages to both acrobatically crash over every element of his drum kit while keeping the whole groove undeniably funky. "Beyond Games" is a gloriously volatile freeform, featuring Williams' bugged out vocals, whilst the 12-minute "Where" is another deep, wild jam. It's disorientating and humid with weird rhythms, abrupt vibe shifts and semi-classical lines running between guitar and organ. It's like nothing else you've ever heard, absolutely vital.
With the buoyant “Vashkar”, we begin to experience jazz-rock's many angles; imaginative melodics, taut dynamics and as torrent of searing heat. Perhaps the most economical track on Emergency!, it's the most instant. In a recent retrospective review in Pitchfork, Emergency! received a monumental 9.0 ranking. The writer Hank Shteamer correctly gushed: "Driven by a tumbling Williams pulse, the trio dances through the complex stop-start theme, ending each iteration with a dramatic full-band rest. Then, in the middle of McLaughlin’s scrambling solo, Williams starts playing an embryonic version of an extreme-metal blastbeat, alternating snare and bass in rapid succession while rising precipitously in volume, as Young joins in with shuddering note clusters. During Young’s solo, the organist seems to incite Williams to repeat the move with his increasingly frenzied lines, and soon all three musicians are hurtling toward a supernova climax." WOW!
The laconic "Via the Spectrum Road", a brilliant pop-psych tune, was sampled by Showbiz & AG on their classic debut LP. It oscillates between a tranquil funk groove and strutting improv interludes. The pyrotechnic jam "Spectrum" wakes things up again with pure, molten jazz lava and crazy soloing from all involved. A breathtaking, kaleidoscopic 13-minute cycle through ferocious noise, "Sangria For Three" is a sublimely frenetic detonation of distilled (acid) jazz rock. To quote Shteamer again, "Don’t let the track’s breezy title fool you: As much as, say, “Sister Ray” the year before or “Fun House” the year after, this is punk before punk." Closer "Something Spiritual" finishes this jaw-dropping set with a driving, unrelenting heavy guitar and organ freakout, backed high in the mix by Williams's untamed funk before unsettled dissonance rides us out.
Listeners will be struck by the timelessness of Emergency!; dank, trance-inducing voodoo jazz that's intellectually challenging at the same time as viscerally thrilling. The blurred cover photo, whereby the convulsing vibrations of this sonic apocalypse ensure it looks exactly as the record sounds - out of focus - has been delicately restored at Be With HQ. Mastered for vinyl by Simon Francis and cut by Cicely Ralston for Alchemy at AIR Studios, the magnificent grit and spontaneity remains dizzyingly intact. If you're a jazz fusion fan and don't already have this, consider ownership of this record as an Emergency!
More
1
Jammin’ Sam Miller - Opening (Destruction of the Space Colony)
2
Jammin’ Sam Miller - Theme of Super Metroid
3
Jammin’ Sam Miller - Spaceship (No SFX)
4
Jammin’ Sam Miller - Boss Confrontation 1
5
Jammin’ Sam Miller - To Planet Zebes
6
Jammin’ Sam Miller - Planet Zebes (Arrival on Crateria)
7
Jammin’ Sam Miller - Crateria (The Space Pirates Appear)
8
Jammin’ Sam Miller - Item Acquisition Fanfare (No SFX)
9
Jammin’ Sam Miller - Item Room
10
Jammin’ Sam Miller - Chozo Statue Awakens
11
Jammin’ Sam Miller - Brinstar Overgrown With Vegetation Area
12
Jammin’ Sam Miller - Mini Boss Confrontation
13
Jammin’ Sam Miller - Brinstar Red Soil Swampy Area
14
Jammin’ Sam Miller - Norfair Hot Lava Area
15
Jammin’ Sam Miller - Tension
16
Jammin’ Sam Miller - Boss Confrontation 2
17
Jammin’ Sam Miller - Theme of Samus
18
Jammin’ Sam Miller - Wrecked Ship
19
Jammin’ Sam Miller - Maridia Rocky Underwater Area
20
Jammin’ Sam Miller - Maridia Drifting Sandy Underwater Area
21
Jammin’ Sam Miller - Norfair Ancient Ruins
22
Jammin’ Sam Miller - Mysterious Statue Chamber
23
Jammin’ Sam Miller - Tourian
24
Jammin’ Sam Miller - Continue
25
Jammin’ Sam Miller - Samus Aran's Appearance Fanfare
26
Jammin’ Sam Miller - Mother Brain
27
Jammin’ Sam Miller - Ending
Territories: Worldwide
DLP: Limited Edition with exclusive artwork by Pierre Thyss and OBI strip
Tracklisting
A1. Opening (Destruction of the Space Colony)
A2. Theme of Super Metroid
A3. Spaceship (No SFX)
A4. Boss Confrontation 1
A5. To Planet Zebes
A6. Planet Zebes (Arrival on Crateria)
A7. Crateria (The Space Pirates Appear)
A8. Item Acquisition Fanfare (No SFX)
A9. Item Room
B1. Chozo Statue Awakens
B2. Brinstar Overgrown With Vegetation Area
B3. Mini Boss Confrontation
B4. Brinstar Red Soil Swampy Area
B5. Norfair Hot Lava Area
B6. Tension
B7. Boss Confrontation 2
C1. Theme of Samus
C2. Wrecked Ship
C3. Maridia Rocky Underwater Area
C4. Maridia Drifting Sandy Underwater Area
D1. Norfair Ancient Ruins
D2. Mysterious Statue Chamber
D3. Tourian
D4. Continue
D5. Samus Aran's Appearance Fanfare
D6. Mother Brain
D7. Ending
Info
WRWTFWW Records is happy to announce the first-ever physical release of Louisiana-based composer and producer Jammin’ Sam Miller’s full HD re-creation/restoration of the beloved Super Metroid video game soundtrack. The limited biovinyl double LP is packed with 27 tracks and features an exclusive artwork by French illustrator Pierre Thyss, as well as an obi strip.
Composed by Kenji Yamamoto and Minako Hamano, the soundtrack for 1994 SNES exploration / action-adventure / sci-fi / alien video game Super Metroid has always been a fan-favorite. A true masterclass in music storytelling, it beautifully evokes the epic and eerie adventure of the game’s protagonist Samus Aran with superb use of atmospheric sounds, space-operatic arrangements, rumbling bass, oppressive techno-futurist moods, tribal drums, and airy synth themes, admirably balancing the ominous feel of a dark menace and contemplative, even soothing, ambient soundscapes.
Jammin' Sam Miller assiduously recreated the soundtrack note by note, by finding the original equipment used to create it, translating the MIDI into a modern studio context, adding in keyboard samples, and re-mixing and re-mastering the whole score. He explains: "This was made possible by locating the original instrument samples from workstation keyboards and drum machines before they were put into the game and rebuilding the soundtrack from the ground up, applying some modern mixing techniques along the way to lift the veil of 16bit compression and create an updated listening experience."
Super Metroid is pressed on biovinyl, a sustainable alternative to traditional vinyl. Biovinyl replaces petroleum in S-PVC by recycling used cooking oil or industrial waste gases, resulting in 100% CO2 savings in bio-based S-PVC production. Furthermore, it is 100% recyclable and reusable, embracing the circular economy ideology.
Points of interests
- For fans of video game soundtracks, SNES, Metroid and Super Metroid and all of them, Samus Aran, atmoshpehric sounds, ambient music, synthwave, the 90s, Zebes Music, painstakingly recreating things.
- First ever release of Louisiana-based composer and producer Jammin’ Sam Miller’s full HD re-creation/restoration of the beloved Super Metroid video game soundtrack – on vinyl!
More
DLP: Limited Edition with exclusive artwork by Pierre Thyss and OBI strip
Tracklisting
A1. Opening (Destruction of the Space Colony)
A2. Theme of Super Metroid
A3. Spaceship (No SFX)
A4. Boss Confrontation 1
A5. To Planet Zebes
A6. Planet Zebes (Arrival on Crateria)
A7. Crateria (The Space Pirates Appear)
A8. Item Acquisition Fanfare (No SFX)
A9. Item Room
B1. Chozo Statue Awakens
B2. Brinstar Overgrown With Vegetation Area
B3. Mini Boss Confrontation
B4. Brinstar Red Soil Swampy Area
B5. Norfair Hot Lava Area
B6. Tension
B7. Boss Confrontation 2
C1. Theme of Samus
C2. Wrecked Ship
C3. Maridia Rocky Underwater Area
C4. Maridia Drifting Sandy Underwater Area
D1. Norfair Ancient Ruins
D2. Mysterious Statue Chamber
D3. Tourian
D4. Continue
D5. Samus Aran's Appearance Fanfare
D6. Mother Brain
D7. Ending
Info
WRWTFWW Records is happy to announce the first-ever physical release of Louisiana-based composer and producer Jammin’ Sam Miller’s full HD re-creation/restoration of the beloved Super Metroid video game soundtrack. The limited biovinyl double LP is packed with 27 tracks and features an exclusive artwork by French illustrator Pierre Thyss, as well as an obi strip.
Composed by Kenji Yamamoto and Minako Hamano, the soundtrack for 1994 SNES exploration / action-adventure / sci-fi / alien video game Super Metroid has always been a fan-favorite. A true masterclass in music storytelling, it beautifully evokes the epic and eerie adventure of the game’s protagonist Samus Aran with superb use of atmospheric sounds, space-operatic arrangements, rumbling bass, oppressive techno-futurist moods, tribal drums, and airy synth themes, admirably balancing the ominous feel of a dark menace and contemplative, even soothing, ambient soundscapes.
Jammin' Sam Miller assiduously recreated the soundtrack note by note, by finding the original equipment used to create it, translating the MIDI into a modern studio context, adding in keyboard samples, and re-mixing and re-mastering the whole score. He explains: "This was made possible by locating the original instrument samples from workstation keyboards and drum machines before they were put into the game and rebuilding the soundtrack from the ground up, applying some modern mixing techniques along the way to lift the veil of 16bit compression and create an updated listening experience."
Super Metroid is pressed on biovinyl, a sustainable alternative to traditional vinyl. Biovinyl replaces petroleum in S-PVC by recycling used cooking oil or industrial waste gases, resulting in 100% CO2 savings in bio-based S-PVC production. Furthermore, it is 100% recyclable and reusable, embracing the circular economy ideology.
Points of interests
- For fans of video game soundtracks, SNES, Metroid and Super Metroid and all of them, Samus Aran, atmoshpehric sounds, ambient music, synthwave, the 90s, Zebes Music, painstakingly recreating things.
- First ever release of Louisiana-based composer and producer Jammin’ Sam Miller’s full HD re-creation/restoration of the beloved Super Metroid video game soundtrack – on vinyl!
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Liaisons Dangereuses - Mystère Dans Le Brouillard
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Liaisons Dangereuses - Los Niños Del Parque
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Liaisons Dangereuses - Etre Assis Ou Danser
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Liaisons Dangereuses - Aperitif De La Mort
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Liaisons Dangereuses - Kess Kill Fé Show
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Liaisons Dangereuses - Peut Être ... Pas
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Liaisons Dangereuses - Avant-Après Mars
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Liaisons Dangereuses - El Macho Y La Nena
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Liaisons Dangereuses - Dupont
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Liaisons Dangereuses - Liaisons Dangereuses
A milestone in electronic music, is finally receiving its well-deserved re-release: Liaisons Dangereuses’ legendary self-titled debut album still fascinates today, through its innovative sound and the mystery encompassing it. Since its release in 1981, it has become a classic in electronic music. The 10 electrifying songs produced by Chrislo Haas (DAF) and Beate Bartel (Mania D. / Matador) – reinforced by Krishna Goineau’s French and Spanish Speech-Attack-Lyrics – created a unique style. The album – anything other than a Berlin or Düsseldorf ‘thing’ – was propelled to an international favourite. Songs such as “Peut Être... Pas” and “Los Niños Del Parque” played a decisive role in the development of Detroit and Chicago’s house sound, as well as various forms of European techno.
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