2020 repress

RB super proudly presents: MIM SULEIMAN! The Zanzibar born and Sheffield based singer/songwriter/performer made quite a name for herself on the afro-beat stages of this world with her mixture of East African vocals and percussive traditions. Nyuli is the first single accompanying her mesmerizing album Tungi, which has Mim singing and writing in her native tongue Swahili and is a mixture of all things ultramodern afro beat, rhythm trax and futuristic pop music. Here we have the more boogie side of things with a nice dub on the flip for extended mixing pleasure and double copy pressure. Produced by MAURICE FULTON. Mim says BlessUp! Big Up! More

Special Remarks : Gatefold Sleeve Digipak

Tracklist
1 Shukuru Intro
2. Aruka
3 Shukuru Part 2
4. Usiogope
5. Na Mia
6. Uutu
7. Shukuru Part 3
8. Kuemenora
9. Haki
10. Ama Kweli
11. Shukuru Part 4
12. Were
13. Patosha
14. Shukuru

Release Info:

''BubbleTease Communications and Running Back team up once again for Mim Suleiman’s fifth studio album on vinyl and compact disc. During the course of Si Bure you will find Mim at her very best. It’s easy to imagine the Zanzibar-born-UK-based vocalist and percussionist dancing and prancing to the 14 songs featured here. The tropes of house and disco are mixed here with wonderful rhythmic adventures, infectious futuristic pop and ultramodern African music, while the mesmerizing and addictive lyrics are sung in Swahili and deal with love and affection, freedom, oppression, unity and everyday life. Enchanting, entrancing and entertaining all the way. Produced by Maurice Fulton.'' More

Special Remarks : 5mm Sleeve

Tracklist
A1 Shukuru Intro
A2. Aruka
A3 Shukuru Part 2
A4. Usiogope
B1. Na Mia
B2. Uutu
B3. Shukuru Part 3
B4. Kuemenora
C1. Haki
C2. Ama Kweli
C3. Shukuru Part 4
D1. Were
D2. Patosha
D3. Shukuru

Release Info:
''BubbleTease Communications and Running Back team up once again for Mim Suleiman’s fifth studio album on vinyl and compact disc. During the course of Si Bure you will find Mim at her very best. It’s easy to imagine the Zanzibar-born-UK-based vocalist and percussionist dancing and prancing to the 14 songs featured here. The tropes of house and disco are mixed here with wonderful rhythmic adventures, infectious futuristic pop and ultramodern African music, while the mesmerizing and addictive lyrics are sung in Swahili and deal with love and affection, freedom, oppression, unity and everyday life. Enchanting, entrancing and entertaining all the way. Produced by Maurice Fulton.'' More

Running Back super proudly presents: Mim Suleiman!

The Zanzibar born and Sheffield based singer/songwriter/performer made quite a name for herself on the afro-beat stages of this world with her mixture of East African vocals and percussive traditions. Tungi is Mim Suleiman's debut long-player which has her singing and writing in her native tongue Swahili. Tungi is a mixture of all things ultramodern afro beat, rhythm trax and futuristic pop music. Starting off with the uplifting vibe and beat of Hebu, you will find boogie moments like Nyuli or Bibi Na Mpu (including a dub version) along the way, as well as quieter moments, rhythmic adventures called Flava or the hi-life guitars of Mingi and Haraka Haileti Baraka. Music for the world, led by the powerhouse that is Mim Suleiman and her lyrics about love and affection, freedom, oppression, unity and everyday life. Mesmerizing and addictive.

Produced by Maurice Fulton. Mim says BlessUp! Big Up!
Press photographs are available on request.
The artist is available for Interviews and radio mixes in the run up to release.

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12"
Tracklist:
A1. Heartbreaks & XTC
A2. SH-09
A3. H3000
B1. Faith
B2. Time
B3. Sat Morning


The return of the mack. Chris Barratt aka Eagles & Butterflies possess the rare ability in his music to unite a larger-than-life peak time producer personality with the understated production method of underground records, techno pop and a modern Italo twist. Perfectly suited for Running Back, Heartbreaks & XTC is luckily exactly that. The mirror image of Eagles & Butterflies and how to find common ground between polar flairs. Chord happiness, Italo bass lines, arp art, filter magic and side chain stunts. Indispensable to life or any dance floor near you.





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2024 repress

Tracklist:

A1. Beautiful Strangers
A2. Can’t Fix A Broken Heart
B1. When I’m With You ft. Jasper Tygner
B2. False Attraction
B3. Memories Fade

Release Info:
Ever since the release of his masterpiece Winona it’s hard to imagine modern electronic dance music without DJ BORING. A progressive traditionalist DJ BORING finds new ways in old maps. Just like Beautiful Strangers. The lead single to his correspondent debut EP for Running Back illustrates his kaleidoscopic sound aesthetic and refreshing style. Harking back to the aural palette of BORING’s formative years in the early 2000s it manages to bridge infatuation and lovesickness wistfulness and bliss as well sundowns and sunrises dance floors and living rooms – and that is no mean feat.













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Tracklist
A1. Basics (Gerd Janson Re-Edit)
A2. Drivers License (Gerd Janson Re-Edit)
B1. Vibes (Gerd Janson Re-Edit)*
B2. Lost (Gerd Janson Re-Edit)*

The onus of proof regarding deepness is a rather peculiar one. Even if one presses all the right buttons, quotes the correct sources and applies the textbook techniques, often something seems to be amiss. The elusive producer Mute never had that problem. Blessed with a a sound of his own, that seems to stem from within and can be called deep house without the genre’s strait-laced demeanor, his aesthetic includes a distinct feel for boogie and disco tropes. Case in point: Lost. Placed as a B2 it is the secret start of Direct Cuts II and more
prominent on this new edition of a classic Running Back record. Molded into an extended disco version by Gerd Janson with unused parts of the original recording session, it something like a curveball deep house disco song, according to the motto: you and me, we can be like a whole universe! Hard to resist and even harder not to like if you have the slightest interest in Prelude records, Diana Ross songs or Tee Scott mix techniques. Basics, Vibes and Driver’s License push further into the world and musical mindset of Mute.
Originally released in 2006 as the the fourth outing of the label and the second (and his last one to date) of the elusive artist, it is still as remarkable as on its first release. Carefully rescued from the original DAT tapes, all re-edited by Gerd Janson and remastered by Lopazz, it’s available again in a clear and present portraiture of its original intent. Early adopters like Danny Krivit and the Idjut Boys can’t be wrong.



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Tracklist:

A1. Phantazia
A2. 89 Swing
A3. Euphony
B1. Uplift My Spirit
B2. Elevate
B3. Love Tunnel
B4. Siren Tool

The second part in Shan’s warehouse series delivers more of the same – but that’s definitely a great thing, if the dish has a great taste. Like it’s successful predecessor, the tracks don’t re-invent the wheel, but cater to all the nameless spaces and places that made raving in defiant and derelict places fun. There is house that sounds like techno (Elevate) and vice versa. Seasoned with break beats (89 Swing or the Future Sound of London-esque Euphony) or breaks for love (Uplift My Spirit) and even dub sirens, it is almost impossible not to find something to suit the customer’s environment. The main focus of attention might be the jack of all trades called Phantazia. Wouldn’t have sounded out of place at the entertainment series of the same name, it melts proto hardcore harmonics with Soul II Soul type of strings and immediate call for „the action“. And as we all know, that always speaks louder than words.


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2024 repress with new artwork

Tracklist
A. Neutron Dance
A2. Division Ave
B1. Shockzoid
B2. Moonshake Miner

Shortinfo:

You remember that kung fu kid movie, where he had to wash the motorcycles for years and then…whatever, constant dripping wears away the stone. Dublin-Manchester-NYC'S finest Krystal Klear (Cold Tonic, All City, Tooth Pick) has been honing his skills as a dress man for years and also made a name for himself as an expert in all things (electronic) boogie. "The Division" is his dapper debut EP for Running Back. Custom-made club studies shifting between sound factories, hot haciendas, heavenly lagoons and chrome-plated dance floors: fast, slow, hard and soft.
A love letter to dance music written with pink ink. Oh, and there is "Neutron Dance" on it as well…yes, the euphoric fun one. once again: dance!"

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Tracklist

A1. Ricardo Baez - The Age Of Energy
A2. Josh Micky - Imaginarium
B1. BSS - Jannis
B2. Brynjolfur & Storken - Twist
B3. Jonus Eric - Ribbon

Summer and the seventh part of Running Back‘s revered various artist series are here. This time consisting of five tracks across the spectrum of cunning and contemplative dance music. Taking over the a-side duties, Ricardo Baez and Josh Micky demonstrate the uncanny alliance of pianos and Italo bass lines for heavy modern disco hitters: high times, fun stuff. BSS‘ Jannis puts that concept on its head with a different kind of piano track. Hypnotic deep house minus all its cliché-ridden traps. Bryolfur and Running Back mainstay Storken opt for trippy and tricky disco with Twist, while Jonus Eric ticks all the IDM and brain dance boxes with Ribbon.
Easy to swallow and value for money.

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Tracklist

A. Can't Stop
B1. Follow The Disco Ball
B2. Can't Stop (Dub)



Can't Stop .There seems no better way to describe the work, party and music ethic of Solomun. Carrying the mirror ball on his shoulders like Atlas, it is impossible to imagine the modern disco world without his dynamics. While his countless DJ sets give fresh impetus to the many shades of house, techno and their siblings, conversely they are a driving force behind his studio and remix excursions. Can't Stop provides an impressive insight into his musical universe.

Resulting from a rather casual after-dinner-listening-session during a car ride on Ibiza with a zesty Gerd Janson, who coaxed the title track out of Solomun making use of their friendship to full capacity, it is a triptych of direct, functional and free-spirited dance floor approach. After some back and forth in the search of the missing pieces to make it so, Solomun managed to deliver the perfect Running Back peak time record.

While Can't Stop channels UK dance music highs through German engineering values, which makes it perfect for dance hall and car rides (yes, indeed!) alike, its heavy dub is constructed with fearless techno DJs in mind who like new beat excerpts, rave stabs and a lot of bass in equal parts. Follow The Disco Ball leads us back to the aforementioned Greek titan and can be read as a love letter to the genre that can be found in its name. Catchy, compelling and cool, it is a masterclass in user-friendly, yet edgy arrangement and dancing shoe compatibility. We repeat: the perfect Running Back peak time record. Can't Stop, won't stop!


Short: Solomun on Running Back. Dance floor fanatics at work. A triptych of fun, friendship and functionality. Can't Stop channels UK dance music highs through German engineering values. Perfect for dance hall and car rides alike. Its heavy dub is constructed with fearless techno DJs in mind who like new beat excerpts, rave stabs and a lot of bass in equal parts. Follow The Disco Ball can be read as a love letter to the genre that is found in its name. Catchy, compelling and cool, it is a masterclass in user-friendly, yet edgy arrangement and dancing shoe compatibility. The perfect Running Back peak time record. Can't Stop, won't stop! More

Tracklist:

A1. Dance Of Enjoyment
A2. Let The Music Take Control
A3. Let The Music Take Control (DJ Tool)
B1. Change Of Heart
B2. Digital Illusion
B3. Digital Illusion (Bonus Beats)




Finally, it‘s happening: the „other“ Gerd appears on Running Back. Not counting in his remix for Losoul‘s Open Door and not to be confused with the label owner Gerd Janson. Based in the Netherlands and strongly associated with the Clone complex, Gerd has been releasing countless tracks and records since the dawn of the nineties. A true child of the „techno“ Zeitgeist back then, he is keeper of a dozen monikers, project names and joint ventures that tend to connect the dots between house and techno, functionality and avantgarde electronics. Gerd‘s frame of mind is second to none, when it comes to sound research, inspiration and imagination.
For Running Back he decided to put his own spin on some of the label’s signature dishes.
The opener Dance of Enjoyment is exactly that. Based on a cleared sample from Shakira by Quinton Madlala and imported by early South African kwaito and house, it is exactly that. Life-affirming dance-floor fun or pogo time for piano people.

Let the Music Take Control dials the peak time slightly back to being a party starter with its retrofuturistic speak and spell command and some evergreen breakbeats. An additional DJ tool allows to spread the gospel elsewhere, too.

Speaking of which, the flipside deals with that in the realm of an Italian influenced theme park. Sitting neatly between the disco and the house appendix of “italo“, Change Of Heart and Digital Illusion are sugar frosted and masterful produced versions of a style that might never go out of fashion. Earnest characters might be happy with the included bonus beats on their own. All’s well that ends well: Gerd and Running Back are here to save a party near you!






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2024 Repress

Tracklist:
A1. Lonely Planet A2. Trance Encounters A3. Today ft. Sui Zhen
A4. Warp Odyssey B1. Voices B2. Kingdom Animalia B3. Healing Feeling

Info:
The eye of the storm: welcome to Tornado Wallace's debut album! The accumulation of about four years of work, with tracks written in Berlin and Melbourne, 'Lonely Planet' is nothing like you may have expected from the Australian expat. No stranger to fans and followers of ESP Institute, Beats in Space and Music From Memory's sister Label Second Circle, Tornado Wallace's strain of releases so far merged functionality with a musical playfulness that led him to find himself as one of the producer's behind José Padilla's International Feel album. Here, he leaves the needs of the dance floor behind in order to create a magical mystery tour de trance into his and our inner jungle.

How about some references? New Age sounds meet new wave melodies, Grace Jones runs into the Dire Straits at Compass Point, while a Korg Mini Pops and a Roland CR78 make amends for Sly & Robbie's absence, Michael Mann pictures Joseph Conrad's 'Heart of Darkness', Robert Rauschenberg tries his luck at naturalism and an imagined Wally Badarou echoes through all of it.

Sandwiched between the title track and the yearning beauty of the album's final point 'Healing Feeling', you get all of that as well as collaborations with and contributions of NO ZU, David Hischfelder and the voice of Sui Zhen on 'Today', who would easily make Anna Domino take her proverbial hat off.

Tornado Wallace created an album that supersedes the requirements and expectations of a debut. Like a lost Island Records or a never released Made to Measure album, 'Lonely Planet' soundtracks notions and ideas that recall the nostalgic future in the past as much as it looks ahead.
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12"
Tracklist

A1. Crane Song (HnH Mix)
A2. Deranged Self Therapy
B1. Crane Song (Dopanin Mix)
B2. Centro Di Gravita
B3. Any Plan(t)s This Weekend



Johann Wolfgang von Goethe is always a reliable source for a good quote: "We must always change, renew, rejuvenate ourselves; otherwise, we harden." Sure as death, there is an excerpt of his that states the opposite. In the case of Robert Dietz, it holds true. Since his first appearance on Running Back in 2009 (Forward Snipping), he did a marvelous job staying on his toes as a producer and DJ.
Rejuve-Nation showcases his talent in various alleys of electronic (dance) music with Crane Song being the prime cut here. You will get exposed to proggy house with an intelligent brush in two slightly different mixes. Imagine if Euro dance went to get a college degree or a bumper car floor and you are almost there: an almost irresistible sing a long without lyrics.
If you need help afterwards, Deranged Self Therapy is exactly what you need. IDM meets new wave drums, poignant synths mix with an upbeat hook to create a ballet piece for lovesick robots.
Centro Di Gravita reconnects those qualities with the aforementioned Crane Song ones, while giving it an acid spin, before the ambient salts of Any Plan(t)s This Weekend closes the EP off like a confident sketch for the end of a beautiful summer. A bouquet of bangers for different needs.

Short: One Rejuve-Nation EP under a groove with Robert Dietz' return on Running Back. Proggy meets acid house, IDM leanings mix with stylistic devices of new wave and extra special ambient aerobatics round out the EP. Special attention goes to Crane Song and its peak time perfection. A bouquet of bangers for different needs.





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Tracklist
A1. Entity
A2. Typhoon
B1. Love Is All I Need
B2. Rampage

New Krystal Klear on Running Back. No re-inventing of the wheel here. Sometimes it is what it is. But let‘s hear it from the artist himself:

“ No notes or real inspiration behind this EP. Rb128 consists of four tracks that I made to keep gigs coming and the calendar full - In a time where artists are being forced to DJ like maniacs to keep the electricity running to make more quickfire records (except for Gerd who loves it).

These pure dance tracks try to mix the cocktail between the trendy trance that people like now and the good house records they liked yesterday.

Standard procedure: Melancholic chords over processed drums and breakdowns that make waiting for a train to pull in more bearable.“
But yes, it is still and will always be pretty damn good dance music (Gerd does a high kick and claps his hands)! Love is all we need.

Short:

New Running Back by the ever-reliable Krystal Klear.

Standard procedure: Melancholic chords over processed drums and breakdowns that make waiting for a train to pull in more bearable.“
But yes, it is still and will always be pretty damn good dance music! Love is all we need.






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mini-LP

Tracklist

A1. Baerhit
A2. Do You Like That?
A3. Breathe
B1. Want Me
B2. Distant City Tranceport
B3. Sometimes I Miss You

Raphael Schön might still be best known for his Fiesta 2000 hit, but that ought to be changed with Heart Times. Hailing from Augsburg in Germany, RS represents a young generation of producers that draw their own deductions from golden days (insert your favorite era here) of dance music. Respectful and without handling it with kid gloves, he manages to inject fun, freshness and a fertile imagination into these sometimes dusty topics.

Conceived during a very emotional turbulent time for Schön, it is a showcase of his whole spectrum as a producer. Imagine a singer-songwriter coming back from his first rave. So, on this six-track EP for Running Back, his sound ranges from classic house (Baerhit) to crooner prog (Sometimes I Miss You), with mellow trance (Distant City Tranceport) and jiggy hits (Do You Like That) in-between. A dance hall unifying and colorful bouquet of flowers that does not shy away from vocals, emotional undertones and most of all bass and hook lines to die for. Schön means beautiful in German and that’s what this mean record is. Do you like it like that?







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Tracklist

A1. Reality
A2. Fantasy
B1. Puzzle
B2. Halle Weissensee

Halle Weissensee (or Weißensee if you wish) starts where Sascha Funke’s last Ep for Running Back stopped. Mesmerizing house and techno music that interweaves classic forms with modern means and looks through the lenses of nostalgia with an open mind.
The Halle was a former engine plant in Berlin that got converted into a rave areal for the now legendary Mayday raves and one of the birthplaces and leading spots of the nineties. Coincidentally and unknowingly, 1993’s winter edition was attended by Funke and Gerd Janson and a conversation about it spawned this record. Don’t be mislead: this is not a retro rave fest, but an ode to the esprit of the times, the possibilities if an envisioned future and maybe most of all an afterglow. While Reality (sounding like a Relief record if the label would have been a topic at Bauhaus university) and the warped bleepiness of Halle Weissensee itself come closest to the actual sound aesthetic of that very night, Fantasy invokes the language of contemplative deep house from vintage New York, while Puzzle evokes a notion of what the same thing could be with the prefix progressive instead. Reality often falls short behind fantasy, but once in a while both complement each other very well.


Short: Halle Weissensee is Sascha Funke’s second Ep for Running Back. Named after the legendary rave warehouse, its four tracks far from being a retro rave. Mesmerizing house and techno music that interweaves classic forms with modern means and looks through the lenses of nostalgia with an open mind. An ode to the jackin’ Relief sound meets bleep tracks, contemplative deep house and progressive hypnotism.





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Tracklist

A1. Playin’
A2. Bodies
B1. Feel This
B2. Call Of The Void

Partiboi69 strikes poses, chords and hot irons. Australia’s spiciest export since INXS’s front man is a sensation on many (meta-)levels. Musically, aesthetically and hedonistically exhilarating, the man’s man shows his sensitive side on Running Back. Four tracks answer the Call of the Void with a showcase of sounds and moods that are as much informed by the rules of old school dance music (Bodies) as they draw inspiration from classic rave closing tracks (Playin’), plangent pop (Feel This) and a former new romantics band that just discovered house music pre-internet (Call of the Void): surprisingly serious and simultaneously not-so-serious. Composed and executed with serious songwriting skills and an uncanny feel for the aural world of Running Back Records. A mutual pleasure, indeed.

Short: Partiboi69 strikes poses, chords and hot irons. Showing his sensitive side for Running Back with four tracks that are as much informed by the rules of old school dance music (Bodies) as they draw inspiration from classic rave closing tracks (Playin’), plangent pop (Feel This) and a former new romantics band that just discovered house music pre-internet (Call of the Void). A sensation on many meta-)levels and a mutual pleasure, indeed.




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Tracklist

A1. Ocha (Re-Edit)*
A2. Never (Re-Edit)*

B1. Direct Cut (Re-Edit)*
B2. Bensono (Re-Edit)*


Re-issue of a Running Back classic. Originally released in 2003 as the the second outing of the label, it is still a remarkable release in the catalogue. Now, carefully rescued from the original DAT tapes, re-edited by Gerd Janson and remastered by Lopazz, it’s available again in a clear and present portraiture of its original intent.
Conceived by the rather elusive Mute, the Direct Cuts are a master class in heartfelt and understated timeless deep house. Influenced in equal parts by the still towering Prescription Underground and the New York singularity that was a young Bobby Konders, Mute managed to create a sound of his own. Marked by live arrangements, bedroom studio aesthetics, a love for dub music and a tempo that was more boogie than techno, it has not lost an inch of its charm. A proposition that probably led Leon Vynehall to pick the hypnotic Never for his Fabric mix. Along with Ocha, Direct Cut and Bensono, Mute proves that iteration does not necessarily mates with deadly dullness.


Short: Re-issue of a Running Back classic. Originally released in 2003 as the the second outing of the label, it is still a remarkable release in the catalogue. Now, carefully rescued from the original DAT tapes, re-edited by Gerd Janson and remastered by Lopazz, it’s available again in a clear and present portraiture of its original intent. A master class in heartfelt and understated timeless deep house




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Tracklist

A1. Narciss 'Venice' Remix
A2. Cinthie Remix
A3. Curses Remix
B1. Narciss 'Salford' Remix
B2. Kid Simius 'Bolero' Remix

Remix package deluxe! Ede & Deckert feat Sargland’s catchy new wave post punk hit Immer gets the special treatment. Their tale of lover’s grief or delight is being put through the mangle by a varied bunch of remixers. Literally taking the advance party its Berlin’s Narciss with two different takes. Known to be without fear of emotional peaks and blessed with the usual sense of delight, they manage to hit the nail on its head. The Venice Remix is a master class in vintage sounds coming through new speakers: primed for the prime time, while the Salford version does exactly what the name implies: for lads and lovers.

Followed up by the simplicity of grass roots house music. Cinthie channels her inner DJ Duke and choreographs the indie dance steps back to basics. The Curses Vocal keeps the instrumental, stays in the original vibe, but switches the vocals – and the language. Finally, Kid Simius takes us on a bumper car ride somewhere between Miami Sound Machine and Yazoo.

Immer works its magic in every way for everyone and now on almost any dance floor.





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Tracklist

A1. Kosmische Conga
A2. Echopet
B1. Minehead
B2. Carinacid

Re-Dial 303.

The follow-up to the first Acid Sampler is now in the hands of a single artist. Space Dimension Controller does Running Back the honor to leave his fingerprints on the (usually) silver box - and it’s a match made in heaven. The Irish man’s music is mostly a nod to the subtle and more delicate ramifications of electronic music. His Acid Sampler is no exception. Most of the EP presents itself as an ode to the brain dance vibe of acid house rooted music. While leaving out the harder and faster styles of the genre, SDC manages to pour his heart and soul as a producer into these four charming tracks.

Kosmische Conga works as the leader of the pack and pirouettes with memorable hooks, synthesizer swells and descant acid lines. Echopet introverts the whole concept, while Minehead peaks with it. Named after the seaside town that harbored the Bloc Weekend festival, its a warp-free romantic reflex of the brain dance vibe – or a heartfelt love song for circuits. Carinacid completes the quartet with a chugging and hugging mid tempo beat that could have gone on forever. Acid test passed! Artwork by Gasius.











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2x 12" vinyl with full cover print

TRACKLIST:

A1. Voices (Arthur Robert Remix)
A2. Temple (Ø [Phase] Remix)

B1. Tor 8 (rRoxymore Remix)
B2. Space Cowboys I (Pangaea Remix)

C1. Yantra (Planetary Assault Systems Remix)
C2. It's Time (to Move Your Body) (Truncate Remix)

D1. Don't Be Stupid Day (Djrum Remix)
D2. Friedrichshain Funk (Polygonia Remix)

INFO:

With an album as versatile and expansive as his LP Fusion, Len Faki wanted a collection of remixes to display a similar kind of musical variety. Hand-picked from his favorite producers, the cast now features a diverse group of artists who have re-imagined 20 of Fusion's tracks, set to arrive on two double and one single 12" EP.

FigureX39 kicks off the trilogy, with our very own Arthur Robert at the helm, fittingly remaking the album's pensive closer into a melodic peak time stomper. Ø [Phase] ramps up the intensity on straight-laced Temple, keeping the BPM in line with modern techno's need for speed.
On the flip, rRoxymore inverts Tor 8 into a psychedelic funnel of haunted voices and pummeling percussion, while dubby synth swilrs and ferocious filter action give Pangea's rework of Space Cowboys I a distinctly UK-feel.
Coming in as hard hitting as ever, PAS layers high-octane rave stabs and nonstop propulsive drums on his version of Yantra and one of the album's few original house tracks, It's Time … gets the Truncate treatment, making for lean, clap-heavy groover with enough low-end to move some bodies. Often known for his cinematic compositions, Djrum delivers a complex masterpiece of heady drum science and intricate patterns condensed into one dazzling mosaic of sound. Closing this first EP out in style is Munich-based newcomer Polygonia, presenting her shimmering and always shifting remix of Friedrichshain Funk, effortlessly moving between driving rhythms and mystical melodies.

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Special remarks: handstamped vinyl, cover sticker

Tracklist 12":

A1. Jakobin - See Me Through (Das Komplex Remix)
A2. Ken Hayakawa & Lee Stevens - If You (Rosa Red Remix)
B1. Lee Stevens & LeSale - LuvSick (Tomasz Guiddo Disco Remake)
B2. Burnin Tears - Permanent Midnite feat. Georges Perin (Lee Stevens & Local Suicide Remix)
B3. Burnin Tears - Permanent Midnite feat. Georges Perin (Local Suicide Remix)


Short Info:

A new Luv Shack sampler comes in the form of Retroscope 02, and its another exuberant remix affair.

Das Komplex‘ hot psychedelic-disco take on Jakobin´s „See Me Through“ is followed by an unhinged Rosa Red remix of „If You“ by Lee Stevens & Ken Hayakawa, followed hot on the heels by Guiddo‘s synth heavy Disco Remix of LeSale & Lee Stevens „Luv Sick“ and a set of two reworks of Burnin Tears „Permanent Midnite“ feat. George Perin by Local Suicide, the first with assistance in Oomph! by Lee Stevens.



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2022 repress

UPC: 827170470064 Release : 19.11.2012
A. Dntel - My Orphaned Son (Die Vögel Remix) AA. Herbert - It's Only (DJ Koze Remix)
Pampa is proud to present stunning remixes from Die Vögel for Dntel & DJ Koze for Matthew Herbert. Still impressed by the outstanding Dntel album "Aimlessness" Die Vögel deliver a remix that broadens their multifaceted sound aesthetics once again with catchy Steve-Reich'esque melodies that cover the voice of Jimmy Tamborello just like they always been there. A very powerful fundament is carrying the house, so big and full of suprises. Also, this house has many windows to all cardinal points.It was 2001 when Matthew Herbert enchanted us all with his blueprint album "Bodily Functions". 11 years later the distinctive DJ Koze takes on two of his all-time favs to remix, "You saw it all" (which will be part of the re-release on Accidental) and "It's only" which will be released by Pampa Records digitally AND on vinyl. The result is a breathtaking piece of modern music,
The beautiful voice of Dani Siciliano has experienced a total new dress, she´s now the irrestible captain of a fat but flexible submarine, diggin' in deep waters for new ways to enlighten the dancefloor...
An instant classic already....
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Tracklist:
A1. Mesmerized (Giovanni Damico Remix)
A2. Mesmerized
A3. Mesmerized (Daniel T Remix)
B1. What It Takes
B2. What It Takes (Rayko vs WvP)
B3. What It Takes (Bonus Beats)

Key Selling Points
LA-based DJ duo Guruku is back with their second release. The title track ‘Mesmerized’ has a throwback feel to the likes of The Gap Band, Prince, and D-Train. With a loose format, Rojai’s vocal builds the dubbed-out drums and heavy synth line that rises to an electrifying release with dirty hypnotic pads smothering a delicious bassline. Italy’s Giovanni Damico lays down a heavy bass textured to perfection with tasty vocoders throughout. Daniel T. (Cosmic Kids/DFA) takes rhythmic cues from B’more's Unruly Records while keeping close to his West Coast roots with a G-funk synth line riding high. What It Takes starts with a melodic, percussive Moog line that breaks into a full production of Rhodes, live bass, and early 80s drums. Rojai delivers a heartfelt love letter letting the one know they can stand the test of time. Rayko vs Wvp mix keeps the boogie alive with a cascading bass line for the dancefloor.


RIYL: Star Creature, Dam Funk, Ray Mang, and The Gap Band.
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Get Physical strides into its 21st year with a reissue of one of its most iconic tunes. M.A.N.D.Y. vs Booka
Shade's 'Body Language' has been remastered for the occasion and will be available on vinyl, as well as
digitally and on streaming platforms for the first time ever, with new remixes from HOSH and Patrice
Bäumel.

Tracklist:
01 M.A.N.D.Y. vs Booka Shade - Body Language (Patrice Bäumel Remix)
02 M.A.N.D.Y. vs Booka Shade - Body Language (HOSH Remix )
03 M.A.N.D.Y. vs Booka Shade - Body Language (Original)


M.A.N.D.Y. aka Patrick Bodmer and Philipp Jung, and Booka Shade, aka Walter Merziger and Arno
Kammermeier, are Get Physical co-founders alongside DJ T., and 'Body Language' is one of the label's, as well
as dance music's, biggest ever tunes. Released in 2005, it defined an entire generation of house music and
spawned myriad copycats in its wake as well as making household names of the artists behind it. It became an
instant classic that worked as well in cosy clubs as it did on festival main stages and it has remained an
ever-green house anthem. The influential track has been sampled many times over the years but nothing beats
the original.
The chunky house drums still sound from the future today, with fleshy hits and warming bass. What makes it such
a standout track, though, is the gorgeous melodic hook that rides up and down the scale. Those soft focus notes
are full of subtle but playful soul that never fails to unify a crowd, bring smiles to faces, and get hands in the air.
The first to remix is acclaimed German artist Patrice Bäumel. He is a master of stylish and deep house and techno
with expressive synth work on labels like Kompakt and his own HALO. His superb version is a complete overhaul
with deeper drums and a sense of late-night tension that is released in glorious fashion when the iconic melody
comes in. It's the sort of tune that is suited to 4 am dance floors and will take things to the next level. The second
remix comes from fellow German HOSH. For many years a core part of the Diynamic family he is also the founder
of the fryhide imprint and an assured underground talent. He layers in some fresh and airy breakbeats to power
along an expansive remix. After a long and atmospheric build with plenty of cosmic synth work, the original
melody arrives during a breakdown and then plays out over the suspensory grooves.
This is a superb package that brings a widely loved favourite back to the fore with contemporary remixes and a
fresh remaster.
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Special remarks : handstamped whitelabel, downloadcodes


Genre: Techno


Tracklist 12":
A1 Specific Objects – Nightnoise
A2 Specific Objects – Nightnoise (Introversion Remix)
B1 Specific Objects – Virgo Vibes
B2 Specific Objects – Sweet Spot
Digital Only: Specific Objects – Nightnoise (Introversion’s Trippy Edit)




Short Info:


Handstamped whitelabel with 4 fast paced and forward driving techno killers from Specific Objects including an Introversion remix.

Mastering & lacquer cut by Kassian Troyer at Dubplates & Mastering Berlin
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Tracklist:

(1) Gregor Tresher – Black Halo (DE-Q20-23-00015)
(2) Gregor Tresher – Phantom Dancer (DE-Q20-23-00016)


Cocoon Recordings' next 12” vinyl comes from a well-known face. No introduction needed as nobody less than Gregor Tresher once again delivers a superb and surprising pair of tracks.

“Black Halo” is down-the-line and perhaps one of the catchiest tracks by Gregor Tresher.
The wobbling driving bassline builds up a rising tension that increases through the vast, detuned, and powerful string parts appearing to extend out to light years, reaching far beyond. Zaps drive the rhythm forward while rushing cymbals push the groove and weld everything together to absolute unity. For Gregor, techno and club culture have certain transcendental qualities, “Black Halo” is concerned with these sentiments and tells an ambivalent story. The onset of bliss oscillates between melancholy and hope, making it an exuberant roller coaster of emotions. A classic Gregor Tresher track, which perfectly represents Gregor’s signature sound!

“Phantom Dancer” literally pulls you onto the dance floor. Discharging beats, which hit you heavily but pleasant. The atmosphere violently evolves with a twisted noise-like signal sound and gets even more brute through the low-pitched filter vocals. An exceptionally deep techno production by Gregor Tresher, which will definitely come to full fruition in the clubs at peak time.



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2024 repress

Format: 7''
Format Notes: Picture sleeve

Track List:
A1 : Release The Beast (4:50)
B1 : Let Love In (4:35)

Release Notes:
Get Up! Time to release this beast on 7''.

Breakwater’s earth-shattering “Release The Beast” is unquestionably the standout song from their 1980 funk masterpiece LP Splashdown. It also came out as a now-hen’s-teeth-rare 7" in the same year and when it came to putting it out as a 7" again we just had to do it in a miniature version of the Splashdown sleeve. It’s one of the best album cover shoots of all time.

For the b-side, we’ve backed Breakwater’s biggest track with Be With’s favourite: the quietly majestic gem “Let Love In”, another winner from the same LP.

Possessing a sound and a feel that was lightyears ahead of its time, “Release The Beast” is a showcase for Breakwater’s phenomenal power-funk capabilities. The energy is astounding. It rips out of the grooves on a deep funk tip, with speaker-smashing, room-shaking drums competing with distorted funk-rock guitar, bumping bass and space-age synths. But it’s not without its compellingly haunting elements too. What else can we say? It’s a genius piece of music.

And, yes, of course this is the tune Daft Punk sampled for their 2005 track “Robot Rock”. Let’s be blunt, they lifted the Philly act’s funk-rock vamping pretty much wholesale. But to be fair to them we wouldn’t have messed with the perfection of the original either and those Parisians shone a much-needed spotlight on an innovative band from the halcyon period of post-disco funk.

On the flip, “Let Love In” is a smooth, easy glide that demonstrates Breakwater’s superb, sophisticated musicianship. The tight horn section and irresistible bass make for an undeniable groove. However, it also reveals a depth to their lyricism that’s often overlooked. In these dark days, the sentiment of the opening lines is truly one to we should all take to heart:

“It feels good to be friends with everyone, Walk around and the feeling’s in the air, No more hate can’t you see, This is really for me.”

A feel good hit for the summer if ever there was one.

Remastered for this vinyl reissue, we’re delighted to present this modern soul double-sider. Essential in every way. More